Essential South African jazz, funk and soul - an anthology dedicated to the legendary Black Disco ensemble. Distilling the group’s recorded output into a single commemorative document, "Discovery 1975-1976" compiles cuts from the lauded "Night Express" album alongside rare gems from the group’s long-out-of-print first and third albums. The newly remastered selection features previously unissued single versions of the mighty “Night Express” itself, a funk juggernaut with piercing flute whistles and rapturous sax cries as well as “Dawn” from the album "Black Disco 3", a trippy, flute-driven awakening of soft light and gentle colours.

With a Yamaha organ and a dream, Pops Mohamed started his musical journey in the mid-1970s as the bandleader and composer of Black Disco, creating a hip melange of chill-out jazz with futuristic drum machine sounds and spiritual overtones. His cosmic organ transmissions were accompanied by two of the most sought-after session players on the South African scene, the sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, the young bass prodigy who was already rubbing shoulders with the old guard at the outset of his career. Backed at first with polyphonic beats from Mohamed’s electric organ and later taking on a drummer, Black Disco created a signature sound and a trilogy of innovative albums in a burst of studio creativity between 1975 and 1976.

On the heels of their epic various artists compilation, As-Shams Archive have produced a doozy of a compilation of some very essential South African jazz.

TRACK LISTING

Spiritual Feel Riding The Blue
Pops Blue
Night Express Single Version
Kids In The Dark
Dawn (Single Version)
Im Organized
Yasmeens Blues
Dark Clouds Part 1

Head hydro-tripper Black Eyes has risen from the depths of the deep to release his debut solo record "Hydro-Trip Vol 1". Named after the titular club night Lost Control, which started right here in MCR! Black Eyes is now located in Berlin where these recent transmissions were conceived.

Lead track "Understood Sea Being" plunges us on a rugged ride with deep Detroit chords and Black Eyes's own deadpan vocals throughout. "Let's Get Deeper" is a rugged n bassy, soulful deep house number. Somewhere between Rick Wade and Mike Huckaby (the latter of which is a big inspiration on the artist). "Scuba Lyfe" is a silky number, totally indebted to the Motor City and revolving around an eyes-down dubby groove mixed with some hi-tek jazz elements. Rolando (of Underground Resistance and Los Hermanos fame, and now Berghain resident) is enlisted on remix duties. He switches the gears and adds some fluid Detroit techno licks to finish off the EP in fine style. Top stuff indeed from Black Eyes! 

TRACK LISTING

1. Understood Sea Being
2. Lets Get Deeper
3. Scuba Lyfe
4. Scuba Lyfe (rolando Remix)

As Black Truffle returns for his second release on GAMM he loaded up three amazing edits for your dancing pleasure.

Continuing on his personal and distinctive approach, these tracks land somewhere between working man's disco-boggie and psychedelic, library jazz-funk...either way, it's on the left side of the dance music spectrum and sound deliciously raw and not over-produced.

Especially check out the A1 track "Aurora" which has had us rocking in our seat here at Picc HQ...what a jam!
But the two B-side tracks are also not to be overlooked, full-on disco assaults for dancers and DJs alike. 

STAFF COMMENTS

Matt says: The second volume of GAMM edits from Black Truffle doesn't disappoint in the slightest as he mines some pretty leftfield source material with delightfully danceable results.

TRACK LISTING

A. Aurora
B1. Milk & Honey
B2. Spa Dance

Black Rainbows is a musical project inspired by the objects and artworks collected by Theaster Gates at the Stoney Island Arts Bank in Chicago. Situated at the Great Grand Crossing neighborhoods of Chicago's South Side, Stoney Island Arts Bank is a cathedral to Black Art, a curated collection of Black archives comprising books, sculpture, records, furniture and problematic objects from America's past. As well as being a site for archive, the Arts bank is also a place for convening. Bailey Rae attended The Black Artists Retreat there in 2017 and performed in the space.

Wide ranging in it's themes, Black Rainbows' subjects are drawn from encounters with objects in the Arts Bank. Taking us from the rock hewn churces of Ethiopia, to the journeys of Black Pioneers Westward, from Miss New York Transit Queen 1957, to how the sunset appears from Harriet Jacobs' loophole.

Black Rainbows explores Black femininity, Spell Work, Inner Space/Outer Space, time collapse and ancestors, the erasure Black childhood and music as a vessel for transcendence.

The project will be released in various iterations - live performances, books, visuals, lectures, exhibitions, and more.

Sonically, the album is a multi-genre mix of the progressive R&B, neo soul sound that will be familiar to fans but it also contains rock, jazz and electronic elements.

The album was produced by S.J. Brown and Corinne Bailey Rae.

TRACK LISTING

1. A Spell, A Prayer
2. Black Rainbows
3. Erasure
4. Earthlings
5. Red Horse
6. New York Transit Queen
7. He Will Follow You With His Eyes
8. Put It Down
9. Peach Velvet Sky
10. Before The Throne Of The Invisible God

Brand new Underground Resistance 'Workers' T-Shirt

Black with white print on Gildan Ultra Cotton Shirt.

Also available in neon yellow! 

‘Black Classical Music’ is a 19-track record taking listeners through a looking glass into the exalted artist’s past and present whilst exploring themes of home and family. The album draws influence from his musical heroes Miles Davis & Rahsaan Roland Kirk and Yussef’s extensive travel around the globe that has deepened his study of rhythm.

Honourable features on “Black Classical Music” - Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, plus Venna, Rocco Palladino, Charlie Stacey & Elijah Fox

STAFF COMMENTS

Barry says: Oooof, this is an absolute wealth of rich groove and the seamless pulling together of myriad influences from drummer and renowned London jazzer, Yussef Dayes. Filled with collaborative talent, 'Black Classical Music' manages to draw from a wealth of sound worlds without breaking step. Afrobeat, soul funk and jazz fans take note.

TRACK LISTING

A1. Black Classical Music Ft. Venna & Charlie Stacey
A2. Afro Cubanism
A3. Raisins Under The Sun Ft. Shabaka Hutchings
A4. Rust Ft. Tom Misch
A5. Turquoise Galaxy

B1. The Light Ft. Bahia Dayes
B2. Pon Di Plaza Ft. Chronixx
B3. Magnolia Symphony
B4. Early Dayes
B5. Chasing The Drum

C1. Birds Of Paradise
C2. Gelato
C3. Marching Band Ft. Masego
C4. Crystal Palace Park Ft. Elijah Fox
C5. Presidential Ft. Jahaan Sweet

D1. Jukebox
D2. Woman's Touch Ft. Jamilah Barry
D3. Tioga Pass Ft. Rocco Palladino
D4. Cowrie Charms Ft. Leon Thomas & Barbara Hicks 

Black Market Brass is proud to present Hox, due out on Colemine Records on September 8, 2023. Their third LP is a new take on afrobeat that combines traditional grooves with heavy, hypnotic, sci-fi sounds that reflect the band’s myriad of influences as record collectors across genres. “We didn’t leave the traditional afrobeat sound behind, but we did allow ourselves to pull from different places with less hesitation.” Shared saxophonist Cole Pulice.

Like their previous albums, the 9-piece band recorded Hox live to tape. “The sound and aesthetic of the analog recording process is important for this kind of music,” Pulice explained. “We’re looking to capture lightning in a bottle.” With that, the album features several sections of heavily processed synthesizers, harsh glitches, fuzzed out guitars, and a burning percussion section that pays homage to the traditional drumming cultures of Nigeria and Ghana. The performances are dynamic and confident. The grooves are infectious and hypnotic. BMB has pushed further into musical experimentalism, but at the end of the day, they’re still making dance music.

Krautrock, free-jazz, doom metal – the inspirations for Hox stem from all kinds of musical backgrounds, but the sound is far from scattered. It’s a polished, innovative record that’s sure to exceed expectations and keep the listener engaged from start to finish.

TRACK LISTING

1. Hox A
2. Echo A.D.
3. The Pit
4. Hox B
5. A Web, A Knot, A Tangle
6. But At What Cost?
7. Æthervision
8. Little Ghosts
9. Hox C
10. S.C.C. (Surge Cell Continuum) / Hox D
11. The Rift / Hox Z / Desolation Overdrive
12. Doom Country

Jonny 5 is known for his superlative edits as well as heading up the Bahnsteig 23 label and here he returns from time out becoming a father to kick off this new one from Duca Bianco. 'Joy Riding' is loopy disco-post-punk for a peak-time trip. Multi Culti man Dreems then brings the Afro party vibes with his 'Bususua' which is packed with dub fx and steeped in fun. Miserymix throw in their Italo-licked post-disco and punk sounds on 'Adjust Your Love' before a big finale by Black Bones who offers deep and dubby house that has been a secret edit for a while but finally gets unveiled here to great effect as it worms its way into your brain.

STAFF COMMENTS

Matt says: First vinyl outing for our Mine (can you guess which one she is?) who takes to the chopping board like a skilled surgeon, dissecting some lost Italo-themed post-punk jam with the dexterity of a panther! The other joints on offer are also fire making this a release you don't wanna miss!

TRACK LISTING

1. Jonny 5 - "Joy Riding"
2. Dreems - "Bususua"
3. Miserymix - "Adjust Your Love"
4. Black Bones - "Lil' Pil"

Canvas tote bag with internal valuables pocket. 

Holds 10-15 records.

Adjustable strap and twin handle design with press stud closure.

Made from 100% Cotton Canvas

Dimensions 30 x 40 x 60cm.

Originally released in 1995, Spanners is the second album from The Black Dog and their first for Warp Records. In 2017 it was selected by Pitchfork as one of 'The 50 Best IDM Albums of All Time'.
This reissue is the first time the vinyl has been available since its original pressing in 1995.

TRACK LISTING

A1. Raxmus
A2. Bolt1
A3. Barbola Work
A4. Bolt2
A5. Psil-cosyin

B1. Chase The Manhattan
B2. Bolt3
B3. Tahr
B4. Bolt4
B5. Further Harm

C1. Nommo
C2. Bolt5
C3. Pot Noddle
C4. Bolt6
C5. End Of Time

D1. Utopian Dream
D2. Bolt7
D3. Frisbee Skip
D4. Chesh

The third album in the Artificial Intelligence series, Bytes was originally released in 1993, with this repress marking the 30th anniversary.

Bytes was a another landmark for electronica (or 'intelligent techno' as we called it back then!). Produced by Plaid's Andy Turner and Ed Handley (the LP also has tracks under their name) with Ken Downie the LP takes in elaborate beat structures and time signatures, overlaid with melodic textures.

TRACK LISTING

A1. Plaid - Object Orient
A2. Close Up Over - Caz
A3. Xeper - Carceres Ex Novum
B1. Atypic - Focus Mel
B2. Close Up Over - Olivine
B3. I.A.O - Clan (Mongol Hordes)
C1. Plaid - Yamemm
C2. Discordian Popes - Fight The Hits
C3. Balil - Merck
D1. Close Up Over - Jauqq
D2. Balil - 3/4 Heart

Released via 'Black Butter Records' - J Hus is back with his highly anticipated third album ‘Beautiful And Brutal Yard’, preceded by the raucous street track ‘It’s Crazy’ which charted Top 15 and ‘Who Told You’ (featuring Drake) which debuted at #2 with the 3rd highest UK week 1 singles sales of the year and Hus’ highest single chart to date. ‘B.A.B.Y.’ is the follow-up to his chart-topping album ‘Big Conspiracy’ which earned him the Best Male Award at the Brits and his Top 10 platinum debut ‘Common Sense’ which won an NME award and was nominated for the Mercury Music Prize and Best Album at the Brits.

Fans have come to expect a range of influences and musical styles from Hus’ albums and they will not be disappointed. Across ‘B.A.B.Y’ Hus incorporates elements of afrobeats, drill, R&B and bashment, all delivered in his inimitable lyrical style. The album includes features from Drake, Burna Boy, Jorja Smith, Popcaan and Naira Marley as well as from UK up and comers CB, Villz and Boss Belly. 

For 1971’s Black Unity, Pharaoh Sanders added groove to foundation of spiritual and free jazz he had explored on his previous Impulse! albums. The result is a piercing and emotive 37-minute rhythm-driven title track exploration of African, Latin, aborigine and Native American sounds. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

TRACK LISTING

Side A
1. Black Unity – Part 1
Side B
2. Black Unity – Part 2

Black Rhythm Revolution! Is the first solo album from the jazz-funk legend Idris Muhammad, a New Orleans-bred rhythm king who successfully made the leap from the finest soulful jazz records of the ’60s to the nastiest fusion funk of the ’70s. Here we catch him literally on the cusp of the two in 1970, with one good foot in the get-down of “Express Yourself” and “Super Bad,” and the other in his own heady excursions into modal rhythm and melody, accompanied by virtuosos Kenny Barron, Ron Carter, Melvin Sparks, who came together for sessions overseen by legendary producer Rudy Van Gelder. This 180-gram Jazz Dispensary reissue of Black Rhythm Revolution! was cut from the original analogue tapes by Kevin Gray and pressed at RTI, and comes packaged in a tip-on jacket. 

TRACK LISTING

Side A
Express Yourself
Soulful Drums
Super Bad
Side B
Wander
By The Red Sea

Guyana folk music reinterpreted and infused with Afro-roots and culture, reissued on vinyl for the first time

A year after their debut album 'Ojinga's Own', the Yoruba Singers from Guyana released the singles 'Black Pepper' and 'Basa Bongo'. These two songs were recorded in Barbados and released on the Green Shrimp label and became extremely popular throughout the Caribbean and South America. The music also became an integral part of the very beginnings of what was later to become the Champeta Criolla sound in the Caribbean coast of Colombia.

TRACK LISTING

Basa Bongo
Black Pepper

‘Black Duck’ captures a band already deeply in tune with one another. The threepiece supergroup consists of Douglas McCombs, Charles Rumback and Bill MacKay. Each has a distinct musical voice that is instantly recognizable yet blends seamlessly with one another - their time performing together, playing to the moment and reading each other and the spaces they’re in formed a fluency between the trio which allows them to follow each other down winding paths and short tangents alike.

Black Duck’s debut is a testament to that fluency, an expedition led by three veterans into alluring worlds bathed in myriad splendours. ‘Black Duck’ is a gallery of sonic tapestries, unbound by any genre constraints. Black Duck redefine what two guitarists and a drummer can do; pieces move from breezy shuffles to stormy blues rumbles to gorgeous textural drones.

Playing entirely improvised live sets for years helped develop the trio’s acute senses for one another, knowing precisely how to listen to the others and bolster whatever direction they move in. In the short time the trio have played together, they have performed at Big Ears Festival and alongside acts like Yo La Tengo. 

TRACK LISTING

1. Of The Lit Backyards
2. Foothill Daze
3. Delivery
4. Second Guess
5. The Trees Are Dancing
6. Thunder Fade That Earth
7. Smells
8. Lemon Treasure
9. Light’s New Measure

Berlin-based Bretford Records releases Locust, the new solo album from Jeff Clarke (Black Lips member) – a stripped-down, melancholic change of pace from the Canadian singer-songwriter whose boisterous garage rock compositions with the bands Demon’s Claws, Hellshovel, and the Black Lips led to King Khan identifying him as one of the “unsung heroes of rock n’ roll.”

