The word "eparapo" means "join forces" in Yoruba, the language of Afrobeat. It's also the title of a track by the late, greatTony Allen- drummer for Afrobeat legendFela Kutiand lifelong friend and mentor of our very own "Afrobeat Ambassador",Dele Sosimi. Not only did Tony help to invent Afrobeat, he always looked for ways to push the boundaries, never content with recreating what had gone before but constantly expanding and developing the genre. This project hopes to pay homage to his legacy, and that of Fela Kuti himself. Its aim is to innovate, fuse and diversify while still retaining the essence of the music.


The force behind Eparapo is bassist, composer & producerSuman Joshi.He has been a member of Dele Sosimi's Afrobeat Orchestra for nearly a decade and has performed on stage with the likes of Tony Allen, Seun Kuti, Ginger Baker & Laura Mvula. He is also bassist with UK jazz ensemble Collocutor and fusion project Cubafrobeat.


"The Eparapo project was conceived during a time of lockdowns & government scandals. The music that makes up this album was written and recorded against a backdrop of societal upheaval, culture wars and rising wealth inequality. With little scrutiny or resistance from the mainstream media, our human and democratic rights were being eroded and our institutions debased. Even our right to protest is now under threat. This is a call to action, an expression of frustration & anger at what our nation has become. It's saying that enough is enough, it's time to join forces and make our voices heard. It's time to take to the streets."Suman Joshi


The title track is an epic eleven minute musical representation of this frustration and anger, where the musicians really let loose and allow their voices to be heard. As the only instrumental track on the album it acts as a call to action that is central to this body of work. Featured vocalists on the album are Fela Kuti disciple and Wah Wah 45s artistDele Sosimi, who appears on the singlesBlack Lives Matter,From London To LagosandWho Invented Back & White?as well as a more recent recording,Follow The Money; and London based, Ghanaian born master percussionist and vocalistAfla Sackey, who takes lead vocals on the mournful yet somehow hopefulBeautiful City.


The rest of the group comprises of highly rated UK jazz vocalistSahra Gure; saxophonist, composer, producer and bandleader of the renowned forward thinking jazz outfit Collocutor,Tamar Osborn; keyboard player, producer and front man for Lokkhi Terra and Cubafrobeat,Kishon Khan; one of the UK's finest and most in demand trumpeters,Graeme Flowers, who has played with Quincy Jones, Gregory Porter and many more; trombonist for Bellowhead and mainstay of Dele's Afrobeat Orchestra,Justin Thurgur; and finally drummer for Steamdown and Sons of Kemet, as well as the man behind the Nache project,Eddie Wakili Hick.

TRACK LISTING

1. Follow The Money (feat. Dele Sosimi)
2. Who Invented Black And White? (feat. Dele Sosimi)
3. My Beautiful City (feat. Afla Sackey)
4. From London To Lagos (feat. Dele Sosimi)
5. Take To The Streets
6. Black Lives Matter (feat. Dele Sosimi)

Following on from the successes of their first two LPs, "Kalba" and "Small Small", Isaac Birituro & The Rail Abandon return with the "Kontonbili EP". A collection of seven tracks that trace the traditional West African roots of their sound whilst adding their unique touch, largely courtesy of Isaac's xylophone, Sonny Johns' folky embellishments and the vocal prowess of powerful Ghanaian songstress Wiyaala.

The lead single "Hado Deeli" roughly translates to "My Rival" and is a vibrant discussion between two rivals, one of whom is always making a fuss about anything and everything, even when things are all good! "Gargar", with its collaboration of xylophone, whistles, Wiyaala's effervescent vocals and relentless groove represents, quite literally, the band's "joining together" for this EP. In contrast, "I Know" sees Sonny Johns takes over lead vocal duties to lament the breakdown of a relationship accompanied by muted horns and Wiyaala's soothing backing vocals. "Nimmbalia" continues in a mellow and reassuring tone before emerging as one of the most uplifting and simultaneously fierce cuts on the EP! The traditional version of "Bawa" - the original take of which can be found on last year's "Small Small" LP - strips things back a little, before culminating in a battle of xylophone, whistles and choir. "Yeri Villa" has a wonderfully laid back, sun drenched feel with some truly beautiful vocal refrains, and finally - only available on the digital version - comes the deeply percussive and trance inducing "Darpeny", rounding off a rather stunning EP from this cross continental outfit.

All tracks feature Ghanaian singer, song-writer, model and actor, Wiyaala. With a strong fanbase in Africa and beyond, "the lioness" made her mark on Wah Wah 45s and BBC 6 Music last year when she featured on the A-listed "Senye", described as "perfection" by Annie Mac and "pure joy!" by Tash LC.

