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With a handful of twitching insta-sketches, each addled with late-nite D.I.Y. quiver, the duo’s side-hustle sprouted in classical easy/cheap fashion [see the demo tape on their Public Nipples imprint for evidence].
As “global” concerns slowed, compatriots Michael Zamora (a superbly slanted multi-instrumentalist late of BAD BAD) and Alejandra Alcala (the region’s one true bass supervisor, also of bright lights BLUES LAWYER and PREENING) joined Sermeńo & Jordan as additional exposed flesh.
In full form, Naked Roommate has not only become a must-see, ever-evolving live act, but architects of Do The Duvet, one of the most intriguing and inspired recordings to come out of 2020’s American subterranea.
Do The Duvet proffers leftfield hijinks via punk execution, answering all the questions posed by questionable post-punk revivalism with sour lemon sneering and cherry-sweet smiles. It’s a fever dream, really…A flailing, sparking wire of hyper-compressed rhythms (breathing and synthetic), devolved guitar work and minced electronic compost. The resultant congealed groove is suitable for club situations and/or living space pulsations alike. Either way, the landlord is pissed.
Jordan’s beat programming, presumably inspired in part by recent obsessions with unjustifiably discarded electro sounds, manages to elicit physical response without veering into genre clichés like decay dance or Armageddon rave.
Instead, movement is prompted by sheer playfulness and high humour: see the sleepily sampled City sax on “Fondu Guru” or the comically taut bassline from “Credit Union”, itself a dreamwork born straight from a lovingly held-tight 99 Records 12”.
Thematically, Do The Duvet bounces between dissections of bourgeois trickery, the absurdity of domestication and the recognizable insanity of living in this particular age.As narrator, Sermeńo’s vocal presence is time-capsule great: a commanding grand-slam performance, alluring yet switchblade-dangerous in terms of wit and gaze. So totally wonderful.
What do you really own, anyway? What if your home does not even exist? Why not simply Do The Duvet and answer these queries yourself?
Mitch Cardwell
TRACK LISTING
01. Mad Love
02. We Are The Babies
03. Fondu Guru
04. Credit Union
05. Je Suis Le Bebe
06. Fake I.D.
07. Fill Space
08. (Do The Duvet Pt. 2)
09. Repeat
10. (Re) P.R.O.D.U.C.E.
Naked are an Edinburgh-based group consisting of Agnes Gryczkowska, Alex Johnston and Grant Campbell, who mix cold, neon-lit beats, glacial bass and guitar sculptures, filtered under hypnotizing and ephemeral vocals.
Their music speaks to a post-millenial, post-digital urban ennui - non-belonging and the pure, absolute loneliness of crowds. It is about the interaction of accelerating technology and the inherent sense of a terminal decline between the physical and hyper real - between man and machine, our bodies, senses and the industrial substances and digital technologies we surround ourselves with.
Deluxe EP with printed / debossed sleeve and digital download card.
Recently produced tracks for Mykki Blanco. Forthcoming album produced by Jacques Greene.
For fans of Mogwai, FKA Twigs, Salem, Optimo, The xx.
This debut is an incredibly strong statement - showcasing the band's skilled musicianship alongside intricate and frenetic arrangements that keep the listener hooked throughout. Not only that, whoever has mixed the project has done a great job of creating space and dynamics on the record - it almost feels like you're sat right there, in front of the musicians. A stunning record! Look forward to hearing more from this troupe.
STAFF COMMENTS
Matt says: Strong styles from this trad-ish trio with an adventurous mindset - maintaining the dedication and rigor of pure jazz whilst injecting it with refreshing modernism.TRACK LISTING
A1. LGFI
A2. Adim Adim
A3. 777
A4. Half Moon Light
B1. Kamalodo
B2. Pedrocha
B3. Catamandelo
B4. Outro
Magic Touch reveals yet another side of Jack Name. While it’s every bit as intricate as his previous releases, 2014’s Light Show and 2015’s Weird Moons, here he’s done away with the dense production of his earlier work to make a record that feels stark, personal, and effortlessly natural. With Magic Touch, Name brings his lyrical and conceptual focus away from the dream worlds of his first two albums and back to Earth: a simpler place, or so it seems, where humans are falling in and out of love, struggling with loneliness, reaching for connections to each other, and, for better or worse, affecting each other. In a year like 2020, it’s a place that feels familiar and far away all at once. The almost subliminal story arc of Magic Touch reminds us that touch itself is magic.
TRACK LISTING
1. Karolina
2. Do You Know Ida No?
3. Having A Good Time
4. A Moving-on Blues
5. I Came To Tell You In Plain English
6. Dudette
7. Losing My Way
8. Empty Nights
9. Kick-around Johnny
10. Sacred Place
"The Merchandise" kicks off the album, loping into earshot with an off-kilter countrified gait, not unlike a front porch jam session. This vibe permeates the album, other tunes like "Save Me Some Tears", "Gentle Traitor" & "When The Covers Come Off" burn with casual intensity, while rockers like "My Love, The Dark and I" and "Sell It All Night" sizzle with a six-string fury. "Black Mustang" - the penultimate number - is a real standout, with a subtle banjo plucking in the background & a palpable yearning and melancholy. Nance's true gift as a songwriter lies in his ability to craft poetry and personas that feel "lived-in". There's a world-weariness to his lyrical and musical approach, but rooted in joy, love and above all; passion. Many of the tunes on "Staunch Honey" feel like classics, but that's because in Nance's hands - they are. Not content to let the album go by without the rumble of guitar, "If The Truth Ever Shows Up" closes out the album. It's an instrumental jam with Nance wrangling and riffing on a gut-punching guitar solo for 6-plus minutes that feels very much like the end credits to a long-lost midnight movie
TRACK LISTING
1. The Merchandise
2. My Love, The Dark And I
3. This Side Of The Moon
4. Save Me Some Tears
5. July Sunrise
6. Gentle Traitor
7. Learn The Curve
8. When The Covers Come Off
9. Sell It All Night
10. Black Mustang
11. If The Truth Ever Shows Up
TRACK LISTING
1. Mock The Hours
2. Side Eyed Sam
3. No Taste Tart Enough
4. Tumbleweed
5. Cut It Off
6. Molly's Loop
7. Credit Line
8. Tergiversation
9. Cure Vs Disease
10. In Orlando
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- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- BING132CD
- Release date
- 14 Jul '17
They started at sunrise and recorded fifteen songs by midnight. Maybe it’s his Midwestern work ethic, maybe he’s a sonic cheapskate. Maybe it’s just the sound of negative boogie. These songs stab and flow into one other like a perfectly orchestrated classic. They are drenched with Nance’s most biting and comic lyrics to date, peaking on “D.L.A.T.U.M.F. Blues (Don’t Look At This Ugly Mother Fucker Blues)”. And ripping through the entire thing is the cracked power he yanks out of the guitar, a veritable The Good, The Bad And The Ugly of riffage. This is a departure for Nance. It’s bigger and grander but it’s far from easy music. It’s his Plastic Ono Band, his For Your Pleasure, his fever dream of Rocket from the Tombs. But this of course is only a press release, written by a team of robots using words programmed to seduce you. Did it work?
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- CD
- £12.99
Usually ships within: 2-10 days - Cat Number
- BAY60CD
- Release date
- 1 Oct '07
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- Ltd LP
- £11.99
Usually ships within: 2-10 days - Cat Number
- BAY68V
- Release date
- 5 Oct '09
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- CD
- £10.49
Usually ships within: 2-10 days - Cat Number
- BAY68CD
- Release date
- 5 Oct '09
-
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- WM56
- Release date
- 3 Sep '21
The opening instrumental ‘Ripples’ is a gentle breathe of optimism, all purring tones and sun dazzled synths. Meanwhile, ‘Mrs. Wood’ is a dubby psychedelic shuffle, Lippok’s vocal cool and assured over a fat bass line and skybound eastern melodics. It feels like a more spacious take on theTarwater of albums such as ‘Suns, Animals and Atoms‘. The four musicians’ 3rd collaboration is Nanocluster’s most pop moment: with a heartfelt yet unsentimental lyric unfurling over feline rhythms, ‘All You Cat Lovers’ is a feel-good anthem for cat lovers everywhere.Immersion and Laetitia Sadier An original and distinctive presence in contemporary music, Sadier made her name with the inimitable Stereolab, but she’s also created several impressive solo works. The instrumental ‘Unclustered’ sees Sadier’s spidery guitar weaving through Immersion’s lush web of synths drones. The following ‘Uncensored’ has a subtle melodic tug with a classic Spigel guitar line underpinning Sadier’s sweet yet worldly wise vocal.
‘Riding the Wave’ is another feel good song, swapping between Newman’s plaintive vocal, and Spigel’s vocal and Sadier’s backing vocals. With its uplifting chorus: ‘Things have a way of working out’ ‘Riding The Wave’ feels like it might be the sound of the summer we’ve all been waiting for.Immersion & Ulrich Schnauss A highly respected solo artist, as well as being a member of Tangerine Dream, Schnauss’ skill with electronics is legendary. The opening ‘Remember Those Days On The Road’ skips along on a rimshot rhythm with Spigel’s honeyedvocal telling a tale of life ontour. Yet it is far removed from such usual fare. This feels vulnerable and flecked with melancholy. ’Skylarks’ opens with a lattice of arpeggios before a gently nag-ging guitar enters and everything takes a turn for the sublime. ‘So Much Green’ is everything you’d hope a collaboration between Newman, Spigel and Schnauss could be. A constantly spiralling urban-kosmisch, with Spigel’s plangent bass anchoring the celestial sounds. The addition of her wordless backing vocals and recordings of real birdsong only serve to elevate the mood further.Immersion & Scanner
Scanner -aka Robin Rimbaud -is one of the most prolific and diverse artists currently working in contemporary music. Spigel and Newman have of course collaborated extensively with Rimbaud before:alongside Max Franken in the art-pop group Githead. But this is something very different. Their opening piece together: ‘Cataliz’ is the album’s moodiest moment. With its 2serpentine synth drones it sounds like the soundtrack to a mysterious thriller. The rich pulsing ‘Metrosphere’ recalls Immersion’s early work whilst adding another layer of grainy uncertainty. The closing ‘The Mundane and the Profound’ opens with a “Rimbaud scanned” recording of an irritated flight attendant but this is eventually subsumed by a simple yet emotive piano figure: a gentle and touching end to a unique collection of songs.Nanocluster Vol.1 is a testament to a remarkable synergy between a diverse assembly of strongly individual talents. The fact that it not only succeeds, but excels should be cause for celebration
STAFF COMMENTS
Barry says: There's a seriously talented lineup here, resulting in a wonderfully rewarding and varied set of pieces from the leading lights of the avant/electronica scene. I'm particularly taken with the Scanner pieces, but as a massive fan of Sadier as well, it's a no-brainer. Top stuff.TRACK LISTING
1. Ripples
2. Mrs. Wood
3. All You Cat Lovers Immersion, Laetitia Sadier.
4. Unclustered
5. Uncencored
6. Riding The Wave Immersion, Ulrich Schnauss.
7. Remember Those Days On The Road
8. Skylarks
9. So Much Green Immersion, Scanner.
10. Cataliz
11. Metrosphere
12. The Mundane And The Profound
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- Coloured LP
- £26.99
- Cat Number
- 19439906811
- Release date
- 17 Sep '21
- Format Info
Retail exclusive yellow vinyl.
Retail exclusive yellow... [ + ] -
- LP
- £23.99
Usually ships within: 2-10 days - Cat Number
- 19439900501
- Release date
- 17 Sep '21
-
- CD
- £12.99
- Cat Number
- 19439900502
- Release date
- 24 Sep '21
Other notable stand-out tracks include ‘Wait’, a stripped-back track which takes an intimate look at how you make mistakes to develop a relationship, and ‘Postcards’, highlighting a gorgeous vocal interplay of NAO and serpentwithfeet, who features alongside her on the track. For ‘Good Luck’, R&B crooner Lucky Daye jumped on board.
She says: “Life isn’t perfect; we still go through ups and downs, but it can be beautiful as a whole. I do think it’s a hopeful album, in an honest way – it’s not shiny or all ‘isn’t this great!’ and ‘party party party.’ But it’s hopeful in that through every rough patch, every dark patch or struggle we always come out again. That’s what life is. You keep going. But most of all you try and step into a place of gratitude so that you can see life in all of its beauty.”
STAFF COMMENTS
Barry says: A silky smooth mix between soaring synth pop and grooving R&B, wonderfully bringing together Nao's gorgeous vocals and a distinctly modern mash-up of styles into a cohesive and jubilant whole.TRACK LISTING
1. And Then Life Was Beautiful
2. Messy Love
3. Glad That You’re Gone
4. Antidote (feat. Adekunle Gold)
5. Burn Out
6. Wait
7. Good Luck (feat. Lucky Daye)
8. Nothing’s For Sure
9. Woman (feat. Lianne La Havas)
10. Better Friend
11. Postcards (feat. Serpentwithfeet)
12. Little Giants
13. Amazing Grace
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- Coloured 12"
- £15.99
- Cat Number
- CAK153
- Release date
- 29 Oct '21
- Format Info
Limited red vinyl.
Limited red vinyl.
Her modern folk production and poetic song writing links the sounds of classic folk artists like Joan Baez and Steeleye Span to a 21st century context. James wrestles with guilt, purpose, and jealousy through vivid narratives in the songs that make up her vast self-releases.
On the title track for Concession Stand Girl that opens the EP, James sings the inner monologue of an unappreciated ticket-taker at a high school football game. James plucks a sparkly banjo and sings details of the concession stand girl’s relationship to each of the spectators who must go through her to enter the game. “Although seemingly insignificant, the concession stand girl must interact with each spectator as they enter the football game. Despite being unable to physically see the game, inside of her head she narrates her relationship to the people at the game.” The track “Anywhere Else” sits in contrast to the rest of the EP, being the only song where James plays guitar instead of banjo.