This time out, Clarke’s sincere, poetic texts are accompanied only by his acoustic guitar. The warm, dreamy, minimalist folk sound is enhanced by the recordings themselves – all done in a single session, outdoors in a forest north of Berlin, Clarke’s adopted home since 2016.

The concept for the intimate setting came from Lorenz Szukal, guitarist in legendary Berlin indie rockers Chuckamuck and die Verlierer, who recognized that Clarke’s songwriting, which he had long admired, would be equally powerful when pared down and showcased in a different light. When the two took Szukal’s mobile recording equipment into the woods, the more naturalistic atmosphere revealed a mixture of light and shadow, fragility and resilience, pain and relief in the songs.

And yet Locust is much more than a mere study in contrasts; harmonized by Clarke’s extraordinary writing, the thirteen songs of the album create a coherent ambiance in which Clarke’s voice – like the soft complaint of a lonesome wolf – blends with the vivid lyrical imagery, the subtle dynamics of his guitar playing, and an almost imperceptible echo to leave the listener in a daydream state. In daring to present his unique sensibility in such a raw, elemental setting, Locust marks a striking new direction and reveals Clarke to be a spiritual descendant of Townes van Zandt.

TRACK LISTING

01. Something Happened
02. Feathers Of A Moth
03. Bed Of Glass
04. Whips Of Holly
05. Locust
06. Left Out In The Cold
07. Hypothermia
08. Elizabeth
09. Weird Ways
10. Stolen Valor
11. Strawberry Sun
12. Kind Of Boy
13. Never Going To Run

Since we've known him, Robert Lloyd has made quite clear his enormous affection for the songs and sounds of Freakwater, the duo of Janet Beveridge-Bean and Catherine Irwin who've been wrongly denied their place as rightful and willful progenitors of alt-country's 'movement', which (frankly) is to their credit. Their genius in offering absolute authentic to the sound old-time Appalachian folk music with a modern façade that in no way negates tradition (one of their albums is titled Feels Like The Third Time) is unparalleled within the genre, and Freakwater remain under-appreciated.

After the start of Covid, Robert dared approach Janet with the idea of recording together. Over the course of the long pandemic, songs were bandied about for months, and when recording was finally practical, a band was assembled with dates set up for a recording session in Valencia, Spain. Robert and Janet were joined by Robert's long-time ally, Pete Byrchmore, the musical foil for Robert's solo album on Virgin and a former Nightingale, Mark Bedford, the bassist for Madness and Terry Edwards' Near Jazz Experience, and Pablo Roda, Spanish mystery drummer, couldn't have worked out more perfectly. Tracks were selected without regard for collective presentation, just the goal of walking out of the studio with an album of perfect gems. Forget Lee & Nancy or George & Tammy, Rob and Janet have an immediate chemistry that only sounds long-lived - and too uniquely them to merit any comparison.

The title track, Black Cat, Dark Horse is the sole Lloyd / Bean / Byrchmore composition and one of the record 's highlights. Jim Elkington, collaborator with Jeff Tweedy and Richard Thompson, contributes Heavy Reckonings and a song written with Janet, The True Lovers' Knot And The Lie, while Robert adds reworkings from past releases - Sweet Georgia Black and Black Country (with Pete) - not to mention the unreleased Eggs And Bacon. Janet brought One Shot and the unheard Freakwater song Arc Of A Smile. Covers of tunes from Dion and The Monkees and a magnificent Jon Langford song, "Tears Like Stars" round out the album. We daresay the album is among the finest you'll hear in 2023. That it doesn't fit perfectly into any preconceived genre is a testament to its quality. "Songcraft" is a word used infrequently today, yet Black Cat, Dark Horse will show that good songs endure. We're proud that Robert and Janet will find some new admirers through this album's release. The Michael Cumming / Stewart Lee film King Rocker made a case for Robert Lloyd-as-losthero; this album furthers that idea and shows a compelling side of Janet's talent and abilities which will be a surprise to her fans and serve as an entry point to exploring her many other compelling projects. 

TRACK LISTING

1. Black Cat, Dark Horse
2. Heavy Reckonings
3. Wake Up Baby
4. Sweet Georgia Black
5. Eggs And Bacon
6. Arc Of A Smile
7. Take A Giant Step
8. The True Lovers' Knot And The Lie
9. Tears Like Stars
10. One Shot
11. Black Country

After last year's release on Shall Not Fade, Paul Rudder & Kresy are back - this time on Exploited for the infamous Black Jukebox Series.

‘Along With You’ bounces along with plenty of feel-good energy, channeling ‘90s spirit with its thicl bassline pump and an earworm of a sugar-sweet vocal. Well-chosen vox cuts create an infectious rhythm in between the full vocal sections while soft synth arps tickle the surface of the track and epic snare rolls inject more energy in the breakdown and at key moments. Guaranteed to get massive reactions. Kresy’s ‘Continuum Mix’ takes things into a lighter direction with gorgeous, sunny piano chords chiming in unison with a driving, uplifting bassline and pretty synth flourishes.

‘Her Dream Road’ pushes the EP into almost ambient house territory with its swirling pads and deep atmospheres, but the energetic percussion and warm bassline throb and melody give it plenty of dancefloor energy. Kresy’s ‘Mellonized Remix’ pumps it up with plump organ bass, dreamy acid licks, soaring arpeggios, continual automation and epic pad progressions that make for an absolutely huge rework that’s full of life, atmosphere and colour. 

STAFF COMMENTS

Matt says: Shir Khan rides again! Nearly 15 years old and still providing the holiday house hits for the terraces, beach bars and nightclubs across the globe. Seriously strong offering from this well established firm.

TRACK LISTING

A1. Paul Rudder & Kresy - Along With You
A2. Paul Rudder & Kresy - Along With You (Kresy Continuum Mix)
B1. Paul Rudder - Her Dream Road
B2. Paul Rudder - Her Dream Road (Kresy Mellonized Mix)

A brand new album of unreleased material from Black Country, New Road, recorded at the historic music venue Bush Hall, in London at a series of unique shows at the end of December 2022. Mixed by John Parish and mastered by Christian Wright at Abbey Road, the new album and material marks a new chapter for the band as a six-piece.

Fresh from the success of ‘Ants From Up There’ and with a full touring schedule ahead of them in 2022, Black Country, New Road aka Lewis Evans, May Kershaw, Georgia Ellery, Luke Mark, Tyler Hyde and Charlie Wayne, wrote an entire new set of material to perform. Playing to swelling crowds at festivals, including triumphant performances at Primavera, Green Man and Fuji Rock, they entered a new musical phase as they navigated and developed songs that were just weeks old. They also toured the US and headlined two sold-out shows in New York.

These new performances have seen the band garner widespread support from across the board with Rolling Stone UK describing their Green Man set as "unmissable", and the Guardian going on to say that they were "greeted by something close to rapture." These performances have also attracted a profile from the NY Times, multiple glowing live reviews, and a nomination for Best Live Performer at the AIM Independent Music Awards last year.

STAFF COMMENTS

Barry says: The almighty BCNR return for a stylistically off-piste but unusually blistering selection of jagged arty rock and soaring instrumentals. Waves of crushing groove and soaring vocals, blasts of activity and languid lulls aplenty. It's a wonderfully weird concept, but it's perfectly executed by this hugely talented bunch.

TRACK LISTING

Side A
Up Song - Live At Bush Hall
The Boy - Live At Bush Hall
I Won’t Always Love You - Live At Bush Hall
Across The Pond Friend - Live At Bush Hall
Laughing Song - Live At Bush Hall
Side B
The Wrong Trousers - Live At Bush Hall
Turbines/Pigs - Live At Bush Hall
Dancers - Live At Bush Hall
Up Song (Reprise) - Live At Bush Hall

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Available for the very first time is Frank Black's Live 2006, recorded live during the Pixies frontman's 2006 solo North American tour. Limited edition twelve-track live album pressed on Mandarin Orange Vinyl with printed inners and new artwork by Mark Reynolds. Includes 'Six Sixty Six', 'Bullet', 'Burn Today' & a cover of Roxy Music's Remake / Remodel'.

A leap of faith reaps extraordinary rewards on ‘Black Bay’, an album of depth, atmosphere and daring from the collective known as Silver Moth. Recorded under unusual circumstances, ‘Black Bay’ is the sound of seven storied musicians yielding to shared goals, a policy of trust in action. Between hushed incantations and molten guitars, 15-minute noise-rock epics and healing psalms, the record is a testament to connectivity and receptivity: to a union of disparate minds committing to something greater than the sum of its parts.

Stuart Braithwaite of Mogwai, Elisabeth Elektra, Evi Vine, Steven Hill, members of Abrasive Trees, Burning House and Prosthetic Head convened to improvise the album in early 2021, inspired by a Twitter exchange between Abrasive Trees guitarist/songwriter Matthew Rochford, musician Elisabeth Elektra and fellow artist Nick Hudson about the Isle of Lewis. A couple of Zoom meetings would subsequently lead to Rochford, Elektra, Vine, Braithwaite, Hill, drummer Ash Babb and cellist Ben Roberts visiting the dramatic location of Great Bernera’s Black Bay Studios on the Isle of Lewis in the Outer Hebrides, where they tracked the songs in just four days: a testament to the musicians’ focused openness to their shared mission and environment.

This is an album of elemental force and evocative poise, its controlled power focused around the ego-free chemistry between the players. By abandoning all certainties, Silver Moth have found something truly special on ‘Black Bay’.

STAFF COMMENTS

Barry says: A stunning debut LP from Silver Moth here displaying every bit of the influence from the myriad heads of the collective, forging brittle ballads and thundering gothic waves from haunting vocals and hypnotic post-rock instrumentals.

TRACK LISTING

1 Henry
2 The Eternal
3 Mother Tongue
4 Gaelic Psalms
5 Hello Doom
6 Sedna

“You’ve had your story/ time to tell you mine.” So sings Scottish newcomer Brooke Combe on ‘Over You’, one of the many soulful, defiant tracks that make up her debut mixtape. A collection she has honed through years of relentless gigging, each song has its heart in a long lineage of funk and soul, a retro sound that has earnt her endorsement from the likes of the BBC, Rolling Stone UK, The Skinny and NME. It's a style that could easily feel like pastiche, but from the very first note, there can be no doubt that Brooke’s side of the story is entirely her own; a powerful Gen-Z vocalist cutting her own path through the male-dominated indie arena.

“For me, it’s about getting every tune I have done so far out of my head,” explains Combe. “This mixtape is a little bit about the naivety of my adolescent years, but it’s also a bit of a 'who is Brooke Combe', showing people all the different sides to my music. So many people have been coming to the shows now, they've been consistent and loyal. I want them to have what they've been hearing live and to see the development so far.” 

TRACK LISTING

Vinyl:
Side A
1. Are You With Me?
2. A-Game
3. Talkin’ Bout Heartaches
4. Black Is The New Gold
Side B
5. Why'd You Say You Love Me?
6. Miss Me Now
7. Impress You
8. Over You

CD:
1. Are You With Me?
2. A-Game
3. Talkin’ Bout Heartaches
4. Black Is The New Gold
5. Why'd You Say You Love Me?
6. Miss Me Now
7. Impress You
8. Over You
+
9. Moving On
10. Teardrops (ft. Miles Kane)
11. Black Is The New Gold (Live @ The Garage, Glasgow)
12. Are You With Me? (Live @ The Garage, Glasgow)
13. Miss Me Now (Live @ The Garage, Glasgow)
14. Wish I Didn’t Miss You Again (Live @ The Garage, Glasgow)
15. Are You With Me? (Piano Cover)
16. Used To Love Me 

Vinyl now remastered By Steve Albini And Bob Weston.

The Players: Dave Riley - Bass, Santiago Durango - Guitar, Vocals, Steve Albini - Vocals, Guitar, Roland Drum Machine - itself.

Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. 

TRACK LISTING

Side A:
The Power Of Independent Trucking
The Model
Bad Penny
L. Dopa
Precious Thing
Columbian Necktie
Side B:
Kitty Empire
Ergot
Kasimir S. Pulaski Day
Fish Fry
Pavement Saw
Tiny, King Of The Jews
Bombastic Intro

Heavyweight fair-trade cotton canvas bag with 12cm (4 1/2") gusset so it's plenty big enough and strong enough to hold a fair chunk of records and also doubles as a rather nice groceries bag.

When Leon Michels and El Michels Affair released their fi­rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented “cinematic soul” sound. Now, four EMA studio albums and scores of tribute and remix projects later all while producing for some of the biggest names in the industry Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew.

Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two fi­rst met in the 2000s when Thought was fi­rst getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective Dave Guy on trumpet and Ian Hendrickson-Smith on sax are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy."

Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production".

For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people’s music but then adding live instrumentation on top. But for the most part, it's him reinterpreting his own compositions into something new.

The result is an organic feel of loop-based tracks that breathe and fluctuate enough for Black Thought to ‑ex on. "What I write about is determined by the equation of the producer's energy and my energy," Black Thought says. "It's about where we meet." So armed with Michels sampled and re-sampled soul cinematics, Black Thought rhymes through personal memories and distinctive.

STAFF COMMENTS

Barry says: With Michels laying down scattered soul-infused hip-hop beats, and the legendary Black Thought on vocal duties, this was always going to be a superb outing, but it's the ease with which these talented producers work together that is really refreshing. Forging an entirely new sound through their respective, distinctive voices, 'Glorous Game' is even more of a triumph than expected. Brilliant.

TRACK LISTING

Side A
1. Grateful
2. Glorious Game Feat Kirby
3. I’m Still Somehow
4. Hollow Way
5. Protocol (feat. Son Little)
6. The Weather
Side B
7. That Girl
8. I Would Never
9. Alone
10. Miracle
11. Glorious Game (Reprise)
12. Alter Ego (feat. Brainstory)

Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early ‘90s rap group whose work still goes criminally under-appreciated to this day.

Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining – Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single “What A N*gga Know”, the slippery, bass-driven “Get U Now”, and the album’s title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw – many times both, concurrently – the tracks gave the MC’s the springboard they needed to express themselves clearly.

Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X – now the sole remaining member of the group – was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album’s provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards. 

TRACK LISTING

00 : Garbage Day #3
01 : Get-U-Now
02 : What A N*gga Know?
03 : Sweet Premium Wine
04 : Plumskinzz (Loose Hoe, God & Cupid)
05 : Smokin’ That S*#%
06 : Contact Blitt
07 : Gimme
08 : Black Bastards!
09 : It Sounded Like A Roc
10 : Plumskinzz (Oh No I Don’t Believe It!)
11 : Constipated Monkey
12 : F*#@ Wit’ Ya Head
13 : Suspended Animation

Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. ‘Lungs’, the first Big Black release, was recorded by Steve on a borrowed 4-track. He played everything on the EP himself, except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass and Santiago Durango (also Naked Raygun) joined them on guitar.

