Search Results for:

KRANKY RECORDS

Cover of No Highs by Tim Hecker.

Tim Hecker

No Highs

Kranky Records

    The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue.

    Whether taken as warning or promise, No Highs delivers – this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined.

    Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys.

    Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts – the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.


    TRACK LISTING

    1. Monotony
    2. Glissalia
    3. Total Garbage
    4. Lotus Light
    5. Winter Cop
    6. In Your Mind
    7. Monotony II
    8. Pulse Depression
    9. Anxiety
    10. Sense Suppression
    11. Living Spa Water

    [ + ]
    [ - ]
    Cover of Canyon by Saloli.

    Saloli

    Canyon

    Kranky Records

      Portland pianist Mary Sutton second’s fulllength for Kranky delves deeper into her roots as a Cherokee Nation citizen (Saloli, pronounced like “slowly,” is the Cherokee word for ‘squirrel’).

      The album is intended to evoke “a day in the life of a bear in a canyon in the Smoky Mountains,” with each track channeling a different emotion or experience in its daily explorations. As with her 2018 debut, The Deep End, the entirety of Canyon was composed and performed live on a Sequential Circuits MultiTrak synthesizer – but this time routed through a delay pedal. This refraction adds a lyrical spatial quality, as though “echoing off canyon walls.” It's music both gentle and adventurous, curiously rooting through soils and streams, in a sustained state of discovery.

      In Cherokee teachings, humans and animals are considered to have no essential difference – originally, all the creatures of the earth lived together in harmony. Canyon captures shades of this Edenic notion across eight elegant pieces, alternately meandering, pensive, playful, and pure. Sutton’s playing, as always, is dexterous and dimensional, mirroring the dazzled senses of its muse.

      Her father, the Cherokee painter and flute-maker Jerry Sutton, created the artwork. Its yellow lettering is from the Cherokee Syllabary and spells “Yona", meaning ‘bear.’

      TRACK LISTING

      1. Waterfall
      2. Lily Pad
      3. Snake
      4. Yona
      5. Silhouette
      6. Full Moon
      7. Nighthawk
      8. Sunrise

      [ + ]
      [ - ]
      Cover of Colours Of Air by Loscil / Lawrence English.

      Loscil / Lawrence English

      Colours Of Air

      Kranky Records

        The union of composers Lawrence English and loscil aka Scott Morgan is seamless, sublime, and long overdue.

        Born of a conversation centered on the notion of “rich sources” as a forge for electronic music, Colours Of Air is a collection of recordings of a century old pipe organ housed at the historic Old Museum in Brisbane, Australia, which were then processed, transformed, and elevated into eight majestic electro-acoustic threshold devotionals. The timbre of the instrument and spatial fluctuations of room tone infuse the music with a subdued, sacred feel, like vaulted light in a nave of stained glass. They describe the album as “an iterative project, a reduction and eventual expansion,” sifting the swells and drones of the organ for every shivering shade of radiance.

        The tracks are named for the hue each piece suggests – from the gauzy levitational miasma of “Yellow” to the pulsing melancholic mirage of “Violet” to the seething twilit sandstorm of “Magenta.” Morgan and English are both adept at conjuring moods of muted grandeur, like landscapes veiled in dusk, still looming and luminous.

        Here their combined powers open pathways to heightened realms of deep listening and bewitching restraint, finding flickering infinities in ancient configurations of wind, brass, stone, and dust.


        TRACK LISTING

        1. Cyan
        2. Aqua
        3. Yellow
        4. Grey
        5. Black
        6. Pink
        7. Violet
        8. Magenta

        [ + ]
        [ - ]
        Cover of Songs For A Dead Pilot - 2022 Repress by Low.

        Low

        Songs For A Dead Pilot - 2022 Repress

        Kranky Records

          The first Kranky collaboration with LOW was released in the fall of 1997.

          The vinyl format for this has been out of print the longest of any of the band’s Kranky releases, and is finally available again for the analog purists.


