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    As part of Thrill Jockey’s 20th anniversary vinyl reissue campaign the label are proud to bring back on vinyl the very first Tortoise album from 1994.

    Sold out on vinyl for many years, the 1994 selftitled debut from Tortoise is finally back. This 2012 edition has been remastered to vinyl by Roger Seibel at SAE Mastering. The packaging emulates the original with a chipboard jacket that was custom silk-screened by Dan Macadam at Crosshair in Chicago. Also included is an insert and a free download coupon.

    Tortoise’s self-titled debut incorporates many musical styles and influences and combines them into one very distince sound. So distinct that sometime after the release of this record they became recognized as the leaders of a new musical movement.

    Tortoise exploit the recording studio, in that they utilize the recording process as a compostional tool or ‘sixth member’, thus creating a boundless parameter in which to create music.

    Recorded at Idful Studios by John McEntire.

    For this record Tortoise are Douglas McCombs, John Herndon, Dan Bitney, John McEntire and Bundy K Brown.


    Ltd LP includes MP3 Download Code.

    Rhyton is a band with an organic genesis, born from late night rap sessions at a local Brooklyn watering hole. Heads of certain vibe gathered together to tap into the underlying flux form of transportational music. Dave Shuford (D. Charles Speer, No Neck Blues Band) had been knee deep in research and practice in the realm of middle eastern musics during the recording of his solo LP Arghiledes. From that album, the track “The Heavy Heart of Ando-Yeap” was used as a leaping off point for the gestation of Rhyton. Shuford brought his personal selection of varied string instruments to the table, seeking to create a heavier electric syntax for mandolin, saz and baritone guitar. Jimy SeiTang (Psychic Ills) emerged as a sonic surgeon, creating wave patterns with his bass and pulses of tape delay tales. Spencer Herbst (Messages, Matta Llama) injected his flowing, highly energetic style of percussion and brought in visual conundrums by way of videocassette. An instant near-telepathic bond was established, making improvisations seem like composed forays even to the closest confidants. With variants and heads situated as a point of departure, Rhyton explores the inner workings of the ear and seeks the latent brain bulge within the listener.


    CD Info: CD version is limited to 200 hand-made
    and hand-numbered copies. Front cover features a
    hand-glued image, back is hand-stamped.



      Oval’s Markus Popp is a true pioneer in the realm of electronic music, one whose influence can still be heard today.

      Oval’s landmark 1995 album ‘94diskont’ took the world of electronic music and turned it on its head and caused Markus Popp to be credited as the creator of what was later dubbed the ‘glitch’ or ‘clicks & cuts’ style.

      Cut to vinyl by Roger Seibel at SAE Mastering, ‘94diskont’ is pressed on virgin vinyl and packaged in a jacket replicating the original. LP1 is the album, LP2 features remixes from Jim O’Rourke, Scanner, Mouse On Mars and Christian Vogel. Free download coupon included.

      “Some of the most serene and aquatic music of the 90s... This record is why Markus Popp was called the new Eno.” - Pitchfork on ‘94diskont’ (Top 100 Albums Of The 1990s)

      Trans Am

      Sex Change

        Following the last album "Liberation", and with two years of separation fuelling them, Trans Am return with the most joyous and upbeat rock album of their chronicle. In June 2006, Trans Am reunited at Mainz, a recording school in Auckland, New Zealand, with a few songs and almost no musical equipment. Recording moved forward with a wide range of borrowed instruments, keyboards and other gear, including a 1960's Mellotron and remarkable vintage amps loaned by iconic New Zealand musician Chris Knox (Tall Dwarfs). Two months later, recording continued in Brooklyn, New York at the Okropolis: headquarters of the New York band Oneida. Determined to make a break with the past Trans Am again arrived with almost none of the signature gear that they had used on previous albums. Two weeks later the album was mixed at Tiny Studios in San Francisco. Compared with previous records such as "Trans Am" and "Liberation", which took months to complete, "Sex Change" was conceived, written, recorded and mixed in only three weeks.


        Coloured LP Info: White vinyl.

        Coloured LP includes MP3 Download Code.

        Trans Am

        Surrender To The Night

          2012 marks 20 years of Thrill Jockey. The label continue celebrating by offering another out of print classic title on vinyl once again.

          1997: Trans Am’s second studio album ‘Surrender To The Night’ is released. Out of print on vinyl for years, Thrill Jockey are happy to finally offer it again.

          Pressed on high quality virgin vinyl, featuring all original artwork and including a download coupon for the first time.

          Trans Am’s homebase moved from Tacoma Park to Washington DC for the recording of this record. Originally titled ‘Rough Justice’, ‘Surrender To The Night’ was recorded at Trans Manor as well as Chicago’s Soma and Idful Studios. John McEntire (Tortoise, The Sea & Cake) assisted in engineering. Trans Am made use of many of the fine keyboards manufactured by the Roland Company and the Casio Computer Company throughout the recording.

          The record shows the band moving forward musically and achieving an even greater balance of rock and electronics.


          Coloured LP Info: Red vinyl.

          Coloured LP includes MP3 Download Code.

          Trans Am

          Trans Am

            Trans Am’s self-titled debut arrived under a flurry of speculation. With questions about their hometown, they found themselves the new young darlings of a burgeoning scene. They were three years in and had one 7” to their credit when this debut was released. The record was recorded partly in the basement of Seb’s parents’ house and during a two day marathon session at Idful Studio with John McEntire (Tortoise, The Sea and Cake).


            Coloured LP Info: Clear vinyl.

            Coloured LP includes MP3 Download Code.

            John Parish

            Bird Dog Dante

              John Parish, the twice Ensor-nominated composer and Mercury Prize-winning producer delivers a brand new collection of songs, including a duet with his longtime musical partner PJ Harvey.