In 1983, together with live drummer Pat Byrne, they recorded the ‘Bulldozer’ EP. By 1984, the band had done some touring and recorded the ‘Racer X’ EP and the start of the ‘Il Duce’ 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley.

In 1985, Big Black recorded their first full-length, ‘Atomizer’, as well as finishing the ‘Il Duce’ 7”. ‘Atomizer’ was released in 1986 along with the release of the ‘Hammer Party’ compilation CD.

In 1987, the ‘Headache’ EP and ‘Heartbeat’ 7” were released. That same year, the band recorded and released the 7” of ‘The Model’ / ‘He’s A Whore’ as well as their second full-length album, ‘Songs About Fucking’. They toured extensively (for Big Black) and they broke up.

Available again on vinyl...

TRACK LISTING

1 Jordan, Minnesota
2. Passing Complexion
3. Big Money
4. Kerosene
5. Bad Houses
6. Fists Of Love
7. Stinking Drunk
8. Bazooka Joe
9. Strange Things
10. Cables (Live)

A Fistful of Peaches will follow Black Honey’s 2021 album Written & Directed. “If the vibe of Written & Directed was creating this whole Tarantino world and this safe space of me almost refusing help and saying I was fine, then with this album it’s the opposite,” Phillips commented. “Lockdown had happened, I’d had two years of not writing anything and feeling like my entire purpose had gone down the drain, I’d been in intense therapy which was exhausting, and what came out was just me regurgitating things from my entire life and building my brain cells back to how they should be. I’ve had to be more honest and vulnerable with myself, but I feel like I’d be disservicing anyone who spends their time and passion and energy into this project to not fucking unveil it all.”

TRACK LISTING

1. Charlie Bronson
2. Heavy
3. Ups Against It
4. Out Of My Mind
5. Rock Bottom
6. Cut The Cord
7. OK
8. I’m A Man
9. Nobody Knows
10. Weirdos
11. Tombstone
12. Bummer

Follow up to widely acclaimed debut. First release sold out first pressing before street date. Builds on first release with more vocalists. RIYL: Jlin, DJ Rashad, DJ Maphorisa. There’s more than a hint of ambition on the double LP sophomore effort from Sam Austin Rabede, the producer known as DJ Black Low. Pretoria, South Africa-born and based, the young man makes amapiano with new ways of expressing this local turned-global style of dance music. In DJ Black Low’s musical imagination, the songs manage to smoothly vacillate between dreamy and firmly-grounded. Adorned with vocalists across most of the twelve tracks, there’s a new dimension to Black Low’s now-signature approach to abstract, angular deconstruction of the rhythmic developments in his songs.

The album references influences and ambitions in its song titles and lyrics while the music itself is anthemic in its sonic and structural aspirations. On many of the songs a slow-burning tension transforms into something unexpected until you’re somewhere else as the track concludes. There is an emotional and compositional maturity that builds on his earlier work. Vocals and lyrics are in focus. Production collaborators among Black Low’s Gauteng Province circle add to the constantly churning array of ideas that populate this consistently surprising release. Despite being a relative newcomer, DJ Black Low is onto something here. 

STAFF COMMENTS

Matt says: Awesome Tapes shines a light on modern amapiano producer DJ Black Low. Thick with that South African haze, full of elevating vocal melodies, and peppered with gently intricate beats; this is a invigorating high watermark of the genre featuring a wealth of vocalists and talent.

TRACK LISTING

1. Thando (feat. Black R, K.Dalo And Lah Presh) (4:18)
2. Akulalwa (feat. Black R, K.Dalo & Frego) (4:55)
3. Bo Mbali Leboh Palesa (feat. Dea Rebbedy) (5:00)
4. Dlozi Lam (feat. Jay, Frego & Gentow) (4:23)
5. Lepiano (feat. Black R, K.Dalo & Frego) (4:57)
6. Lovey (feat. Black R, Frego & Keenly) (6:26)
7. Mekete (feat. Thapzin Statah & Preshy Dee) (4:57)
8. Mjolo (feat. Golden Krish & Black R) (5:45)
9. Oskido (feat. Sphiwe, Black R & K.Dalo) (6:17)
10. Qhude (feat. Black R, K.Dalo & Frego) (5:09)
11. Umshato (feat. Black R, K.Dalo & Frego) (6:08)
12. Drive Through (5:04) 

4x LP and magazine (ft. photos, historical text and track narrations by the artist) set. Nation bring it with an essential delve in to the retrospective works of SSPS. Limited edition. No repress. HUGE TIP ON THIS!

'You can't fake the funk, as they say and SSPS is pure funk embodied in all he does, the man oozes the funk 24-7! One of my earliest encounters with SSPS was at one of the infamous Rubulad parties out in Brooklyn....the man was decked out extravagantly...a cross between Blowfly and some futuristic being zapped down to earth directly from the P-Funk mothership. Who was this masked man? The disco vampire, was beating fast disco tracks relentlessly while slamming in his 707 over the records in real time...not an easy feat, the beauty of the imperfections making it that much more exciting hearing the gallop and wild energy he was bringing to the crowd, we were eating it up. This is SSPS, fearless in his approach and execution, a modernist looking to the future but rooted in the past, an artist committed to his art... all presented with unhinged emotion. It's all or nothing...everything on the table....do or die...the true epitome of style! Declaring someone a cult figure or a legend is a huge weight to carry and is often a term that is carelessly thrown around, but those of us who have dwelled in this underground over the last 30 years can say with confidence that SSPS is just that to many of us, no questions asked, it's not up for debate.
Now, many years later we see the culmination of his electronic works from 2002-2021 committed to record in this 4xLP deluxe edition complete with 45 page booklet.

The only way to describe this offering is "full spectrum electronic musical madness" not to be categorized, never to be pigeonholed, full of surprises and straight from the gut with a direct hit to the heart. We could go on about the production processes, about his Furr City studio space or his cross country excursions for work with a truck packed with paintings (but also his music equipment) plugging in and recording during hispit stops in Motel 6's across the US. But again it doesn't do justice to simply have a small peek inside the man's mind...the music is beyond the mind. The process is the process and nothing has or can stand in the way of what the SSPS
has done in his long musical life. Punk rock, hardcore, house, no-wave, industrial, jakbeat / slow-beat and noise. It's all there for the taking, it's all intertwined. If you want it, you will find it within SSPS's works.

Nicholson's path is the embodiment of true culture within dance music cultivated from years of learning, experimenting, and pushing the limits with total commitment and immersion. "The Life and Times of GiGi Black" is true life experience, it is a reflection of someone delving deep into his craft and presenting it with care in opposition to the fast, disposable, self gratifying click bait culture we see dominating the pages today. The proof is here, drop the needle, enter the world of SSPS.' -Ron Morelli. 

STAFF COMMENTS

Matt says: Landing somewhere between Jamal Moss, Alan Vega and maybe a hint of Alec Empire; Jon Nicolson is a singular, divisive artist. A hell child spawned of fried circuit boards, overdriven drum boxes and the fire of punk spirit. But there's this lysergic nature which aligns him just as much with Ron Hardy, Adonis and Lil Louis. I'd never heard of him until this and I now have a new favourite artist to dig deep into! Thankfully this expansive compilation contains a good heft of his best works. One for the true underground heads!

TRACK LISTING

Model Minority (Live From Unlimited Nation Summer 2020)
Wake Up Thoughts
Lust In The Times Of Love
The Cliff Of Cancun (Live From Unlimited Nation Summer 2020)
Lando’s Revenge (Try Me)
End Of Times
Tandem Beat 2
Black Poetry
Sweet Children (Live From Unlimited Nation Summer 2020)
Southside Sue
Shake Ya Body *Cover*
The Savage Lurks
Lend Me An Ear
1000 Truths [Balearic Inaugural Mix]
Little Kenny Broooke
The Things We Do For Affection

Uncut Jan 2023 - 8/10 review "gorgeous Japanese psych rarity"

Deluxe vinyl edition in heavy tip-on jacket with textured paper, mounted high quality print, foil stamped finishes and spot colours.

Black Editions is pleased to announce the release of the definitive vinyl editions of two milestone, career-spanning works from Shinji Shibayama - one of the key architects of Japan's Kansai rock/psych/pop underground.

First ever vinyl edition of this milestone album, cut at 45rpm in a double LP edition for maximum analogue fidelity. Housed in a heavy tip-on gatefold sleeve with UV gloss, strike-though matte varnish and embossed finishing.

Since their first album in 1995, Japan's Nagasi Ni Te has created an enchanting and deeply personal sound world woven from folk, psychedelia, and rock along with wistful melodies and gentle arrangements. Centred on Shinji Shibayama (Hallelujahs) and Masako Takeda's partnership, the group has created intimate, emotionally resonant music that floats and breathes with an ease that can only come from a sort of telepathic chemistry.

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home. When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home. The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and th stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brush strokes, salmon stinta, and above all healing.

Let it take you. Move through the story and see the land through her eyes, because it is a gift, a welcomed sʔabadəb.*

*The word “gift” in Lushootseed, the language of the Coast Salish people“ 

TRACK LISTING

1. My Blood Runs Through This Land
2. Sedna
3. Salmon Stinta
4. Blue
5. On The River
6. Nobody
7. Fancy Dance
8. Sčičudᶻ (a Narrow Place)
9. Tree Line
10. Understanding
11. Spaces
12. Don’t Give Up 

Morgan Howell paints classic 7” singles and takes into account every crease, every tear, every imperfection—producing a one-off, truly unique artwork, almost identical to the owner’s original copy, but blown up, supersize, to 70 by 70 cm, and three-dimensional, with the spindle in the centre, as if the record is ready to play.

This completely original approach has resulted in Howell attracting a cult following amongst art collectors and musicians alike—with paintings commissioned by the likes of Neil Diamond, Jude Law, Edgar Wright, and The Stone Roses' Ian Brown, and major music labels selecting the artist’s work for display in their headquarters, indeed, Howell’s painting of David Bowie’s The Jean Genie is displayed at the Sony Music Building in London, and Yesterday by The Beatles has been shown at the Capitol Building in L.A.

Morgan Howell at 45rpm, published by Black Dog Press, beautifully documents 95 of Howell’s creations, from “Tutti Frutti” by Little Richard to “Heart of Glass” by Blondie, to “Gimme Shelter” by The Rolling Stones, to “Waterloo Sunset” by The Kinks. The artworks are shown in full, alongside evocative commentaries from fans of Howell's work, including The Smiths' Johnny Marr, Spandau Ballet's Gary Kemp, comedian Al Murray, journalist Tony Parsons, actress Kay Mellor, Happy Mondays' Shaun Ryder, producer William Orbit and composer Andrew Lloyd Webber.

The book features forewords by Sir Peter Blake and Andrew Marr, plus an in-depth interview with Morgan Howell, exploring his process as an artist and why, for him, music and art are intrinsically linked. With a format perfectly designed to fit on record shelves, this book is a must for vinyl junkies, music heads and art lovers everywhere.

STAFF COMMENTS

Laura says: Morgan's artwork is incredible! He currently has an exhibition at the ABC Gallery on Quay Street until 19th December. Go and check it out!!

Sixth full-length album from the gurus of Atlanta’s “flower punk” movement, from the heady daze of 2011 – finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Arabia Mountain was recorded between Brooklyn and Atlanta in 2010, and with the collaborative assistance of celebrated producer Mark Ronson, Lockett Pundt of Deerhunter, and a human skull with a microphone jammed into it. “I was already a fan of the Black Lips coming into it and I definitely didn’t want to f**k up anything,” Ronson told Rolling Stone…and f**k up he did not. The production tests the limits of modern amplification, harkening to the full, meaty sound of The Stooges’ Fun House or Lola Versus Powerman by the Kinks. Unapologetic southern-fried twang, crunching through the gears with flowers blossoming everywhere. 

TRACK LISTING

Side A
A1 Family Tree
A2 Modern Art
A3 Spidey's Curse
A4 Mad Dog
A5 Mr. Driver
A6 Bicentennial Man
A7 Go Out And Get It
A8 Raw Meat
Side B
B1 Bone Marrow
B2 The Lie
B3 Time
B4 Dumpster Dive
B5 New Direction
B6 Noc-A-Homa
B7 Don't Mess Up My Baby
B8 You Keep On Running 

The seventh studio album from the mighty Black Lips is finally back on vinyl, part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Featuring fan favourites such as ‘Boys in the Wood’ and ‘Funny’, this is an essential slice of Black Lips history. The band convened at Dunham Studios in New York to record initial tracks with Dap Kings music director Tommy Brenneck (Cee Lo, Charles Bradley), then decamped to Nashville to record several songs with Patrick Carney of The Black Keys producing, finally rounding out the album with a couple of songs co-produced with lifetime Lips recording collaborator, Ed Rawls. 

TRACK LISTING

Side A
A1 Drive-By-Buddy
A2 Smiling
A3 Make You Mine
A4 Funny
A5 Dorner Party
A6 Justice After All
Side B
B1 Boys In The Wood
B2 Waiting
B3 Do The Vibrate
B4 I Don't Wanna Go Home
B5 Dandelion Dust
B6 Dog Years

Part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. This 2017 record features a musically evolved Black Lips, who still stay true to their original blistering take on fuzzy, dirty rock n' roll. God’s Art or Satan’s Graffiti features guest contributions from Yoko Ono was produced by Sean Lennon throughout 2016. During the recording, the band isolated themselves from the outside world, infusing the album with a focused liveliness similar to the spirit that brought them together in the first place. On Satan's graffiti or God's art? founding members Cole Alexander and Jared Swilley teamed with former guitarist Jack Hines (who played in the group from 2002-2004) and additions Oakley Munson on drums and Zumi Rosow on saxophone. A sonically captivating document that is as creatively unhinged as it is precisely executed, one of the rawest and most expansive albums in the band's storied history.

TRACK LISTING

Side A
A1 Overture: Sunday Morning
A2 Occidental Front
A3 Can't Hold On
A4 The Last Cul De Sac
Side B
B1 Interlude: Got Me All Alone
B2 Crystal Night
B3 Squatting In Heaven
B4 Interlude: Bongo's Baby
B5 Rebel Intuition
Side C
C1 Wayne
C2 Interlude: E’lektric Spider Webz
C3 We Know
C4 In My Mind There's A Dream
Side D
D1 Lucid Nightmare
D2 Come Ride With Me
D3 It Won't Be Long
D4 Loser's Lament
D5 Finale: Sunday Morning

The follow up to the widely successful ‘Good Bad Not Evil’, the 2009 album is a perfect amalgam of their high-end live shows and subculture songwriting, meshed tightly to the Lips’ distinctive howl. Finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Rolling Stone, Spin, Filter, Magnet, Stop Smiling, The Fader, Anthem, Paste, and The NY Times-approved garage rock veterans’ trashy psyche pop gem. Unapologetic southern-fried twang, crunching through the gears in a haze of psychedelia. 