          TRACK LISTING

          A1 Will The Night. 03:06
          A2 Condescend. 05:10
          A3 Born By The Wires. 13:26
          B1 Be There. 04:42
          B2 Landlord. 06:47
          B3 Hey Chicago. 02:40

          [ + ]
          [ - ]
          Cover of Beat - 2022 Reissue by Bowery Electric.

          Bowery Electric

          Beat - 2022 Reissue

          Kranky Records

            The second album from New York City's Bowery Electric was released in late 1996, less than 15 months after their self-titled debut, but it found them having traveled light years musically in the interim, the group having seemingly decided to see how far they could take the guitar/ bass / drums / vocal setup into the atmosphere.

            Every aspect of their approach had been refined and focused: squalling, distorted guitars had been transformed into hazy, sensual sheets; the live drums transmuted to sampled rhythms more in debt to the blossoming downtempo sound of the day; bass lines reduced to their most basic diagrams; vocals submerged to become one with the narcotized fog of the instruments; even the lyrics were reduced to a few minimal lines used sparingly so as not to overshadow the dynamic.

            Beat is a lush and dense mantra of shadowy percussion, barely-there vocals and immersive drones that envelops the listener in an opiated blanket of sound. Includes the bonus track "Low Density," not featured on the original U.S. release.

            "Bowery Electric have made something utterly astonishing here. So deep, so wide, and somehow as intimate as a train crash. The first six tracks are just the most crushingly beautiful thing I've heard in 1997; the last five are even better. Good god, THIS IS IT." Melody Maker.

            "While cymbals shower down over the songs like a torrent of shattered glass, their austere beauty is never static. Ambience has rarely sounded so messy." Exclaim.

            A near-perfect mix of shifting dance beats, menacing electronic drones, analogue bleeps,
            syncopated rhythms and ethereal vocals." Now UK.


            TRACK LISTING

            Side A:
            1. Beat
            2. Empty Words
            3. Without Stopping
            Side B:
            1. Under The Sun
            2. Fear Of Flying
            3. Looped
            4. Black Light
            Side C:
            1. Inside Out
            2. Coming Down
            3. Postscript
            4. Low Density*
            Side D:
            1. Postscript

            *bonus Track Not On Original U.S. Release

            [ + ]
            [ - ]
            Cover of Shade by Grouper.

            Grouper

            Shade

            Kranky Records

              The 12th full-length by Pacific Northwest artist Liz Harris aka Grouper is a collection of songs spanning 15 years. She characterizes Shade as an album about respite, and the coast, poetically and literally. How we frame ourselves in a landscape, how in turn it frames ourselves; memories and experiences carried forward mapping our connection to place.

              — An ode to blue / What lives in shade —

              Songs touch on loss, flaws, hiding places, love. Deep connections to the Bay Area, and the North Coast, with its unique moods of solitude, beauty, and isolation—a place described and transformed by the chaos and power of river-mouth, wild maritime storms, columns of mist that rise up unexpectedly on the road at night. Portions were recorded on Mount Tamalpais during a self-made residency years back, other pieces made longer ago in Portland, while the rest were tracked during more recent sessions in Astoria.

              Throughout, Harris threads a hidden radiant language of voice, disquiet, and guitar, framed by open space and the sense of being far away.

              Echoing a lighthouse, burying the faults of being human / Into things that we project upon the sky at night.


              TRACK LISTING

              1. Followed The Ocean
              2. Unclean Mind
              3. Ode To The Blue
              4. Pale Interior
              5. Disordered Minds
              6. The Way Her Hair Falls
              7. Promise
              8. Basement Mix
              9. Kelso (Blue Sky)

              [ + ]
              [ - ]
              Cover of Unseen Forces by Justin Walter.

              Justin Walter

              Unseen Forces

              Kranky Records

              “I could go on and on about the insane virtuosity, about the rare analog wind synth that almost no one in the world plays anymore, about the most unique intervallic melodies and harmonies, but it’s all secondary to the simple beauty that Justin Walter is able to conjure up with his solo music.” Colin Stetson

              Michigan trumpeter Justin Walter’s solo work centers on evocative, intuitive explorations of the EVI (Electronic Valve Instrument), a rare wind-controlled analog synthesizer from the 1970’s.

