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Jemma Freeman And The Cosmic Something


    Outsider, alt, psych, power trio Jemma Freeman and The Cosmic Something are the aural equivalent of a distorted photograph capturing the hinterland found between emotions and actions. Emerging like joyous sci-fi warriors, the songs either overtly or indirectly demonstrate solidarity with anyone that’s ever identified feeling off kilter with the rest of the universe and needed an equally wonky soundtrack to back it. An introspective journey through psychedelic glam-rock nightmares, woozy flows of self discovery and beguiling lyrics delivered with subtlety and intensity. Jem, Samuel Nicholson (bass) and Jason Ribeiro (drums) are your astral guides in this strange country, illuminating a path, in reality they’re as lost as the listener. In this limbo, thoughts tumble on top of each other through twisted rhythmic guitar, bass and drum lines that interchange and play with each other in a frenzied cosmic dance.


    Big Bread
    Easy Peeler
    Nobody Ever
    I Thought Too Much
    Sicilian Mousse
    Take Me


    Flood - 2022 Reissue

      Trapped Animal is pleased to announce the return of 90's legends Headswim! We present a reissue of their seminal psych-grunge masterpiece, Flood. Pressed on 180G, Double Vinyl Gatefold with photo lyric insert all printed on uncoated card, this is an absolutely stunning package that truly matches the timeless quality of the songs it houses. Flood #Redux - Headswim's seminal 1994 Psych-Grunge masterpiece gets its first reissue since the original 1994 pressing. A highly sought after record and produced with mountains of love between label and artists. Previously unreleased BBC sessions, and material from the Flood era. 

      Cormorant Tree Oh


        Cormorant Tree Oh announces the release of folk horror masterpiece, via Trapped Animal! “Marrying skeletal balalaika and disembodied samples with low-lying synth organ lines and a focal point here – Keane’s arresting vocals, it doubles as one of our favourite Irish tracks of the year thus far.” The Thin Air // Trapped Animal is very excited to announce we will be working with new visual and aural talent, Mary Keane aka Cormorant Tree Oh on her folk horror masterpiece that is Swoontide. The Cave, the first single from Swoontide dropped in June on digitals.

        Mary says on the track: “This song is a celebration of the form and symbolism of caves. They are portals to another realm, the site of our earliest artistic expression, places of transcendence, the hermit’s refuge. They are colossal gees in the landscape. They are where picnicking lovers go to make mischief on a summer’s day. The cave in question is located in Portrane Co.Dublin.” Swoontide is the distillation of several years of Mary Keane’s life, recorded on her laptop as and when a new song or idea would come along. Mary talks about her process: “I love to stitch in samples from nature as so many of my songs are inspired in some way by the natural world. I’m also drawn to more domestic sounds like my mother’s washing machine or water coming to the boil. I play some unusual instruments throughout the album including balalaika, theremin, psaltery and lots of improvised percussion including bread bins, biscuit tins, stones, and a spiral staircase.” Try taking a walk in the dark with this album, we dare you.


        1. Thirty Deer Heads
        2. Zip Issues
        3. Sphere Of The Sensory
        4. Pareidolia
        5. Holiday Rigor Mortis
        6. Pissing Stones
        7. All Of It
        8. The Cave
        9. We Are Fruiting Bodies

        Sunday Driver

        Sun God

          Sunday Driver return with the announcement of their long-awaited, forthcoming album Sun God, the band’s fourth, and the follow-up to their critically acclaimed 2014 record, Flo. Sun God is an album that draws influence from a rich plethora of literature, culture and fiction, from Hindu gods to HG Wells to the 1800s Gold Rush, fusing ideas together to create an expansive, cathartic and cohesive ‘Spaghetti Eastern’. Weaving through multiple languages, genres and sounds, the record plays tribute to the band’s cultural background and, despite its storyline theme, highlights a very personal experience. With each song, lyrics are enhanced by infectious songwriting that takes you on a stereoscopic journey through the collective minds of one of the UK’s most exciting bands.