The last song written for the EP, “Anywhere Else” describes the tense emotions that come from comparing yourself to others in the eyes of your partner. “The protagonist is convincing herself, as well as her partner, that she could leave at any moment. She doesn’t want to be taken for granted anymore.” “Big Blue World” is a touching closer to the EP, where James sings about finding her way back to the place that feels most like home. James examines the fleeting nature of ambition and asks what really creates the feeling of contentment. Describing the song’s lyrics James says, “You can achieve everything you want, but sometimes it doesn’t feel like anything compared to just feeling at home and feeling who you are deep down.”
TRACK LISTING
1. Concession Stand Girl
2. Momma
3. Anywhere Else
4. Big Blue World
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- Coloured LP
- £18.99
Usually ships within: 2-5 days - Cat Number
- JAG361LP-C1
- Release date
- 27 Mar '20
- Format Info
Coke Bottle clear coloured vinyl.- Includes MP3 Download Code.
Coke Bottle clear... [ + ] -
- LP
- £18.99
Usually ships within: 2-5 days - Cat Number
- JAG361LP
- Release date
- 27 Mar '20
-
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- JAG361CD
- Release date
- 27 Mar '20
-
- Love Record Stores LP
- £17.99
Usually ships within: 2-5 days - Cat Number
- JAG361XBND01
- Release date
- 5 Dec '20
- Format Info
Coke Bottle Clear vinyl with alternate art print.
Coke Bottle Clear vinyl... [ + ]
Almost all the songs of Nap Eyes are whittled into their final form from Chapman’s unspooling, 20-minute voice-and-guitar free-writing sessions. Each member - drummer Seamus Dalton, bassist Josh Salter or guitarist Brad Loughead - then plays a crucial role in song development, composing around the idiosyncratic structures and directing the overall sound and feel of the songs. Until now, that final song construction and recording has been mostly done live in a room. But for ‘Snapshot Of A Beginner’ the band went to The National’s neuvo-legendary upstate NY Long Pond Studio, working with producers Jonathan Low (Big Red Machine, The National) and James Elkington (Steve Gunn, Joan Shelley), the latter of whom also did pre-production arrangement work with the band.
It took Nap Eyes a long time and a long practice to reach this artistic zen but one gets the feeling throughout ‘Snapshot Of A Beginner’ that this balance is going to hold.
Previous album ‘I’m Bad Now’ was described by Uncut as “as much a modest masterpiece as ‘Spring Hill Fair’ [by The Go-Betweens] or ‘Tigermilk’ [by Belle and Sebastian].”
TRACK LISTING
So Tired
Primordial Soup
Even Though I Can’t Read Your Mind
Mark Zuckerberg
Mystery Calling
Fool Thinking Ways
If You Were In Prison
Real Thoughts
Dark Link
When I Struck Out On My Own
Though I Wish I Could
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- LP
- £18.99
Usually ships within: 2-5 days - Cat Number
- JAG318LP
- Release date
- 9 Mar '18
-
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- JAG318CD
- Release date
- 9 Mar '18
They are all Nova Scotians by raising and temperament but acclimated to life on an Atlantic peninsula linked narrowly to the rest of North America. ‘I’m Bad Now’, which follows enigmatic frontman Nigel Chapman’s quest for selfunderstanding, is their most transparent and personal to date and constitutes the third chapter of an implicit, informal trilogy that includes ‘Whine Of The Mystic’ (2015) and ‘Thought Rock Fish Scale’ (2016).
While Nigel composes songs in their inchoate form at home in Halifax, Brad Loughead (lead guitar), Josh Salter (bass) and Seamus Dalton (drums), who live a twelve-hour drive away in Montreal, augment and arrange them, transubstantiating his skeletal, ruminative wafers into discourses that transcend. The band provide ballast and bowspirit to Nigel’s cosmical mind, this album lending itself to a new sonic clarity, depth and range to match his effortless melodies and extraordinary writing.
TRACK LISTING
Every Time The Feeling
I’m Bad
Judgment
Roses
Follow Me Down
You Like To Joke Around
With Me
Dull Me Line
Sage
Hearing The Bass
White Disciple
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- LP
- £18.99
Usually ships within: 2-5 days - Cat Number
- JAG318LP
- Release date
- 9 Mar '18
-
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- JAG318CD
- Release date
- 9 Mar '18
They are all Nova Scotians by raising and temperament but acclimated to life on an Atlantic peninsula linked narrowly to the rest of North America. ‘I’m Bad Now’, which follows enigmatic frontman Nigel Chapman’s quest for selfunderstanding, is their most transparent and personal to date and constitutes the third chapter of an implicit, informal trilogy that includes ‘Whine Of The Mystic’ (2015) and ‘Thought Rock Fish Scale’ (2016).
While Nigel composes songs in their inchoate form at home in Halifax, Brad Loughead (lead guitar), Josh Salter (bass) and Seamus Dalton (drums), who live a twelve-hour drive away in Montreal, augment and arrange them, transubstantiating his skeletal, ruminative wafers into discourses that transcend. The band provide ballast and bowspirit to Nigel’s cosmical mind, this album lending itself to a new sonic clarity, depth and range to match his effortless melodies and extraordinary writing.
TRACK LISTING
Every Time The Feeling
I’m Bad
Judgment
Roses
Follow Me Down
You Like To Joke Around
With Me
Dull Me Line
Sage
Hearing The Bass
White Disciple
Earache Records' third ever release (MOSH003), classic debut album 'Scum' had an immediate, seismic impact in 1987 and its influence can still be felt far and wide today. To celebrate its 35th anniversary, this essential album is repressed with limited edition Blue and Pink colour sleeves. An absolute 'must have' for any heavy metal collector.
Pressed from the original master tapes, the album has been specially recreated using 'fdr' – full dynamic range mastering - allowing the music's nuances to shine through and giving the classic album a more ferocious and dynamic sound, enabling the listener to immerse in the full audio heaviness like never before.
TRACK LISTING
Multinational Corporations
Instinct Of Survival
The Kill
Scum
Caught In A Dream
Polluted Minds
Sacrificed
Siege Of Power
Control
Born On Your Knees
Human Garbage
You Suffer
Life?
Prison Without Walls
Point Of No Return
Negative Approach
Success?
Deceiver
C.S.
Parasites
Pseudo Youth
Divine Death
As The Machine Rolls On
Common Enemy
Moral Crusade
Stigmatized
M.A.D
Dragnet
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- Coloured LP
- £23.99
- Cat Number
- ERATP144LE (#RSD21DROP2)
- Release date
- 17 Jul '21
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
July 17 will see the much-treasured analog synthesizer suite Chronology by Pakistani-American composer and drummer of the cult trio Dawn of Midi, Qasim Naqvi, finally receiving a worldwide vinyl release on Record Store Day 2021. Originally conceived only digitally in 2016, Chronology was Qasimís first release of electronic music. Having been in the world of improvised and classical music up to this point, it seemed only fitting for Naqviís inaugural electronic music album to be made exclusively on a malfunctioning synthesizer ó an old Moog Model D. Leaving the abundant options of a computer behind. Transparent vinyl
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- LP
- £15.99
Usually ships within: 2-10 days - Cat Number
- ERATP118LP
- Release date
- 3 May '19
-
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- ERATP118CD
- Release date
- 3 May '19
This album is one singular synergy between Qasim and his machine within a broader milieu of sound, also explored by contemporaries Sarah Davachi, Alessandro Cortini, Caterina Barbieri and also the forefather, Morton Subotnick. At points tonal, textural and rhythmic, over six evolving and growing audio organisms, the album flourishes upwards in stages, from initial micro-sonics to something bigger, brighter and anthemic.
This is Naqvi’s first non-soundtrack release, having previously established himself as a renowned composer for dance, theatre, film and installation-based art, not to mention his role as drummer in lauded trio Dawn of Midi. According to Naqvi, “my past releases like ‘Chronology’, ‘Preamble’, ‘Fjoloy’ and ‘Film’ were made to accompany visual mediums. The music was always written to enhance another form. ‘Teenages’ is the first album with its own motivating force. It’s a live multi movement work that I recorded for myself.”
With ‘Teenages’, Naqvi summoned all the material on an analog modular synthesizer – a voltage-controlled sound generating system comprised of multiple modules. Naqvi built this synth over the course of two years and amassed a collection of works for this album.
“I’ve always been drawn to the power of un-amplified acoustic music. And for me modular synthesizers are a natural progression forward from the acoustic realm into the electric. It feels like an orchestra comprised of very unusual instruments, and their orchestration and vibrational properties lie in the patching and flow of voltages through a system.
They’re also unstable and they rarely play the same thing twice in any exact way. It’s almost organic and human. It was really important for this album to capture that kind of uninterrupted behavior.”
Capturing a live feeling without the aid of heavy studio production was an important component to this release: “Even though this is ‘electronic music,’ I didn’t want to rely heavily on a computer with an array of plugins, loops and samples, or exhaustive editing as part of the writing process. I wanted to treat this work like a live piece of music and have the natural behavior of the machine shine through and sound huge, like an orchestra of electrical signals.”
Gently stuttering like a time lapse-video of a seed sprouting up from the earth, ‘Intermission’ sets the scene, before musical motifs begin to emerge on the dancing, bubbling bassline of ‘Mrs 2E’, which possesses a playful, infantile quality, like a newborn animal learning to walk after birth.
More bouncy, skewed bottom-line squelch appears on the jittery, buzzing ‘Palace Workers’, which seems to evoke life in the form of amplified insect or bat noises, with a melody that eventually unfolds into something akin to a fractal rendition of ‘Oxygene’. By ‘No Tongue’ more traditionally identifiable musical signifiers begin to emerge, with a bright and melodic synth line evoking the new blooms of spring, whereas ‘Artilect’ takes a more ominous drone tone, insinuating the dark, potential threat of artificially augmented biological intelligence.
Like a coming-of-age, the album culminates on title track ‘Teenages’ – a dynamic, technicolour symphony that was recorded in one take, with no overdubs or edits. In the year leading up to ‘Teenages’, Naqvi created a series of shorter works. These stepping-stones eventually became the first 5 tracks of the album and were part of a larger process, leading to the realization of the title track. “I wanted to show the stages of development that lead to the main act. All of these tracks share the same D.N.A., even though they seem distantly related.” Explains Naqvi.
The pieces heard prior to ‘Teenages’ chronicle both Naqvi’s understanding of writing for this type of instrument and the growth of the instrument itself: “I started with just a few modules. And naturally things had to be layered and pieced together but as the synthesizer and its components grew over time, I was able to create broader and more complex strokes in the moment. And by the time I got to ‘Teenages’, it was possible to create a robust, large-scale piece spontaneously. This is very much an experiential album for me because it was borne out of my direct experience of learning the instrument. And as the synthesizer grew over time with more components, it matured. At times I felt like it was even rebelling against my instructions or surprising me with what felt like its own choices.
When everything was finished and I was thinking about track titles, this idea of artificial intelligence came into my head; a machine that reacts to your impulses and is capable of giving you something different from what you ask, and even defying you. It felt like different stages of growth and adolescence, and that lead to the album title, ‘Teenages’.”
Deeply rewarding on close listening, Naqvi has created an inspiring and synapsestimulating new masterwork, within the analogue/modular cannon.
TRACK LISTING
1. Intermission
2. Mrs 2E
3. Palace Workers
4. No Tongue
5. Artilect
6. Teenages
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- Ltd 7"
- £6.99
- Cat Number
- 42S01
- Release date
- 2 Aug '19
- Format Info
Signed copies.
Signed copies. -
- CDS
- £4.99
- Cat Number
- 42S01CD
- Release date
- 2 Aug '19
- Format Info
Limited to 150 copies. Signed.
Limited to 150 copies.... [ + ]
The quartets' reputation was further enhanced with the release of a single 'The Window' through Manchester indie label Northern Ambition, the label was also responsible for Stephen Fretwell's early output.
Unfortunately, the collapse of narcissus' publishing deal during the recording of their debut album led to a parting of ways but time and fate have brought the band back together.
With an album already recorded, narcissus went back into the studio late 2018 and recorded a brand new track ‘burning candles’ finally released on new Manchester record label 42’s Records
TRACK LISTING
Side A Burning Candles
Side AA Flashing Blue Lights
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- 2xLP
- £21.99
Usually ships within: 2-10 days - Cat Number
- FARO215DLP
- Release date
- 20 Dec '19
Milton Nascimento possesses one of the most immediately recognizable voices in Brazilian music: high and sweet and as breathtakingly sublime as that of any soul singer. It was this voice that the legendary Brazilian singer Elis Regina fell in love with back in 1964, having heard Milton perform his song "Can o do Sal (Sultry Song)" at a private party in Sao Paulo. Ellis went on to record the song in 1967 -giving Milton his first hit in Brazil and beginning a career that has spanned over 50 years.
Born in Rio on the 26th October 1942, Milton moved with his adoptive parents at the age of 18 months to Tres Pontas, a rural town in the state of Minas Gerais, 500 miles north of Rio. Milton became part of a local network of musicians, film makers, dancers, theatre directors and writers that included the journalist and song writer Fernando Brant as well as lyricist Marcio Borges and his younger brother Lo Borges. Milton’s religious upbringing as an Afro-Brazilian Catholic saw him exposed to church choral music from an early age. His love of this genre of music is apparent in both his celestial falsetto and vocal choral arrangements. This collection also displays his early fascination with evocative, non-verbal, scat-style singing, spare, harmonic guitar work and local folk music, jazz and rock.