              Its unique, smeared tonality allows for an expressive range of glassy, jazz-like textures, which Walter loops and layers with hushed electronics and twilit trumpet, painting opaque landscapes of resonant beauty.

              Walter’s 2013 debut, Lullabies & Nightmares, included a handful of collaborations with percussionist Quin Kirchner but Unseen Forces finds him fully solo, refining the project to its essence: shape-shifting watercolors of pastel haze, lit by the soft synthetic glow of electric breath. It’s a sound both modern and timeless, fusing emotion and technology, gauze and melody, force and fragility.

              From Justin Walter: Unseen Forces is a collection of recordings that document the use of improvisation as a means to create sounds that can either function on their own or serve as the foundation of, or source material for, additional improvisation. There was a definite process used to create this music but at no point was any music ever written or composed.

              When putting this music together I was often aware of feelings related to density, spacing, silence, and the sense of time pulling back on itself, like trying to stretch a scene and pull on it in ways that distort it ever so slightly. This is a record of melodies, alone and in complex relation. This music is a reflection of both feeling, and thought, as much construction as composition. The recordings of the EVI, as well as the sequencing done using samples of those recordings, are mostly the result of exploring melody through intuition. Harmonically simple, but with a complex pallet of texture.


              STAFF COMMENTS

              Barry says: Introspective wandering avant-jazz sections clash with soaring airy ambience and cut-up string sections. Sparse pianos on 'End Of Six' for example are alone but for their own shimmering reverb tails, left to ruminate through the sound field uninterrupted. From the minimalism and fog comes beauty and warmth, presenting as snippets of found sound and crackling pads.

              TRACK LISTING

              1. 1001
              2. Unseen Forces
              3. Sixty
              4. End Of Six
              5. It’s Not What You Think
              6. Isotope
              7. Following
              8. Soft Illness
              9. Red Cabin

              [ + ]
              [ - ]
              Cover of Strands by Steve Hauschildt.

              Steve Hauschildt

              Strands

              Kranky Records

              Graceful compositions flow throughout. Steve Hauschildt’s fourth release for kranky following his Where All Is Fled full length from late summer 2015.

              The songs fluctuate from the serene calm of album opener Horizon of Appearances, to the pulsing hypnosis of Ketracel, and on to searing grandeur of album closer Die in Fascination, Throughout, Steve remains restrained and in complete control of his sound.

              Strands is a song cycle that is about cosmogony and creation/destruction myths. The title alludes to the structural constitution of ropes as I wanted to approach the compositions so that they consisted of strands and fibers which form a unified whole. This was so the songs could have the appearance of being either taut or slack without being fundamentally locked to a grid. So the sounds/tones have a certain malleability to them and sound like they're bending through time. It's also grittier and more distorted than my previous albums.

              I wanted to try and capture that moment in nature and society where life slowly reemerges through desolation, so it has a layer of optimism looming underneath. The music represents this by seemingly decaying at times but then reforms and morphs in a fluid way back to its original state. I was also inspired by the movement of rivers, particularly their transformative aspect and how they're in a state of flux and change, in particular the Cuyahoga River in Cleveland where I live, which notoriously caught on fire thirteen times because of industrial pollution in the 1960s and before. I was very interested in the dichotomy of oil and water and the resulting, unnatural symptoms of human industry. It's a very personal record for me as it is a reflection of my hometown where I grew up and where it was mostly recorded.

              STAFF COMMENTS

              Barry says: Where 'Where all Is Fled' was nuanced, but rife with confident and optimistic moments, 'Strands' is much more tilted towards the uneasy. Slightly syncopated melodies and growing pads unsettle but never become jarring, merely lending an equally proficient counterfoil to the majority of his already startling oeuvre.

              TRACK LISTING

              1. Horizon Of Appearances
              2. Same River Twice
              3. A False Seeming
              4. Ketracel
              5. Time We Have
              6. Strands
              7. Transience Of Earthly Joys
              8. Die In Fascination

              [ + ]
              [ - ]
              Cover of Physicalist by Forma.