TRACK LISTING

Side A
A1 Take My Heart
A2 Drugs
A3 Starting Over
A4 Let It Grow
A5 Trapped In A Basement
A6 Short Fuse
A7 I'll Be With You
Side B
B1 Big Black Baby Jesus Of Today
B2 Again & Again
B3 Old Man
B4 The Drop I Hold
B5 Body Combat
B6 Elijah
B7 I Saw God 

The classic third album from the Black Lips, originally released in 2005 and now back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. 16 tracks of grimy and chaotic punk, scuzzy and raw, and catchy as hell.

“Their strongest effort to date.” All Music
"The band at their trashy best; more melodic but every bit as psychotic. If The Royal Trux had listened to the Troggs instead of the Rolling Stones, they might have recorded this album. This baby is a masterpiece. Unapologetic southern-fried twang, crunching through the gears in a blitz of grimy bravado. Their music twitches with an engaging, wired vigour." ★★★★ Uncut. 

TRACK LISTING

Side A
A1 Sea Of Blasphemy
A2 Can't Dance
A3 Boomerang
A4 Hippie, Hippie, Hoorah
A5 Not A Problem
A6 Gung Ho
A7 Everybody's Doin' It
A8 Feeling Gay
Side B
B1 Take Me Home (Back To Boone)
B2 Gentle Violence
B3 She's Gone
B4 Fairy Stories
B5 Dirty Hands
B6 Workin'
B7 Punk Slime
B8 Empassant

Funk classic from 1971.
Handmade Tip-On Sleeve | Analogue Remastered | Insert

History is full of once-in-a-lifetime experiences. No, let us rephrase that: once-in-the-span-of-human-history experiences. Because if you weren’t there when James Knight & the (Fabulous) Butlers made their claim to fame, then all you can do is try to get hold of a copy of their only record: Black Knight.

This was the very first release on the Cat sublabel of TK Records. It is noted for its very psychedelic funk and soul sound, which is extremely evident in ‘Uncle Joe’, with its distorted guitar sounds, reverb and screams. Think of Jimi Hendrix and/or Arthur Brown who decided to dabble in soul! The tone was already set by the preceding track, ‘Funky Cat’, in which Knight introduces the various artist of his band, building up the groove. That was the precise moment in which we as listeners are ensnared by the band’s inescapable funky mood, that fortunately continues the rest of this precious gem of a record.

It alternates the more psychedelic sounds with slightly more conventional and calmer tracks, making the album accessible to a wide variety of music fans. Still, are you looking for soul and funk with a touch of acid? Then our reissue of Black Knight by James Knight & the Butlers is a disc that deserves to be a regular guest on your record player!

TRACK LISTING

Funky Cat
Uncle Joe
Flyin' High
Cotton Candy
Fantasy World
I Love You
Save Me
Just My Love For You

The Chameleons (arguably the best band to come out of Manchester) with their critically acclaimed classic third album, ‘Strange Times’. Recorded on the legendary Geffen label, it sees the band’s atmospheric post punk anthems with soaring guitars and driving rhythms at their peak, and Mark Burgess’s compelling vocals coming together to form a wall of the most beautiful noise you’ve ever heard.

In a post on his Instagram account in 2018, Oasis guitarist Noel Gallagher cited ‘Strange Times’ as an early influence on his songwriting: “I’d forgotten how much this album meant to me. It came out in ‘86. I was 19!! I’ve been listening to it every day since and I have to say it’s blown my mind… again! It must have influenced my early years as a songwriter because I can hear ME in it everywhere!”

Burgess later said, “‘Strange Times’ is my favourite. Personally, I believe it was the best lyrical work I’d done with the band and some of the best vocal performances, and I think the Chameleons really began to mature and move forward with this album…”

‘Strange Times’ was praised by the critics. Ian Gittins of Melody Maker called it “a marvellous departure” from their previous work and “a wonderful record.” Robert Palmer of The New York Times described it as “the band’s most inventive and winning album yet, and as a fine a record as any pop-rock guitar band has made this year. it should delight just about anyone.”

The Chameleons have long been named as an influence on bands such as The Flaming Lips, The Killers, The Editors and Smashing Pumpkins.

The album has been mastered by Steve Hall, whose works include The Flaming Lips’ ‘The Soft Bulletin’, Janes Addiction’s ‘Nothing Shocking’, Tom Petty ‘Full Moon Fever’, Green Day ‘Nimrod’, Blondie ‘Parallel Lines’ and ‘No Exit’, Alice in Chains ‘Dirt’ and The Beach Boys’ ‘Pet Sounds’.

TRACK LISTING

Mad Jack
Caution
Tears
Soul In Isolation
Swamp Thing
Time/End Of Time
Seriocity
In Answer
Childhood
I’ll Remember
Tears (full Arrangement)
Ever After
Paradiso
Inside Out
John I’m Only Dancing
Tomorrow Never Knows

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 26TH).

New 140g, green vinyl 12" single, using original cover art, with printed metallic text. 40th anniversary of The Undertones 1982 release, taken from their 'Sin Of Pride' album. Features original B-side Like That along with the rare Love Parade and Soul Seven demos, previously unreleased on vinyl.

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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TRACK LISTING

Open
High
Apart
From The Edge Of The Deep Green Sea
Wendy Time
Doing The Unstuck
Friday I’m In Love
Trust
A Letter To Elise
Cut
To Wish Impossible Things
End

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Limited Edition Picture Disc of #2 Album 'The Overload' never been pressing on a Picture Disc before. 

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35th anniversary edition of Townes Van Zandt’s first album on Sugar Hill Records. Lacquers cut by Kevin Gray at Cohearent Audio and pressed on sky blue vinyl.

Everything Returns reconvenes the original Black Ox Orkestar lineup after a 15-year hiatus. Arising from the fertile Montréal post-punk scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore’s politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans.

First revealing its resurrection in February 2022 with a surprise flexi 7” single issued by leftist magazine Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece “Viderkol” and closer “Lamed-Vovnik” where English also features.

This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls, the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues—from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism—with the legacy of modernist Yiddish poetry and song.

The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore’s voice and the band’s simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place.

STAFF COMMENTS

Barry says: A hugely welcome return for one of the most affecting voices in CST history here, with Black Ox Orkestar bringing us the appropriately titled 'Everything Returns'. Swooning folksong and filmic whimsy come together with an unfalteringly well-written flair. There are many reasons that CST are probably my favourite label of all time, and Black Ox Orkestar are one of them. Beautiful.

TRACK LISTING

1. Tish Nign
2. Perpetual Peace
3. Oysgeforn / Bessarabia Hora
4. Mizrakh Mi Ma’arav
5. Skotschne
6. Viderkol (Echo)
7. Epigenetik
8. Moldovan Zhok
9. Lamed-Vovnik

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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Jungle’s 2014 self-titled debut album was a Mercury Prize nominee and is now Gold-certified, while their 2018 follow-up, For Ever, reached #10 on the UK Albums Chart. In 2021 the duo released Loving In Stereo—their highest-charting record to date—to widespread praise. Their three albums have amassed over 750,000 equivalent album sales and over a billion streams worldwide.

Jungle recently released the double A-side single “GOOD TIMES / PROBLEMZ” digitally to support their robust 2022 touring schedule, which includes stops with Billie Eilish in Europe, global festival appearances, as well as multiple arena shows with Gorillaz. “GOOD TIMES / PROBLEMS” will see an exclusive Record Store Day Black Friday release on classic black vinyl."

TRACK LISTING

1. Good Times
2. Problemz

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Contains album outtakes and remixes from David Bowie’s The Next Day album. In the summer of 2013, unreleased songs – “Atomica,” “The Informer,” “Like A Rocket Man,” and “Born In A UFO” – were finally completed after remaining unfinished during the main album sessions. Two remixes, “Love Is Lost” (Hello Steve Reich Mix by James Murphy for the DFA), a ten-minute opus by LCD Soundsystem’s James Murphy, and the Venetian Mix of “I’d Rather Be High” were added, plus the Japanese bonus track “The Informer.”

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Part of Dagger Records’ authorized Jimi Hendrix “bootleg” releases. Mixed by Eddie Kramer, compelling examples of Jimi’s remarkable creative explorations through 1969 and early 1970. In the shadow of Electric Ladyland, the original Jimi Hendrix Experience struggled to remain a cohesive unit, and Jimi’s ceaseless creative pursuit would lead to experimental sessions with bassist Billy Cox and drummer Buddy Miles and ambitious attempts to integrate fresh musical elements. On these studio recordings, Jimi can be heard developing exciting new material such as “Ezy Ryder,” “Cherokee Mist,” “Villanova Junction Blues,” “Izabella,” and “Burning Desire.” Burning Desire was originally released on CD via mail order only, seeing its only LP release on black vinyl as part of a previous Black Friday celebration. The double LP will now be available for the first time since, pressed on translucent orange and red vinyl by QRP as part of the new RSD Encores series revisiting popular releases from the indie retail event’s history.

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'The Cribs - Live At The Cavern' is a special live recording of the band's one-off show at the legendary Liverpool venue 'The Cavern Club'. In 2020, at the height of the pandemic, the band played a special live-streamed show with no fans in attendance, with the show instead being broadcast to fans around the world. Now a recording of this unique concert experience, which features all the band's hits, from 'Men's Needs' to 'Come On, Be A No-One', is being released for the first time on vinyl exclusively for RSD Black Friday. It'll be the only way for fans to hear this unique performance as the recordings will not be released on DSPs before the event. The record itself is a double black vinyl in a gatefold sleeve, limited to 2000 copies worldwide.

Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did.

Ten years ago in 2012, Robert Glasper changed the game. After several acclaimed Blue Note albums that solidified his Jazz cred while hinting at his Hip-Hop leanings, the visionary pianist went all in with Black Radio, an album that laid out a new paradigm for creative music, reaching beyond entrenched genre boundaries to create a singular vision that drew from all reaches of contemporary black music and beyond.

Featuring his Experiment band with Casey Benjamin on sax/vocoder, Derrick Hodge on bass and Chris Dave on drums, the album boasted a rollcall of special guests including Erykah Badu, Yasiin Bey, Lupe Fiasco, Bilal, Lalah Hathaway, Ledisi, Chrisette Michele, Musiq Soulchild, Meshell Ndegeocello & others.

Black Radio would go on to debut on four different Billboard charts peaking at #1 Jazz, #4 R&B/Hip-Hop, and even reaching #15 on the Top 200. The cherry on top came in February 2013 at the 55th Annual GRAMMY Awards when Black Radio was awarded Best R&B Album.

Now, a special 10th Anniversary Deluxe Edition presents the full Black Radio experience by expanding it to 3-LPs featuring the original album plus three bonus tracks previously unreleased on vinyl, and the remix EP Black Radio Recovered which featured additional contributions from Questlove, Solange, Georgia Anne Muldrow, Pete Rock, 9th Wonder, and more.

TRACK LISTING

VINYL TRACKLISTING:
LP 1 | Black Radio | Original Album
Side A
Lift Off / Mic Check Feat. Shafiq Husayn
Afro Blue Feat. Erykah Badu
Cherish The Day Feat. Lalah Hathaway
Always Shine Feat. Lupe Fiasco And Bilal
Side B
Gonna Be Alright (F.T.B.) Feat. Ledisi
Move Love Feat. King
Ah Yeah Feat. Musiq Soulchild & Chrisette Michele
The Consequences Of Jealousy Feat. Meshell Ndegeocello
LP 2
Side A | Black Radio | Original Album
Why Do We Try Feat. Stokley
Black Radio Feat. Yasiin Bey
Letter To Hermione Feat. Bilal
Smells Like Teen Spirit
Side B | Black Radio | Bonus Tracks*
Twice
A Love Supreme
Fever Feat. Hindi Zahra
*Previously Unreleased On Vinyl
LP 3 | Black Radio Recovered | The Remix EP
Side A
Afro Blue Feat. Erykah Badu (9th Wonder's Blue Light Basement Remix)
Black Radio Feat. Yasiin Bey (Pete Rock Remix)
Twice (Questlove's Twice Baked Remix Feat. Solange Knowles & The Roots)
Side B
The Consequences Of Jealousy (Georgia Anne Muldrow's Sassy Geemix)
Letter To Hermione Feat. Bilal (Robert Glasper And Jewels Remix Feat. Black Milk)
Dillalude #2

CD TRACKLISTING:
1. Lift Off / Mic Check Feat. Shafiq Husayn
2. Afro Blue Feat. Erykah Badu
3. Cherish The Day Feat. Lalah Hathaway
4. Always Shine Feat. Lupe Fiasco And Bilal
5. Gonna Be Alright (F.T.B.) Feat. Ledisi
6. Move Love Feat. King
7. Ah Yeah Feat. Musiq Soulchild & Chrisette Michele
8. The Consequences Of Jealousy Feat. Meshell Ndegeocello
9. Why Do We Try Feat. Stokley
10. Black Radio Feat. Yasiin Bey
11. Letter To Hermione Feat. Bilal
12. Smells Like Teen Spirit
13. Twice
14. A Love Supreme
15. Fever Feat. Hindi Zahra
16. Afro Blue Feat. Erykah Badu (9th Wonder's Blue Light Basement Remix)
17. Black Radio Feat. Yasiin Bey (Pete Rock Remix)
18. Twice (?uestlove's Twice Baked Remix Feat. Solange Knowles & The Roots)
19. The Consequences Of Jealousy (Georgia Anne Muldrow's Sassy Geemix)
20. Letter To Hermione Feat. Bilal (Robert Glasper And Jewels Remix Feat. Black Milk)
21. Dillalude #2

Is it okay to call Black Candy a departure? A Jungian descent into a darker psychological state? If the starkness of the cover art wasn’t enough of a harbinger, the edgier tone of Black Candy coupled with all this lyrical talk about gravediggers, lost boyfriends, ghosts and… pajama parties is enough to wonder just how close to the bonfire Beat Happening were willing to dance.

TRACK LISTING

1. Other Side
2. Black Candy
3. Knick Knack
4. Pajama Party In A Haunted Hive
5. Grave Digger Blues
6. Cast A Shadow
7. Bonfire
8. T.V. Girl
9. Playhouse
10. Ponytail

Set for release on 28th October, the deluxe edition of Lady Blackbird’s debut album ‘Black Acid Soul’ comes with a staggering 11 additional songs, encompassing brand new material such as stunning single ‘Feel It Comin’ and remixes commissioned by the likes of electronic, jazz, funk luminaries Emma-Jean Thackray, Colleen 'Cosmo' Murphy and Greg Foat.

Originally released in 2021, ‘Black Acid Soul’ received enormous critical acclaim; The Sunday Times named her their Breaking Act, stating that she “brings a singing voice of extraordinary nuance and immaculate phrasing to a selection of covers/reworkings and pindrop originals” in a 4* review. The Guardian awarded the album a 5* review, remarking that Blackbird “finds her calling with an extraordinary collection of songs and performances that burn deep into you”.

