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AFROSYNTH

Adey Omotade, a sound artist and cultural cartographer rooted in Lagos and shaped by diasporic experiences in Paris, Johannesburg, Berlin and Ivory Coast, brings a rare sensibility to this work: walking between worlds, bringing with him the cadence of home and the dissonance of diaspora. In his hands, sound becomes ritual: a migration of soul, an assemblage of bells, melodies and chants woven from Ifa shrines, river banks and Yoruba festivals. Playing the dual role of griot and cartographer, Omotade, who works across acoustic ecology, experimental music and sound design, builds each track like a shrine: layered, intentional, alive with breath and blood, each track a libation, each break an invocation. Each track unfurls like aso-oke, the celebratory fabric of the Yoruba people: drums that speak in polyrhythms, synths bending like waves, incantations layered like memory, fading then returning, gently like the water at the banks of the Osun River.

The influence of experimental sound design is evident throughout, but ‘Ni'ran’ is no cold abstraction. It pulses with life, with the heartbeat of talking drums, the breath of ambient textures and the warmth of the voices of babalawos, priests of Ifa, invoking ire (blessings) on all. ‘Oori : Ogbe’ invokes the sacred Odu Ifá — a divination verse that speaks of beginnings, clarity and destiny. In ‘Ofo : 'Nkantation’, polyrhythms unfold like verses, each beat a coded message inviting listeners to reflect on destiny and alignment.The title track ‘Ęęro : Eeşu’ begins with the haunting voice of a priest reciting the Odu Ifá, a calling to give unto Eesu his due. Percussive patterns unfold like verses, each beat both a memory and a prayer.

STAFF COMMENTS

Barry says: Beautifully dynamic ambient music shaped and informed by Yoruban folk and shaped around the core of modern ambient and nu-jazz, resulting in something that's not easily categorisable but incredibly satisfying to listen to.

TRACK LISTING

Ni Ran
Oori Ogbe
Ofo Nkantation
Eero Eesu

JE Movement

Ma Dea Luv - 2025 Reissue

J.E. Movement's groundbreaking ‘Ma Dea Luv’,

Toward the end of the 1980s South Africa's recording industry was booming. Searching for a sound that could cross over to all in the country's segregated society while also eyeing international success, a new duo emerged that quickly rendered its 'bubblegum' predecessors obsolete. Drawing on international trends and crafting lyrics for local ears, J.E. Movemtn - a duo made up of James Nyingwa and Elliot Faku - exploded onto the local scene with their debut album, 'Ma Dea Luv'. The future had arrived.

A talented bassist and composer, Nyingwa was at the time employed as an in-house producer at TRS Studios in Plein Street in downtown Johannesburg, run by two Greek immigrants, George Vardas and Chris Ghelakis. Together they formed a close bond as friends and musical partners at what would become CSR Records, recording original hits with acts like the New Age Kids and Sidney, while also cashing in on cover versions as Black Box.

The six tracks on J.E. Movement’s 1988 debut give firm nods to UK street soul, new jack swing and Stock Aitken Waterman's 'Hit Factory' sound and infuse them with an African rhythmic flair and homegrown lyrical sentiment. Though not expressly political, the title track was received by many as a play on words referencing then-jailed and banned Nelson Mandela (coming after the similarly styled 'I'm Winning My Dear Love' by Yvonne Chaka Chaka in 1986 and 'We Miss You Manelow' by Chicco in 1987), giving it an added potency for those in the know. 'Jack I'm Sorry' was an underground hit in the townships, while 'Marco', 'Friends', 'Funkytown' and the eponymous closer are similarly bass and drum-driven, with hiphop-styled vocals.

STAFF COMMENTS

Matt says: Infectious and uplifting bubblegum flavoured proto-house from South Africa. Seriously, if you're not smiling and bobbing listening to these tracks I doubt if you are indeed human.

TRACK LISTING

Ma Dea Luv
Marco
Friends
Funkytown
Jack I'm Sorry
J.e. Movement

Selection of all winners from the Music Team label - mid 80s to early 90s gems on here!

One of South Africa’s biggest independent labels for more than a decade, Music Team offered working musicians a shot at fame via access to top studios, producers, songwriters and session musicians, as well as distribution via a number of imprints: CTV, Red Label, Solid, Spinna, Mambo Music and others. Artists in the stable who tasted success would typically release a few albums over as many years before moving on to other labels or falling off the radar as times changed. At their peak, according to label boss Maurice Horwitz, Music Team was selling a million records a month, and was at the forefront of South African pop music as it evolved from soul to disco and beyond.

Afrosynth Records’ ‘Music Team Sampler’ dusts off six rare and long-forgotten gems from the Music Team catalogue, originally released between 1986 and 1992. Four are typical of the label’s take on the popular ‘bubblegum’ sound of the day — Isaac ‘Cool Cat’ Mofokeng’s ‘Candy’, ‘I Won’t Let You Go’ by Linda Oliphant, Jappie Lebona’s ‘My Love is Yours and ‘Instant Love (Eyami Lendoda)’ by Thandi Zulu (aka TZ Junior). Two instrumentals — Mr. Ace’s ‘Ace 1’ and ‘Axe Chop’ by The Hard Workers, a studio project by Music Team’s in-house producer Tom Mkhize — meanwhile hint at the imminent rise of kwaito and house.

Forged in the fire of a cruel and volatile political system that was gradually unraveling, instead of addressing political realities these indelible pop songs sought to provide an escape to a world where love and music were all that mattered.

STAFF COMMENTS

Matt says: Mega archive dig into the uplifting bubblegum and boogie released by the South African Music Team label. If you liked that "Gumba Fire" comp from years ago, this one's for you!

TRACK LISTING

Saac Cool Cat Mofokeng - Candy
Mr. Ace - Ace 1
Linda - I Wont Let You Go
Jappie Lebona - My Love Is Yours
The Hard Workers - Axe Chop
Thandi - Instant Love Eyami Lendoda

Ayanda Sikade

Umakhulu

Born in 1981 in Mdantsane in the Eastern Cape, Ayanda Sikade is one of South African jazz’s most in-demand and respected drummers, a familiar face on the scene for years and a driving force behind its growing prominence on the world stage.

Dedicated to his grandmother who raised him, Sikade’s long-awaited sophomore album as a bandleader, "Umakhulu", follows his 2018 debut "Movements". Recorded in Johannesburg in early 2021, it features the talents of frequent collaborator Nduduzo Makhathini on piano, young Simon Manana on alto sax and Nhlanhla Radebe on bass. The album’s nine tracks, composed and produced by Sikade, pay homage to the artist’s heritage - most noticeably on ‘Mdantsane’ and ‘Nxarhuni River’ - while forging onwards to a brave new world on others, like ‘Imithandazo Yeengelosi’ (Prayer of Angels) and ‘Space Ship’.

TRACK LISTING

Mdantsane
Izzah
Space Ship
Amawethu
Imithandazo Yeengelosi
Nxarhuni River
Umakhulu
Enkumbeni
Gaba


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