              “John taught me everything about playing guitar” - PJ Harvey

              “John Parish, a proper Englishman that knows how to rock” - E (Eels)

              ‘Bird Dog Dante’ was completed in a busy year for Parish. On top of being the musical director of the extended PJ Harvey band on their ‘Hope Six Demolition Project’ world tour, he produced acclaimed albums for Jenny Hval, This Is The Kit, Nadine Khouri and Aldous Harding.

              ‘Bird Dog Dante’ features duets with both PJ Harvey and Aldous Harding, as well as drumming from Harvey’s bandmate Jean-Marc Butty.

              In addition to touring with his own band in April, Parish is playing a commemorative show of Nick Drake’s music at St George’s, Bristol in what would have been Drake’s 70th year.

              “Together, Parish and Harvey sound confidently experimental, like two soldiers daring each other to ever more stupendous feats of bravery.” - Uncut


              LP includes MP3 Download Code.

              On her Thrill Jockey debut, acclaimed guitarist Marisa Anderson’s music is boundless. Anderson is undeniably a master of the North American traditions of country, folk and blues on guitar. On ‘Cloud Corner’, Anderson expands on those styles as well as instrumentation.

              The solo guitar work of Marisa Anderson owes its familiar tones to her awareness of history and her mastering of her instrument, yet it is completely new. Marisa Anderson filters musical history through her own personal experiences, as a traveller in life and in music. A curious and gifted player, Anderson has spent over 35 years of performing forging her singular, instantly recognizable voice. Marisa Anderson’s ‘Cloud Corner’ is hopeful in the face of any discord, a resplendent diverse sound sanctuary that shines, a mirror of the horizon it looks towards.

              Anderson has contributed to recordings by Beth Ditto (The Gossip), Sharon Van Etten and Circuit Des Yeux among others, as well as creating music for short films and soundtracks.

              STAFF COMMENTS

              Barry says: Reminiscent of the outsider folk-loop work of Alexander Tucker or the more oddball ambient moments of The Books, Marisa Anderson nonetheless inhabits a world of her own, with repeated motifs growing from inauspicious beginnings into hypnotic cacophonies of sound.


              LP Info: LP version pressed on virgin vinyl and packaged with a free download

              Brendon Anderegg


                The music of Brendon Anderegg is a hall of mirrors, multi-layered and self-obscuring. Largely filtered through Mountains - his pioneering electronic project with Koen Holtkamp - Anderegg emerged as a solo artist in the late 90s. He returns now with ‘June’, a vinyl-exclusive release on Thrill Jockey.

                The music on ‘June’ is a complex network of layers, paradoxically a calm and soothing listen. Collapsing history into its own contemporary sonic movements, Andregg’s methodically created work falls in the lineage of electronic pioneers like Bernard Parmegiani and early ambient projects like Tangerine Dream, Popul Vuh and Cluster and puts his solo work in the realm of New Age figures like Michael Stearns and JD Emmanuel. ‘June’ is a singularly beautiful and challenging work that marks the long overdue re-emergence of Brendon Anderegg as a solo voice.

                Brendon Anderegg is a Brooklyn-based, Emmynominated composer with clients ranging from Pitchfork to ESPN.

                Available only on vinyl, ‘June’ is pressed on virgin vinyl and includes a free digital download coupon.

                On their highly anticipated fifth album Wooden Shjips augment their already rich sound with laid back, classic summer songs. 

                Wooden Shjips, long-time leaders of the contemporary psychedelic movement, expand their sound with V. On their fifth album the quartet of Ripley Johnson (Moon Duo), Omar Ahsanuddin, Dusty Jermier, and Nash Whalen augment their already rich sound with laid back, classic summer songs. Inspired by the tumult of the modern world, and the desire to offer a contrasting vision of peace, the band has created a record that filters their trademark hypnotic grooves through an optimistic lens, resulting in music that is bright and vital.

                Each song shimmers with a distinctly Wooden Shjips sound, a relaxed summer vibe. This was a conscious choice, an atmospheric goal that influenced nearly every detail: the tones, the delay types and reverbs used, as well as the synthesizer elements that color the songs. The band’s members collectively share a love of classic rock from the Velvet Underground to Neil Young, as well as more overt love of the San Francisco scene of the 60’s. This commonality in their formative musical years binds them even as they live in different cities. Wooden Shjips has with V. created the most concise, laid back songs of their career. Their music is a balm of sorts, a respite from the insanity that, through its regenerative abilities, empowers continued, calm resistance. A reminder of the simple power of peace and beauty, V. is brimming with optimism and a peaceful energy, aptly timed for release at the height of spring.

                STAFF COMMENTS

                Barry says: Brimming with feel-good sunny vibes, Wooden Shjips once again confound our expectations with a superb, nuanced ride through classic psychedelia, roaring riffage and sun-soaked pop.

                FORMAT INFORMATION

                Coloured LP 2 Info: Limited edition butter lavender coloured vinyl.

                Coloured LP Info: White color vinyl is limited edition and exclusive to indie stores in Europe.

                Ltd LP Info: Black vinyl edition.

                CD Info: CD version in four panel mini-LP style gatefold package.

                The Sea And Cake

                Any Day

                  The Sea and Cake return to their roots, crafting refreshingly intimate pop songs, elegantly arranged on their first new album in six years.

                  The Sea and Cake deliver a refreshingly intimate collection of elegantly arranged, singular pop songs. For over two decades and 11 albums, The Sea and Cake have honed a sound all their own, comprised of delicate, intertwining guitar patterns, syncopated rhythms and airy melodies. Masters of subtlety, their compositions have continually evolved - through minute alterations in texture, unusual approaches to lyrics and creative production choices.

                  ‘Any Day’ is testament to The Sea and Cake’s artistry, song craft, and utterly unique sound. The results are intimate songs that speak to the searcher in all of us. Through shifting instrumentation and sonic exploration, the band invites you into a world that is both familiar and unexpected.