TRACK LISTING
LP 1:
Maria Maria
Cozinha
Pilar (Do Pila)
Trabalhos (Essa Voz)
Lilia
A Chamada
Era Rei E Sou Escravo
Os Escravos De Jo
Tema Dos Deuses
LP 2:
Santos Catholicos X Candomble
Pai Grande
Sedu O
Francisco
Maria Solid Ria
De Repente Maria Sumiu
Eu Sou Uma Preta Velha Aqui Sentada No Sol
Boca A Boca
Maria Maria
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- CD
- £12.49
- Cat Number
- 5832162
- Release date
- 4 Mar '13
TRACK LISTING
1. Part Heart
2. Fri-end?
3. Death Proof
4. Are You There Sweetheart?
5. Sister
6. OMYGOD!
7. Oh
8. All Talk
9. Unconventional Girl
10. 3AM
11. Rap For Rejection
12. Cherry Pickin'
13. Labyrinth
14. You're So Cool, I'm So Freaky
15. Lullaby For An Insomniac
-
- CD
- £11.99
- Cat Number
- IDEAL27
- Release date
- 6 Nov '06
-
- CD
- £10.99
Usually ships within: 2-10 days - Cat Number
- VJCD241
- Release date
- 27 Jul '18
TRACK LISTING
1. Rolling On (Intro)
2. Rolling On
3. Looking Glass
4. Lucky Ones
5. Sweet Springs (Intro)
6. Sweet Springs
7. Spiritfalls
8. Northwest Stars (Out Of Tacoma)
9. Hillsides
10. The Widow
11. Strong Was The Night
12. Golden Fleeces
-
- LP
- £19.99
Usually ships within: 2-10 days - Cat Number
- VJLP280
- Release date
- 20 Oct '23
-
- CD
- u/avbl
- Cat Number
- VJCD280
- Release date
- 20 Oct '23
STAFF COMMENTS
Barry says: Nash's psychedelic folk-rock takes a little left turn on his latest LP 'Ozarker'. Swapping out the simmering melodies and low-key Americana for something a lot more majestic and Midwestern. Huge melodies and stadium choruses abound.TRACK LISTING
1. Firedance
2. Can't Stop
3. Roman Candle
4. Lost In America
5. Ozarker
6. Midnight Hour
7. Travel On
8. Pieces
9. Shadowland
10. Going Back
-
- CD
- £10.99
Usually ships within: 2-10 days - Cat Number
- VJCD264
- Release date
- 12 Mar '21
Nash is sitting outside in the sun, thinking. It’s something he does often, looking out over endless Texas hills that surround his family’s rural home. He’s thought a lot over the last several years about music––not only how to make it, but why. What is the endgame for Nash, a critically acclaimed rock-and-roll groovesman, personally?
Nash’s magnificent new album, Topaz, is what happened when he found his answers. Nash recorded the album over the course of about a year in the Quonset hut studio he built about 600 feet from his house in the Texas Hill Country. While musician friends from nearby Austin contributed to the project, Topaz marks the first album Nash has recorded mostly on his own, both taking his time and relishing his newfound access to immediacy, punching the red button moments after an idea hit. “It's allowed me to capture sounds and ideas, to really get stuff out of my head and into the world so quickly,” Nash says.
-
- LP
- £19.99
- Cat Number
- MAT17
- Release date
- 29 Jan '21
TRACK LISTING
Langit
Bunga
Api
Daun
Angin
-
- Dinked Edition LP
- £26.99
- Cat Number
- LPKRS801DK
- Release date
- Expected 21 Jun '24
- Format Info
• Olive green & silver "cornetto effect" vinyl. *
• Signed art print. *
• Limited pressing of 500. *
*Exclusive to Dinked Edition.
• Olive green & silver... [ + ]Release date: Expected 21 Jun '24 -
- Coloured LP
- £25.99
- Cat Number
- LPKRS801C
- Release date
- Expected 21 Jun '24
- Format Info
Pink coloured vinyl.
Pink coloured vinyl.Release date: Expected 21 Jun '24 -
- CD
- £10.99
- Cat Number
- CDKRS801
- Release date
- Expected 21 Jun '24
Release date: Expected 21 Jun '24
Marking a new chapter in Kate’s illustrious career, the album’s lyrical scope is both deeply personal and achingly relatable, whilst its orchestral arrangements and melodies draw from Kate’s experience in the world of musical theatre.
Kate Nash is a BRIT Award-winning singer-songwriter, musician and actress known for her fearless approach to music and unapologetic storytelling. A platinum selling artist with a career spanning over a decade, she has garnered critical acclaim for her chart-topping hits and electrifying live performances. From her debut album ‘Made of Bricks’, to her latest releases, Kate’s artistry continues to resonate with audiences and has earned her a dedicated fanbase. She also captivated audiences as Rhonda in Netflix’s Emmy-nominated GLOW.
TRACK LISTING
Side A
Millions Of Heartbeats
Misery
Wasteman
Abandoned
Horsie
Side B
My Bile
Those Feelings
Space Odyssey 2001
Ray
Vampyre
-
- Ltd LP
- £5.99
Usually ships within: 2-10 days - Cat Number
- BRR227
- Release date
- 27 May '13
-
- LP
- £28.99
Usually ships within: 2-10 days - Cat Number
- GET51297LP
- Release date
- 29 Jul '22
STAFF COMMENTS
Martin says: This album pretty much single handedly reignited the flame of East Coast hip hop. Produced by DJ Premier, Large Professor, Pete Rock AND Q Tip!! It's an authentic, masterpiece of minimal beats and street poetry that is universally recognised as one of the greatest rap albums of all time.TRACK LISTING
40 Side North:
The Genesis
NY State Of Mind
Life's A Bitch
The World Is Yours
Halftime
41st Side South
Memory Lane (Sitt'in In Da Park)
One Love
One Time 4 Your Mind
Represent
It Ain't Hard To Tell
-
- Coloured LP
- £26.99
Usually ships within: 2-10 days - Cat Number
- 19439843111
- Release date
- 12 Mar '21
- Format Info
Ultra-clear transparent LP Vinyl.- Includes MP3 Download Code.
Ultra-clear transparent... [ + ]
Backed by an absolute all-star cast of New York’s top-shelf producers - Premier, Pete Rock, Large Professor, Q-Tip and a youngster named LES - the album never lets up. Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year old Nas stood on the shoulders of his predecessors and proudly proclaimed, “Don’t f*** with the East… we are BACK”. ‘Illmatic’ was actually a slow-burn, which might surprise fans that have come to its genius more recently. Despite an unheard-of “5 Mics” rating in The Source – breaking an unwritten rule of never awarding classic status to debuts - it didn’t go gold until early 1996, and didn’t hit platinum status until late 2001. But when you dive deeper that shouldn’t be a shock: like Black Moon and Wu-Tang’s debuts, it was a dark, hard record, made for heads in New York, not teeny-boppers in Des Moines. There were no dance beats, no crossover love songs. Just boom-bap and rhymes, skills and heart.
TRACK LISTING
The Genesis
NY State Of Mind
Life's A Bitch
The World Is Yours
Halftime
Memory Lane (Sittin' In Da Park)
One Love
One Time 4 Your Mind
Represent
It Ain't Hard To Tell
-
- 2xColoured LP
- £28.99
Usually ships within: 2-10 days - Cat Number
- 19658828851
- Release date
- 14 Oct '23
- Format Info
2LP on gold and black marbled vinyl.
2LP on gold and black... [ + ]
TRACK LISTING
Side A
1. Album Intro
2. The Message
3. Street Dreams
4. I Gave You Power
Side B
1. Watch Dem Niggas
2. Take It In Blood
3. The Set Up
Side C
1. Black Girl Lost
2. Suspect
3. Shootouts
4. Nas Is Coming
Side D
1. Affirmative Action
2. Live Nigga Rap
3. If I Ruled The World (Imagine That)
4. Silent Murder
-
- 2xColoured LP
- £29.99
Usually ships within: 2-10 days - Cat Number
- MSAP120
- Release date
- 21 Apr '23
- Format Info
Red and tangerine coloured vinyl.
Red and tangerine... [ + ]
TRACK LISTING
1. The Pressure
2. Death Row East
3. 40 Side
4. EPMD 2 (feat. Eminem & EPMD)
5. Rare
6. YKTV (feat. A Boogie Wit Da Hoodie & YG)
7. Store Run
8. Moments
9. Nobody (feat. Ms. Lauryn Hill)
10. No Phony Love (feat. Charlie Wilson)
11. Brunch On Sundays (feat. Blxst)
12. Count Me In
13. Composure (feat. Hit-Boy)
14. My Bible
15. Nas Is Good
-
- 2xColoured LP
- £32.99
Usually ships within: 2-10 days - Cat Number
- MSAP125V2
- Release date
- 30 Jun '23
- Format Info
Red and black striped colour vinyl.
Red and black striped... [ + ] -
- LP
- £28.99
Usually ships within: 2-10 days - Cat Number
- MSAP125V1
- Release date
- 30 Jun '23
- Format Info
Standard black vinyl.
Standard black vinyl. -
- CD
- £12.99
Usually ships within: 2-10 days - Cat Number
- MSAP125CD
- Release date
- 30 Jun '23
TRACK LISTING
1. Ghetto Reporter
2. Legit
3. Thun
4. Michael & Quincy
5. 30
6. Hood2Hood
7. Recession Proof
8. Reminisce
9. Serious Interlude
10. I'm On Fire
11. WTF SMH
12. Once A Man, Twice A Child
13. Get Light
14. First Time
15. Beef
16. Don't Shoot
17. Til My Last Breath (Bonus Track)
-
- 7"
- £13.99
Usually ships within: 2-10 days - Cat Number
- MSAP121
- Release date
- 2 Jun '23
-
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- MSAP100CD
- Release date
- 5 Aug '22
TRACK LISTING
1. "Wu For The Children"
2. "Speechless"
3. "Wave Gods"
4. "Meet Joe Black"
5. "Ugly"
6. "The Truth"
7. "Dedicated"
8. "40-16 Building"
9. "Hollywood Gangsta"
-
- Coloured LP
- £23.99
Usually ships within: 2-10 days - Cat Number
- MSAP114
- Release date
- 19 May '23
TRACK LISTING
1. Speechless - Instrumental
2. Meet Joe Black - Instrumental
3. Ugly - Instrumental
4. 40-16 Building - Instrumental
5. Hollywood Gangsta - Instrumental
6. Wu For The Children - Instrumental
7. Wave Gods - Instrumental
8. The Truth - Instrumental
9. Dedicated - Instrumental
-
- 2xLtd LP
- £29.99
Usually ships within: 2-10 days - Cat Number
- GET51451LP
- Release date
- 31 Jan '20
- Format Info
Standard black vinyl release.
Standard black vinyl... [ + ]
The ploy worked perfectly; Stillmatic was hailed by critics as a stunning comeback, and a brilliant return to form, earning rave reviews from rap outlets such as The Source and HipHopDX as well as from more mainstream publications as The Rolling Stone and The Village Voice. Praise was heaped upon the complexity and introspective nature of Nas' lyrical content, the top-tier production from veterans like Large Professor, DJ Premier, L.E.S., and Trackmasters, and hard-hitting guest appearances from AZ, Mary J. Blige, and Amerie. Stillmatic would see release on December 18th of 2001, right as Nas was caught in the middle of a highly publicized feud with fellow New York rapper Jay-Z. As such, the record features one of the feud's most intense apexes in the form of its second track "Ether", a ruthless Ron Browz-produced diss track. A response to Jay-Z's own diss "Takeover", "Ether" savaged the Brooklyn-native, accusing him of brown-nosing to get ahead, of plagiarizing earlier rappers such as Notorious B.I.G. and KRS-One, and dismissing his street cred. To this day "Ether" is considered one of the best and most potent diss tracks ever recorded, a major turning point in the Nas/Jay-Z feud, a standout among the already critically acclaimed Stillmatic, and is even credited with boosting Jay-Z's career by proxy.
TRACK LISTING
A1. Stillmatic (The Intro)
A2. Ether
A3. Got Ur Self A…
A4. Smokin'
B1. You're Da Man
B2. Rewind
B3. One Mic
B4. 2nd Childhood
C1. Destroy & Rebuild
C2. The Flyest (feat. AZ)
C3. Braveheart Party (feat. Mary J. Blige & Bravehearts)
C4. Rule (feat. Amerie)
D1. My Country (feat. Millenium Thug)
D2. What Goes Around (feat. Keon Bryce)
D3. Every Ghetto (feat. Blitz)
-
- Coloured LP
- £26.99
Usually ships within: 2-10 days - Cat Number
- TRR398LPC1
- Release date
- 4 Nov '22
- Format Info
Indies only LP is on crystal clear with double black high-melt coloured vinyl.
Indies only LP is on... [ + ] -
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- TRR398CD
- Release date
- 22 Jul '22
Produced by Steve Albini.
Riderless Horse is my first solo record, and it’s the first record my former partner, Kennan Gudjonsson, didn’t produce.
I haven’t made an album since 2010. I decided to stop pursuing music several years after my sixth record, Outlaster, because of unhappiness, overwhelming chaos, mental illness, and my tragically dysfunctional relationship with Kennan. Creating music had always been a positive outlet during difficult times, but eventually it became a source of absolute misery.
Riderless Horse documents the grief, but it also marks moments of empowerment and a real happiness in discovering my own capability. Steve Albini produced this record with me, and Greg Norman assisted. It was exactly the right environment to work on this record. We all had meals together, cried, laughed, and told stories. It was perfect. It made me realize how much I love writing, playing and recording music.
Terrible things happen. These were some terrible things. So, what to do – learn something valuable, connect with people, move the fuck out of that apartment, remember the humor, find the humour, tell the truth, and make a record. I made a record.