          The title track and album’s lead single, ‘Sun God’ is a perfect introduction to the record. Set against smoky, jazz-infused tones, sitars and featuring pioneer of the British Banghra sound, Kuljit Bhamra, on the tabla, the track wonderfully introduces the musicality of the album and its lyrical themes. Upcoming single ‘Time Machine’ continues with this theme matched against flamboyant, infectious instrumentation. The track’s title alludes to the album’s sub-plot, in which two women from a South Indian Village fall in love, rob a bank, and use a time machine to disappear: “One day I found a set of HG Wells novels in a charity shop, picked up the Time Machine and realised that was what the song was meant to be about!”

          ‘Sun God’ is a treasure trove of colourful songs that is well worth the wait since the band’s last, although that wait was not the original intention: “We have been demoing songs for this album since the summer of 2013. In the space of a few days in the studio we churned out almost 100 fledgling ideas between us. Some were snippets of melodies Chandy remembered from her childhood spent surrounded by south indian musicians.

          Our producers had the idea of building these snippets into songs in the studio, leading to our EP ‘Flo’. We stuck with this approach for the new album, having fun and generating ideas in the studio as a band, then fitting them together later in an almost modular way. We were also incredibly lucky to have tabla maestro Kuljit Bhamra to work with – he would send back absolute tabla gold to go with any song we made!” Sun God cements Sunday Driver’s place as one of the UK’s most inventive and diverse bands. However, Sun God is only the beginning. The record is part one of a two-part album, the latter of which will be due 2023


          01 Aftermath
          02 Sun God
          03 For A Few Regrets More
          04 Sylvi
          05 In Your Shadow
          06 Somewhere Nice
          07 Mathanga
          08 Time Machine.
          09 Keepsake.

          Gabi Garbutt & The Illuminations


            Gabi and her band toured with The Libertines and Edwyn Collins in 2019, and were all set for a year of touring when the pandemic hit in 2020. Retreating into her songwriting, Gabi started sketching out songs about escape and exploring vulnerability. Demoing the arrangements at home then honing the songs with her band The Illuminations as soon as rehearsal studios opened up, they created an explosive album of indie pop bangers that have lyrical and musical depth. As the opening song ‘Bad Boy Bird’ announces “I am no human, I am the promise of dynamite”, Gabi and her band summon up a volcanic concoction of sounds, from the poetic punk sensibilities of Ezra Furman and Patti Smith, the soaring alt pop of The Voidz and The Flaming Lips, to Motown inspired soul stompers, the record conjures up a range of atmospheres to occupy the listeners mind over many, many replays, as they fall deeper into the universe that is Cockerel. Connecting again with multi-instrumentalist and producer Sean Read (Beth Orton, Edwyn Collins, The Pretenders) at his Famous Times Studio Gabi set to work bringing their songs to life on record. Upcoming single ‘Subterranean Stars’, one of the most representative songs on the album, catchy guitar licks flutter around trippy lyrical musings, brass refrains and a soaring string arrangement played by Basia Bartz. Following this slice of shimmering pop is ‘Genet’s Journey.

            TRACK LISTING

            1 Cockerel
            2 Bad Boy Bird
            3 Subterranean Stars
            4 Genet’s Journey
            5 Never Never
            6 Your Blues
            7 I Can’t Win
            8 Habit Of Sadness
            9 Sea Organ
            10 Angel Of Third Avenue
            11 Our Dying World

            Siv Disa


              Siv Disa, the Chinese-American New York singer currently residing in Iceland releases her debut album, Dreamhouse on UK based label Trapped Animal. The artwork was conceived and built by Siv Disa. It features a dreamy hand-painted dollhouse—the front image is a photograph of a tangerine sherbet living-room-in-miniature, complete with a teacup table and a glowing salt shaker lamp.