                  “The Sea and Cake occupy an indie rock niche all their own.” - Pitchfork

                  “After [over] 20 years as a band, The Sea and Cake is still creating vital, evolving music.” - Chicago Tribune

                  “... theirs remains an abstract, liminal brand of pop, with Prekop’s vocals as delightfully gossamer, and his lyrics as intriguingly impressionistic as ever. Long may they run.” - Mojo

                  The Body

                  I Have Fought Against It, But I Can’t Any Longer

                    Absolutely no one makes music like The Body. On their follow up to 2016’s acclaimed ‘No One Deserves Happiness’, the Portland duo of Lee Buford and Chip King conjure the sublime from the unexpected by turning their compositional approach on its head.

                    The Body continue to defy the constraints of what it means to be a ‘heavy’ band, seamlessly combining diverse influences for an utterly singular sound. The album’s contributors include Kristin Hayter (Lingua Ignota), Michael Berdan (Uniform) and Ben Eberle (Sandworm), as well as frequent collaborator Chrissy Wolpert (Assembly of Light Choir). Production was handled by Machines With Magnets (Lightning Bolt, Battles).

                    The Body transcend musical boundaries. Their ambitious creativity shapes their bleak worldview into propulsive, affecting, and even danceable music often drenched in distortion.

                    “A decibel clashing cavern” - NPR Music

                    “Sounds like a rave in a collapsing black hole.” - Metal Hammer

                    “A riot of sound so aggressive it would make John Zorn blush” - Pitchfork

                    Sarah Louise

                    Deeper Woods

                      “Sarah Louise’s music is spiritually and tangibly set apart from her peers’, her 12-string compositions culled from birdsong and rivers as well as the sacred drone of Appalachian folk music.” - NPR Music (Songs We Love)

                      Praised by Pitchfork as “one of the most exciting figures in solo guitar music,” masterful 12-string guitarist and vocalist Sarah Louise integrates elements of drone, spiritual jazz and minimalism into her compositions.

                      Her Thrill Jockey debut ‘Deeper Woods’ is her first album to prominently feature her voice. Louise enriches her warm singular vocal sound with a lush variety of instruments as well as layers of harmonies that together create a tapestry of texture.

                      ‘Deeper Woods’ features performances by Louise’s House And Land bandmate and Steve Gunn collaborator Sally Anne Morgan, as well as drummer Thom Nguyen and Jason Meagher (Black Dirt Studios), who also mixed the album.

                      Louise has toured extensively over the past year both solo and with House And Land. 2018 will see an appearance at Pickathon Festival as well as continued touring.

                      Mouse On Mars are joined by Justin Vernon (Bon Iver), Aaron and Bryce Dessner (The National), Zach Condon (Beirut), Spank Rock, Sam Amidon and many more on their most inventive album to date.

                      Mouse On Mars’ Andi Toma and Jan St. Werner return with ‘Dimensional People’. The electronic music pioneers have been critically acclaimed for their playful and inventive sound and production techniques on releases spanning from the early 1990s to now. In demand from a surprising array of artists their most recent contributions are featured on the Grammy award-winning album ‘Sleep Well Beast’ by The National.

                      ‘Dimensional People’ is by its nature a collaborative album. Originally premiering as a spatial composition using objectbased mixing technology playing with the possibilities of sonic design (4D Sound) and collective musicianship, the recording expands upon these ideas. ‘Dimensional People’ expresses itself as a dynamic 50-piece orchestra, telling a story in sound.

                      FORMAT INFORMATION

                      Coloured LP Info: Indies exclusive coloured vinyl.

                      Acclaimed Malian musician Sidi Touré returns with his fourth album, "Toubalbero". Named after the large traditional drum used to gather people in the Malian region of Gao, "Toubalbero" is a danceable, dynamic and, despite the region’s significant political challenges, joyous album. It's also the first album by the acclaimed Songhaï legend to be recorded with electric guitar and bass resulting in a truly irresistible groove! Recorded in Mali’s legendary Studio Bogolan where Ali Farka Touré, Toumani Diabate and Björk have recorded, the album was then mixed live by Jason Meagher at Black Dirt Studio (Steve Gunn, Black Twig Pickers, Jack Rose).

                      Since his debut album Touré has toured extensively in both Europe and North America at prestigious venues and leading world music festivals, including New York’s Lincoln Center, London’s Barbican, Chicago’s Millennium Park, the Vancouver Folk Festival and New York’s Summer Stage festival. Touré will tour the US this Spring with appearances at the Brooklyn Bowl’s Festival of Mali, New Orleans Jazz Festival, and The Kennedy Center to name a few.

                      The Skull Defekts

                      The Skull Defekts

                        After thirteen years as one of the centrepieces of Sweden’s experimental rock scene, The Skull Defekts return with their final, self-titled album.

                        The Skull Defekts are known for merging the coarse vitality of punk with the ritualism of folk dances to create music that is addictive, wondrously discordant and rooted in a belief in the overwhelming power of pure sound.

                        Their final, self-titled album is the band’s most composed effort to date and features new member Mariam Wallentin (Wildbirds & Peacedrums) joining core members Joachim Nordwall (founder of groundbreaking iDEAL Recordings), Daniel Fagge Fagerström (8 Days Of Nothing) and Henrik Rylander (Union Carbide Productions).

                        Cover artwork by Daniel Higgs (Lungfish).

                        FORMAT INFORMATION

                        LP Info: LP pressed on black virgin vinyl and presented in a tip-on jacket with printed inner sleeve and free download card. The inner sleeve features printing on the inside pocket and the back panel of the LP jacket is printed in four different colours, randomly distributed.

                        YoshimiO / Susie Ibarra / Robert Aiki Aubrey Lowe

                        Flower Of Sulphur

                          ‘Flower Of Sulphur’ is a transfixing piece of continuous improvisation from three experimental luminaries: multi-instrumentalist YoshimiO (Boredoms, OOIOO, SAICOBAB), internationally acclaimed percussionist Susie Ibarra and artist Robert Aiki Aubrey Lowe (Lichens).