TRACK LISTING
1. Cork And Pour (0:12)
2. Just Stay In Bed (2:12)
3. You Were So Mad (2:53)
4. This Is Love (3:10)
5. Nature (2:57)
6. Lazy Road (2:45)
7. Ask Me (3:41)
8. Blind As Batsies (2:35)
9. The Two Of Us (2:37)
10. Go Away (2:19)
11. The Roundabout (2:09)
12. Trust (3:20)
13. Afterwards (2:34)
14. Creek And Chimes (0:33)
-
- Coloured LP
- £26.99
- Cat Number
- TG231LPC1
- Release date
- 20 Oct '23
- Format Info
Limited edition 180 gram clear vinyl.
Limited edition 180 gram... [ + ]
A generation-plus of young troubadours pine for things they never has to lose, as if sadness and depression were inevitable consequences of being alive. Nina Nastasia’s music is an antidote to all of that. The Blackened Air is a darkish record not just in title, but by examining everything without caving in to decadence or solipsism, it is a rejuvenating experience. It is informed, without affect, unique, and succinct. Above all, it is beautiful to hear and a pleasure to have in one’s home.
TRACK LISTING
Side A
Run, All You...
I Go With Him This Is What It Is Oh, My Stars All For You
So Little
Desert Fly
Ugly Face
Side B
In The Graveyard Ocean
Rosemary
The Same Day Been So Long
The Very Next Day Little Angel
That’s All There Is
-
- Ltd 7"
- £13.99
Usually ships within: 2-10 days - Cat Number
- MRB7168
- Release date
- 15 May '20
To be fair, it’s hard to follow up something this flawless, a project that allied his most insightful, pitch-perfect heartfelt rhymes with the work of the best hiphop producers on the east coast.DJ Premier, Q-Tip from A Tribe Called Quest and Large Professor all take their turns on the album, along with the unsung L.E.S.,but it’s Pete Rock in his prime who provides the stunning backdrop for the cinematic ‘The World is Yours’.
It’s a perfect nugget of a single, weaving in the brashness of Scarface, the repetition of a snatch of T La Rock’s early Def Jam gem ‘It’s Yours’ and piano courtesy of Ahmad Jamal’s ‘I Love Music’ from his own timeless ‘The Awakening’ album (1970).Presented for the first time on 7”, the vocals of the album version and the instrumental on the flip provide the perfect opportunity to enjoy and compare the work of two masters at the top of their game.
Pete Rock’s seamless weaving of disparate samples into a compelling whole, the then little-known Nas’ statement of intent. With a maturity beyond his tender years, Nas put himself straight at the top of the pile, this Queensbridge chronicle hinting at the ambition and greatness he harboured within himself.
TRACK LISTING
The World Is Yours (Album Version)
The World Is Yours (Instrumental)
-
- 12"
- £14.99
- Cat Number
- SJR539-12
- Release date
- 23 Feb '24
Nat King Cool’s stunning in-demand one-off single release ‘Checking Out’ sounds like a blend of MFSB’s ‘Mysteries of the World’ meets UK Brit- Funk, complete with very cool flip-side instrumental. Originally released on the tiny Tai Wan label, this track sounds fresh.
An absolutely essential 1980s Brit-Funk 12” tune, fully remastered from tapes, bespoke exact reprolabels, pressed on pristine vinyl and housed in groovy Soul Jazz / Funk Masters house bag.
TRACK LISTING
1. Checking Out
2. Checking Out (Instrumental)
-
- LP
- £19.99
Usually ships within: 2-5 days - Cat Number
- PIASR1270LP
- Release date
- 17 Dec '21
-
- CD
- £10.99
Usually ships within: 2-5 days - Cat Number
- PIASR1270CD
- Release date
- 17 Dec '21
The band self-released their debut album ‘Introduction, Presence’ in May 2020.
‘A Way Forward’ marks their first album since signing to Play It Again Sam.
Pristine synth-infused pop, with a heavy 80s vibe. Think OMD, A Flock Of Seagulls etc.
STAFF COMMENTS
Barry says: From the shuffled cosmic thump of 'Across That Fine Line' to Kreidler-adjacent instrumental sub-bass rhythms behind chorused guitars and stadium riffage, 'A Way Forward' provides a perfectly measured and impeccably manicured electronic wooze. Lovely.TRACK LISTING
In Manhattan
Across That Fine Line
Wounds Of Love
Miranda
The Grey Commute
This Fractured Mind
Former Self
Whatever You Want
A Word & A Wave
They’re Beckoning
-
- Ltd 7"
- £11.99
Usually ships within: 2-5 days - Cat Number
- PIASR1314S
- Release date
- 23 Sep '22
TRACK LISTING
A1. Androgynous
B1. Again & Again
-
- 7"
- £11.99
Usually ships within: 2-5 days - Cat Number
- PIASR1374S
- Release date
- 9 Dec '22
He adds, “For us, we’re in a moment right now where it feels good to get this out into the world. It’s one that didn't really feel like it fit the vibe of A Way Forward, nor is it any real indication of where the next record is likely heading. When that situation arrives we like to use these 7” releases to step outside the larger framework that the albums provide and just release a track that we love, so this is us doing that once again.”
TRACK LISTING
From The Hill
Ground Control
-
- Coloured LP
- £22.99
Usually ships within: 2-5 days - Cat Number
- PIASR1421LPC
- Release date
- 15 Sep '23
- Format Info
Clear vinyl edition.
Clear vinyl edition. -
- LP
- £22.99
Usually ships within: 2-5 days - Cat Number
- PIASR1421LP
- Release date
- 15 Sep '23
- Format Info
Black vinyl edition.
Black vinyl edition. -
- CD
- £10.99
Usually ships within: 2-5 days - Cat Number
- PIASR1421CD
- Release date
- 29 Sep '23
- Format Info
CD housed in digi-sleeve.
CD housed in digi-sleeve.
STAFF COMMENTS
Barry says: It's easy to hear a lot of influence here, the echoic vocals of Tears For Fears, or the percussive skitter of OMD, but all rendered in Nation Of Language's own unique indie-rock palette. Arm-raising balladry and slowly building walls of sound, pieced together arp by arp.TRACK LISTING
Weak In Your Light
Sole Obsession
Surely I Can't Wait
Swimming In The Shallow Sea
Too Much, Enough
Spare Me The Decision
Sightseer
Stumbling Still
A New Goodbye
I Will Never Learn
-
- CD
- £13.49
- Cat Number
- KALKCD74
- Release date
- 9 Sep '13
Indeed a host of Glasgow's finest have contributed to the new NJTOS album Standards Volume Two with Norman Blake from Teenage Fanclub responsible for additional studio work and lending his voice to Winter Breaks And Back To Spring. Belle & Sebastian's Chris Geddes and Stevie Jackson also helped with recordings But what sets the National Jazz Trio of Scotland apart is the vocal performances by Lorna Gilfedder, Aby Vulliamy and Kate Sugden, with the songs walking a fine emotional line between melancholy and optimism. Though the majority of the songs on Standards Volume Two are written and composed entirely by Bill Wells, there are 2 covers including a version of the traditional Scottish folk song Mary of Argyle and a delightful cover of the Moondog tune My Tiny Butterfly with Gilfedder, Vulliamy and Sugden singing in a round to great effect.
-
- Ltd LP
- £19.99
Usually ships within: 2-10 days - Cat Number
- KALKLP106
- Release date
- 20 Apr '18
On their latest album, Standards Vol. IV, the National Jazz Trio continue their engagement with classic and outsider pop traditions. In addition to the ten Bill Wells originals and a new version of the Aidan Moffat collaboration 'Far From You', Standards Vol. IV features a cover of Richard Youngs' "Summer's Edge" from the latters's 2005 masterpiece Summer Wanderer.
-
- LP
- £20.99
Usually ships within: 2-10 days - Cat Number
- KALKLP1132
- Release date
- 12 Jul '19
-
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- KALKCD113
- Release date
- 26 Jul '19
TRACK LISTING
I Know Where I'm Going (1:59)
Sigh No More Ladies (2:35)
Vox II (3:33)
Sunrise, Sunset (4:42)
Set Firee To Silver Light (0:51)
So Much Power (3:18)
Gradual Inclination (3:30)
The King Tailors (2:15)
Of Thee I Sing (4:46)
Gradual Inclination (reprise) (1:10)
A Quiet Goodbye (2:28)
-
- CD
- £10.99
- Cat Number
- LITA105
- Release date
- 7 Oct '13
* Remastered from original sources
* 2xLP housed in a deluxe gatefold tip-on jacket with 20-pg book, and download card full full anthology
* Vinyl cut by John Golden and pressed at RTI
* CD housed in a deluxe gatefold tip-on jacket with 48-pg book
* Scholarly liner notes by Punk In Africa director Keith Jones
* Unseen photos, flyers, and band ephemera
The South Africa of the late 1970s was neither the right place nor time to launch a mixed-race punk band. Yet, following the student-inspired Soweto Uprising of 1976, it was also exactly the right conditions to foster a band like National Wake, one formed in an underground commune, and one whose very name exists in protest at the divisive, racist apartheid regime. Never before collected together, Light In The Attic is set to release National Wake’s full body of work as Walk In Africa 1979-81.
Featured heavily in the Punk In Africa documentary, National Wake played punk, reggae and tropical funk, equally at home in the city’s rock underground and the township nightclub circuit. Ivan Kadey started the band with two brothers, Gary and Punka Khoza. The three were from different worlds –while Ivan was an outsider, a Jewish orphan born in the traditional Johannesburg immigrant neighborhood, Gary, Punka and their family were forcibly moved to the troubled township of Soweto under the apartheid regime. Later joined by guitarist Steve Moni, the whole band grew up against a backdrop of township unrest, social upheaval and suburban tedium that characterized apartheid-era South Africa.
National Wake released just one album, in 1981. It sold approximately 700 copies before being withdrawn under government pressure. The band subsequently disintegrated, but their influence could be traced in the racially mixed post-punk underground centered around Rockey Street in Johannesburg throughout the 1980s, their legacy transmitted through fanzines and underground cassette trading.
Sadly, Gary and Punka Khoza both passed away in their 40s. Kadey now works as an architect in Los Angeles, but his attention eventually turned back to the band as their legacy grew in the digital era, with the emergence of specialized music websites and Punk In Africa leading to their rediscovery. Czech State Radio memorably described the band as “perhaps the most dissident music scene of the 20th century: a multi-racial punk band in a fascist police state.”
In 2011, Kadey re-released the band’s self-titled album, but spoke about having more than 20 tracks that had never seen the light of day –until now. “All of these recordings put together they speak of the whole evolution of the band,” he has said. “From a sort of naive, almost belief that we could miraculously change everything to realizing what a struggle it was, and what the country was going through and what it would go through.”
TRACK LISTING
1. International News
2. It's All Right
3. Walk In Africa
4. Time And Place
5. Corner House Stone
6. Mercenaries
7. Wake Of The Nation
8. Supaman
9. Speed It Up
10. Beat Up The Lights
11. Black Punk Rockers
12. Stratocaster
13. Everybody
14. Vatsiketeni
-
- LP
- £25.99
- Cat Number
- 4AD0566LP
- Release date
- 28 Apr '23
- Format Info
Black vinyl edition.
Black vinyl edition. -
- CD
- £9.99
- Cat Number
- 4AD0566CD
- Release date
- 28 Apr '23
The follow-up to 2019’s top five hit album I Am Easy To Find, First Two Pages of Frankenstein was initially stalled while lead singer Matt Berninger navigated “a very dark spot where I couldn’t come up with lyrics or melodies at all, and that period lasted for over a year. Even though we’d always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.” Instead, The National “managed to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar/piano/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).
First Two Pages of Frankenstein channels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with the National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.
Swift duets with Berninger on the luminous “The Alcott,” continuing her recent string of collaborations with members of The National on her chart-topping albums folklore and evermore and Aaron Dessner’s Big Red Machine project. The song finds Berninger and Swift inhabiting the roles of a couple attempting to resurrect a troubled relationship, forging a finely drawn story nearly novelistic in scope. “It’s about two people with a long history returning to a place and trying to relive a certain moment in time,” says Berninger. “It’s got the feeling of a last-ditch effort to hold onto the relationship, but there’s a hint of something positive where you can see the beginnings of a reconnection.”
STAFF COMMENTS
Liam says: Succeeding on from the beautiful yet gut-punching 'I Am Easy To Find', 'First Two Pages Of Frankenstein' is another exquisite slice of moving and expansive indie from Berninger and co. Boasting huge guest spots from Taylor Swift, Sufjan Stevens and Phoebe Bridgers, this record further cements The National as the generational talent we've always known them to be!TRACK LISTING
Once Upon A Poolside (feat. Sufjan Stevens)
Eucalyptus
New Order T-Shirt
This Isn't Helping (feat. Phoebe Bridgers)
Tropic Morning News
Alien
The Alcott (feat. Taylor Swift)
Grease In Your Hair
Ice Machines
Your Mind Is Not Your Friend (feat. Phoebe Bridgers)
Send For Me
-
- 2xColoured LP
- £34.99
Usually ships within: 2-5 days - Cat Number
- 4AD0679LPE
- Release date
- 17 Nov '23
- Format Info
Pink vinyl edition.
Pink vinyl edition. -
- 2xLP
- £29.99
- Cat Number
- 4AD0679LP
- Release date
- 17 Nov '23
- Format Info
Black vinyl edition.
Black vinyl edition. -
- CD
- £10.99
- Cat Number
- 4AD0679CD
- Release date
- 17 Nov '23
STAFF COMMENTS
Laura says: Released as a companion album to ‘First Two Pages Of Frankenstein’, ‘Laugh Track’ was written during the same sessions but feels more dynamic, largely due to Bryan reverting to ‘real’ rather than programmed drums. After all, it’s his fluid, scatter-shot drumming that has always been the perfect foil for Matt’s melancholy. This LP sounds much more like The National we love and closing track “Smoke Detector” possibly hints at the future direction of their evolution.TRACK LISTING
Alphabet City
Deep End (Paul’s In Pieces)
Weird Goodbyes Feat. Bon Iver
Turn Off The House
Dreaming
Laugh Track Feat. Phoebe Bridgers
Space Invader
Hornets
Coat On A Hook
Tour Manager
Crumble Feat. Rosanne Cash
Smoke Detector
-
- LP
- £19.99
Usually ships within: 2-5 days - Cat Number
- BBQLP241
- Release date
- 11 Apr '05
- Format Info
One of a series of vinyl re-presses from Beggars Banquet. Fluorescent yellow/green vinyl.- Includes MP3 Download Code.
