Written and recorded in her home studio, Trost began with harmonic frameworks, allowing the melodies to naturally take root. Introductory track “Frog And Toad Are Friends” - yes, named after the book - is like a surf song from a sci-fi movie. Trost sees it as a mindwipe, “a playful kind of romp to help shake off the cobwebs and get the bones moving.”
The album ripens as it progresses, and “Sandcastles” best embodies the spirit of the record. Lush strings and bass are complimented by a slow guitar groove, as Trost soulfully fantasizes about Earth’s regeneration. “In time, the bullets and tanks, and all of humanity’s violent creations will melt back into mountains and the ocean,” she says.
From there, Trost sharpens her lyrical focus. “The Devil Never Sleeps” is about trusting one’s intuition, and “Blue Fish” (which features prominently in the new Peter Strickland film Flux Gourmet) recounts a dream resembling a cryptic prophecy: “a gray bird appeared to me on a pebble beach. When the bird opened his beak there was a blue fish flopping around and speaking to me.” Continuing the themes of Nature and transcendence, “You Always Gave Me Succor” describes a moving encounter with a coyote which left her feeling watched over, as she witnessed an otherworldly spirit. “Hear you howl deep inside my heart,” she sings. “When my feet can’t bear the concrete/Follow you to the river.” She has often gone back to that memory whenever reaching a crossroads in life.
“Your Favorite Color” is about the metaphysical bond between loved ones, even after death. Trost cites a few dream visits from kith and kin, and the intense mixture of love, loss, and comfort that washed over her in those moments of resurrection. Each song conveys how opening ones eyes, both literally and metaphysically, is the key to finding beauty.
Integral to the record’s creation was Trost’s cohort in A Hawk & A Hacksaw and record label Living Music Duplication, Jeremy Barnes. “This album wouldn’t sound the way it does without his wonderfully discerning and courageous ear,” she says. Much like her previous two albums, Agistri and Petrichor, the record was primarily recorded at their home studio.
Many of the tracks on Desert Flowers were created during difficult years, during which Trost’s strident creativity offered a much-needed path to solace. “Maybe these songs are a bit like desert flowers,” she reflects, “pushing their way towards the sun, and in turn searching and pushing roots deep into the ground for water. As above, so below, the light and the dark, extroverted and introverted, color and monochrome.”
A1 Frog And Toad Are Friends
A3 The Devil Never Sleeps
A4 Blue Fish
A5 Black Is The Night
B1 You Always Gave Me Succor
B3 The Debutante
B4 Your Favorite Color