              The artist herself is hanging on the wall ensconced in a gilded frame overlooking the tableau. The back cover explores the same dollhouse, from a distance: there’s a garden in the basement, a maze of threads in the gallery, and a small ocean in the bathroom. A callback to the intricate maximalism of 70’s psychedelia and Neo-art nouveau, there are layers of details embedded into each room for the viewer to discover. Dreamhouse is a wild journey through its creator's psyches. It moves from gentle break-up songs to dark nights out in the fluorescent haze of nighttime New York and Reykjavik city filled with deep hallucinogenic beats... before it finally closes on a song infused with the isolation of 2020. The first part of Dreamhouse was recorded in upstate New York with collaborator and producer Sam and the sea, they both chose to relocate when the pandemic hit the US – and regrouped at a studio cabin in the wilderness to complete Dreamhouse and take time to escape the ensuing storm we all faced.

              It’s important to understand, whilst a product finalised during lockdown – this album was largely conceived way before the lockdown or pandemic, this is Siv Disa’s debut album and it was always going to be luminous and otherworldly, as with its creators. Quotes : “psychedelic pop that converges the encompassing textures of Broadcasts with Joanna Newsom’s pleasantly off-kilter melodies” - Line Of Best Fit // “...a haunting feel, while her warm, soft voice invites the listener into even the darkest of stories…Fear is an embodiment of this distinct sound she’s mastered.” Audiofemme // “profound lyrics flow from an ethereal plane, it’s an utterly captivating offering”

              TRACK LISTING

              1 Whistle
              2 Painted Ceiling
              3 Fear
              4 Music In The Streets
              5 Sorry
              6 My My
              7 Breathing
              8 Beat
              9 In The Hills

              Stars And Rabbit

              On Different Days

                Stars and Rabbit has been continuously sharing their journey over the last decade, originating from a cultural city in Central Java, off to write in cultural Dutch towns, savored the legendary music venue in Camden Town to Iceland’s most exquisite stage, and humbly experienced the traditional Japanese sacred stage. These have broadened their perspectives and senses of making music that really speaks out their distinct personalities. They become more aware of their own evolution and all they want is just to make music borderless. A field of limitless expressions called playground and it always brings them the purest of joy. It's going to be an exciting journey to follow the world they create. Their newest album, On Different Days, will be out on June 25th. This album expresses their thoughts about creating space for oneself. As the world once stopped and forced people to reconnect with their being, they're taking all that time to redefine everything. "...a truly spectacular piece of forward-thinking folk" The Line of Best Fit // "...feels both joyfully innocent and completely badass" Ones To Watch

                TRACK LISTING

                01 Merry Alone
                02 Moon Lone City
                03 Who Am I Now
                04 Misty Garden
                05 One Foot
                06 Library Of My Mind
                07 Pretty Anticipated
                08 Time Traveller 

                Maija Sofia

                Bath Time

                  Maija Sofia, one of Irelands most lauded young folk artists has produced a timeless debut album, inspired by story-driven traditional folk-ballads, shone through the lens of punk DIY ethos. Following the success of lo-fi dream-pop single ‘Flowers’, Maija Sofia releases her debut album ‘Bath Time’ Sofia took inspiration fromstory-driven traditional folk ballads and shone them through the lens of a punk DIY ethos. The album name comes from the ritual of daily bathing, a whimsical place where most of the lyrics were written. The album deals with the ways in which women's voices, stories and desires have been sidelined and misrepresented throughout history. From Edie Sedgwick to Bridget Cleary, Sofia's songs imagine a world in which silenced women speak back..

                  The album was recorded by Chris Barry at Ailfionn Studio and features performances by Ronan Kealy (Junior Brother) and Niall Murphy (Oh Boland). The Gold Shoes’, is a mystical, ethereal opening before the melancholic ‘Hail Mary’, which starts soft, but the music grows in power as Sofia interrogates the sexual hypocrisy of the Catholic church, and the harp feeds into the haunting sound with effortless complexity and depth. ‘Edie Sedgwick’, named after the muse of Andy Warhol has alt-country elements from lap steel player Niall Murphy (Oh Boland) and cellist Laura McCabe (Molly Sterling). ‘The Wife of Michael Cleary’ is an ode to Bridget Cleary, killed by her husband in 1895. Michael Cleary believed his wife had been abducted by fairies with a changeling left in her place. The male vocal is provided by off-kilter alt-folk Junior Brother, with singing in the round building tension.