One of a series of vinyl... [ + ] -
- CD
- £6.99
Usually ships within: 2-5 days - Cat Number
- BBQCD241
- Release date
- 11 Apr '05
The National contains two pairs of brothers - Aaron Dessner (guitars, bass) and Bryce Dessner (guitar), Scott Devendorf (guitar, bass), Bryan Devendorf (drums) and singer Matt Berninger. Matt's potent baritone intones about matters fraught and funny and sad; about record collections, missing persons and medium-sized American hearts. The songs are intense, and emotive but generally quite restrained, but on one or two tracks, this intensity spills out into a superbly abrasive blast of emotion, before ebbing back into mellowness. Wonderful!
STAFF COMMENTS
Laura says: An absolutely awesome album - one of my albums of the year in 2005 when it was originally released. Although it's perhaps a little less 'polished' than "High Violet" it still has that same compelling, claustrophic intensity too it.TRACK LISTING
1. Secret Meeting
2. Karen
3. Lit Up
4. Looking For Astronauts
5. Daughters Of The Soho Riots
6. Baby, We'll Be Fine
7. Friend Of Mine
8. Val Jester
9. All The Wine
10. Abel
11. Geese Of Beverly Road
12. City Middle
13. Mr. November
-
- LP
- £19.99
Usually ships within: 2-5 days - Cat Number
- BBQLP252
- Release date
- 21 May '07
- Format Info
One of a series of vinyl re-presses from Beggars Banquet. Yellow vinyl.
One of a series of vinyl... [ + ] -
- CD
- £6.99
Usually ships within: 2-5 days - Cat Number
- BBQCD252
- Release date
- 21 May '07
However, with "Boxer" they've created something quite stunning, in fact the opening three tracks, "Fake Empire", "Mistaken For Strangers" and "Brainy" are possibly their best songs ever. A taut rhythm section is present throughout, and complements the languid vocals and lush string arrangements perfectly. Although the strings and Matt Berninger's distinctive drawl create a solemn mood, there are plenty of upbeat moments here too, creating a rich anthemic album with just the right amount of melancholy.
TRACK LISTING
1. Fake Empire
2. Mistaken For Strangers
3. Brainy
4. Squalor Victoria
5. Green Gloves
6. Slow Show
7. Apartment Story
8. Start A War
9. Guest Room
10. Racing Like A Pro
11. Ada
12. Gospel
-
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- 4AD0077CD
- Release date
- 13 Jul '18
TRACK LISTING
Fake Empire (Live In Brussels)
Mistaken For Strangers (Live In Brussels)
Brainy (Live In Brussels)
Squalor Victoria (Live In Brussels)
Green Gloves (Live In Brussels)
Slow Show (Live In Brussels)
Apartment Story (Live In Brussels)
Start A War (Live In Brussels)
Guest Room (Live In Brussels)
Racing Like A Pro (Live In Brussels)
Ada (Live In Brussels)
Gospel (Live In Brussels)
-
- 12"
- £12.99
Usually ships within: 2-5 days - Cat Number
- 4AD0314T
- Release date
- 26 Feb '21
-
- CD EP
- £7.99
Usually ships within: 2-5 days - Cat Number
- 4AD0314CDS
- Release date
- 26 Feb '21
Having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.
TRACK LISTING
1. / A1. Wasp Nest
2. / A2. All The Wine
3. / A3. All Dolled-Up In Straps
4. / A4. Cherry Tree
5. / B1. About Today
6. / B2. Murder Me Rachael (Live)
7. / B3. Reasonable Man (I Don’t Mind)
-
- 2xLtd LP
- £23.99
Usually ships within: 2-5 days - Cat Number
- CAD3X03
- Release date
- 10 May '10
-
- CD
- £4.99
Usually ships within: 2-5 days - Cat Number
- CAD3X03CD
- Release date
- 10 May '10
A dramatic entrance to The National’s fifth album. But it’s not all this heavy, as with their previous releases it’s an album of mood swings. Where “Terrible Love” was explosive, second track “Sorrow” is mournful and melodic.
And while the album changes mood and tempo, at times warm and intimate at others dramatic, propelled by off beat drum rhythms, there’s always a palpable intensity. I read recently that they find it hard to finish songs, with one or other band member frequently rejecting material. Whether the atmosphere created here is the cause or result of this I don’t know, but either way it works perfectly. Despite Matt’s melancholy, there’s something really uplifting about this collection of beautifully crafted mini epics.
STAFF COMMENTS
Martin says: A bona fide classic, and possibly the summit of The National's already majestic canon. Moody, introspective and deeply involving, "High Violet" manages to be both clever and inventive and at the same time focused in it's somewhat bleak expression. A work of troubled genius whose (very) high points, "Afraid of Everyone", "Bloodbuzz Ohio" and the sublime "Conversation 16" would grace pretty much any album, ever. It is really that good.TRACK LISTING
1. Terrible Love
2. Sorrow
3. Anyone’s Ghost
4. Little Faith
5. Afraid Of Everyone
6. Bloodbuzz Ohio
7. Lemonworld
8. Runaway
9. Conversation 16
10. England
11. Vanderlyle Crybaby Geeks
-
- 2xLtd CD
- £10.99
Usually ships within: 2-5 days - Cat Number
- CAD3X49CD
- Release date
- 22 Nov '10
- Format Info
As well as the original eleven-track album, the expanded version will be come with a bonus disc of eight songs featuring an alternate version of "High Violet" opening track "Terrible Love", two brand new tracks "Wake Up Your Saints" and "You Were A Kindness", B-sides "Walk Off" and "Sin-Eaters", as well as three live recordings.
As well as the original... [ + ]
And while the album changes mood and tempo, at times warm and intimate at others dramatic, propelled by off beat drum rhythms, there’s always a palpable intensity. I read recently that they find it hard to finish songs, with one or other band member frequently rejecting material. Whether the atmosphere created here is the cause or result of this I don’t know, but either way it works perfectly. Despite Matt’s melancholy, there’s something really uplifting about this collection of beautifully crafted mini epics.
TRACK LISTING
High Violet
Terrible Love
Sorrow
Anyone’s Ghost
Little Faith
Afraid Of Everyone
Bloodbuzz Ohio
Lemonworld
Runaway
Conversation 16
England
Vanderlyle Crybaby
Geeks
Bonus Disc
Terrible Love (Alternate Version)
Wake Up Your Saints
You Were A Kindness
Walk Off
Sin-Eaters
Bloodbuzz Ohio (Live On The Current)
Anyone’s Ghost (Live At BAM)
England (Live At BAM)
-
- 2xColoured LP
- £30.99
Usually ships within: 2-5 days - Cat Number
- 4AD0154LPE
- Release date
- 17 May '19
- Format Info
Indies only 140gram clear vinyl – limited edition, one pressing only.
Indies only 140gram clear... [ + ] -
- 2xLP
- £30.99
- Cat Number
- 4AD0154LP
- Release date
- 17 May '19
- Format Info
Black vinyl.
Black vinyl. -
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- 4AD0154CD
- Release date
- 17 May '19
I Am Easy to Find is a 24-minute film by Mills starring Alicia Vikander, and a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically sidestaged in favour of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.
As the album’s opening track, ‘You Had Your Soul With You,’ unfurls, it’s so far, so National: a digitally manipulated guitar line, skittering drums, Berninger’s familiar baritone, mounting tension. Then around the 2:15 mark, the true nature of I Am Easy To Find announces itself: The racket subsides, strings swell, and the voice of long-time David Bowie bandmate Gail Ann Dorsey booms out—not as background vocals, not as a hook, but to take over the song. Elsewhere it’s Irish singer-songwriter Lisa Hannigan, or Sharon Van Etten, or Mina Tindle or Kate Stables of This Is the Kit, or varying combinations of them. The Brooklyn Youth Choir, whom Bryce Dessner had worked with before. There are choral arrangements and strings on nearly every track, largely put together by Bryce in Paris—not a negation of the band’s dramatic tendencies, but a redistribution of them.
“Yes, there are a lot of women singing on this, but it wasn't because, ‘Oh, let's have more women's voices,’ says Berninger. “It was more, ‘Let's have more of a fabric of people's identities.’ It would have been better to have had other male singers, but my ego wouldn't let that happen.”
TRACK LISTING
1. You Had Your Soul With You
2. Quiet Light
3. Roman Holiday
4. Oblivions
5. The Pull Of You
6. Hey Rosey
7. I Am Easy To Find
8. Her Father In The Pool
9. Where Is Her Head
10. Not In Kansas
11. So Far So Fast
12. Dust Swirls In Strange Light
13. Hairpin Turns
14. Rylan
15. Underwater
16. Light Years
Side 5 On Deluxe Triple – Contains 22 Minutes Of Music From The I Am Easy To Find Original Film Score – EXCLUSIVE To This Format.
Side 6 On 3LP - Etching.
-
- LP
- £19.99
- Cat Number
- 4AD0313LP
- Release date
- 26 Feb '21
-
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- 4AD0313CD
- Release date
- 26 Feb '21
With word of mouth now spreading on the band, critics proved equally enthusiastic... Pitchfork in their glowing review called it a “Gorgeous train wreck” that “Lives up to its blunt title (with) Matt Berninger’s self-effacing barbs matched by the band’s equally potent hooks,” while Uncut also became early champions saying the album was “A genuine treasure... Livid as a bruise, this is brave, desperate, beautiful music.”
No longer a secret among those that know, Sad Songs For Dirty Lovers is an important record in The National’s discography with this new remaster showing that it’s more than standing the test of time.
Having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.
TRACK LISTING
1. / A1. Cardinal Song
2. / A2. Slipping Husband
3. / A3. 90-Mile Water Wall
4. / A4. It Never Happened
5. / A5. Murder Me Rachael
6. / B1. Thirsty
7. / B2. Available
8. / B3. Sugar Wife
9. / B4. Trophy Wife
10. / B5. Fashion Coat
11. / B6. Patterns Of Fairytales
12. / B7. Lucky You
-
- 2xLP
- £23.99
- Cat Number
- 4AD0020LP
- Release date
- 8 Sep '17
- Format Info
Standard edition pressed on white vinyl. Comes in a gatefold sleeve, and includes a download card and poster.
Standard edition pressed... [ + ] -
- CD
- £9.99
- Cat Number
- 4AD0020CD
- Release date
- 8 Sep '17
While in some ways it’s typically National-sounding, they’ve definitely added some new elements to their sound. Opening track “Nobody Else Will Be There” is a stripped back ballad with melancholic piano, and Matt’s distinct vocals, but the electronics pulsing away in the background are a sign of what’s to come with the album.
All the usual elements are there, intricate guitars, delicate piano keys, scatter-shot drums and of course Matt’s mumbling/crooning baritone, but a new layer of electronics bubbling away in the mix adds a new dimension to their sound.
As with the last couple of albums, it features mostly fairly downtempo ballads but they do ramp things up from time to time: “Day I Die”, “They System Only Dreams In Total” and the big rock-out track of the album, “Turtleneck”. It’s taken a few listens to get into it, but as a fan I’m certainly not disappointed.
TRACK LISTING
A1. Nobody Else Will Be There
A2. Day I Die
A3. Walk It Back
B1. The System Only Dreams
In Total Darkness
B2. Born To Beg
B3. Turtleneck
C1. Empire Line
C2. I’ll Still Destroy You
C3. Guilty Party
D1. Carin At The Liquor Store
D2. Dark Side Of The Gym
D3. Sleep Well Beast
-
- LP
- £16.99
- Cat Number
- 4AD0312LP
- Release date
- 26 Feb '21
-
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- 4AD0312CD
- Release date
- 26 Feb '21
Their first release, The National arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs. And while nods to the alt. rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own – Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks.
The National marks the start point for one of the best bands of their generation with its new master helping elevate it to new levels. A great primer to a great band.
Having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.
TRACK LISTING
1. / A1. Beautiful Head
2. / A2. Cold Girl Fever
3. / A3. The Perfect Song
4. / A4. American Mary
5. / A5. Son
6. / A6. Pay For Me
7. / B1. Bitters & Absolut
8. / B2. John’s Star
9. / B3. Watching You Well
10. / B4. Theory Of The Crows
11. / B5. 29 Years
12. / B6. Anna Freud
-
- Coloured LP
- £21.99
Usually ships within: 2-5 days - Cat Number
- 4AD0312LP2
- Release date
- 14 Oct '22
- Format Info
White vinyl edition.
White vinyl edition.
Released in 2001, ‘The National’ landed two years after they formed and came during a time when they were having to juggle band life with full-time jobs.
And while nods to the alt. rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own - Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks.
For National Album Day 2022, the band reissue the album on white vinyl.
TRACK LISTING
Beautiful Head
Cold Girl Fever
The Perfect Song
American Mary
Son
Pay For Me
Bitters & Absolut
John’s Star
Watching You Well
Theory Of The Crows
29 Years
Anna Freud
-
- 2xLP
- £23.99
- Cat Number
- CAD3315
- Release date
- 20 May '13
- Format Info
Double gatefold heavy vinyl with printed inner sleeve.- Includes MP3 Download Code.
Double gatefold heavy... [ + ] -
- CD
- £7.99
Usually ships within: 2-5 days - Cat Number
- CAD3315CD
- Release date
- 20 May '13
In an interview with UK’s Uncut Magazine, front man Matt Berninger described the songs as more “immediate and visceral” than their previous work. Trouble Will Find Me possesses a directness, a coherency and an approachability that suggests The National are at their most confident.