              Forma

              Physicalist

              Kranky Records

              Physicalist is the third album from New York City synthesis trio Forma. Since their acclaimed self-titled debut in 2011, Forma have been perfecting a distinctive style of improvised kosmische and minimalism that blends swirling arpeggios, ambient soundscapes, and driving motorik beats.

              Physicalist is a sprawling, double LP journey featuring new member and multi-instrumentalist John Also Bennett. The first Forma album to include acoustic instrumentation, Physicalist owes more to American composers like Harold Budd or Terry Riley than Klaus Schulze and other Krautrock visionaries.

              The album was recorded during marathon sessions at Brooklyn’s Gary’s Electric studio, and is packaged in a gatefold jacket with original artwork by Robert Beatty and a liner notes essay by writer and critic Michael Barron. Physicalist was mastered by Bob Weston.

              Formed in 2010 by Mark Dwinell in Bushwick, Brooklyn, Forma released their first two full-length LPs on John Elliot’s influential Editions Mego imprint, Spectrum Spools. Physicalist is the first full-length statement from the new lineup, which also includes founding member and percussionist George Bennett.

              The double LP contains two distinct halves; the first consisting of rhythmic compositions derived from the trio’s formidable array of modular and vintage synthesizers, and the second breaking from the grid with ambient, free-flowing experiments on piano, flute and acoustic percussion. The album marks a departure from Cool Haptics, the group’s techno-leaning 2014 EP on The Bunker New York.

              Physicalist takes its title from physicalism, the philosophical belief that all phenomena in the universe are created entirely from physical interactions. Using a synthesizer as its foundation, kosmische music turns algorithms into art by investigating infinite possibilities within a set of physical parameters. The electronic composer Laurie Spiegel once suggested that a looped algorithmic sequence could go on forever, and as long as humans were able to interact with it, it would never cease to interest us. This is the bedrock of improvisation, and it is from this vantage point that Forma have created Physicalist, an American kosmische music in which a boundless voyage gives way to a structured environment—a programmed jazz with the grid as guidepost. “We’re not interested in providing an escapism for people,” says member Mark Dwinell, “We want to instead connect with people through a vigilantly monitored present. To us, that real moment, shed of any fancy, is just as divine.”


              STAFF COMMENTS

              Barry says: One of my absolute favourites, Forma. I remember hearing their self-titled debut album many moons ago and being equally blown away by their follow-up Off/On. This one is just as mindblowing. Kosmische synthplay and driven motorik rhythms abound, chirping pads and reverb-soaked arpeggios come together into a beautiful and melodic scree. The latter half of the album is more ambient, focused on acoustics more than electronics but with the unmistakeable sound they've become known for. Another brilliant showing, and an essential for any electronic music fans.

              TRACK LISTING

              1. Collapse Of Materialists
              2. Sane Man
              3. Spin Glass
              4. Ghosts
              5. Maxwell’s Demon
              6. Descent
              7. Wanderer Imitates A Cloud
              8. As If Pianos Grew On Trees
              9. Collapse Of Materialists 2
              10. Physicalist
              11. Improvisation For Flute And Piano

              [ + ]
              [ - ]
              Cover of Precious Systems by MJ Guider.

              MJ Guider

              Precious Systems

              Kranky Records

                Melissa Guion is MJ Guider. She lives and works in New Orleans and previously released the Green Plastic extended play cassette in early 2014 on the Constellation Tatsu label.

                Employing heavy washes of bass and a deft touch in mixing, she uses stark contrasts to construct a semi-surreal aural space.

                What results are songs that exist in a wholly contained sound environment, minimal yet lush, spare yet saturated, and most importantly, entirely compelling.

                “...black syrupy goodness that hits all the right spots.” Fact
                “...swallows up the listener in dark, warm, gooey vibes.” Tiny Mix Tapes

                From MJ Guider:
                “Precious Systems is inspired and influenced by the landscape in and near New Orleans, particularly the juxtaposition of the natural with industrial and commercial constructs as they reflect life here.

