FORMAT INFORMATIONLP Info: This LP includes the original seven song album
plus a download coupon for the entire LP plus six
bonus tracks circa 1968 (‘The Clock Is Running’,
‘My House’, ‘Hush Hush’, ‘Sold America’, ‘The
Thunder Speaks’, ‘Scat Jam’).
Recorded in Los Angeles from the end of 2009 and into 2010, "Everything In Between" is the new album from No Age, the duo of Dean Spunt and Randy Randall.
The band emerged from former band Wives in 2005 to become No Age, worldwide glowing talismans for the DIY art-punk scene in LA, now famously known as having its epicentre at The Smell, a clubhouse where art-life/music life welded and inspired a creative movement and attitude which has fertilized a purple patch of likeminded punkers and artists around the globe.
"Everything In Between" is a bold step in No Age’s creative evolution. It is a culmination of reflecting upon life’s ruptures and triumphs; the process of moving through these moments banged and bruised, yet better off for the wear and tear.
The band have pushed themselves in different and challenging directions, deconstructing their weird-out pop songs while still maintaining their original aesthetic and intent.
"Everything In Between" sees No Age expand on the emotional force at the core of their catchy songwriting through tone, structure, noise, and samples.
Emerging from the fertile D.I.Y. rock scene in Dalston, a gentrification-proof London neighbourhood with ample 'lo-fi' bands and Turkish restaurants, noise-pop trio Male Bonding plays fast.
"Nothing Hurts", the band’s first full-length, gets it done in half an hour, and most songs clock in at around two minutes. But, there’s much more to Male Bonding than high-speed, high-impact punk. If you will know their velocity, you will remember their melodies. Every song on "Nothing Hurts", whether a clipped, snarling rock anthem (“All Things This Way,” “Crooked Scene,” “Pumpkin”) or something more foggy and contemplative (“Franklin,” “Worse to Come”), carries a hook that’s immediate and permanent.
"Nothing Hurts" was recorded in the fall of 2009 in New York and mixed and mastered by Pete Lyman at Infrasonic Sound.
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