After a 22-month tour following the release of High Violet the band returned home. Regardless of plans to wait to record new music for another year or two, guitarist Aaron Dessner began working on sketches of new songs that the other members were too inspired by to not fully realise. Matt confesses, “For the past ten years we’d been chasing something, wanting to prove something. And this chase was about trying to disprove our own insecurities. After touring High Violet, I think we felt like we’d finally gotten there. Now we could relax—not in terms of our own expectations but we didn’t have to prove our identity any longer.” The results are simultaneously breakthrough and oddly familiar, the culmination of an artistic journey that has led The National both to a new crest and, somehow, back to their beginnings—when, says Aaron, “our ideas would immediately click with each other. It’s free-wheeling again. The songs on one level are our most complex, and on another they’re our most simple and human. It just feels like we’ve embraced the chemistry we have.” The album was recorded at Clubhouse in Rhinebeck, NY. Trouble Will Find Me was self-produced and mixed by Craig Silvey with additional mixing from Peter Katis and Marcus Paquin.
STAFF COMMENTS
Laura says: With every album The National have pushed on and made a more ambitious album, constantly upping the ante with bigger arrangements and a bigger sound. So how on earth were the going to follow High Violet?Well, it seems they’ve finally come to terms with who and where they are as a band and made an album that reflects that. The Dressner brothers intricate arrangements are still there, as are the distinctive scatter-shot drum patterns (described perfectly by film director DA Pennebaker as “like rain falling through the leaves of a tree”) and of course Matt Berninger’s rich baritone rolls effortlessly over it all, but “Trouble Will Find Me” is a more relaxed, streamlined collection, and this stripping back gives the songs room to breathe and emphasises just how good they are at what they do. There may be less angst here than in the past, but the romanticism and melancholy are still there and for me, once again they've come up with one of the best albums of the year.
TRACK LISTING
1. I Should Live In Salt
2. Demons
3. Don't Swallow The Cap
4. Fireproof
5. Sea Of Love
6. Heavenfaced
7. This Is The Last Time
8. Graceless
9. Slipped
10. I Need My Girl
11. Humiliation
12. Pink Rabbits
13. Hard To Find
-
- CD
- £9.99
- Cat Number
- DISCHORD124CD
- Release date
- 6 Nov '00
-
- 12"
- £10.99
- Cat Number
- PSGG 002
- Release date
- 19 Jul '19
TRACK LISTING
A1. Late Nights
A2. Desert Theory
B1. Bermuda Clouds
B2. Whispers
-
- Coloured LP
- £23.99
Usually ships within: 2-5 days - Cat Number
- NUM216LP-C2
- Release date
- 1 Sep '23
- Format Info
Tangled white and black vinyl.
Tangled white and black... [ + ] -
- LP
- £22.99
Usually ships within: 2-5 days - Cat Number
- NUM216LP
- Release date
- 1 Sep '23
- Format Info
Black vinyl edition.
Black vinyl edition.
TRACK LISTING
Side A
Bread
High Tide In Alaska
Back To Mimsey
Side B
Answers
Crossings
Tangled
Lower GI Bleed
Runner
-
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- ATFA043CD
- Release date
- 24 Sep '21
Hitting a cool 110BPM territory, gliding in on Reese basslines and punctuated with 808 subs; tense strings and dark synthlines make up this midtempo, late night dance music which glows with dipped neons and oozes electronic soul.
19 and 18 respectively, Kgothatso Tshabalala & Zakhele Mhlanga (DJ Zakes) are born after the onset of democracy ('ma2000') and ride a wave of youthful excitement and creativity around the Gauteng province of SA where many believe amapiano was first birthed.
"Teenage Dreams" is twelve tracks which capture both the sound of amapiano, the energy of late teenage South Africa and the excitement of merging modern production technology with fierce creative spirit. It's no wonder everyone from your mate down Moss Side, to the hippest DJs on NTS are championing this sound right now. It's fully genuine, a little bit gangsta, and is aimed squarely at the hips - a pocket rocket of fresh fire for the clubs, jeeps and yards. Check!
TRACK LISTING
1. The Beginning (7:44)
2. Way To Cairo (6:12)
3. The Journey (7:51)
4. Teenage Dreams (7:12)
5. Rejoice Feat. TapSoul (6:51)
6. Ambassador Feat. Ubuntu Bros. (6:05)
7. Long Lasting (8:20)
8. Dead Sangoma (6:57)
9. Burning Desire Feat. Blaq K (6:22)
10. United As One (7:25)
11. Letter To Kabza De Small (5:36)
12. End Of Time (5:57)
-
- Cassette
- £5.99
- Cat Number
- LLI001
- Release date
- 9 Sep '16
STAFF COMMENTS
Barry says: Well this is great isn't it? Fiery and melodic percussive passages intersperse with glacially cut synths and shimmering pads. Ducking and blooming like a confused flower. Also, much like a flower, it's very good.TRACK LISTING
1. Skewed Proof
2. Quel
3. Adrenal
4. Cto_224788397
-
- Ltd 7"
- £12.99
- Cat Number
- SR011
- Release date
- 20 Oct '23
This year Natty Wylah has been cementing himself in London’s rich contemporary music scene with festival performances at Glastonbury, We Out Here with Silhouettes Project and a headline Southbank show as part of Nabihah Iqbal’s ‘Glory To Sound’ series. As well as contributions to Rhythm Sections, compilation ‘Shouts’ all in the run up to his next EP, "Willowisp".
"Moth Wings / FB Trap" is the perfect introduction to Natty’s world where magic, slime and reality all mix together. With his cinematic lyrics on "Mothwings", Natty conjures up the imagery of celestial moths, who when seeking the moonlight end up stuck chasing flickering artificial light bulbs. The track features the unmistakable characteristics of Natty’s sound: traipsing across hip-hop, the psychedelic and punk, all adorned with ethereal vocals and woozy synths from Poppy and Finn Billingham.
STAFF COMMENTS
Matt says: Scenic Route continue to scout out the hottest new sounds from the underground. After slaying us with that Nourished By Time album earlier in the year they now turn the spotlight on the charismatic Natty Wylah.TRACK LISTING
A. Moth Wings
AA. FB Trap
-
- LP
- £36.99
- Cat Number
- NCRT003
- Release date
- 11 Aug '23
TRACK LISTING
1. Mexican Adderall
2. Tell Me I'm Wrong
3. Little Magic
4. Check The Mirror
5. Margaritas In The Moonlight
6. Scootin'
7. Lost And Found
8. Swanee
9. Me And George
10. Gin And Wine
11. American Con Carne
-
- Coloured LP
- £22.99
- Cat Number
- BELLA1356V
- Release date
- 24 Mar '23
- Format Info
140g green vinyl.
140g green vinyl. -
- CD
- £10.99
- Cat Number
- BELLA1356CD
- Release date
- 24 Mar '23
Pond-watchers might wonder why the album took so long to arrive since Matt Pond PA’s last album proper, Still Summer (2017). But The Natural Lines was not a project to be rushed. Recorded with close collaborators and friends over a period that saw Pond make vital adjustments to his life, its stealth emergence reflects his desire to set a fresh pace for himself and come from somewhere new, somewhere more open.
Now based in Kingston, New York, with his partner and wild dog Willa, Matt explains the album’s gestation thus. “It was something different from the start. I wanted to write as purely as I could. Instead of getting stuck in the ‘tour, write an album, release an album, tour’ cycle, which is not a natural way of writing or living, I wanted to write an album and when it was done I wanted to make sure it was done. I didn’t want this feeling of, ‘Oh, we didn’t have time’, or, ‘I don’t know whether I believe in the songs but it’s coming out anyway.’ I used to be always racing to the finish line, but I’m not anymore.”
TRACK LISTING
1. Monotony
2. No More Tragedies
3. Help
4. Alex Bell
5. My Answer
6. Spontaneous Skylights
7. A Scene That Will Never Die
8. Person Of Interest
9. Don't Come Down
10. Artificial Moonlight
11. Mahwah
Natural Wonder Beauty Concept (DJ Python & Ana Roxanne)
Natural Wonder Beauty Concept
Mexican Summer
-
- LP
- £20.99
Usually ships within: 2-10 days - Cat Number
- MEX3261
- Release date
- 14 Jul '23
- Format Info
Standard black vinyl.
Standard black vinyl.
Brian and Ana met in New York City in the winter of 2020. They’d respectively put out critically acclaimed albums but due to extenuating global circumstances, the real-world implications of those records were yet to be seen. Ana’s debut LP, Because of a Flower, released in fall 2020, trades in both ethereality and directness, stretching timeless pop and R&B forms into shimmering ambient magic. When the Bay Area-born, Mills-trained artist sings, on record or live, time slows down and we enter a languorous yet ecstatic present. The second album from Queens-based deep reggaeton innovator DJ Python, Mas Amable, also subverts easy temporality. Released in spring 2020, Mas Amable floats in liminal space —not quite a dance record, a downtempo record, nor an ambient record—unfurling at a wistful pace, naturally suited for a strange period when each day felt the same yet wildly different.
Well-loved albums aside, no one was playing shows, and a general listlessness and disconnection prevailed. Roxanne had recently moved to New York, and while the pair had previously interacted online and expressed admiration with each others’ work, they were now able to meet in person for the first time. A quiet understanding developed between the two artists on their initial hangs – they drove around the outskirts of NYC, listening to Telegram by Björk, HTRK, Portishead, all manner of melancholy acoustic indie songs. They pulled over in Filipino neighborhoods to eat. Periods of volubility were punctuated by silence, laughter interspersed with wide-eyed pondering. For Brian and Ana, studio experimentation was the instinctive extension of a friendship finding its feet.
The duo’s preternatural communication was present from the start. In early, open-ended sessions at Gary’s Electric Studio in Greenpoint, they arrived on a moody, novel sound encompassing trip-hop, synth-pop, brittle IDM drums, and samples of classical music. Piñeyro threw out ideas at a breakneck pace. Ana impacted the sound with subtle, monumental chord shapes and textures, eventually singing over strange and beautiful beats. “There was lots of time to make music during the first year we worked on the project,” they remember. “The winter in New York felt quite vacuous, so we spent a lot of time reflecting on feeling too much and feeling nothing at all.”
Then, after a heady start on a prospective album, the world reopened. Roxanne and Piñeyro parted ways for most of 2021. Ana embarked upon her first headlining tours across Europe, North America, and Australia, quietly commanding large rooms. Python was a fixture in the sleepless European electronic club circuit. Ana moved away from NYC and back to the Bay Area. Alone again, they experienced the exhilaration and fatigue of the road. Their lives, and the project, were in flux.
After a smattering of sessions on the rare occasions they found themselves in the same city, Brian and Ana converged on Kranky label manager Brian Foote’s home studio in Los Angeles in the summer of 2022. They listened to tracks-in-progress while driving through the hills at night, lights flickering out in the expanse. The writing process was entirely collaborative. Ana sang, Brian sang. They dashed off lyrics together, reflecting an increasingly shared mental state. “You me you / falling in deeper blue / running through a circle that surrounds you / mango jelly flowers all around you.” Later that fall, the duo traveled back to Brooklyn for a last round of sessions with engineer and producer Al Carlson (Oneohtrix Point Never, Jessica Pratt). Their longtime friend CZ Wang (Parquet Courts, Huerco S.) mixed and finalized the songs in early 2023, and then a name for the project materialized. Natural Wonder Beauty Concept was “something Ana saw in the universe.”
The self-titled album does not resemble the previous work of either artist – Ana’s celebrated ~~~ EP and album; Piñeyro’s various releases as DJ Python and DJ Wey or his recent EP with Ela Minus. Instead, it’s a sui generis work built block by block over two years. It’s the longest DJ Python has ever worked on a record, and the shortest period of time Ana has ever dedicated to a project. Early on in Natural Wonder Beauty Concept, we hear Python singing for the first time, over a woozy, Actress-influenced beat. He’s a portrait of alienation. “Isn’t it strange that I kind of feel nothing at all,” he muses. Ana responds to Python’s call: “Wouldn’t you say that I’m a person… giving you the time…” By the song’s conclusion, Roxanne’s vocals are an enveloping force over a lilting street bass. “The project gave us a creative license of freedom,” the pair say. “It was an opportunity to try anything out, whatever we happened to be feeling or influenced by.” Python and Ana are both known for bittersweet, contemplative electronic music that feels like a companion in quiet times. With their new project, the two artists have found their natural, if unexpected, counterparts. Natural Wonder Beauty Concept is the sound of two brilliant artists learning to be alone, together
TRACK LISTING
1. Fallen Angel - Ana Roxanne
2. Sword - Ana Roxanne
3. III - Natural Wonder Beauty Concept
4. The Veil I - Natural Wonder Beauty Concept
5. Natural Wonder Beauty Concept - DJ Python
6. The Veil II - Ana Roxanne
7. Young Adult Fiction - Ana Roxanne
8. Driving - Natural Wonder Beauty Concept
9. Clear - DJ Python
10. World Freehand Circle Drawing - Ana Roxanne
-
- Coloured LP
- £24.99
- Cat Number
- BMM094
- Release date
- 15 Mar '24
- Format Info
Green marbled vinyl limited to 300 copies
Green marbled vinyl... [ + ]
Having previously released music with Jazzman Records, Stones Throw subsidiary Now-Again and French label BMM Records, The Natural Yogurt Band presents the 7th album of his discography that marks an experimental turn.
"Spores" takes us on an obscure sci-fi journey into extra-terrestrial territories where tropical flutes, pianos, guitars and organs melt under corrosive electronic sounds, modular bird chirps and vintage drum machines sounds.