TRACK LISTING

1. Hado Deeli (feat. Wiyaala)
2. Gargar (feat. Wiyaala)
3. I Know (feat. Wiyaala)
4. Nimmbalia (feat. Wiyaala)
5. Bawa (Traditional) [feat. Wiyaala]
6. Yeri Villa (feat. Wiyaala)

Afrobeat ambassador Dele Sosimi's new album 'The Confluence' has been recorded and produced with Essex musician Sam Duckworth, aka Get Cape, Wear Cape, Fly; and a team of specially assembled musicians under the banner of "The Estuary 21" - with the name of the nearby river and the year, being a clue to future Confluence projects. Recorded over a multitude of sessions in 2021, this new set of songs flow with the sounds of Afrobeat, jazz, and worldly pop, and feelings of freedom, strength, and collaborative dynamism as a balm for life changing events.

Dele and Sam were introduced at Felabration 2012, the annual commemoration of the music of Fela Kuti, and promised to work together in the near future. With many live collaborations, at Afrobeat Vibration, Kentish Town Forum and lots of hanging out and mutual love, nearly ten years passed before the two musicians connected in Sam's hometown of Southend-On-Sea in a post-lockdown creative boom, recording the album over a burst of week-long sessions in 2021. The Estuary 21 band is completed by Callum Green (The Sleeping Souls, GCWCF), Philip Van Den Brandeler (Pocket Dragon, GCWCF), Pete Fraser (The Pogues, Field Music), Afla Sackey (Afla Sackey & Afrik Bawantu, Ibibio Sound Machine), Aby Dosunmu (Dele Sosimi), Sam Ewens (Myles Sanko) with special guest appearances from Sam Eagle and Essex percussion legend, Snowboy.

Born in Hackney, East London, but soon to return to his parents' native Nigeria at the age of four, Dele Sosimi was schooled and raised in Fela Anikulapo Kuti's commune (which he now refers to as his university of life). After Fela's passing in 1997, Dele went on to focus on developing his solo career and, honing his creative talents, and with much patience on his part, carved out his own Afrobeat crown. His last album, 'You No Fit Touch Am' (2015), was a critical success with Songlines writing "Afrobeat will never die so long as Dele's around", Clash declaring it "blistering Afro-funk from a true legend", The Quietus calling it "so fresh, while staying true to the template", and David Hutcheon's four star Mojo review said it was "a deeper, moodier collection than other Shrine veterans have released lately".

A veteran at 36 years old, Sam Duckworth has been releasing music as Get Cape. Wear Cape. Fly for half of his life. A catalogue that includes four top 40 singles, two top 40 albums (including the gold certified 'Chronicles of A Bohemian Teenager' that recently celebrated its 15th anniversary), a German club number 1 single and collaborations with artists ranging from Shy FX, Baaba Maal, Lily Allen and Jehst. Recently, Duckworth produced Benjamin Frances Leftwich's album 'To Carry A Whale' and has been working on the forthcoming album by Kate Nash.

TRACK LISTING

1. E Si M'edo (feat. Lizzy Dosunmu)
2. Moe B'ola Tán (feat. Get Cape. Wear Cape. Fly)
3. Ride Out The Storm
4. Open Up (feat. Sam Eagle & Snowboy)
5. Òtítọ́ Ti Jáde
6. Orí Mi

The return of a unique collaboration between the U.K. 's very own Afrobeat Ambassador, Dele Sosimi, and a producer who's been at the forefront of the South London electronic music scene for over a decade now, Medlar.

The pair first joined forces seven years ago, when Medlar was asked by Dele's label to remix the title track from his last album, You No Fit Touch Am. The result was possibly one of the most popular and cherished remixes to appear on the imprint. The producer's respect for the history of Afrobeat shined through in the mix of course, but it was his ability to finely balance that with his house music instincts whilst adding an infectious groove and classic 80s analogue synths that really stood out.

The track was an instant classic, and it soon became clear that the Afrobeat Ambassador and Peckham producer needed to make some music together. Having never actually met during the remix process, the dating began, and luckily the two were a perfect match.

Two years on from their first recorded output, the Full Moon EP - a record that received radio support from Gilles Peterson on BBC 6Music, as well as tastemakers and DJs across the globe, and was even featured on the latest edition of Grand Theft Auto -the duo return with the State Of Play EP. The heavy hitting four tracker features special guests Tamar Osborn of Collocutor fame, and South African rising star Zito Mowa, as well as a pair of Dele and Medlar's most popular jams from their live sets, perfectly baked for the dance floor.

TRACK LISTING

1. Lord Have Mercy (feat. Tamar Osborn)
2. All About The Dance
3. Shine On (feat. Zito Mowa)
4. State Of Play

Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music's Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since.

Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it's fair to say that Bev's priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we're very excited to share her new album, entitled Little Anchor, with you this Autumn.

The album is in some senses a travelogue, a 9 year journey of a creative womannavigating the landscape of parenting. Each song is a snapshot taken at a differentlocation in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute.

Between the unexpected joys of parenting, grappleswith mental health and feelings of inadequacy, and fighting for every second ofcreative time while slowly accepting a life very different to the one that existedbefore, this unedited family album emerged bursting with quirky childhoodmemories, dark musings and celebrations of musical passion and legacy.

Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written…

"Everyone turned up writing on guitars and piano and I just had my battered old violin. I felt totally out of touch with my former confident musical self and had zero confidence in what I was doing after an intense period of car crash parenting. I wrote it, performed it on the same day and then sobbed my guts out in front of a bunch of total strangers (sorry Ray!). Something shifted for me in the act of being quite so vulnerable though and I found my mojo again in writing solo with my violin."