TRACK LISTING

CD Tracklist:
CD 1
1. Blackbird
2. It's Not That Easy
3. Fix It
4. Ruler Of My Heart
5. Nobody’s Sweetheart
6. Collage
7. Five Feet Tall
8. Lost And Looking
9. It’ll Never Happen Again
10. Beware The Stranger
11. Black Acid Soul
CD 2
1. Did Somebody Make A Fool Out Of You
2. I Am What I Am
3. Woman (Single Version)
4. Feel It Comin (Single Version)
5. Baby I Just Don't
6. Beware The Stranger (Chris Seefried Remix) (Edit)
7. Collage (Greg Foat Remix)
8. Blackbird (Emma-Jean Thackray Remix)
9. Lost And Looking (Colleen 'Cosmo' Murphy Cosmodelica Remix)
10. Collage (Bruise Remix) (Edit)
11. Beware The Stranger (Gil Cang Tuff Scout Remix)

LP Tracklist:
SIDE A
1. Blackbird
2. It's Not That Easy
3. Fix It
4. Ruler Of My Heart
5. Nobody’s Sweetheart
SIDE B
1. Collage
2. Five Feet Tall
3. Lost And Looking
4. It’ll Never Happen Again
5. Beware The Stranger
6. Black Acid Soul
SIDE C
1. Did Somebody Make A Fool Out Of You
2. I Am What I Am
3. Woman
4. Feel It Comin
5. Baby I Just Don't
SIDE D
1. Beware The Stranger (Chris Seefried Remix)
2. Collage (Greg Foat Remix)
3. Blackbird (Emma-Jean Thackray Remix)
4. Lost And Looking (Colleen 'Cosmo' Murphy Cosmodelica Remix)
5. Collage (Bruise Remix)

"Black Market EP" is DJ Bone’s first output after a long production hiatus. A widely-respected DJ, producer, and  turntablist of the 90’s and 00’s; not to mention an early pioneer of the podcast format with his legendary 'DJ Bone Attacks' informing a whole generation of techno lovers which would become devote DJ Bone fans. Like Jeff Mills, Carl Cox and DJ Rush, he pioneered the use of three decks mixing techno and full throttle.

Drawing on the full 4/4 force of Detroit techno, ‘Rising’, ‘Fulmination’ and ‘In Solution’ charge with his renewed passion - bursting with heavenly strings, rippling synths, moody pads and energetic vocal stabs. ‘Power Of The Three’ is a rolling DnB workout, proving Bone’s skills reach all corners of the dancefloor. 

A true pioneer dedicated to the art of techno, he’s the perfect fit for a new label from a legendary club like fabric, pointing both to the birthplace of the genre and ahead to its future. Recommended. 

STAFF COMMENTS

Matt says: Stone cold Detroit legend DJ Bone back with four brand new tracks after a seemingly endless hiatus. Exactly what you want from Bone - high tech, machine code rhythms, expansive techno that urges you to both dream and dance. There's even a cheeky DnB number thrown in. You know what to do!

TRACK LISTING

A1. Rising
A2. Fulmination
B1. In Solution
B2. Power Of The Free

The Black Lips return with their 10th studio effort ‘Apocalypse Love’, scorched with their trademark menace, it cryogenically mutates all recognised musical bases; it spins yarns about vintage Soviet synths, Benzedrine stupors, coup de’ tats, stolen valor and certified destruction, all set against a black setting sun. Since the turn of the decade the band have transformed from austere country pioneers, into a set of Lynchian surrealists, hellbent on recalibrating the history of rock ‘n’ roll. Singer and saxophonist Zumi Rosow muses, “It’s a weird dance record, one that reflects the moment that the world’s in right now…”

‘Apocalypse Love’ is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom-glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies. Stand-out number ‘Among The Dunes’ is an amorphous platform-heeled anthem, a signature sax-fuelled stomper filled with trippy swagger. While opener ‘No Rave’ proffers a hypnotic locked groove, with Cole Alexander’s trademark snarl delivered over a sulphurous wall of distorted hedonism, a dystopian anthem for an apocalyptic manifesto. Meanwhile, the twisted exotica of ‘Whips Of Holly’ with its silver screen façade is like the soundtrack to a classic Theda Bara vamp-fest. As the band venture into their third decade, ‘Apocalypse Love’ is proof that The Black Lips show no sign of slowing down…

STAFF COMMENTS

Liam says: 10th album from Atlanta outfit Black Lips, 'Apocalypse Love' is a self-proclaimed "weird dance record" - and I'm inclined to agree. It's scuzzy, twisted and has a strange but also sincere innocence to it - like a school disco in the Red Room from Twin Peaks.

TRACK LISTING

A1. No Rave
A2. Love Has Won
A3. Stolen Valor
A4. Lost Angel
A5. Whips Of Holly
A6. Apocalypse Love
A7. Operation Angela.
B1. Crying On A Plane
B2. Sharing My Cream
B3. Among The Dunes
B4. Tongue Tied
B5. Antiaris Toxicaria
B6. The Concubine 

'The Sorrow Songs: Folk Songs of Black British Experience' is the upcoming album by Cornwall-based folk singer, songwriter and multi-instrumentalist Angeline Morrison, her first record for the historic Topic Records label. Produced by Eliza Carthy and featuring some of her beautiful, soaring string arrangements, The Sorrow Songs was recorded in Cornwall at Cube Studio and is a work of what she calls 're-storying.'

"The traditional songs of the UK are rich with storytelling, and you can find songs with examples of almost any kind of situation or person you can think of. But whilst people of the African diaspora have been present in these islands since at least Roman Times, their histories are little known - and they don't tend to appear in the folk songs of these islands."

Angeline Morrison began to wonder if she could discover more about the lives of these ordinary and extraordinary Black ancestors and create an album of songs in the sonic style of UK folk and traditional music, in the hope that this silent space could then begin to be filled with stories. With the help of Arts Council National Lottery funding, Angeline began what became a year of research into this neglected area of Black British history. The Sorrow Songs: Folk Songs of Black British Experience is the result.

Released to commemorate Black History Month in October, this powerful record is intended to honour these Black ancestors who lived in these islands and to act as a gift to the folk community.

TRACK LISTING

Interlude - Some Terrible Habits
Unknown African Boy (D.1830)
Black John
Interlude - These Little Ones
The Beautiful Spotted Black Boy
Mad-Haired Moll O'bedlam
Interlude - Nobody Round Here Likes It
The Hand Of Fanny Johnson
Cinnamon Water
Hide Yourself
Cruel Mother Country
Interlude - In The Village
The Flames They Do Grow High
Interlude - Need Not Apply
Go Home
Slave No More

“Good evening Black Buddha” is Black Jesus eXperience’s seventh studio album. Inspired by the land we live on and the connection to all that have gone before and will follow, inspired by the multicultural power of our community, inspired by the paradox of the story of the Black Buddha. From the perversity of the pandemic and its imposition of separation comes "Good Evening Black Buddha", celebrating togetherness. Darkness is light.

At the heart of Black Jesus eXperience’s inspiration is Ethiopian/Australian singer Enushu Taye. Enushu’s openness and poetic insight, delivered with unique beauty in her own Amharic tongue, lie at the core of "Good Evening Black Buddha" and all that Black Jesus eXperience (BJX) do. MC Mista Monk (Liam Monkhouse) compliments and contrasts with rhymes and flow born of Africa and outback Australia. BJX are joined by their great friends powerhouse singer Vida-Sunshyne, and crystalline new voice Gracie Sinclair.

The songs on “Good Evening Black Buddha” rove from the lightness of touch of a trio to BJX’s full fourteen piece polyrhythmic, polymetric, polytonal Ethiofunk juggernaut with six-piece horn arrangements. Soloists include living national treasure Bob Sedergreen on keyboards, Peter Harper on saxophone, Ian Dixon on trumpet, Zac Lister guitar, Larry Crestani guitar and his own invention ‘kraartar’, over the deep grooves of Richard Rose bass, James Davies kit, and Kahan Harper percussion. Black Jesus eXperience is also proud to be joined by our friends conga player Louis Poblete, kraar and masinko virtuoso Endalkachew Yenehun, proud Kuku Nyunkal man and master yiki yiki (dijeridu) player Sean Ryan.

TRACK LISTING

LP1
A1. Dark Matters
A2. Humble Pie
A3. Spirits Of The Land
B1. Good Evening Black Buddha
B2. E105
B3. Shirabey
LP2
C1. Tears Of The Ancestors
C2. Oromo
C3. Ironbark
C4. On The Couch
D1. Road To Now
D2. Arborea
D3. Extinction

The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named. In the five years since the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach.

Wilderness of Mirrors expertly refines the Black Angels’ psychedelic rock attack alongside a host of intriguing sounds and textures. There are classic blasts of fuzzed-out guitars meant to simultaneously perk up the ears and jumpstart the mind, alongside melancholy, acoustic guitar-driven newfound experiments. Mellotron, strings, and other keyboards also play a more prominent role on Wilderness of Mirrors than ever before.

Even amidst these new experimentations, The Black Angels remain masterfully true to psych-rock forebears such as Syd Barrett, Roky Erickson, Arthur Lee and the members of the Velvet Underground, all of whom are namechecked on album highlight “The River.” “The Velvet Underground song ‘I’ll Be Your Mirror’ – that’s what every Black Angels album has been about,” says vocalist/bassist Alex Maas. “You can’t work out your struggles unless you bring them to the forefront and think about them. If we can all think about them, maybe we can help save ourselves.”

TRACK LISTING

1 Without A Trace
2 History Of The Future
3 Empires Falling
4 El Jardín
5 La Pared (Govt. Wall Blues)
6 Firefly
7 Make It Known
8 The River
9 Wilderness Of Mirrors
10 Here & Now
11 100 Flowers Of Paracusia
12 A Walk On The Outside
13 Vermillion Eyes
14 Icon
15 Suffocation

Black And White Town was the lead single from Doves' third album Some Cities and was released in 2005 on Heavenly Recordings.

This version of the Doves anthem is an evocative echo of the original track's beautiful vocal melody.

The legendary reggae powerhouse is back with a brand new studio album, "New Day," the follow up to their 2018 Grammy nominated effort, "As the World Turns." The album release is the focal point of celebrating "50 Years of Black Uhuru" as 2022 marks 50 years since the band's formation in 1972 in Kingston, Jamaica. Flash forward 50 years from 1972, millions of albums have been sold, 8 Grammy nominations and 1 Grammy Award, and the band finds themselves looking back on the accomplishments and forwards to a "New Day" dawning.

TRACK LISTING

1. Jamaica To Here
2. Helltown
3. I Can See The Light
4. Brand New Day
5. Just Begun
6. Gal Next Door
7. Hold You
8. Nine Star Genera
9. Top Rankin
10. Scorching Day
11. Colour Blind Love Affair

Unbelievable to think that this is Danger Mouse’s first hip-hop album proper since the 2005 collaboration with MF Doom (“DangerDOOM”). Not only that, it’s the first and only time The Roots’ Black Thought has worked with anyone else!

Brian Joseph Burton has, of course, been keeping busy. 2011 and 2019 saw acclaimed collabs with Daniele Lupi and Karen O respectively, whilst production duties with Gnarls Barkley and Gorillaz have seen him achieve platinum success and global adoration.

With Tariq Trotter (Black Thought) we find the producer’s freewheeling and uplifting yet gritty production paired beautifully with the rapper’s relentless, chorus-free lyrical deluge. Visceral boom-bap with myriad samples moulded into an anthemic, underground and intoxicating concoction that fans of old school hip-hop are gonna go nuts for. Black Thought’s razor sharp flow and insightful observations keep you hooked, multiple listens revealing their lyrical genius whilst the plethora of other celebrity guest vocalists also turn out award winning, stellar performances. Danger Mouse’s beat tapestries rival Madlib and Apollo Brown’s – the two comparable beatsmiths that jump to mind when I first heard the record. Yet don’t be thinking that Brian’s ripping anyone’s style – these unforced yet rugged instrumentals seem to burst out of the MPC with their own vivacity. As soon we heard it we knew it’d be one of the best hip-hop albums of the year.

STAFF COMMENTS

Matt says: The long awaited return of Danger Mouse and with The Roots' Black Thought plus a host of other rap celebrities he's only gone and turned out what might possibly be hip-hop album of 2022. Authentic boom-bap, conscious lyrics, well dug samples - this one's got it all for that old skool hip-hop fanatic. Check!

TRACK LISTING

Side 1
1. Sometimes
2. Cheat Codes (Explicit)
3. The Darkest Part (feat. Raekwon And Kid Sister)
4. No Gold Teeth (Explicit)
5. Because (feat. Joey Bada$$, Russ, And Dylan Cartlidge) (Explicit)
6. Belize (feat. MF DOOM) (Explicit)
Side 2
1. Aquamarine (feat. Michael Kiwanuka)
2. Identical Deaths
3. Strangers (feat. A$AP Rocky And Run The Jewels) (Explicit)
4. Close To Famous Explicit
5. Saltwater (feat. Conway The Machine) (Explicit)
6. Violas And Lupitas (Explicit)

Mod Prog Sic is the new album from Black Dice, their first LP in almost a decade.

The album is the band at their peak, combining twisted rhythms and sharp, beamed- in guitar melodies and vocals. The album packs twists and turns all along the way, morphing and changing shape, creating a truly alien form of classic rock and some of the most timeless and unique leftfield electronic music being made today. This is Black Dice's 25th year as a band and they sound as unto themselves as they did in 1997, even while sounding nothing like the screamo punk of their Providence days.

TRACK LISTING

Bad Bet
Tuned Out / Swinging
Scramblehead
White Sugar
Plasma
Big Chip
All The Way
Scramblehead II
Jocko
Downward Arrow
Scramblehead III

"Black Tie White Noise" can now be seen as the album that helped David Bowie rediscover the inspiration of his earlier career and redefine his future one. After the abortive mismatch that was the Tin Machine this 1993 album was a breath of sophisticated, white-soul funk. Chic's Nile Rodgers and Bowie's co conspirator /partner in crime Reeves Gabrels gave an urgency and focus to the recording sessions and Bowie rose to the occassion by producing some of his best music of the 90s.

TRACK LISTING

The Wedding
You've Been Around
I Feel Free
Black Tie White Noise (featuring Al B. Sure!)
Jump They Say
Nite Flights
Pallas Athena
Miracle Goodnight
Don't Let Me Down & Down
Looking For Lester
I Know It's Gonna Happen Someday
The Wedding Song

Top roots outing from the mellow canary on this dreadlocks man 1980 classic.

Roots Radics in full effect on the big showdown Scientist dub. Produced by Henry 'Junjo' Lawes, recorded at Channel One, mixed by Scientist at King Tubby's.

TRACK LISTING

Black Heart Man
Round Eight

Hellfire builds on the melodic and harmonic elements of Cavalcade, while expanding the brutality and intensity of their debut, Schlagenheim. It is their most thematically cohesive and intentional album yet.

STAFF COMMENTS

Barry says: While Black Midi may be hard to categorise, it hasn't stopped people of all ages flooding towards their diverse mix of jazzy rock and angular post-punk, and 'Hellfire' definitely stands to gain them a significant chunk of new followers. It's another step outside of the comfort zone, with angular guitar phrases and barely cohesive percussion coming together magnificently into yet another chapter of incendiary oddball genius.