STAFF COMMENTS
Matt says: Natural Yoghurt Band's deliciously free and experimental jazz / library project is a true feast for the ears. Incomparable and infectious; it's a wild, untamed beast of electronics and improvisation that you're gonna love.TRACK LISTING
A1.Vital Signs
A2.Children Of The Black Planet
A3.Life Forms
A4.Strange Life On A Distant Planet
A5.Exotic Creatures
A6.First Contact
A7.Obscure Jungle
B1.Warning Signs
B2.Followers Of A New Moon
B3.Gas Narcosis
B4.We Are Alone
B5.Possible Danger
B6.Unknown Landscapes
-
- Coloured LP
- £18.99
Usually ships within: 2-10 days - Cat Number
- DBR021VL
- Release date
- 15 Sep '23
“After putting my children to bed, I spent many a late night in the basement with my guitar and let my mind wander to the places where I could no longer go,” he says. “Initially, a lot of the songs were about getting as far away from the reality of my moment as possible.” He drew parallels with another tumultuous summer. “The record’s title, Summer of No Light, is taken from the climate crisis of 1816,” he says. Often referred to as The Year Without a Summer, that year a massive volcanic eruption in Indonesia darkened much of the world’s sky. The resulting ash brought dramatic global cooling and widespread famine, hitting Western Europe especially hard. While he initially sought escape from the isolation in which he found himself, soon the solace of home and family life began to seep its way into the music “The routines of domesticity were often unwelcome, and always exhausting - but probably mentally helpful. I was isolated, but not alone.” Despite the many graveyard romps that populate the record, it’s the moments that celebrate home that gives this album its heart. Summer of No Light is an album that’s born of a precise moment, yet revels in anachronism. Collapsing time to make a little bit of sense of this one, Berman feels artistically rejuvenated, drawing on histories large and small to breathe new life and perspective on his own. “It was a time that is now almost unspeakable – not because the tragedy was too profound or in any way trivial – but because we were all there.”
TRACK LISTING
1. Lucifer’s Glory
2. Carolina
3. Summer Of Hell
4. The Stillness
5. A Glass Of Laughter
6. Stephanie Don’t Live Here Anymore
7. Your Temperate Ways
8. Wait For Me
9. Wintergreen
-
- Coloured LP
- £25.99
- Cat Number
- KCR12034LPC1
- Release date
- 8 Dec '23
- Format Info
Indies only powder blue vinyl.
Indies only powder blue... [ + ] -
- CD
- u/avbl
- Cat Number
- KCR12034CD
- Release date
- 8 Dec '23
“After the first session, I took a copy of the recordings with me to overdub a few things at my spot,” Michael shared. “Then, I dumped the whole thing onto a cassette as one long stream of songs.” With the record mostly complete ,the final session at Montrose would consist of some simple overdubs and finishing touches. But somehow, in the months between, he lost the overdubs. “Going into the second session, all I had was the cassette,” Michael explained. The band got back together and performed another batch of songs. At the end of their second session, they had enough music to pick and choose from for the new full-length. “The songs, as they appear on the album, are basically how they were recorded as a live band.”
STAFF COMMENTS
Barry says: Brittle ballads that are both tenderly delivered and unerringly emotive, with Nau's perfectly reverb-laiden vocal covering it all like a blanket. Mournful in points but always a joy to listen to.TRACK LISTING
1. Sharp Diamonds
2. Painting A Wall
3. Tiny Flakes
4. Shiftshaping
5. And So On
6. One Morning In Vibrato
7. Relearn To Boogie
8. Accompaniment
9. Comes To Pour
10. Long Distance Driver
-
- CD
- £11.49
- Cat Number
- FTH312CD
- Release date
- 3 Aug '18
The sprawling new album was recorded in guitarist Benny Yurco’s one-bedroom apartment in downtown Burlington, Vermont. Nau and his collaborators had a cool little set up going in Yurco’s spot — drums and bass took over the bedroom, the guitar amp in the bathroom, Nau’s vocals and piano in the living room, and a vibraphone in the kitchen. It’s the first time one of Nau’s records happened all in one place, and “it feels most like a band record than ever before”. Nau and this particular group of musicians held it down together as a true team, which is why Nau named the record in their honour. The songs on this layered record sound sunny and familiar, like sharing stories and worries with a close friend on a late summer day. In a gorgeous and natural way, he contemplates his own process, those feelings of uncertainty. “Making it too hard just comes easier,” Nau croons on ‘Funny In Real Life,’ an exquisite meditation on creation and self. “Truth is such a beautiful force/And every time we find the chorus/There’s no second-guessing the real/I don’t ever know how I feel.”
STAFF COMMENTS
Andy says: The Richard Hawley of Americana returns with another swoonsome collection of mellow classics-in-waiting. Superb, as ever.TRACK LISTING
1. Less Than Positive
2. Shadow On
3. When
4. What's A Loon
5. Far The Far
6. No Faraway Star
7. Funny In Real Life
8. On Ice
9. Funny Wind
10. Can't Take One
11. Smudge
-
- Ltd 7"
- £8.99
- Cat Number
- KCR106C1
- Release date
- 16 Aug '19
- Format Info
Gold vinyl 7” exclusive to Indie stores.
Gold vinyl 7” exclusive... [ + ]
Singer, songwriter, and multi-instrumentalist Michael Nau crafts reflective indie rock tinged with folk and psychedelic influences. He was known for leading the like-minded projects Page France and Cotton Jones in the mid-2000s to early 2010s before beginning to record under his own name in 2016. Nau's newest single on Colemine Records' Karma Chief imprint finds him not only playing the lion's share of the music, but also pushing the psych-folk vibes more in a soul leaning direction. Just as catchy, slightly more upbeat, and timeless as ever. Nau crafts songs that transcend time, but always have a space.
-
- CD
- £9.99
- Cat Number
- FTH292CD
- Release date
- 16 Jun '17
The first single from Some Twist is “Good Thing”. Bright piano and fingerpicked guitar weave together throughout the song with a chorus that swells with feedback fuzz and crashing percussion. Nau’s ever-present sense of humor, one of the hallmarks of his songwriting, gives the song a wry sense of purpose amidst its reflection.
“His masterful instinct for arrangement, along with his reedy voice, earns Nau a place in the rock’n’roll underdogs’ Hall of Fame.” - Pitchfork
"A beguiling debut - a warm bath of baroque pop, country and Hazlewood-like balladry" - Uncut
“Recalls cadences of 1970s Ned Doheny and solo David Byrne, with a hint of Brian Wilson” - The Fader
"A breezy, laid-back union between country, folk, and classic pop" The Line of Best Fit
"Intimate and inviting" Q
STAFF COMMENTS
Andy says: This gorgeous LP was made in the heat, to be listened to in the heat. Michael Nau is an American singer-songwriter who’s previously been in a couple of bands, but went solo in 2016 with his lovely debut record, ‘Mowing’. It was all good and garnered decent praise, but ‘Some Twist’ is a brilliant progression and something you absolutely need in your life! Conjuring warm, 70s, analogue sounds in a country, folky, gently psychy style, these are supremely melodic songs, beautifully sung. Nau has the sweetest voice which glides between the fruity, deep croon of a more wistful Fred Neil and the light, flutey flightiness of a star-sailing Harry Nilson. Not bad, eh? But it's the texture of the album with its FX laden guitars, beat box grooves, echoes, horns, fuzz and static, which really entrances. You'll think you've stumbled upon a long-lost West Coast, classic LP. You have. But it's Nau!TRACK LISTING
1. Good Thing
2. I Root
3. Wonder
4. How You're So For Real
5. Scumways
6. Oh, You Wanna Bet?
7. Waiting, Too
8. Scatter
9. Twelve
10. The Load
11. Done Wonder
12. Light That Ever
-
- Coloured LP
- £23.99
Usually ships within: 2-10 days - Cat Number
- CFUL0266
- Release date
- 14 Apr '23
-
- LP
- £20.99
- Cat Number
- DFA2707
- Release date
- 8 Mar '24
TRACK LISTING
A1. Aora
A2. Tolis
A3. Schinokapsala
A4. Hebust Cometh
B1. Haerstag
B2. This 1
B3. Nothing In My Hand
B4. Parasymptofelia
-
- CD
- £9.99
Usually ships within: 2-10 days - Cat Number
- BBE397ACD
- Release date
- 24 Mar '17
‘Everything Happens For A Reason’ displays a dizzying array of musical flavours, with guest appearances from DJ Spen, Boris Dlugosch and multi-instrumentalist Gabriele Poso, whose compilation ‘The Language Of Tambores’ is coming soon on BBE. Within a framework of warm, soulful House music, Kiko explores afro-latin rhythms, broken beats, nu-jazz and straight up Chicago-inspired acid. A deep re-imagining of Maze & Frankie Beverly’s 80s classic ‘Twilight’, irrepressible floor-filler ‘I Can Show You The Way’ and a new orchestral version of 2007 classic ‘Soñando Contigo’ are among the immediate highlights, but this album is so much more than the sum of its parts. ‘Everything Happens For A Reason’ sees iko Navarro concentrating his wealth of experience curating and creating music into a highly potent and deeply personal soundtrack to his life and career so far.
TRACK LISTING
1. All Because Of You Feat. Julie McKnight
2. Twilight
3. Right On Feat. HanLei
4. I Can Show You The Way
5. What We Need Feat. Dj Spen & Dana Weaver
6. Black Is Back Feat. Boris Dlugosch
7. Everything Happens For A Reason Feat. Isis "Apache" Montero
8. Lo Siento Feat. Concha Buika
9. La Cosa
10. Ohashiah
11. Twi-Reprise
12. Cranc
13. Humanity Feat. D7
14. Soñando Contigo Feat. Concha Buika (Orchestral Version)
15. Painful Goodbye Feat. Paco Colombas & Gabriele Poso
16. Adolescence (Outro)
-
- LP
- £29.99
Usually ships within: 2-10 days - Cat Number
- HH068LP
- Release date
- 13 Jan '17
-
- CD
- £13.99
- Cat Number
- HH068CD
- Release date
- 13 Jan '17
TRACK LISTING
1. Simpatico,
2. Close,
3. Polychrome,
4. Interstate,
5. What Reason Do We Need?,
6. In Gold,
7. Follow You,
8. Another Phase,
9. Sol, 10. Time,
11. From The End And Start.
-
- CD
- £13.99
- Cat Number
- SAK1024
- Release date
- 20 Nov '00
-
- Ltd LP
- £13.99
- Cat Number
- SLANG50085LP
- Release date
- 16 Oct '15
- Format Info
Limited edition 180 gram coloured vinyl. Full download included.
Limited edition 180 gram... [ + ]
Conceived in tour busses, hotel suites, and basement studios initially as fodder for DJ sets, Mister Divine is the feeling of déjà vu between delirious post-show fevers and the road-torn sleep through the night on the way to the next city, driving the circumference of the Earth in nine weeks, dreams of Pangaea, of forever ago and infinity from now.
Imagine: impossibly, and without the recollection of flying, you’re in Europe maniacally driving through the pre-dawn to catch the first ferry to Belgium, to Spain, to Sweden. There is Dur Dur on the stereo, William Onyeabor, Khaira Arby, and Dizzy K, compilations and mixtapes of unknown origin and content. This too is a dream, and tomorrow you’re starting over, another opportunity to bask in the irrelevance of the present moment, “all we have,” while keeping one eye on the future and one on the past.
Brenner has digested a lot in the three years since introducing this world to Naytronix. tUnE-yArDs has turned into something of a perpetual motion machine, taking him to far corners of the Earth, as well as Carnegie Hall and the TV sets of Jimmy Fallon, Conan O’Brien, Jools Holland, and Austin City Limits. He did some recording and performing with music royalty Yoko Ono and Sean Lennon, got to collaborate and learn from Cibo Matto’s Yuka Honda, and even found some time to take the Naytronix band around the US and across the Atlantic, from London to Istanbul. His music as Naytronix keeps its characteristic reflection of the ‘70s of Onyeabor and Bootsy Collins, there is too a new face of the sincerity and vulnerability of the ‘70s of Arthur Russell he shows here amid the psychedelia, as if wishing to land the Naytronix Mothership down to stay with us for a bit.
STAFF COMMENTS
Patrick says: The product of a unique songwriter spending too many nights under the stars in Arthur Russell's Sleeping Bag, "Mister Divine" is the best off kilter pop album I've heard in years.TRACK LISTING
1. Mister Divine
2. Starting Over
3. Dream
4. Back In Time
5. The Wall
6. I Don't Remember
7. Future
8. Living In A Magazine
9. Shadow
-
- Coloured LP
- £17.99
- Cat Number
- BMM054
- Release date
- 3 Mar '23
- Format Info
Clear vinyl.
Clear vinyl.
STAFF COMMENTS
Mine says: NCY Milky Band effortlessly combine nu jazz and electronica with orchestral ambient, hip hop elements and psych-y grooves. The list of genres they cruise could go on... What a trip!TRACK LISTING
1. An Zéro
2. 54 Zeppelin
3. Le Cascadeur Fleuriste, Pt. I
4. Le Cascadeur Fleuriste, Pt. II
5. Damoiselle Pouly
6. 92 Ans
7. Le Cascadeur Fleuriste, Pt. III
8. Mr. Potato
9. Otite (feat. FLUPKE)
10 Nous Sommes
11. À La Recherche Du Temps Perdu
12. Back To Up (feat. Quelle Chris)
13. Les Fils Du Temps
14. 100 Ans
-
- LP
- £18.99
- Cat Number
- AFS036
- Release date
- 5 Apr '24 (originally released 15 Jun '18)
Ntombi Ndaba first rose to fame in 1985 with Ntombi & Survival, becoming one of the most popular singers of the bubblegum era. After setting up the independent label Anneko with her producer A.T. ‘Rubber’ Khoza in 1988, she went solo. Following Khoza’s death in the early 1990s, Ndaba never recorded again.