                The songs on the album attempt to create contrasts of their own as one means to induce unreality or alter perspective. While it is greatly influenced by science fiction, its sounds and stories often become it themselves.
                The sounds come from a variety of sources, but are anchored by a few aging, outmoded machines.

                A beloved Rickenbacker 3000 in combination with a Roland R-8 drum machine, and RE-501 tape echo set the tone of technology in subsidence.”


                STAFF COMMENTS

                Barry says: Though it might seem unlikely, gothic tinged shoegaze/ambient has seen a bit of a surge in recent years. Tropic of cancer being a notable (and equally excellent) recent addition. Precious Systems is as haunting as it is enchanting, saturated top-heavy drones whirl around Guion's haunting voice, driven along by cavernous guitar, and every so often punctuated by driving hardware drum machines. Spooky and shadowed gothic shoegaze for the masses.

                TRACK LISTING

                1. Lit Negative
                2. Triple Black
                3. Surfacing First
                4. White Alsatian
                5. Second Surface
                6. Former Future Beings
                7. Their Voices Clear Now
                8. Evencycle
                9. Fiction Control

                [ + ]
                [ - ]
                Cover of Pitch, Paper & Foil by Christopher Bissonnette.

                Christopher Bissonnette

                Pitch, Paper & Foil

                Kranky Records

                  Christopher Bissonnette is a Canadian musician/sound artist/designer living and working in Detroit and Windsor. He has released three full-length albums for Kranky and a collaborative recording with David Wenngren (Library Tapes) on Home Normal.

                  Continuing the explorations of the analog synthesizer first revealed on his last album, Bissonnette's deft touch in recording and mixing is a joy to experience. While most contemporary analog synth slingers find themselves unable to not overload the sound-field with the endless array of possibilities the instrument provides, Bissonnette provides a master class in economy and control.

                  Since his first full album release, Periphery, ten years ago, Bissonnette has been expanding his aural vocabulary and production techniques incorporating elements of concrete, field recording and modular synthesis.

                  This new series of works reflects an evolution of my adeptness with modular synthesis. As with my previous release Essays in Idleness, Pitch, Paper & Foil was constructed from a range of synthesis and compositional techniques. The goal with this album was to form a collection that exhibits more restraint than previous works.

                  Modular synthesis can be an unruly medium and taming it in order to produce delicate or subtle tones can be challenging. As with Essays..., I have allowed the artifacts of the process to find their way into the finished product. Tape noise, distortion and by-products of the random sequencing method all contribute to the character of the final recordings.

                  TRACK LISTING

                  1. Epoch
                  2. Diminution
                  3. Keeping Guard
                  4. Shuttering Slides
                  5. Surcease
                  6. Textbooks Of The Elites
                  7. The Rate Of Delay
                  8. Dualism

                  [ + ]
                  [ - ]
                  Cover of Anjou by Anjou.

                  Anjou

                  Anjou

                  Kranky Records

                    The culmination of four years writing and editing, Anjou marks the ?rst collaboration between Labradford?s Robert Donne and Mark Nelson since the release of that group?s “?xed:context” LP.

                    Combining modular synthesis, Max/MSP programming and live instrumentation, Anjou deftly weaves noise with gentle ambience and melody with texture.

                    Guitar, bass and Steven Hess? (Locrian, Fennesz, Pan American) live percussion give the eight pieces an immediacy and create a framework for the more abstract sounds of digital and analog synth programming.

                    The product of twenty plus years of friendship, Anjou is re?ned and challenging. An extension of the Labradford sound-world but no mere victory lap, Anjou represents Donne and Nelson stepping out and forward, their eyes ?rmly focusing on the future.

                    Context:
                    Mark Nelson formed the legendary Labradford in the early 90?s and and started working solo under the “Pan•American” moniker a few years later. Robert Donne played in Breadwinner, joined Labradford shortly after the release of the ?rst album, recorded an album with Adam Wiltzie as “Aix Em Klemm”, and has been active over the last decade in the trio Cristal. Percussionist extraordinaire Steven Hess has collaborated with dozens of artists including Greg Davis and Fennesz, and has worked in the Dropp Ensemble, Cleared, and Haptic to name just a few.