TRACK LISTING

Hellfire
Sugar/Tzu
Eat Men Eat
Welcome To Hell
Still
The Race Is About To Begin
Dangerous Liaisons
The Defence
27 Questions

For over a decade, Nika Roza Danilova has been recording music as Zola Jesus. She’s been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label.

Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova’s longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi’s textural universe.

With Okovi, Zola Jesus has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album speaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well.

TRACK LISTING

1. Doma
2. Exhumed
3. Soak 
4. Ash To Bone 
5. Witness 
6. Siphon 
7. Veka 
8. Wiseblood
9. NMO
10. Remains
11. Half Life 

Nicola Giunta and Gioele Valenti (the musicians creating the Lay Llamas dimension) seem to communicate from a different solar system their ecstatic gaze towards an imaginary future world. They rely mainly on a narrative tone of mysterious and spectral dark-psych shades, digging abyss of glacial depht of the self, where light filters through lysergic languors and radiant progressions of luminous dust. Oneiric voices refer to the hybrid chaos of a metropolitan jungle, as a hypnotic and psychic dimension of mind layers. Goud is steeped in numerous literary, mythological, philosophical, ecological and alchemical references. Pulsating and magnetic Farfisa, mesmeric basses and flutes or poisonous pinkfloydian and krautrock patterns forge a clear divinatory aspect of the music. The trip ends in the dark night of the forest, with more acoustic flavours and percussive incense of pure acid-folk. The beautiful cover by Virginia Genta by Jooklo, with her amoebic-cosmic graphics, seems to perfectly seal the sound inspiration of one of the most advanced forges of Italian neo-psychedelia.

First time on LP for 5 songs from last year’s acclaimed Uwami CD. Blazing a new trail in amapiano. First pressing of debut LP sold out before street date. Features new song “Gijima”. DJ Black Low burst on the international scene last year with Uwami, a collection of his early, downright avantgarde amapiano work. The young producer and DJ makes electronic music that sounds like nothing else: glitchy and fierce while smooth and soulful, all under the rubric of South Africa’s most-exported dance music movement to date. Now comes Uwami II, which features the rest of the tracks from the acclaimed debut plus a new song “Gijima.”

The Pretoria, South Africa-based artist has more work in the pipeline as we present these inimitable songs for the first time on vinyl. The song “Gijima” is a previously unreleased track Black Low chose to include in this collection as cremates more work at a furious pace. Quotes : “This is essential listening from a 20 year-old star.”—Resident Advisor Best Tracks of 2021 // “Uwami keeps an adventurous spirit at its core and pushes far beyond genre conventions in the process.”

TRACK LISTING

Side A 1.

1. Alone In A Dark (4:54) [+ Mr. Perfect Feat. DJ La Bengwa]
2. Sbono (Vocal Mix) (6:10) 
3. Down The Road (Original Mix) (4:53) [feat. DJ La Bengwa]

Side B

1. Vula Vala (5:24)
2. 60 Days No Sleep (5:43)
3. Gijima (Vocal Mix) (4:07) 

Colin Vearncombe may be forever associated with the worldwide hit ‘Wonderful Life’ but 6 years earlier Black released this incredible single.

Evocative of The Smiths (although this was released years earlier) it contains all the elements of a classic indie single.

TRACK LISTING

Side A
Human Features
Side B
Electric Church

When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh off a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apartment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, he’d look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique — the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shimmering synth-pop response to its cacophony.

“The album comes out of seeing and experiencing a lot of turmoil but wanting to create something positive out of it,” Stewart explains. “I wanted to take a less selfish approach on this record. Maybe I’m just getting older, but that approach starts to feel a little self-indulgent. So with this record, it’s less about how I see things and more about the way things just are. Seeing myself as a part of a lineage of people trying to do a little something instead of trying to create a platform for myself individually.”

As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it live to his synths — only using the computer to record, not to create. “I try new approaches every time, which helps me stay engaged but also its kind of a trick I play on the creative side of my brain,” Stewart says. “Keeping one side of my mind busy on organizational creativity I think frees up the other side where the inspirational creativity comes from.”

TRACK LISTING

Never Tell (4:17)
One Eye Open (4:43)
Daily Driver (3:54)
Feels (4:42)
The Usual (1:35)
Grey Eyeliner (3:32)
Bigger Than Life (3:54)
Private Show (4:41)
Shoulder (4:12)
Hit Show (1:36)
Call (3:43) 

‘Black Pride’ is the seminal Lovers Rock tune from Brown Sugar, pressed loud for the first ever time on this new one-off press edition 12” on Soul Jazz Records.

Brown Sugar formed in London in 1976, made up of teenagers Pauline Catlin, Caron Wheeler and Carol Simms. After Brown Sugar, Caron Wheeler became known worldwide as the vocalist in Soul II Soul, and Carol Simms launched a successful solo career under the name Kofi. 

‘Black Pride’ was originally released on the Lovers Rock label, a fledgling reggae label formed by musicians Dennis Bovell and John Kpiaye and producer Dennis Harris. Brown Sugar were unique - not only were they one of the most important of the first wave of lovers rock groups, they were also the only group who managed to successfully blend together a reggae roots consciousness with a lovers rock sensibility. The classic ‘Black Pride’ perfectly reflects this unique sound.

STAFF COMMENTS

Martin says: As lover's rock fever takes over one of the seminal hits of the genre is given a timely repress from the good folks at Soul Jazz

TRACK LISTING

A. Black Pride
B. Proud

After 10 albums, the last five of which have gone top 10 or better, six Grammy awards, and sold-out tours around the world, The Black Keys are back: the duo, called ‘America’s Most Trusted Band’ by Stephen Colbert, and ‘One of the best rock’n’roll bands on the planet’ by Uncut, releases its eleventh studio album, Dropout Boogie, via Nonesuch Records. Dropout Boogie features collaborations with Billy F. Gibbons (ZZ Top), Greg Cartwright (Reigning Sound), and Angelo Petraglia (Kings of Leon).

Dropout Boogie is released one day before the twentieth anniversary of The Black Keys’ first album, The Big Come Up. As they have done their entire career, the duo of Dan Auerbach and Patrick Carney wrote all of the material in the studio, and the new album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio basements.

“That’s always been the beauty of the thing Pat and I do. It’s instant,” Auerbach says. “We’ve never really had to work at it. Whenever we’d get together, we’d just make music, you know? We didn’t know what we were going to do, but we’d just do it and it would sound cool. It’s the natural chemistry Pat and I have. Being in a band this long is a testament to that. It was a real gift that we were given. I mean, the odds of being plopped down a block-and-a-half from each other in Akron, Ohio – it just seems crazy.”

After hashing out initial ideas as a duo at Auerbach’s Nashville-based Easy Eye Sound studio, Auerbach and Carney welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the Dropout Boogie sessions. Although The Black Keys previously co-wrote songs with frequent producer/collaborator Danger Mouse, this is the first time they have invited multiple new contributors to work simultaneously on one of their own albums. Both Cartwright and Petraglia can be heard on the new album’s first single, ‘Wild Child’.

“Living in Nashville and making records here has opened both of our minds to that experience a little bit more,” said Auerbach. “I knew Pat would love working with both of these guys, so we decided we’d give it a shot. It was the first time we’d ever really done that. It was fun as hell. We just sat around a table with acoustic guitars and worked out a song ahead of time.” “The cool thing with Greg is that he wants to approach stuff with a story in mind – there’s a plot, almost,” added Carney.

The Black Keys had previously jammed with ZZ Top guitar legend Billy F. Gibbons more than a decade ago in Los Angeles, while ZZ Top was working on an album with producer Rick Rubin. “We never even really wrote one song – we just had some ideas we put down,” Carney said. “We really just wanted to hang out with him. We stayed in touch, and Dan invited him to the studio once we started working on this album.”

Between the duo’s albums, Auerbach, through his Easy Eye Sound studio and label, has produced and co-written with artists including Yola, Marcus King, Robert Finley, Ceramic Animal, and the Velveteers.

Carney has also been busy as a producer at his Nashville-by-way-of-Akron studio Audio Eagle, where he has worked with Michelle Branch, Tennis, Jessy Wilson, Calvin Johnson, and The Sheepdogs, among others.

STAFF COMMENTS

Barry says: The inimitable Black Keys return for their sleekest and most groove-filled outing yet. Funky af, swimming with the spirit of southern rock and hazy rock and/or roll.

‘Black Pearl’ is the brand new album from 50 Foot Wave: Kristin Hersh’s ‘other’ band - active since 2003, with fellow Throwing Muses’ member Bernard Georges on bass and drummer Rob Ahlers. A sonic trip from the heavy, echoey riff of ‘Staring Into The Sun’ with all of its grunge melancholy and dronecore menace to the perfectly baroque ‘Hog Child’ with its spidery guitar that dissolves into motorik bass and drums.

Hailed in various quarters as “an outlet for the material deemed too weird or wild for Throwing Muses”, their “menacing, stalking, spirals of lean, hungry riffs, set alight” as “feedback rips into the fragile melody.”

50 Foot Wave continue to traverse the rigid tension of their own sound. They remain detuned and discordant at will.

STAFF COMMENTS

Barry says: It's been quite the week for heavy new music, with Kristin Hersch's band putting out this absolutely stunning mix of grooving post-rock and angular hardcore on the ever reliable Fire records. Roaringly heavy but imbued with myriad moments of paddling, Isis-like downtuned post-metal business. Really, very good indeed.

TRACK LISTING

Side A
A1 Staring Into The Sun
A2 Hog Child
A3 Fly Down South
A4 Black Pearl
Side B
B1 Broken Sugar
B2 Blush
B3 Double Barrel

THIS IS A BLACK FRIDAY RELEASE AVAILABLE INSTORE OVER THE COUNTER FROM 10AM ON NOVEMBER 26TH.

ANY REMAINING ITEMS WILL BE AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

LIMITED TO ONE PER PERSON.

Limited edition vinyl re-issue of Ghostpoet’s fourth album – ‘Dark Days + Canapes’.

Out of print for a few years – now re-released on clear vinyl exclusively for Record Store Day Black Friday 2021.

A stunning and stimulating return, Dark Days and Canapes is a record that captures the sense of unease felt by so many in recent times. After receiving recognition for the beat-driven arrangements of his first two albums, third album Shedding Skin initiated a more alt-rock sound that saw Ghostpoet Mercury nominated for a second time. Dark Days and Canapés, produced by Leo Abrahams, best known for his work with Brian Eno and Jon Hopkins, delves even further into a fuller, guitar driven sound.

Limited to 500 copies for the UK and Ireland.

TRACK LISTING

One More Sip
Many Moods At
Midnight
Trouble + Me
(We’re) Dominoes
Freakshow
Dopamine If I Do
Live>Leave
Karoshi
Blind As A Bat…
Immigrant Boogie
Woe Is Meee
End Times

Hailing from Liege in Belgium, David Body has been put on our radar with releases on the fine Endless Music, but this EP for Exploited’s cult collected Black Jukebox series is truly next level house music!

Timed perfectly for that sweet Summer release, "I Bird You" is a seriously charming affair, led by a colourful, sugary-sweet refrain that twinkles and sparkles in cute fashion. A warm deep house groove crafted through swirling Rhodes chords builds the vibe before the flowery melody explodes into life, pushing the track into an altogether more magical direction. Playing this at one of the first festivals of Summer 2022 could be a truly spiritual occassion! There's 'nuff tension from the last two years to warrent a full-on maximum love in; and tracks like this could be the perfect catalyst!

"Jack Me Baby" channels rubbery bass and a galloping house beat, with minor piano chords creating a dramatic feel as a classic vocal sample whoops away in delight. The enormous snare-roll propelled build-up thrusts the track into overdrive, with a delightful, balmy synth line woven in to provide a mystical counterbalance. Another hand-aloft rush of euphoria to sound track the party season. 

"The Talking Mouettes" is a supremely feel-good slab of Balearic-tinged peak time house, with choice piano chords cut up and cascading over a high-energy groove. Big squelchy melodic bass wiggles under the chords and shoulder-popping chime riff, with plenty of power and punch scattered throughout to keep the vibes rolling. Cleverly warped vox the icing on this sweet slice of sonic cake.  

"Endless Love" is an absolute monster to close the EP, a soaring, triumphant electro-disco beauty that overflows with euphoric melody and ecstatic, eyes-closed-and-rolling tingles. It just keeps building and building through layer upon layer of synth mastery to an explosive, epic climax.

Shir Khan's series has always been a big hitter here at Picc HQ but this is one of the biggest 12"s from the firm for some time. Get them orders in quick! 

STAFF COMMENTS

Martin says: It's been an eternity since Shir Khan's had us cantering around the shop. It's with huge delight that I can state, with authority, that David Body's launched us into the party season with this collection of open air festival house anthems.

TRACK LISTING

A1. David Body - I Bird You
A2. David Body - Jack Me Baby
B1. David Body - The Talking Mouettes
B2. David Body - Endless Love

Cypress Hill shines throughout their new ten song album “Back in Black”. Produced by Black Milk, it features Dizzy Wright, Demrick and an homage to Tupac Shakur. The album is a mesmerizing mix of celebratory, confrontational, inspirational, reflective, and rugged music. 

TRACK LISTING

Takeover
Open Ya Mind
Anymore (vinyl Only)
Certified (feat. Demrick)
Bye Bye (feat. Dizzy Wright)
Come With Me
The Original
Hit ‘em
Break Of Dawn
Champion Sound
The Ride

Originally a duo founded by Sophie Landers (drums/vocals) and Kevin Gibbard (guitar/vocals) but now recently fleshed out to a trio with Matt Holt joining on bass, Black Doldrums deal in a dark, shoegazing psych that melds gothic post-punk with a leather-clad rock’n’roll spirit. Produced by Jared Artaud (The Vacant Lots, Alan Vega), the ‘Dead Awake’ LP arrives following two sold-out EPs (most recently 2019’s ‘She Divine’), tours around the UK, EU and US and praise from the likes of Clash Magazine, New Noise Magazine, Louder Than War, Shindig and more.

Having already cultivated a die-hard following in the psych underground, Kevin and Sophie set to work on their long-awaited debut album in 2020. Their original plans were to travel to New York to record the album with Jared Artaud of fellow label-mates The Vacant Lots however the pandemic and ensuing lockdowns and travel restrictions inevitably put a stop to that. Instead, they recorded the album in London with Artaud producing and mixing the album remotely from Brooklyn. “It made for an interesting collaboration as the distance could have been an obstacle”, Sophie recalls, “but it actually helped creativity as we were more inclined to stay in touch and have really decent phone calls at length discussing the songs in a lot of detail.