Kicking off with the in-demand banger "Tomorrow", the six tracker serves up humid synthlines, infectious rhythms and smooth bass, all topped by Ntombi's mega vocals. Incorporating elements of early house, late disco and bubbling electro funk, this piece of SA dancefloor history is every bit as essential as it ever was.
TRACK LISTING
Tomorrow
Heart Attack
I've Got A Friend
Is This Love
In My Mind
Mina Ngilijaji
-
- LP
- £24.99
- Cat Number
- LPRH003X
- Release date
- 12 Apr '24
It is a dreamlike strange & soulful interpretation of Sun Ra's composition, This record follows Ndegeocello's 2023 album The Omnichord Real Book, named the #1 jazz album of the year by NPR and nominated for Best Alternative Jazz Grammy.
TRACK LISTING
1. Solipsistic Panacea (Black Antiques)
2. Departure Guide Of The 7 Sisters
3. Bedlam Blues
4. #9 Venus The Living Myth
5. El- Soul The Companion, Traveler
6. LQ1TY - 29 Years
7. Yet Differently Not- Mars Hall All (in)
8. Reproductive Manatee - Sunny Said Up!
9. The World Of Shadow
-
- CD
- £14.99
- Cat Number
- 9362 47989-2
- Release date
- 4 Nov '02
- Format Info
Includes interactive element for you PC - live songs, videos, downloads etc.
Includes interactive... [ + ]
-
- LP
- u/avbl
- Cat Number
- BJR89LP
- Release date
- 3 Nov '23
-
- CD
- £12.99
- Cat Number
- BJR89CD
- Release date
- 3 Nov '23
The album seamlessly blends the duo's electronically-infused avant-rock with the intense, ritualistic vocal chants and rhythmic percussion of the n'doëp community. It serves as a captivating bridge between these two musical worlds, capturing the essence of this cross-cultural collaboration.
The text also highlights the challenges of merging Western rock and experimental influences with the sensibilities of their Senegalese collaborators, ultimately resulting in a unique and powerful musical experience. "Ndox Electrique" transcends cultural boundaries, immersing listeners in the enchanting sounds and mystical narratives of Western Africa.
TRACK LISTING
1. Jamm Yé Matagu Yalla
2. Lëk Ndau Mbay
3. Ngor Diouf Ya Demon
4. He Yay Naliné
5. Indi Mewmi
6. Yaré Rirewé Bakora Ndoye
7. Ngor Diouf Né Du Wallé
8. Sam Sa Nga Mboro
9. Wali Namalé
10. Sango Mara Riré
-
- Coloured LP
- £19.99
Usually ships within: 2-5 days - Cat Number
- SP1402
- Release date
- 19 Feb '21
- Format Info
White vinyl
White vinyl -
- CD
- £9.99
Usually ships within: 2-5 days - Cat Number
- SPCD1402
- Release date
- 19 Feb '21
The collection touches on themes that have been thread into her work for years: isolation, mortality, yearning, and reaching ever toward the transcendent experience. Lael grew up on a farm in rural Virginia, but for nearly 10 years called Los Angeles home. Those years were spent developing her songwriting and performing in venues across the city, but the right way to record the songs proved more elusive. She says, “Every time I reached the end of recording, I felt the songs had been stripped of their vitality in the process of layering drums, bass, guitar, violin, and organ over them. They felt weighed down.” In a moment of illumination the solution presented itself: do the simple thing. In early 2019, in the midst of major transition, she acquired a new instrument, the omnichord, and began recording a deluge of songs.
Guy Blakeslee, who had been an advocate for years, set up a cassette recorder in her bedroom and provided empathic guidance, subtle yet affecting accompaniment and engineering prowess. Limited to only 4-tracks and first takes, Lael had to surrender some of her perfectionism to deliver the songs in their essence. The first song she recorded was “For No One For Now,” which calls to mind the agitated beat of driving fast on the freeway against the backdrop of the San Fernando Valley’s bent palms. The song contrasts romantic idealizations with the banality of folding sheets and toasting bread. It highlights her oft-thwarted attempts to enjoy the day to day while her mind wanders off toward the dream, the ideal.
While Lael returned to her family farm in April 2020, Los Angeles is a player on this album, and “Every Star Shivers in the Dark” is an ode to the sprawling city, the outskirts of Eden. One can envision her walking from Dodgers Stadium to downtown, observing strangers and her own strangeness but determined to find communion with others. “Blue Vein” is her personal anthem, a Paul Revere piece that gallops through the town as a strident declamation. It is an amalgam of thoughts, concerns, and lessons as she nearly speaks the words, unmasked by flourishes, ensuring the meaning cuts through. Normally a morning person, Lael recorded most of these songs in the darkening of the early evening, and so became Acquainted With Night.
STAFF COMMENTS
Barry says: Neale presents an album full of slow-rock melancholy, brittle honestly and down to earth observations, brilliantly wrapped in a shell of minimalistic instrumentation and flexible vocal performances. Sonically hypnotic and thoroughly enthralling.TRACK LISTING
1. Blue Vein
2. Every Star Shivers In The Dark
3. Acquainted With Night
4. White Wings
5. How Far Is It To The Grave
6. For No One For Now
7. Sliding Doors & Warm Summer Roses
8. Third Floor Window
9. Let Me Live By The Side Of The Road
10. Some Sunny Day
-
- Coloured LP
- £19.99
Usually ships within: 2-5 days - Cat Number
- SP1534
- Release date
- 21 Apr '23
- Format Info
Gold vinyl.
Gold vinyl. -
- CD
- £10.99
Usually ships within: 2-5 days - Cat Number
- SPCD1534
- Release date
- 21 Apr '23
Blakeslee’s spare yet cinematic arrangements create an ambient space in which Neale’s clear and unaffected voice can explore familiar themes in an unexpected way. Subtle but potent references to Shakespeare, Emerson and the Bible (which she hasn’t read) swirl together with deeply personal musings and touches of wry humor, always more optimistic than cynical. While this is a record about polarities- country vs. city, humanity vs. technology, solitude vs. relationship - the deeper intention is to heal; to come to terms with our differences and put the broken pieces back together again. Lael’s affinity with the Transcendentalists has to do with her quest to hold onto sovereignty over her own mind. In a time when our devices are constantly flooding us with information, opinions and propaganda, Lael is intentional about what she takes in - hence the flip phone and the cassette recorder. Neale identifies as a minimalist “not because I don’t like things, but because I value freedom more.”
TRACK LISTING
I Am The River
If I Had No Wings
Faster Than The Medicine
In Verona
Must Be Tears
No Holds Barred
Return To Me Now
Lead Me Blind
-
- LP
- £20.49
- Cat Number
- MR019
- Release date
- 15 Jul '13
- Format Info
180 gram oxblood opaque high-quality vinyl. Bonus insert included as well with bio / pics of Near Paris and memorial to late member Gerald F. Nelson.
180 gram oxblood opaque... [ + ]
Near Paris hailed from Columbus, Ohio and was composed of Gerald F. Nelson and Dana Riashi. Gerald and Dana (in addition to Robert Crise) had previously made up the band Post Industrial Noise before they disbanded in 1983. By 1985, Near Paris were quite popular in the Columbus music scene and had opened for such bands as Section 25. They made a name for themselves as Columbus’ only synth-driven pop duo and even won several local awards. They often played in art galleries as well as worked on original scores for local dance troupes and other art-related endeavors.
The band released one long out of print 12” EP which is included on this LP. The EP contains excellent new wave tracks such as “Visions” and “Ceiling” The 7 unreleased tracks (hand-picked by Gerald and Dana) follow the same style of deep/moody club-based synthpop and were culled from cassettes which were restored and remastered specially for this vinyl release with outstanding end results. Other standout tracks from the unreleased numbers include “Walk Like A Man” and “Everything Will Change”.
TRACK LISTING
1. Visions 05:36
2. Interlude 01:05
3. Why Baby 06:10
4. Everything Will Change 04:20
5. Believe Me 04:27
6. Shattered Glass 02:54
7. 9-7-9 01:45
8. Hey You 03:33
9. Walk Like A Man 04:42
10. He's Too Fine 03:00
11. Ceiling 03:56
-
- 12"
- £13.99
- Cat Number
- F&R 011
- Release date
- Expected 19 Jul '24
Release date: Expected 19 Jul '24
TRACK LISTING
Senza Parole
Let Me Be The One
Funkbraska
Love + Hate
-
- CD
- £10.99
- Cat Number
- SNCD014
- Release date
- 4 Mar '02
-
- Ltd LP
- £21.99
- Cat Number
- BYE025
- Release date
- Expected 31 May '24
Release date: Expected 31 May '24
It’s long believed that dreams are a way for our subconscious and conscious selves to interact. A chance meeting between cognitive thought and the expanse of imagination. Our dreams are often half remembered upon waking, leaving bits and shards of the story left to be pieced together. That process of pulling together fragments feels infused within Austin’s Neckbolt, a band with a radiant understanding of pairing disparate elements together to create something magnificent. Introduced back in 2021 with Midwestern Drawl, their self-released debut album, the duo of James Roo and Benjamin Krause formed the project with a specific energy and an alien sound. At its core, that record laid the blueprint for the band, a forward thinking mix of caustic noise rock and vivid psychedelic pop, combining to create something wild yet ingenious, reshaping common genre ideals.
At some point between the recording and release of their debut, Neckbolt expanded, reverse engineering their sound to form a live band that could pull off the music of their recordings. The line-up grew from a duo to the quintet, with Roo (vocals) and Krause (guitar) joined by longtime friends and collaborators, Bill Indelicato (bass), Brent Hodge (drums), and Kilyn Massey (guitar), forming an instant chemistry apparent in their earliest of live shows. With members split between Austin and Oklahoma City, the band adapted their approach to songwriting, opting to record in bits and pieces as they wrote, bouncing ideas back and forth, watching songs take shape in ways that none of the members had intended, but all were quick to embrace. Neckbolt are a freaky band and their second album, Dream Dump, seizes the opportunity to dial up the strange in their own vibrant way.
Due out on [09/22/2023] via Chicago’s Born Yesterday Records (Stuck, Lifeguard, Glow In The Dark Flowers), the album is personal, a reflection of Roo’s emotions and his residual dream imagery. He is the “character” at its center, searching for meaning among the scattered visions and hazy recollections. The band acts as “a synecdoche,” describing the process and themes as being constructed “alone together.” Recorded in pieces over the better part of a year, Neckbolt found a way to record wherever and whenever, setting up shop in living rooms, bedrooms, practice spaces, and traditional studios throughout Austin and Oklahoma City. The process allowed true freedom, picking up and recording ideas as they developed, engineered by the band with contributions from John “Hutch” Hutchinson and Connor Schmigle (who recorded separate in-studio drum sessions) as well as Jasper den Hartigh (who assisted in capturing the vocals and bringing the record to a state of coherence). The results are staggering, it’s an album that captures the band in their prime, raw and focused, subverting expectations at every turn.
Neckbolt strives to dismantle the overtly masculine pitfalls of noise rock. There’s no tough guy posturing. There’s no hyper-macho aggression. If anything, Dream Dump is a headtrip into the recesses of the unconscious mind, a reflection of dreams interpreted and reinterpreted, and the weirdness that results. The dream state is thick and dense. There are songs about sleep paralysis via Chinatown bus rides (“Fung Wah or Lucky Star”), talking rocks and malevolent off-screen entities (“Cicada”), and what might be the singular tree at the beginning of the world (“No Magic”). This is a stream of conscious songwriting from the framework of the unconscious. While Roo’s backlog of dreams lend inspiration to the lyrics and themes, the music pulls influence from the unique and distinguished sounds of Boredoms, Screaming Jay Hawkins, Mystic Djim & The Spirits, and Polvo, as well as modern day genre expanding acts like Thee Oh Sees, Palm, and Guerilla Toss. Neckbolt understands context and divergent sounds, their music is often swarming and easy to get lost in, amorphous and fervently interesting. The band are primed to re-contextualize noise rock, creating their own animalistic sound, a swirling, ground shaking mix of acid fueled structures, primal rhythmic force, and cosmic asides. The record convulses and spits with character rather than angst or anxiety, the sonic brutality is met with cartoonish glee and dynamic textures. Roo’s processed vocals wail, slither, and screech against fractured motorik boogie and disjointed grooves. Their music is energetic and dancefloor ready, juxtaposing loud and abrasive with hypnotic and fluid. They’ve adopted an atonal bliss, where dread is transposed into possibility. Anything can happen. Dream Dump feels like a celebration, the landscapes of our dreams have been brought out into the open, and now we’re all just scraping for our own meanings.
TRACK LISTING
1. Sort Of
2. Fung Wah Or Lucky Star
3. Marianne 05
4. Green Moon
5. Upward Beyond The Upstreaming
6. No Magic
7. Cicada
8. Wet Chunks Forever
9. Cat Blue Square
10. Cold Dog Nose
11. Goop Ocean
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- CD
- £12.99
Usually ships within: 2-10 days - Cat Number
- RERNECKS4
- Release date
- 26 Jul '04
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- CD
- £12.99
Usually ships within: 2-10 days - Cat Number
- RERNECKS13
- Release date
- 24 Aug '18
-
- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- RERNECKS14
- Release date
- 3 Apr '20
'The greatest trio on Earth' (The New York Times),
'Among the world's greatest forces in music' (The Los Angeles Times)
'One of the most entrancing live acts in the world' (The Guardian).
On tour in March/April to synchronise neatly with this release.
Otherwise. This is a new Studio recording. And it's by the same band as it's been for the last 33 years
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- LP
- £18.99
- Cat Number
- SECLP209R
- Release date
- 25 Aug '23
TRACK LISTING
Not Sleeping Around
Happy
Cut Up
Selfish
Capital Letters
Stuck
Trust
Intact
Until You Find Out
Kill Your Television
Grey Cell Green
Titch
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