                          In addition to her work in Boredoms and OOIOO, YoshimiO recently released an album with her modern Indian raga quartet SAICOBAB as the group’s vocalist and has released collaborative albums with Mats Gustafsson, Jim O’Rourke and Kim Gordon (ex-Sonic Youth).

                          Susie Ibarra is one of the most significant female percussionists and composers of our time, known for her work as a performer within contemporary, avant-garde, jazz, classical and world music. Ibarra has studied with free jazz greats Earl Buster Smith and Milford Graves, as well as Philippine Kulintang gong-chime music with Danongan Kalanduyan. Ibarra has worked with the likes of John Zorn, Dave Douglas, Marc Ribot, Yuka Honda and many more. Ibarra’s most recent album, ‘Perception’, was praised by the New York Times.

                          Robert Aiki Aubrey Lowe has recently contributed music to the Jóhann Jóhannsson scored films ‘Sicario’ and ‘Arrival’ and is curating an exhibition at the Museum of Arts and Design in Manhattan. Lowe is also known for his work as Lichens and as a member of Om. In September 2017 Lowe was featured on the cover of The Wire.

                          The trio’s jaw dropping performance was recorded in December 2016 at Roulette in Brooklyn. Flower of Sulphur documents a singular evening of exquisite sound and exceptional performance. Absolutely an essential album, pristinely recorded, and capturing a rare performance. A must have for any fans of creative innovation and improvisation.

                          The trio are hoping to make additional live performances throughout 2018.

                          “In the seemingly impenetrable, fantastic murkiness of Japanese experimental psych pop, more often than not, Yoshimi has been a beacon.” - FADER

                          “[Susie Ibarra is] a highly regarded and ubiquitous figure on New York’s fertile downtown improvising scene.” - Modern Drummer

                          “Robert Aiki Aubrey Lowe is an enduring voice in the US underground, producing everything from math rock to ambient to vocals in sci-fi blockbuster ‘Arrival’.” - The Guardian

                          Keiji Haino & SUMAC

                          American Dollar Bill - Keep Facing Sideways, You’re Too Hideous To Look At Face On

                            SUMAC, the trio of Aaron Turner (ISIS, Old Man Gloom, Mamiffer), Nick Yacyshyn (Baptists, Erosion) and Brian Cook (Russian Circles) present their first collaboration with Japan’s cultural provocateur Keiji Haino. 
                            Japan’s fearless multi-instrumentalist and cultural provocateur Keiji Haino has made a career out of his freeform musical improvisations and diverse collaborations. Whether deconstructing American blues to a few rogue notes hanging across chasms of empty space in his solo endeavours, sparring with the nebulous fringes of psychedelia in Fushitsusha, or teaming up with musicians like Faust, Boris, Jim O’Rourke, Stephen O’Malley, John Zorn and Peter Brötzmann for fleeting aural experiments. Haino’s work is never preplanned or structured but rather a completely spontaneous exploration of chemistry, texture and dynamics.

                            SUMAC’s tenure is much younger than Haino’s, though guitarist / vocalist Aaron Turner has covered a similarly large swath of musical territory across numerous projects and collaborations, from the sedated drones of recent projects with Daniel Menche and William Fowler Collins to the modern compositions of Mamiffer and all the way back to the restless evolutions of post-metal stalwarts ISIS. With his cohorts Nick Yacyshyn (Baptists, Erosion) on drums and Brian Cook (Russian Circles) on bass, Turner has dissolved
                            the rigid forms of heavy music, searching for a balance between disciplined precision and unhinged musical barbarism, crafting music that vacillates between meticulously detailed instrumentation and uninhibited forays into oblique abstraction.

                            Throughout the course of its hour-plus length, ‘American Dollar Bill’ pushes and pulls at the strictures of metal and bends the stylistic formalities of improvised music to create a sonic purge unencumbered by convention.

                            FORMAT INFORMATION

                            2xColoured LP Info: 2xLP pressed on virgin vinyl, packaged in a wide spine jacket printed on uncoated stock with custom slipcase also printed on uncoated stock with
                            metallic ink and free download card. Very limited translucent red vinyl

                            2xLtd LP Info: 2xLP pressed on virgin vinyl, packaged in a wide spine jacket printed on uncoated stock with custom slipcase also printed on uncoated stock with
                            metallic ink and free download card.

                            CD Info: CD packaged in a 4 panel mini-LP style gatefold jacket printed on uncoated stock with metallic ink and 4 panel booklet.

                            Future Islands

                            In The Fall

                              Formed as college friends in Greenville, NC, Future Islands relocated to Baltimore after becoming friends with Dan Deacon, an early and avid supporter of the band.
                              Future Islands have mastered their style, which Rolling Stone describes as, “adding punishing heft to simple pop melodies, making blippy electropop sound oddly confrontational”. Future Islands themselves term this “Post-Wave,” taking in part from the emotional fragility of New Wave and coupling it with the power and drive of Post-Punk.
                              Their music is spearheaded by Welmers, whose layers of synths and drums create the landscape for Cashion’s punching-strum bass guitar, that pulses and fights, creating noise and bliss. Herring, who has been called “one of the most magnetic frontmen in indie rock” finds his space in between. Carving through the music, at times, with a whispering croon, and at others, with a deathly wail.


                              Love Jail

                                Dommengang, the LA-based power trio of guitarist Dan ‘Sig’ Wilson, bassist Brian Markham and drummer Adam Bulgasem, return with the desert cruiser’s dream album ‘Love Jail’.

                                “The way in which they approach music is refreshing and honest. It is also damn catchy too and you will have a hard time keeping still whilst listening” - Echoes And Dust

                                “Adrenalized motorik rhythms and burly riffage with the sort of panache heard on the better Hawkwind and Guru Guru albums. It’s fuckin’ intense, dude.” - Seattle Stranger

                                “Lean, dirty, hungry” - The Quietus

                                Dommengang have adapted to the arid climates and imbued their particular brand of rock with a heavy dose of the best of 1970’s rock aesthetics.