We really enjoyed those conversations with Jared about music and all of our influences. I think you can hear on the record that it is a full collaboration.” The more collaborative effort of ‘Dead Awake’ finds Black Doldrums switching gears and adopting a cleaner, more precise creative approach than that of their earlier material: “The idea was to be absolutely brutal with our songs and cut them down to what we only felt was necessary. Up until this point we had been experimenting and were happy with what we had created but we no longer felt the need to hide behind too much reverb and an excessive amount of guitars. It still sounds like us but it has all the elements needed to stand the test of time.” The result is an album that feels colder and more stripped back – the effects are still there but stripped down to their fundamentals so that the songs themselves take precedence over any wall-of-sound deliria.

TRACK LISTING

1) Sad Paradise
2) Into Blue
3) Sleepless Nights
4) Now You Know This
5) Dreamcatcher
6) All For You
7) Runaway
8) Sidewinder

Robert Glasper is a premiere example of musical aptitude and a proven champion of Black music - boasting nine Grammy nominations and four wins for Best R&B Album, Best R&B Song, Best Traditional R&B Performance, and Best Compilation Soundtrack for Visual Media, and an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins. The 43-year old Houston native has a rich history contributing his artistry across both music and film, all the while carrying a consistent cultural message.

In 2012, Glasper delivered his album Black Radio that hit the scene as the first album in history to debut in the top 10 of 4 different genre charts simultaneously: Hip Hop R&B, Urban Contemporary, Jazz and Contemporary Jazz. The feat was then repeated by Black Radio 2. The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Kanye West, Jill Scott, and Erykah Badu.

"Robert Glasper has established himself as a master of the territory where jazz, hip-hop and R&B overlap" – Rolling Stone

“No one has shaped the resurgence of jazz in black music more than Robert Glasper in the 2000s” – Nate Chinen (NPR)

Black Radio and Black Radio II are landmark albums that have shaped the genres of jazz, hip hop and r&b for the past decade. Direct lines can be drawn to Kamasi Washington, Thundercat, Kendrick Lamar, and black music writ large.

For Black Radio III, 4-time grammy® winner Robert Glasper cements his legacy as producer, curator and cultural icon. These collaborations range from the most powerful voices in contemporary black music (Killer Mike, ty dolla $ign, D Smoke, PJ Morton) to the most important lyricists and performers of the past 30 years (Jennifer Hudson, Ledisi, Common, Gregory Porter, Musiq Soulchild, India.Arie)

Black Radio III is also a statement for these times. It is Glasper’s most direct statement of the frustration and opportunity of a world disrupted by social change.

It is at once beautiful, powerful and innovative.

TRACK LISTING

1. In Tune Ft. Amir Sulaiman
2. Black Superhero Ft. Killer Mike + BJ The Chicago Kid + Big K.R.I.T.
3. Shine Ft. D Smoke + Tiffany Gouché
4. Why We Speak Ft. Q-Tip + Esperanza Spalding
5. Over Ft. Yebba
6. Better Than I Imagined Ft. H.E.R. + Meshell Ndegeocello
7. Everybody Wants To Rule The World Ft. Lalah Hathaway + Common
8. Everybody Love Ft. Musiq Soulchild + Posdnuos
9. It Don't Matter Ft. Gregory Porter + Ledisi
10. Heaven's Here Ft. Ant Clemons
11. Out Of My Hands Ft Jennifer Hudson
12. Forever Ft. PJ Morton + India.Arie
13. Bright Lights (with Ty Dolla $ign)

Following on almost exactly a year to the day from the release of their acclaimed debut “For the first time”, the band have harnessed the momentum from that record and run full pelt into their second, with “Ants From Up There” managing to strike a skilful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression.

Their debut “For the first time” is a certain 2021 Album of the Year, having received ecstatic reviews from critics and fans alike as well as being shortlisted for the prestigious Mercury Music Prize. Released in February to extensive, global, critical support - perhaps best summed up by The Times who wrote in their 5/5 review that they were "the most exciting band of 2021" and The Observer who called their record "one of the best albums of the year" - the album made a significant dent on the UK Albums Chart where it landed at #4 in its first week, a remarkable achievement for a largely experimental debut record. The album also reached #1 on Any Decent Music, #2 at Album Of The Year and sat at #1 on Rate Your Music for several weeks, remaining the record to generate the most fan reviews and site discussion there this year. Black Country, New Road were also declared Artist Of The Week and Album Of The Week by The Observer, The Line Of Best Fit and Stereogum, and saw features, including covers and reviews, from the likes of Mojo, NPR, CRACK, Uncut, The Quietus, Pitchfork, The FADER, Loud & Quiet, The Face, Paste, The Needle Drop, DIY, NME, CLASH, So Young, Dork and more.

With “For the first time” the band melded klezmer, post-rock, indie and an often intense spoken word delivery. On “Ants From Up There” they have expanded on this unique concoction to create a singular sonic middle ground that traverses classical minimalism, indie-folk, pop, alt rock and a distinct tone that is already unique to the band.

Recorded at Chale Abbey Studios, Isle Of Wight, across the summer with the band’s long-term live engineer Sergio Maschetzko, it’s also an album that comes loaded with a deep-rooted conviction in the end result. “We were just so hyped the whole time,” says Hyde. “It was such a pleasure to make. I've kind of accepted that this might be the best thing that I'm ever part of for the rest of my life. And that's fine.”

TRACK LISTING

LP
Side A
A1. Intro
A2. Chaos Space Marine
A3. Concorde
A4. Bread Song
Side B
B1. Good Will Hunting
B2. Haldern
B3. Mark’s Theme
Side C
C1. The Place Where He Inserted The Blade
C2. Snow Globes
Side D
D1. Basketball Shoes

CD 
Intro
Chaos Space Marine
Concorde
Bread Song
Good Will Hunting
Haldern
Mark’s Theme
The Place Where He Inserted The Blade
Snow Globes
Basketball Shoes

4LP Box Set / Deluxe CD
Ants From Up There
Side A
A1. Intro
A2. Chaos Space Marine
A3. Concorde
A4. Bread Song
Side B
B1. Good Will Hunting
B2. Haldern
B3. Mark’s Theme
Side C
C1. The Place Where He Inserted The Blade
C2. Snow Globes
Side D
D1. Basketball Shoes

Live From The Queen Elizabeth Hall 
Side A
A1. Mark’s Theme (Live From The Queen Elizabeth Hall)
A2. Instrumental (Live From The Queen Elizabeth Hall)
A3. Athens France (Live From The Queen Elizabeth Hall)
Side B
B1. Science Fair (Live From The Queen Elizabeth Hall)
B2. Sunglasses (Live From The Queen Elizabeth Hall)
Side C
C1. Track X (Live From The Queen Elizabeth Hall)
C2. Opus (Live From The Queen Elizabeth Hall)
C3. Bread Song (Live From The Queen Elizabeth Hall)
Side D
D1. Basketball Shoes (Live From The Queen Elizabeth Hall) 

After months of anticipation, Lady Blackbird’s already critically acclaimed debut album, Black Acid Soul which was recorded in legendary Studio B (Prince’s room) in Sunset Sound and produced by Grammy-nominated Chris Seefried has now been released via Foundation Music/BMG.

To celebrate the release, Lady Blackbird recorded a live version of her latest single ‘It’ll Never Happen Again’ at the iconic Capitol ‘A’ studio in LA. The song is a gentle, yet powerful, reinvention of another poignant obscurity written by Tim Hardin and which first appeared on the folk singer’s seminal 1966 debut.

With a voice that has stopped critics in their tracks, Lady Blackbird is a revelatory new talent with music that transcends the jazz scene through which the LA-based artist is rooted. Reflecting influences as varied as Billie Holiday, Gladys Knight, Tina Turner and Chaka Khan, with critics drawing comparisons to Adele, Amy and Celeste, Lady Blackbird’s distinct and beguiling talent is not one to be missed.

TRACK LISTING

Blackbird
It's Not That Easy
Fix It
Ruler Of My Heart
Nobody's Sweetheart
Collage
Five Feet Tall
Lost And Looking
It'll Never Happen Again
Beware The Stranger
Black Acid Soul

Soul Jazz Records’ new ‘Life Between Islands’ collection is inspired by the launch of Tate Britain’s exhibition of the same name. This landmark exhibition explores the links between Caribbean and British art and culture from the 1950s to now. ‘Soundsystem Culture: Black Musical Expression in the UK 1973-2006’, focuses on the most important Black British musical styles to emerge out of the distinctly Caribbean world of sound systems. The album features an all-star line-up including Dennis Bovell, Shut Up and Dance, Cymande, Digital Mystikz, Brown Sugar, Funk Masters, Janet Kay, Ragga Twins and more.

The album is a lightning-rod journey across Roots Reggae, Jungle , Jazz- Funk, Lovers Rock, Jazz, Dubstep and more. Much of Soul Jazz Records’ catalogue comes out of these genres and this album is partly an overview of some of Soul Jazz’s earlier releases (including Digital Mystikz’ long-deleted groundbreaking and now highly collectible single ‘Misty Winter’) alongside some choice rare and classic tunes that span over 30 years of sound system culture.

Many of the tracks represent how Black British artists defined their own identity, with songs such as Brown Sugar’s righteous ‘Black Pride’, ‘I’m In Love with A Dreadlocks’ and Tabby Cat Kelly’s powerful ‘Don’t Call Us Immigrants’. Aside from being musically rooted in the distinctly Jamaican-born phenomenon of the sound system, much of this identity is also shaped by the triangular relationship of being British-born, of Caribbean heritage, and with an equal love of African-American Jazz, Funk and Soul, as evidenced with many Lovers Rock reggae covers of American soul tunes (such as those of Jean Carn, William de Vaughan and Rose Royce featured here). This stateside influence can also be heard in groups such as the Funk Masters, a group formed by reggae radio DJ Tony Williams, whose jazz-funk music successfully crossed over into New York’s clubland, as well as the great Cymande, whose unique street-funk became staple material for numerous US hip-hop artists in the years that followed.

In the early 1990s, jungle and drum and bass artists took the essence of reggae’s soundsystem culture - MCs, dubplates, crews - and applied them to their own music, applying heavy reggae bass lines to intense double-speed drum breakbeats. At the forefront of this new movement were the duo Shut Up and Dance, working closely with The Ragga Twins, aka Deman Rocker and Flinty Badman, both MCs for North London’s infamous Unity reggae soundsytem. In the early 2000s, dubstep, spearheaded by Digital Mystikz, became the latest instalment in this ever evolving soundsystem culture.

STAFF COMMENTS

Matt says: Dang this is good! Skilfully joining the dots of sound system culture from its very beginning till now would seem like a daunting task for anyone. But guided by the Black identity of the majority of Sounds, Soul Jazz offer up a catch-all release that takes us from roots reggae and soul to jungle and dubstep without ever losing sight of the subwoofer. A phenomenal collection which, by way of a few choicely licensed joints ("Misty Winter", "RK1" especially), should be a instant-buy for anyone with a penchant for UK dance music.

TRACK LISTING

Black Slate - Sticks Man
Dee Sharp - Rising To The Top
Asher Senator - One Bible 
Cymande - Fug
Digital Mystikz - Misty Winter
Winston Curtis - Be Thankful For What You’ve Got
Trevor Hartley - It Must Be Love
Shut Up And Dance featuring The Ragga Twins - Java Bass
Brown Sugar - Black Pride
The Terrorist - RK1
Black Harmony - Don’t Let It Go To Your Head
Pebbles - Positive Vibrations
The Ragga Twins - Ragga Trip
Janet Kay And Alton Ellis - Still In Love
Funk Masters - Love Money
Cosmic Idren - Compelled
Harry Beckett - No Time For Hello
Sandra Reid - Ooh Boy
Tabby Cat Kelly - Don’t Call Us Immigrants
Brown Sugar - I’m In Love With A Dreadlocks

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Hologram: Destroyed & Reassembled White Vinyl LP will be an LP of Remixes of A Place To Bury Strangers upcoming EP Hologram.

Featuring an awesome group of bands including Girl Band, Penelope Isles, Do Nothing, Bodega, Weeping Icon, Ganser, Ceremony East Coast, plus bands from our label including Randy Randall (No Age), Data Animal, Jealous, Plattenbau & more and two of our favorite remixers Grimoose & The Bodies Obtained.

TRACK LISTING

End Of The Night (Data Animal Remix)
I Might Have (Plattenbau Remix)
I Need You (Grimoose Remix)
In My Hive (Ceremony East Coast Remix)
End Of The Night (The Bodies Obtained Remix)
In My Hive (Jealous Remix)
End Of The Night (Daniel Fox/Girl Band Remix)
Playing The Part (Penelope Isles Remix)
I Might Have (Randy Randall Remix)
Playing The Part (Bodgea Ben Remix)
In My Hive (Do Nothing Remix)
Playing The Part (Weeping Icon Remix)
I Need You (Ganser Remix)

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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To celebrate the 20th Anniversary of Joe Strummer’s groundbreaking Global A Go-Go album Dark Horse Records will release a 12” Color reissue of the original Joe Strummers & The Mescaleros 7” single ‘Johnny Appleseed’. Both included tracks are remastered by Paul Hicks and will be cut at 45rpm on 12" vinyl for maximum audio quality.

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Happy to announce my 2021 mini-album 'Storm Shelter' is out on limited vinyl and for Record Store Day Black Friday, Nov 26, #RSDBF. Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream. All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham. 

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Celebrating the 40th anniversary of the U2 single ‘Gloria’, originally released as a single in October 1981, the second single to be taken from U2’s second studio album October. It remains a staple in U2’s live set ever since.This 40th anniversary limited edition EP includes the studio version of ‘Gloria’ plus three live versions from three different decades.The 1990s are represented by the Point Depot show on the band’s home turf of northside Dublin (track A2). Although ticketed as 31st December 1989, the show started at midnight on 1st January 1990 and was broadcast across Europe at the time.Side B contains two previously unreleased live recordings of ‘Gloria’ – recorded at the Fleet Center in Boston during the Vertigo tour in 2005, and at London’s O2 Arena during the third night of their run of shows in the English capital as part of the iNNOCENCE + eXPERIENCE Tour in 2015.

TRACK LISTING

Side A
1. Gloria (Studio Version)
2. Gloria (Live From The LoveTown Tour, The Point Depot, Dublin, 31st December 1989) – Currently Unavailable
Side B
1. Gloria (Live From The Vertigo Tour, Boston, 26th May 2005) – Previously Unreleased
2. Gloria (Live From The INNOCENCE + EXPERIENCE Tour, London, 29th October 2015) – Previously Unreleased

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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A crazy 22-track collection containing some of the biggest dance craze hits from the Philadelphia label that got the world dancing in the early 1960sIncludes tracks by Cameo Parkway’s biggest stars: Chubby Checker, Bobby Rydell, Dee Dee Sharp, The Orlons and The Dovells as well as R&B greats Don Covay and The Turbans. Twelve Top 40 hits including three number 1 chart toppers!Chubby Checker’s original hit version of “The Twist,” which has the distinction of being the only single of the rock era to reach number 1 twice in two consecutive years, is included. Features an essay by acclaimed rock & roll and R&B historian John Broven. Mastered from the original master tapes from ABKCO’s Cameo Parkway archive
Bespoke printed inner bags including extensive liner notes and period photos.