                    [ + ]
                    [ - ]

                    Lotus Plaza

                    The Floodlight Collective

                    Kranky Records

                      In 2008, Deerhunter fans were presented nearly an embarrassment of riches with the release of the group's third album, "Microcastle, its pre release 'leaked' companion disc, "Weird Era Cont.", and front man Bradford Cox's solo project debut as Atlas Sound. With a good deal of Deerhunter-related material appearing on the band's web blog in 2008, anticipation surrounding the release of "The Floddlight Collective", the full-length debut of Lotus Plaza (guitarist and co-songwriter Lockett Pundt's solo project), came as little surprise. While the album doesn't stray far from the gauzy, ambient dream pop of Deerhunter and Atlas Sound, it comes across as a far more focused affair than either of those group's efforts. Rooted in Pundt's adoration of the wall-of-sound vocal harmonies of 50s Brill Building songwriters and the hypnotic, reverb-drenched haze of shoegazers like the Jesus and Mary Chain and My Bloody Valentine, the songs are full of shimmering and opalescent melodies that teeter on the edge of something inchoate and chaotic. From the chiming, layered melodies of "Whiteout", which gently accumulate into a blizzard of white noise wash out, to the cresting surf-rock dissonance of "Sunday Night," with its circling microtones and billowing waves of guitar distortion, Lotus Plaza create blissful pop ambience that celebrates the beauty of sound unhinged.

                      Tracklisting
                      1. Red Oak Way
                      2. Quicksand
                      3. These Years
                      4. Different Mirrors
                      5. Whiteout
                      6. What Grows?
                      7. Sunday Night
                      8. Antoine
                      9. The Floodlight Collective
                      10. A Threaded Needle

                      [ + ]
                      [ - ]

                      Cloudland Canyon

                      Lie In Light

                      Kranky Records

                        "Lie In Light" is a work of extraordinary, hypnotic intensity and brain-melting beauty. It appears there is a second "kosmische musik" period in full bloom around the world at the moment, not so much 'kosmische' as in krautrock but instead 'cosmic'. You can play pick the influences if you like, but you can do that with any group. Cloudland certainly owe a debt to the German underground of the 70s, but they have also added flourishes of baroque pop and even a tinge of the 80s New Zealand scene into their sound. From the lock down groove of the opening track "Krautwerk", to the dense buzz of "White Woman", through the pastoral psych of "Heme" and on to the gentle wash of the closer "Mothlight", Cloudland Canyon have created an eclectic and rewarding listen.

                        [ + ]
                        [ - ]

                        Latest Pre-Sales

                        223 NEW ITEMS
                        Blonde Redhead - Sit Down For Dinner

                        Blonde RedheadSit Down For Dinner

                        Damon Locks & Rob Mazurek - New Future City Radio

                        Damon Locks & Rob MazurekNew Future City Radio

                        Lindstrøm - Everyone Else Is A Stranger

                        LindstrømEveryone Else Is A Stranger

                        Locate S, 1 - Wicked Jaw

                        Locate S, 1Wicked Jaw

                        Nina Simone - Baltimore - 45th Anniversary Edition

                        Nina SimoneBaltimore - 45th Anniversary Edition

                        The Skids - Days In Europa (Deluxe Edition)

                        The SkidsDays In Europa (Deluxe Edition)

                        Cut Worms - Cut Worms

                        Cut WormsCut Worms

                        The Cult - Ceremony

                        The CultCeremony

                        The Cult - Sonic Temple - 2023 Reissue

                        The CultSonic Temple - 2023 Reissue

                        Barry Can’t Swim - When Will We Land?

                        Barry Can’t SwimWhen Will We Land?