                                The album was produced by The Fucking Champs guitarist and engineer Tim Green (Joanna Newson, Wolves In The Throne Room, Fresh & Onlys, Earthless), who perfectly captured the band’s sound while creating the space of older analogue recordings.

                                ‘Love Jail’ includes Dommengang’s most melodic and lyric-heavy songs to date - a great road trip record and a dynamic listen that is of the moment, organic and earthy with a heavy nod to the clear, lean recordings of a time long before any of its members were born.

                                The Body & Full Of Hell

                                Ascending A Mountain Of Heavy Light

                                  The Body and Full Of Hell integrate their love of electronic noisescapes with abrasive, precise sonic assaults on their second collaborative album featuring guest performances by Brian Chippendale (Lightning Bolt, Black Pus), Chrissy Wolpert (Assembly of Light Choir) and Ben Eberle (Sandworm).

                                  Both The Body and Full Of Hell have toured extensively throughout 2017 and will tour collaboratively in early 2018.

                                  The Body’s recent Thrill Jockey album ‘No One Deserves Happiness’ was critically acclaimed by Decibel, Pitchfork, NPR Music, Magnet, Noisey, SPIN, Terrorizer and more.

                                  Full Of Hell’s latest album ‘Trumpeting Ecstasy’ released earlier this year on Profound Lore, was praised by Decibel, Revolver, Pitchfork, Metal Injection and Terrorizer.

                                  “It’s a rare show of restraint from two of the underground’s most pulverizing groups. When the Body and Full Of Hell pull back, they somehow hit even hit harder.” - Pitchfork

                                  “The music oscillates between dirty, fuzzed out house beats and dissonant sludge riffs, a combination so devastatingly heavy it feels like being trapped inside seven torture devices all at once, then being thrown into a fiery pit of molten lava. It’s that desperate feeling and upsetting.” - Metal Sucks

                                  “‘Earth Is A Cage’ is about as ugly and feedback crunched as you’d expect from a meeting of the minds between a grind band and a noise peppered doom duo, but it’s also surprisingly fun.” - Invisible Oranges


                                  A Flame My Love, A Frequency

                                    French multi-instrumentalist Colleen (Cécile Schott) is fearless in her willingness to explore new sounds and new ways of creating music as a solo performer. On her new album ‘A Flame My Love, A Frequency’ she introduces the most drastic change to her music since she began singing on her fourth album, setting aside the viola da gamba she is known for in exchange for all electronic instrumentation - Moog pedals and Critter and Guitari synthesizers.

                                    Colleen has been praised by Pitchfork, Uncut, Mojo, The Wire, Magnet, FACT, Stereogum, The New York Times, Exclaim, Relix, Resident Advisor, Paste, The Quietus and more.

                                    Colleen will tour extensively with her completely reconfigured synthesizer setup, including sets at Chicago’s Museum of Contemporary Art and PhilaMOCA in Philadelphia. Colleen performed earlier this year at Moogfest where she also held a workshop explaining her pedal techniques. Moog has partnered with Thrill Jockey to help promote the album and host Colleen at their factory.

                                    “Exquisite, precise music made of unlikely inputs… The result is like a heart that pumps blood and also data.” - New York Times

                                    “It is a wondrous concoction, simultaneously ancient and modern, brought together by technology and the ear of a woman who unites epochs.” - NPR Music

                                    “Carves out and inhabits a persuasively exotic world of echo that invites total immersion.” - Mojo

                                    STAFF COMMENTS

                                    Barry says: Brilliantly effervescent, pulsating synth-led compositions centred around fizzing filters and soaring oscillators, all centred around Schott's beguiling voice. It's a departure from her norm, but it's absolutely superb.

                                    The Sea And Cake


                                      The Sea and Cake are a band who need very little introduction. In their extensive 25 year career the band have bridged the gap between Brazilian music of the late 1960s, African influenced guitar lines, and independent pop. A sound that is entirely distinct, centred around the delicate guitar interplay of Sam Prekop and Archer Prewitt, driven by the versatile rhythms of bassist Eric Claridge and drummer John McEntire and finally set apart by Prekop’s vocals and obtuse lyrics.

                                      The Sea and Cake’s second album ‘Nassau’ is pressed on coloured vinyl for the first time (LP1 translucent blue, LP2 translucent green) and packaged with a double-sided insert and free download card. Recorded by John McEntire at Idful Studios in Chicago, ‘Nassau’ moves the band away from the more immediate pop leanings of their self-titled debut and sees them begin to experiment as a band in production and songwriting. Nassau was featured on countless 1995 year end lists, moving the band into the spotlight and out of the shadows. ‘Nassau’ lives up to the promise of their debut and raised the bar for things to come.

                                      The Sea And Cake

                                      The Sea And Cake

                                        The Sea and Cake are a band who need very little introduction. In their extensive 25 year career the band have bridged the gap between Brazilian music of the late 1960s, African influenced guitar lines, and independent pop. A sound that is entirely distinct, centred around the delicate guitar interplay of Sam Prekop and Archer Prewitt, driven by the versatile rhythms of bassist Eric Claridge and drummer John McEntire and finally set apart by Prekop’s vocals and obtuse lyrics.

                                        The Sea and Cake’s 1994 self-titled debut is pressed on coloured vinyl for the first time (light blue) and packaged with a free download card. “The Sea and Cake’s buoyant debut is a breath of fresh air, an utterly distinctive and innovative work that expands the scope of frontman Sam Prekop’s work in the great Shrimp Boat to incorporate a new fascination with Afro-Caribbean rhythms and textures. Recorded by Brad Wood, the album simply glows - Prekop’s dry vocals and free-associative lyrics skip along a shimmering and lushly pastoral backdrop that nimbly fuses pop, soul, jazz, and even prog rock; tracks like ‘Jacking The Ball’, ‘Flat Lay The Water’, and ‘Showboat Angel’ are as seductive as they are elusive.” - All Music

                                        The Sea And Cake

                                        The Biz

                                          The Sea and Cake are a band who need very little introduction. In their extensive 25 year career the band have bridged the gap between Brazilian music of the late 1960s, African influenced guitar lines, and independent pop. A sound that is entirely distinct, centred around the delicate guitar interplay of Sam Prekop and Archer Prewitt, driven by the versatile rhythms of bassist Eric Claridge and drummer John McEntire and finally set apart by Prekop’s vocals and obtuse lyrics.