                  ‘The Glitter’ is disturbingly beautiful, an ode to Jean Rhys, a troubled novelist from the Carribean who came to England aged 16 and dealt with issues of displacement and unbelonging. As is ‘Cobweb’ with Sofia’s rich contralto “I didn’t know I was on my own. I’m only as wise as you.” ‘Morning’ mourns lost relationship and the failure of trying to fix a flawed lover. ‘Elizabeth’ dwells on the troubled love affair between Elizabeth Siddal and the Pre-Raphaelite painter Rossetti.. ‘The Trees They Do Grow High’ is a disturbing English folk ballad sung from the point of view of a woman forced to marry an inappropriately younger man.. The album wraps around the listener like a velvet cloak, time is irrelevant, and the pain and complexity of female life has been sharply observed by Sofia. 'Bath Time' is a collection of songs written between Dublin, London and rural Galway, it was recorded slowly over several months by Chris Barry in Ailfionn Studio in Dublin. The guitar and vocals tracks were recorded all in one take and then others we brought in to finish the piece - Niall Murphy from Oh Boland plays lap steel and synths, Christophe Capewell who plays with Lisa O'Neill played fiddle, harp by Meabh McKenna, synths by Clara Tracey, and Cello by Laura McCabe, and some guest vocals by Ronan Kealy (Junior Brother). 

                  STAFF COMMENTS

                  Barry says: Beautiful brittle guitar pieces, cavernous echoes and Sofia's transportive vocal prowess form together into a haunting and effecting whole. Brilliantly original and reassuringly heartfelt.

                  TRACK LISTING

                  1 The Gold Shoes
                  2 Hail Mary
                  3 Edie Sedgwick
                  4 The Wife Of Michel Cleary
                  5 The Glitter
                  6 Cobweb
                  7 Morning
                  8 Elizabeth
                  9 The Trees They Do Grow High 

                  Jeremy Tuplin

                  Pink Mirror

                    Tuplin describes ‘Pink Mirror’ as a “jovial sojourn through some of human nature's so-called dark sides. It's a satirical look at representations of love, desire, vanity, society, the internet and more in the modern world. For Tuplin, the pink mirror represents the rose-tinted spectacles through which we often view our world and/or our own places within it. The album was recorded at Marketstall Recording Studio in South Bermondsey with Mark Estall, the sound-engineer and co-producer who worked on Tuplin’s acclaimed first album, ‘I Dreamt I Was An Astronaut’.

                    Clash Music described ‘I Dreamt I Was An Astronaut’ as a “cosmic gem”; Tom Robinson of BBC 6 Music called it “unconventional, conversational and intimate”. Tuplin was subsequently compared to such legends as Leonard Cohen, Bill Callahan, Nick Drake and ‘Space Oddity’-era Bowie. Boomtown Fair music festival hailed him as “one of the founding fathers of the lesser known genre of space-folk.” ‘Pink Mirror’ brings it all back to earth, adding soundscapes and swells – and more guitar. During this year’s record-breaking summer, Tuplin released one-off track ‘Long Hot Summer’ to raise money for Friends of the Earth. Through this he caught the attention of independent label Trapped Animal Records as an exciting artist with a social conscience. Album teaser track ‘Just Cos Ur Handsome’ was made available as a limited-edition free download through Bandcamp received radio play from Amazing Radio.

                    The track was described by ComeHereFloyd blog as “what you want in a drizzly life that needs a dose of bright sunshine of reality.” First single ‘Bad Lover’, released in November 2018, went down a storm, thanks no doubt to the accompanying video of Tuplin performing with a backing band of ironically-yawning hipsters. For The Rabbits said of the track, “Jaunty guitars, group backing vocals so wonderful the Ronettes would be proud of them, and rolling basslines; it’s Jeremy Tuplin sure, but as we’ve never seen him before.” 

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