The personal nature of this record is self-evident, it bursts through every note and word in each song. We're very excited to be able to share such a special album,afresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.

TRACK LISTING

1. Dirty Dragonfly
2. Beautiful Life
3. Is It OK?
4. If I Told You
5. Man Under My Bed
6. Lay Down In The Tall Grass
7. Only Got A Minute
8. Nights At The Circus
9. Going Back Home
10. Ghost Swimming
11. Tears On Your Heart
12. This Violin String

This release marks 20 years of Wah Wah 45s as a record label, and to celebrate they have tempted internationally renowned producer, videographer and film-maker Kutiman to the fold for this one-off RSD special. ‘So Long’ sees the man famed for his Thru You videos and Netflix documentary Presenting Princess Shaw, delivering some deep psychedelic, orchestral soul. On vocal duties is none other than Wah Wah 45s family member, Honeyfeet front woman and member of the Afro-Celt Soundsystem, The Breath and so much more -Gaelic powerhouse, Rioghnach Connolly. Remix duties come courtesy of another family member, Gene Dudley, with his first production for a couple of years, taking Kutiman’s composition into string laiden Balearic dance floor territories. “So Long” will be Wah Wah 45s’ third ever 10-inch release, with another specially designed custom sleeve courtesy of our in-house designer Animisiewasz.

From forward thinking Tel Aviv based ensemble, Time Grove is the debut single Roy The King and Sir Blunt on Wah Wah 45s label. Guided by acclaimed pianist Nitai Hershkovits alongside one third of Buttering Trio, and newly signed Stones Throw recording artist, Rejoicer, this group of musicians have produced a sound which is both delicate yet powerful; sonorous yet uplifting. The full line-up also features reed player Eyal Talmudi, drummers Roy Chen, Amir Bresler and Sol Monk, keyboard master Bemet, trumpeter Sefi Zisling, and guitarist Yonatan Albalak who have together created some of the most exciting instrumental music we’ve heard for quite a while. In preparation for their debut album, More Than One Thing, due in September, we bring you a double whammy jukeox 45 with two of the more foot friendly cuts from the LP. The A-side, Roy The King, features drummer Roy Chen. The rest of the band kept telling him “today, we make you a king” and so it was. Rejoicer, Sefi and Talmudi, wrote and played the melody after Nitai came up with the piano riff. The B part, which only Talmudi and Roy could bring such energy to, got the gypsy out of all of the ensemble in the room bringing it to a festive finale. On the flip, Sir Blunt, is an introduction to the other core of Time Grove. With Amir Bresler on the drums, carefully crafting the perfect parts for this tune; Albalak on the bass, playing beautifully the upper register yet providing a strong bed for Nitai on the piano & Moog and Rejoicer on synths to present somewhat of a no-bar-lines feeling.

STAFF COMMENTS

Millie says: Time Grove have mastered the perfect ambient jazz track, Roy The King builds into powerful heights yet remaining delicate while the b-side Sir Blunt turns to the more experimental jazz side. Fans of anything Gondwana will love this!

TRACK LISTING

Roy The King
Sir Blunt

As bottom end provider for Cinematic Orchestra and Paper Tiger, Hunrosa (AKA Sam Vicary) already has something of a pedigree for a man of such tender years. His music glides effortlessly between Bonobo at his most sonorous, Jon Hopkins at his most ethereal and Flying Lotus at his most freaky.

Currently based in Manchester, his music captures the wild organic senses of his Cornish childhood, anchoring it with a darker 2am undercurrent. Following the success of "Ransom" (a firm favourite of BBC 6 Music’s Tom Ravenscroft) Hunrosa returns with his newest offering "We Know". An eerie, ethereal track full of haunting atmospheres, Vicary enlists Austrian percussion maestro Manu Delago, who lends his hang drum expertise to the proceedings weaving it amongst the twisting, intricate beats and Anna McLuckie’s delicate vocals.

Here, as a bonus release, here we get a tasty white label 12" with three reworkings from burgeoning producers Lavan, Etherwood and Danvers. Newcomer Lavan is up first, moulding the organic melodies and earthy percussion into a dubbed out, soulful and bouncy 4/4 number. Hospital Records golden boy Etherwood (whose band Hunrosa is also a member of) brings a late-night liquid DnB atmosphere into play, harnessing the raw emotional power of the lyrics, as reverberating piano chords strike out into the darkness. Having turned the heads of Bradley Zero and Gilles Peterson with his recent releases, CoOp and WotNot Music’s Danvers resets the atmosphere with a zen like extended intro, before launching headfirst into a hypnotic and enthralling looped rhythm section. The groove locked in place, it rises and falls with precision, joined by spaced-out synths throughout the nine-minute duration, allowing the majestic instrumentation to gather pace as the spine chilling vocals drift overhead.

TRACK LISTING

We Know (Lavan’s Never Forget Dub)
We Know (Etherwood Remix)
We Know (Danvers Remix)