                                          The Sea and Cake’s third album ‘The Biz’ is pressed on coloured vinyl for the first time (gold) and packaged with an artworked inner sleeve and free download coupon. Following the band’s self-titled debut released in Sept 1994 and ‘Nassau’ released in March 1995, ‘The Biz’ was the band’s third record in just over one calendar year. It was recorded at John McEntire’s own Soma Studios. The instruments were mostly recorded live in only three days. The vocals were recorded by Prekop alone in five days. On ‘Nassau’ the band experimented heavily with signal processing and on ‘The Biz’ they continue that experimentation using less common forms of processing, more sparingly. They used a Roland Space Echo, EML-101, and ARP 2600 as both instruments as well as manipulators. Recording withstanding, ‘The Biz’ continues to showcase the band’s ability to mesh together their unusual blend of pop, soul and jazz into one seamless output.


                                          Gold & Green

                                            OOIOO’s seminal album ‘Gold & Green’ is finally widely released on vinyl for the first time. Presented as a deluxe double LP in a gatefold jacket with spot metallic ink and full colour inner sleeves featuring glorious artwork. Pressed on virgin vinyl with free digital download coupon.

                                            OOIOO have always created a musical language all their own. Under the leadership of Yoshimi, a founding member of Boredoms, the group have recorded six albums that have subverted expectations and warped perceptions of what constitutes pop and experimental music.

                                            ‘Gold & Green’ features guest appearances from Sean Lennon, Seiichi Yamamoto (Boredoms) and Yuka Honda (Cibo Matto).

                                            OOIOO’s Yoshimi is to release an exhilarating new album this Autumn with her group SAICOBAB, featuring sitarist Yoshida Daikiti, bassist Akita Goldman and percussionist Hama.

                                            “‘Challenging’ music doesn’t get more fun than this.” - NPR Music

                                            “OOIOO traffic in a crafty kind of post-punk primitivism… the synths, power chords, polyrhythmic drumming and wordless chants building into an irresistible, throbbing whole” - The Wire

                                            “An extraordinary band.” - New York Times

                                            “OOIOO is tight, lithe and anything but robotic.” - Washington Post


                                            Rites Of Uncovering

                                              Sometime lead guitarist with Anomoanon and Bonnie 'Prince' Billy, the Will Oldham connection has clearly rubbed off on Arbouretum leader Dave Heumann. Bucolic odysseys like "Tonight's A Jewel" and "Pale Rider Blues" complete with musty timbre and odd vernacular sound alarmingly like Oldham fronting Espers. That is, until Heumann's splintering guitar solos crack them wide open. "Sleep Of Shiloam" and "The Rise" evolve into epics of cosmic skronk, revealing him as sonic explorer a la Wilco or Crazy Horse rather than any 12-bar disciple. This wonderful record already feels like a cult classic.

                                              FORMAT INFORMATION

                                              LP Info: The LP has been freshly cut and pressed on virgin vinyl, packaged with insert and free download coupon.

                                              “White Hills have emerged from its deep sheets of psychedelia and smoke machine-cascading haze, glaring lights and all-out noise for a sinister beast of minimalist psych grooves and seductive danceibility.” - Noisey

                                              “A prolific band with a restless streak.” - Paste

                                              “A staple on the touring circuit where their explosive fusion of psychedelic, space rock, post-punk, krautrock, and ambient experimentation makes their performances feel less like traditional rock shows and more like full body and mind experiences.” - She Shreds Magazine

                                              Having continually refined their sound, pushing the boundaries of psychedelic music, White Hills have flipped the script on their new album, ‘Stop Mute Defeat’. Members Dave W. and Ego Sensation have brazenly produced an industrially-charged record that pulsates unlike anything they’ve released before.

                                              Mixed by Martin Bisi (Sonic Youth, Brian Eno, Afrika Bambaataa), the album was influenced by dance hall, drug den and bar, the Mudd Club - New York’s legendary haunt in the late 1970’s. Following similar techniques to those propagated by William S. Burroughs (a regular at Mudd Club), ‘Stop Mute Defeat’ sees White Hills break free from the guitar-driven structure of their earlier releases and create sounds that call to mind ‘Xtrmntr’-era Primal Scream or Cabaret Voltaire. Despite the band’s newfound approach, their criticisms of rampant consumerism and the proliferation of post-truth mythology are at their most scathing.

                                              STAFF COMMENTS

                                              Barry says: Brain-meltingly psychedelic breakdowns, grooving sludgey walls of sound and cosmic synth swells, all accentuated with distorted vocals and churning industrious bass. I loved their album with Manc psych-nutters Gnod, and I love this just as much. You will too.

                                              Brian Gibson


                                                THIS IS A RECORD STORE DAY 2017 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                For Record Store Day 2017 Thrill Jockey presents a limited edition colour vinyl pressing of the original soundtrack to the critically acclaimed rhythm violence game ‘Thumper’.

                                                All music by Brian Gibson (Lightning Bolt).

                                                Gibson is a seasoned game artist, working on titles such as Amplitude, Guitar Hero, and Rock Band.

                                                The game Thumper, developed by Gibson with programmer Marc Flury through their studio Drool, has been lauded as one of the best games of 2016, with particular note to the music from the likes of FACT, Paste, IGN, Kotaku, and PC Gamer who called Thumper “one of the best music games ever made,” as well as being nominated for and winning awards for Best Music/Audio from Game Developer’s Choice Awards, IGN Japan, New York Video Game Awards, and more.