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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An exceptional 20-track collection compiling some of the most sought-after soul and R&B records from Philadelphia’s Cameo, Parkway and Fairmount labels, which were popular during the late 1960s/early 1970s Northern Soul club scene. Includes rare tracks that sell in the thousands at record fairs and on eBay when found in their original 45 RPM vinyl single format, some of which were only released as white label promotional copies. Features soul and R&B recordings by label mainstays Chubby Checker, The Orlons, Bunny Sigler, Eddie Holman, Lonnie Youngblood and Evie Sands as well as seminal recordings by Yvonne Baker, Christine Cooper, Bobby Paris, Jerry Jackson, Vickie Baines and future R&B hitmaker Frankie Beverly. These recordings feature some of the great Philly Soul and New York production teams of the mid-1960s: Gamble & Huff; Thom Bell; Jerry Ross & Kenny Gamble; Chip Taylor & Al Gorgoni; Sal Trimachi & Ritchie Cordell; John Madara, Dave White & Leon Huff; Weldon McDougal III, Luther Randolph & Johnny Stiles; Stuart Weiner & Mike Lewis plus arrangers Jimmy Wisner, Joe Renzetti and Artie Butler/ Features an essay by soul and R&B historian Ady Croasdell/ Mastered from the original master sources from ABKCO’s Cameo Parkway archive/ Bespoke printed inner bags including extensive liner notes and period photos.

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Oneohtrix Point Never announces an exclusive release for Record Store Day’s Black Friday – a 10” featuring re-workings of album tracks “Nothing’s Special” with ROSALÍA and ”Tales From The Trash Stratum” with Elizabeth Fraser of Cocteau Twins.

Both tracks are available as bonus tracks on the recent Blu-Ray edition release of Magic Oneohtrix Point Never, originally released 20th November 2020 but are now available here for the first time on limited 10” vinyl.

10” in paper inner in printed outer sleeve with spot gloss to cover, includes download card insert.

Limited to 750 copies for the UK and Ireland.

TRACK LISTING

A. Nothing’s Special (Oneohtrix Point Never & ROSALÍA)
AA. Tales From The Trash Stratum (Oneohtrix Point Never & Elizabeth Fraser)

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Deluxe reissue to celebrate the 10th anniversary of GRAMMY winning artist Thundercat’s debut album from 2011: the record that introduced Thundercat to the world as a truly mercurial talent.

Executive produced by his longtime musical partner Flying Lotus and featuring musical contributions from Erykah Badu, Taylor Graves, Austin Peralta, Miguel Atwood-Ferguson, Kamasi Washington, Brandon Coleman, Chris “Daddy” Dave, Shafiq Husayn, Om’Mas Keith and more.

Universally acclaimed for its enthusiastic fusion and adventurous spirit, the record embraces “electronic music's futuristic sound-sculpting and reconnects it with the history of African-American pop” resulting in a “densely layered, expertly played, genre-crossing marvel” (Pitchfork).

Translucent red LP housed in a beautiful gold sleeve with large Thundercat logo hologram sticker and gold holofoil detail.

Includes two bonus tracks: ‘$200 TB’ and ‘Daylight (Reprise)’. 

Recommended if you like: Flying Lotus, Anderson. Paak, Kamasi Washington, BADBADNOTGOOD

Limited to 1500 copies for the UK and Ireland.

TRACK LISTING

SIDE A
A1. HooooooO
A2. Daylight
A3. Fleer Ultra
A4. Is It Love?
A5. For Love (I Come Your Friend)
A6. It Really Doesn’t Matter To You
A7. Jamboree
SIDE B
B1. Boat Cruise
B2. Seasons
B3. Goldenboy
B4. Walkin'
B5. Mystery Machine (The Golden Age Of Apocalypse)
B6. Return To The Journey
B7. $200 TB
B8. Daylight (Reprise)

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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This special RSD 50th anniversary edition of Leonard Cohen's third studio album, Songs of Love and Hate is pressed on 180g opaque white vinyl, with updated / re-typeset embossed packaging which includes a brand new 8- page 12x12 lyric booklet. The audio has been sourced from the original analogue tapes via a new direct digital transfer and the album jacket replicates the original package.

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Out Of Print On Vinyl For A Decade And A Half Mobb Deep’s “Free Agents” Hits For RSD Black Friday In A Never Seen, Never To Be Repeated Colored Vinyl Pressing. 5000 pressed worldwide.

First released in 2003 on CD and LP. Out of print on vinyl since the mid-2000s. Mobb Deep redefined East Coast hip hop in the early 90s with their release “Juvenile Hell” and the break-out follow up “The Infamous.” As the group moved into the 2000s and parted ways with their long-time label, Loud, they released “Free Agents” as a celebration of their moving on to … well, free agent status. With Havoc handling production on all but 3 cuts and only two guest appearances (one being from long-time Queensbridge associate Big Noyd) “Free Agents” is uncut, undiluted Mobb Deep all the way through. The reaction from fans was solid catapulting the record to peak at number 21 on the Top 200 with a top 5 position on the R&B/Hip Hop charts. Out of print for well over a decade, this chapter in Mobb Deep’s legacy is back in effect for RSD Black Friday. 

TRACK LISTING

This Is Not Supposed To Be Positive (intro)
Solidified
Survival Of The Fittest 2003
Paid In Full
Double Shots (feat. Big Noyd)
What Can I Do?
Favorite Rapper
Let's Pop (feat. Acd)
It's Over
The Illest
Just Got Out The Box... (skit)
Narcotic
Clap First
Watch That Nigga
Came Up
Don't Call Tasha

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Madlib Invazion reissues Madlib’s collaboration with legendary Brazilian drummer Ivan “Mamao” Conti, propellant for lauded jazz fusion archetypes Azymuth. 5000 pressed for worldwide. Debuts on Black Friday. First released in 2008 on CD by the US based Mochilla imprint with vinyl being issued only in Europe on the Kindered Sprits label. Both formats are out of print with vinyl unavailble since its initial run. Alternate cover artwork, photography by B+.

When Madlib went to Brazil in 2002 with Mochilla to participate in the production of Brasilintime his one mission was to meet Ivan “Mamao” Conti the drummer of the legendary trio Azymuth. Madlib had made an Azymuth tribute record he wanted to play for him. On a rainy night in Rio Mamao and Madlib went in the studio. Several hours later the rhythm tracks that make up Sujinho were laid and the process began. Featuring the music of Madlib, Mamao, Edu Lobo, Chico Buarque de Hollanda, Luiz Eca, Baden Powell, Vinicius De Moraes, Marcos Valle, Joao Donato, Dom Um Romao, Airto Moreira and even George Duke… and with guest vocals by Thalma De Freitas — Jackson Conti is a unique and classic record. Filled with the angularity and edge of a Madlib production and underwritten by the polyrhythmics of Mamao — Sujinho takes Brazilian music into places it has never been, bringing oft forgotten classics like Upa Neguinho to 21st century ears. 

TRACK LISTING

Mamaoism
Barumba
Anna De Amsterdam Interlude
Praça Da Republica
Papaia
Brasilian Sugar
Sao Paulo Nights
Xibaba
Upa Neguinho (feat. Thalma De Freitas)
Casa Forte
Amazon Stroll
Berimbau
Anna De Amsterdam Reprise
Waiting On The Corner
Tijuca Man
Nao Tem Nada Nao
Sunset At Sujinho
Segura Esta Onda (feat. Mamao On Vocals)

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

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Debuts on Black Friday. Never issued in this form. The compilation features a collection of small run releases and private press releases. All long out of print and impossible to find. 3000 pressed worldwide.

Now-Again’s follow up to one of its most well-loved compilations, Forge Your Own Chains, and this, as the title hints, a recollection and rumination of what might befall the human race made especially salient by the past year’s trials and tribulations as performed by prison funk ensembles, Krautrock legends, Turkish teenagers, Icelandic prog-rock bands and even E-40’s uncle, the man to first distribute No Limit, and the creator of this album’s title track, St. Charles “Chucky” Thurman. 

TRACK LISTING

Golden Wing - Hari Yang Mulya
Beybonlar - Nenni?
Icecross - Sad Sad Man
Paternoster – Realization
Christopher - In Your Time
Chucky Thurmon - Tickets For Doomsday
Upheaval - Paradise Lost
Dr Hooker - The Bible
Jean And Donella - Get Ready (for That Day)

El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual GRAMMY Awards for El Camino – Best Rock Performance, Best Rock Song, and Best Rock Album – among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.

Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing ‘raw, riffed-out power back to pop’s lexicon,’ and called it ‘the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.’ The Guardian said, ‘They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.’

In the newly written liner notes for El Camino (10th Anniversary Deluxe Edition), David Fricke says:
The story of the Black Keys' seventh album, named after an automobile, long out of fashion and featured nowhere in the artwork, begins on a sidewalk in the middle of a blizzard. On the afternoon of January 9, 2011, singer-guitarist Dan Auerbach and drummer Patrick Carney stood on the pavement outside the Bowery Hotel in New York City, saw the weather turning vicious, looked at each other and came to the same decision: They had to get off the road.

The night before, the duo scored another first in a season getting crowded with them: The Black Keys' debut appearance on Saturday Night Live, performing ‘Howlin' for You’ and ‘Tighten Up’, the breakout singles from their latest release, Brothers. Two days earlier, Brothers – the Keys' first Top 5 album, released in May 2010 – became their first Gold record, passing a half-million in sales thanks to heavy FM rotation and a near-year of gigging, now set to run deep into 2011 including a prestige slot at Coachella and victory laps in Europe and Australia.

The Keys "tried to settle down" after cancelling the tour, Carney says. But that didn't last. "I said, 'We should just make another record.' And I asked Dan if we should get Danger Mouse" – the hip-hop and modern-rock producer, real name Brian Burton, who worked on the Keys' 2008 record, Attack & Release, and co-produced ‘Tighten Up’. Auerbach and Carney did not have any new songs, but as the drummer notes, "Most of our records – we don't have material when we start. Brothers was made up in the studio."

In the UK, the record gave the band their first top 10 hit, and in the US it debuted at #2 on the Billboard Top 200. The band was also the #1 most played artist at Alternative and AAA radio formats for 2012 in the US. The album’s first single, ‘Lonely Boy’: reached #1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio. The second single, ‘Gold on the Ceiling’, also reached #1 on Alternative radio and the third single, ‘Little Black Submarines’, reached the top 3 at Alternative radio.

El Camino has been certified Double Platinum in the US; Platinum in the UK, Belgium, France, Ireland, and the Netherlands; Triple Platinum in Australia and New Zealand; Quadruple Platinum in Canada; and Gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland. Of the album’s singles, ‘Lonely Boy’ was certified Double Platinum in the US, nine-times Platinum in Canada, Triple Platinum in Australia, Platinum in New Zealand, and Gold in Denmark and the UK. ‘Gold on the Ceiling’ was certified Platinum in the United States, Australia, and Canada. ‘Little Black Submarines’ was certified Platinum in the United States. The Black Keys also were nominated for an MTV European Music Award in 2012.

TRACK LISTING

DISC 1: EL CAMINO (2021 REMASTER)
Side A
1. Lonely Boy
2. Dead And Gone
3. Gold On The Ceiling
4. Little Black Submarines
5. Money Maker
Side B
1. Run Right Back
2. Sister
3. Hell Of A Season
4. Stop Stop
5. Nova Baby
6. Mind Eraser

DISC 2: LIVE IN PORTLAND, ME.
(PART 1)
Side C
1. Howlin’ For You
2. Next Girl
3. Run Right Back
4. Same Old Thing
5. Dead And Gone
Side D
1. Gold On The Ceiling
2. Thickfreakness
3. Girl Is On My Mind
4. I'll Be Your Man / Your Touch
5. Little Black Submarines

DISC 3: LIVE IN PORTLAND, ME.
(PART 2)
Side E
1. Money Maker
2. Strange Times
3. Chop And Change
4. Nova Baby
5. Ten Cent Pistol
Side F
1. Tighten Up
2. Lonely Boy
3. Everlasting Light
4. She’s Long Gone
5. I Got Mine

DISC 4: BBC SESSION
Side A
1. Howlin’ For You *
2. Next Girl *
3. Gold On The Ceiling *
4. Thickfreakness *
5. I’ll Be Your Man *
6. Your Touch *
Side B
1. Little Black Submarines *
2. Dead And Gone *
3. Tighten Up *
4. Lonely Boy *
5. I Got Mine *

DISC 5: ELECTRO-VOX SESSION
Side A
1. Dead And Gone *
2. Gold On The Ceiling *
3. Howlin’ For You *
4. Lonely Boy *
Side B
1. Money Maker *
2. Next Girl *
3. Run Right Back *
4. Sister *
5. Tighten Up *

* Super Deluxe Editions Only.

I was tardy with my introduction to the genius that is Dean Blunt, ignoring the Hype Williams and Babyfather brilliance and only encountering the minimal magic of the first 'Black Metal' during my second year at Piccadilly. Shown the way by Ryan Horsebeach, Mike Riley Jones and Matt Ward, I bought the cryptic release and well and truly lost my shit...over and over again...for years. To say I'm excited by the appearance of a second instalment from the reclusive musician would be a wild understatement. 

The LP opens with strings and solemnity via 'Vigil', a sparse and beautiful reminder of Blunt's trademark sound - intimacy bordering on claustrophobia, nocturnal and emotive. The chiming guitars join the poised drum patterns for 'Mugu' and 'Dash Snow', a pair of bedsit vignettes which Javi just described as a London cabbie's reaction to Drill while Vini Reilly tunes up - this is a good thing by the way. Blunt's is a music of longing, vulnerability and beauty, presented as concise and considered songs which combine to form their own sonic landscape. Referential (the cover blacks out all everything from Dre's 2001 but the 2) but never reverential, Blunt, aided and abetted by Joanne Robertson somehow beats his personal best, and we should all be grateful we get to hear it.

TRACK LISTING

1. Vigil
2. Mugu
3. Dash Snow
4. Sketamine
5. Semtex
6. La Raza
7. Nil By Mouth
8. Zaza
9. Woosah
10. The Rot

On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem.

Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson’s San Francisco. ‘Somewhere’ opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on ‘Bodies’ and ‘Try’ sits in a lineage with cult bands like Asylum Party. ‘The Garden’ is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas ‘Ship To Shore’ could be a lost Oppenheimer Analysis B-side, and the album’s closer ‘Brighter and Bigger’ catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury’s atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard’s Sympathy for the Devil, as in ‘Preoccupation’, the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a
shared humanity.

Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

TRACK LISTING

01. Somewhere
02. Bodies
03. Royal Walls
04. Try
05. The Garden
06. Say It First
07. Streetlight
08. Ceiling
09. Ship To Shore
10. Preoccupation
11. Brighter And Bigger

Heavyweight fair-trade cotton canvas bag with 12cm (4 1/2") gusset so it's plenty big enough and strong enough to hold a fair chunk of records and also doubles as a rather nice groceries bag.