                        Hopscotch / Andwella - Look At The Lights Go Up / Hold On To Your Mind

                        Hopscotch / AndwellaLook At The Lights Go Up / Hold On To Your Mind

                        The Damned - The Best Of The Damned - 2023 Reissue

                        The DamnedThe Best Of The Damned - 2023 Reissue

                        Various Artists - Tribal Rites Of The New Saturday Night Brooklyn Disco 1974-5

                        Various ArtistsTribal Rites Of The New Saturday Night Brooklyn Disco 1974-5

                        Acid King - Acid King - 2023 Reissue

                        Acid KingAcid King - 2023 Reissue

                        Gate - The Numbers - 2023 Reissue

                        GateThe Numbers - 2023 Reissue

                        Albert Ayler - In Greenwich Village - 2023 Reissue

                        Albert AylerIn Greenwich Village - 2023 Reissue

                        The DSM IV - New Age Paranoia

                        The DSM IVNew Age Paranoia

                        Maximillian - Maximillian

                        MaximillianMaximillian

                        Master Danse - Feelin' Dead

                        Master DanseFeelin' Dead

                        M’lumbo - The Summer Of Endless Levitation

                        M’lumboThe Summer Of Endless Levitation

                        John Rocca - Reflections Of The Sun

                        John RoccaReflections Of The Sun

                        Various Artists - Where Were You - Independent Music From Leeds (1978-1989)

                        Various ArtistsWhere Were You - Independent Music From Leeds (1978-1989)

                        Michael James Tapscott - The Beasts Of History

                        Michael James TapscottThe Beasts Of History

                        Margaret Glaspy - Echo The Diamond

                        Margaret GlaspyEcho The Diamond

                        Gregory Alan Isakov - Appaloosa Bones

                        Gregory Alan IsakovAppaloosa Bones

                        The Ting Tings - We Started Nothing - 15th Anniversary Edition

                        The Ting TingsWe Started Nothing - 15th Anniversary Edition

                        The Dandy Warhols - Welcome To The Monkey House - 2023 Reissue

                        The Dandy WarholsWelcome To The Monkey House - 2023 Reissue

                        Jake Shears - Last Man Dancing

                        Jake ShearsLast Man Dancing

                        Swervedriver - Mezcal Head - 30th Anniversary Edition

                        SwervedriverMezcal Head - 30th Anniversary Edition

                        Swervedriver - Raise - 2023 Reissue

                        SwervedriverRaise - 2023 Reissue

                        Ryuichi Sakamoto - Music For Film

                        Ryuichi SakamotoMusic For Film

                        Tommy McCook - The Rooster / The Saint

                        Tommy McCookThe Rooster / The Saint

                        The Pioneers - Some Having A Ball / Whip Them

                        The PioneersSome Having A Ball / Whip Them

                        Laroye - Let It Go

                        LaroyeLet It Go

                        TOPS - I Feel Alive - 2023 Repress

                        TOPSI Feel Alive - 2023 Repress

                        Donny McCaslin - I Want More

                        Donny McCaslinI Want More

                        Gilles Peterson & Lionel Louke - HH Reimagined

                        Gilles Peterson & Lionel LoukeHH Reimagined

                        Kristin Hersh - Clear Pond Road

                        Kristin HershClear Pond Road

                        J&F Quintet - Contrast

                        J&F QuintetContrast

                        Son Volt - Day Of The Doug

                        Son VoltDay Of The Doug

                        Angelica Rockne - The Rose Society

                        Angelica RockneThe Rose Society

                        Various Artists - Middle Eastern Grooves (Selected By DJ Kobayashi)

                        Various ArtistsMiddle Eastern Grooves (Selected By DJ Kobayashi)

                        David Horridge - Journey Within

                        David HorridgeJourney Within

                        Slow Pulp - Big Day - 2023 Reissue

                        Slow PulpBig Day - 2023 Reissue

                        Loket - All Ages

                        LoketAll Ages

                        Terr - Consciousness As A State Of Matter

                        TerrConsciousness As A State Of Matter

                        Josh Wink - The Half Full EP

                        Josh WinkThe Half Full EP

                        Balmorhea - Pendant World

                        BalmorheaPendant World

                        Body Of Light - Bitter Reflection

                        Body Of LightBitter Reflection

                        Madlib - Shades Of Blue (Classic Vinyl Series)

                        MadlibShades Of Blue (Classic Vinyl Series)

                        E-newsletter —
                        Sign up
                        Back to top