                                                ‘Thumper’ was also selected by Sony as one of PlayStation’s first releases for their Virtual Reality console when launched in 2016.

                                                “As spartan and laser-focused as Lightning Bolt’s music” – FACT.

                                                The LP is pressed on translucent red vinyl with black paper inner sleeve and free download coupon.

                                                ‘Thumper’ is released in a limited edition of 500 copies for the UK and Eire.

                                                Glenn Jones & Matthew Azevedo


                                                  THIS IS A RECORD STORE DAY 2017 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                  On new live album ‘Waterworks’, digital and acoustic experimentation bring sparkling new depths to Glenn Jones’ emotive guitar virtuoso.

                                                  ‘Waterworks’ was recorded binaurally at the Waterworks Museum in Boston, MA on June 24, 2015 through 20 speakers.

                                                  Glenn Jones plays guitar and banjo and is joined by Matthew Azevedo on synthesizer, harmonium, soundscapes, and signal processing.

                                                  Recorded a month after the sessions for his 2016 album ‘Fleeting’, ‘Waterworks’ captures Glenn Jones at the forefront of modern solo guitar playing.

                                                  The Waterworks’ Great Engine Hall – depicted in the album artwork - is a unique setting for Glenn Jones’ intimate vignettes. Its lofty redbrick columns and vaulted ceiling makes for an intensely resonant space, whilst further acoustic considerations had to be made for the large amount of reflective machinery stationed in the room. Sumptuous glissandi seem to drip from every cavernous corner, whilst rhythmic bass lines gainfully slip across brass, steel and stone. Put on record, it makes for a consuming stereo experience.

                                                  To best navigate this space Jones turned to Matthew Azevedo – his mastering guru of fifteen years – for guidance. “What had been conceived as a solo show quickly turned into a collaboration,” Jones laughs. Whilst Jones’ untreated guitar and banjo take the forefront throughout Waterworks, Azevedo’s addition brings thrilling new depth to Jones’ ruminative compositions. Toying with the room’s unique acoustic, Azevedo unleashes an arsenal of field recordings, sonic manipulations and harmonium drones, through strategically placed speakers hidden in gangways high above the audience.

                                                  Whether it’s cacophonous crow caws bleeding into ‘Close to the Ground’, or the echoed schoolyard cries underpinning Across the Tappan Zee’, Azevedo’s sonic additions frame both Glenn Jones and Modern Primitive Guitar music in a whole new light. When Azevedo’s synth onslaught swarms Jones’ sumptuous cover of John Fahey’s 1964 song “The Portland Cement Factory at Monolith, California,” it transports the genre to pummeling industrial territories as yet undiscovered.

                                                  The LP includes an insert with an essay about the performance plus a free download card.

                                                  Limited to 500 copies for the UK and Eire.

                                                  Trans Am

                                                  California Hotel

                                                    THIS IS A RECORD STORE DAY 2017 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                    For Record Store Day 2017 Trans Am deliver a brand new vinylonly album featuring their first new material since 2014’s ‘Volume X’.

                                                    Trans Am is a band that has never compromised. Originally from North Bethesda, Maryland, Trans Am is considered fathers of the instrumental post-rock sound of the 1990s.

                                                    Since then the band - Phil Manley, Sebastian Thomson and Nathan Means - has added vocals and spanned genres from metal to house to progressive rock. They exploited Casio keyboards for cacophonous lo-fi sounds. They played fully electronic sets when most of their contemporaries were sticking exclusively to guitars. They pioneered early millennium fad Electroclash. Today, they continue to set their own course.

                                                    On ‘California Hotel’, Trans Am borrowed ideas from My Bloody Valentine, John Carpenter, DAF, Led Zeppelin, Air, Sade and David Gilmore, among others. The result is an incredibly rich range of sounds that retain a pulsating energy.

                                                    ‘California Hotel’ was constructed in four one-week bursts that took place over two years deep in San Francisco’s El Studio. Bits and pieces of songs like ‘Expansions’ and ‘Alles Verbotten’ were recorded during live jams, lost due to unique file management and remerged for inspection and improvement – often multiple times.

                                                    In an effort to “get back to their roots” some songs were recorded live to analog tape. The basic tracks for most songs were recorded live, in an attempt to capture Trans Am’s “Xfactor Rock ‘n’ Roll serpent energy.” All musicians were playing in the same room at the same time with a minimum of overdubs. This decision was partly choice and partly necessity due to time constraints.

                                                    ‘California Hotel’ is released in a limited edition of 1,000 copies worldwide.

                                                    Limited to 500 copies for the UK and Eire.

                                                    The LP is pressed on gold vinyl with a free download coupon.

                                                    Trans Am will tour throughout 2017.

                                                    ‘Book Of Changes’, the new album by Guy Blakeslee as Entrance, is a poetic song cycle about the seasons of the heart, tracing an emotional journey through longing and emptiness to peace and redemption. The adventurously produced collection of songs is reminiscent of Townes Van Zandt’s ruminative lyricism and the gypsy flavoured orchestral explorations of Arthur Lee and Love, uniquely channelled through Blakeslee’s 21st Century approach to the spiritual dimensions of American songwriting in a way that gives an old form new power.

                                                    ‘Book Of Changes’ follows the release of the ‘Promises’ EP which was supported with a series of live performances including opening for Beach House, Explosions In The Sky and Scott Fagan.

                                                    Mixed by David Vandervelde (Father John Misty, Jay Bennett) and Chris Coady (Future Islands, Cass McCombs) with mastering by Grammy nominated engineer Sarah Register (David Bowie, The Shins).

                                                    ‘Book Of Changes’ features Blakeslee joined by longtime collaborator Paz Lenchantin (Pixies, Silver Jews) and percussionist Frank Lenz (Pedro The Lion, The Weepies).

                                                    FORMAT INFORMATION

                                                    LP Info: LP pressed on virgin vinyl with artworked inner sleeve and free download coupon.

                                                    Brokeback is the longstanding project of Douglas McCombs (Tortoise, Eleventh Dream Day, The Sea And Cake and Pullman). The current Brokeback quartet lineup features McCombs joined by James Elkington (Tweedy, Steve Gunn), Pete Croke (Exit Verse, Tight Phantomz) and Areif Sless-Kitain (The Eternals).

                                                    The instrumental landscapes on ‘Illinois River Valley Blues’ are utterly transportive, evoking familiar open-frontier soundtracks and charting out new sonic territory.

                                                    The album features guest vocals from Amalea Tshilds (The Paulina Hollers) and a cover of a Rob Mazurek (Chicago Underground, Exploding Star Orchestra)-written ballad.

                                                    ‘Illinois River Valley Blues’ was produced by John McEntire (Stereolab, Yo La Tengo) with stunning album photography by Sam Prekop (The Sea And Cake).

                                                    “At its center it’s all ragged glory, guys banging out riffs and solos, a clear-cut delve into the rock firmament. You can practically feel the band members blowing the dust off their old plaid shirts and cracking open a six pack” - Pitchfork

                                                    Glenn Jones

                                                    This Is The Wind That Blows It Out

                                                      Glenn Jones’ debut album ‘This Is The Wind That Blows It Out’ was originally released in 2004 on CD only by Strange Attractors Audio House. Thrill Jockey are proud to give this timeless classic a first time vinyl issue.

                                                      Glenn Jones is a master of American Primitive Guitar, a style invented in the late 1950s by John Fahey, whose traditional fingerpicking techniques and wide-ranging influences were used to create modern original compositions.

                                                      Jones, who led the post-rock ensemble Cul de Sac, brings his own made-up tunings, the use of custom-crafted partial capos, and a highly skilled picking style on both banjo and guitar, to create personal compositions that are lyrical, emotive and elegant. What sets him apart from the myriad guitarists playing today is his ability to tell stories with the guitar and banjo and to convey a range of emotions. This process starts with the compositions themselves and carries through to his selection of recording environment and engineer.

                                                      ‘This Is The Wind That Blows It Out’ stands the test of time in today’s avant folk movement with Glenn Jones emerging as a clear leader. His pensive sentimentality and playful spirit, not to mention his innovative technique, have become just as ingrained into the style’s DNA as any hallmarks of the original Takoma school.

                                                      Opening with the title tune, ‘This Is The Wind That Blows It Out’ meanders with heady grace, Delta-delica slide guitar as intoxicating as it is mournful. ‘Fahey’s Car’ bounces and shimmers like some of Peter Lang’s classic Takoma sides and ‘Linden Avenue Stomp’ is an alternate take of an old-timey duet with the late great Jack Rose.

                                                      Jones turned away from standard tuning years ago, inventing tunings as a way of escaping the known, his 2016 album ‘Fleeting’ gained much critical acclaim and his convivial live performances prove him to be a compelling storyteller as well as an outstanding musician.

                                                      FORMAT INFORMATION

                                                      Ltd LP Info: The LP is pressed on virgin vinyl and packaged in a heavy stock jacket with inner sleeve including notes and tunings for each song and free digital download card.

                                                      Luke Roberts

                                                      Sunlit Cross

                                                      The music made by Luke Roberts is wide in scope and spare in structure. It is as universal as it is personal - if you have to label it, the right stamp to put on it might be ‘redemptive blues’. Roberts’ songs, while deeply personal in origin, touch on universal life experiences and emotions. ‘Sunlit Cross’ is unwaveringly honest and raw, as Roberts gets closer than ever to his true self: a person who looks past the dark truths to see a real light.

                                                      ‘Sunlit Cross’ features Kurt Vile, Stephen Tanner (Harvey Milk and Music Blues), John Neff (Drive-By Truckers) and Creston Spiers (Harvey Milk).

                                                      ‘Sunlit Cross’ was recorded at RonnieJone$ound with Kyle Spence (who, in addition to recording tracks for Kurt Vile’s ‘B’lieve I’m Goin Down’, also drums with Vile and Harvey Milk). Spence worked closely with Roberts to make the record sonically richer than ever before.

                                                      “His appreciation of the spiritual beauty of those classic sounds [Americana and southern blues] has given his music a rich warmth.” - musicOMH

                                                      “Luke Roberts practices a particular form of bruised, intense country-folk, one that’s both immersive and apocalyptic.” - Stereogum

                                                      “Luke Roberts is singing about the no-place of everyplace, the desolation we all know” - Pitchfork

                                                      “His voice is somewhere between Townes Van Zandt and Kurt Vile - young and wise, but with an even-older worldview and simplicity.” - FILTER Magazine

                                                      “Roberts’ vocals (which contain all the cackle of J Mascis and all the plaintiveness of Townes Van Zandt) are tender and bruised, and… can be legitimately heartbreaking.” - Pitchfork

                                                      FORMAT INFORMATION

                                                      LP Info: LP version pressed on virgin vinyl with free digital download coupon.

                                                      CD Info: CD version in 4 panel mini-LP style gatefold package.

                                                      People Of The North

                                                      The Caul

                                                        People Of The North are Kid Millions and Bobby Matador of Oneida. The duo have a long history for creating explorative music and of pushing the limits in performance (Kid Millions as Man Forever and behind the kit in Oneida, Bobby Matador on guitar, vocals and organ in Oneida).

                                                        Kid Millions’ ever-evolving Man Forever project has released two critically acclaimed albums on Thrill

                                                        Kid has played in Spiritualized, Boredoms, Marnie Stern, Yo La Tengo and White Hills. He has also collaborated with Laurie Anderson, So Percussion, Greg Fox (Liturgy, Guardian Alien), Jim Sauter (Borbetomagus) and Rick Moody and collaborated with J. Spacemen (their duo record on Northern Spy in 2014).

                                                        ‘The Caul’ is released on LP only, pressed on virgin vinyl with a postcard insert and free digital download code.

                                                        Recorded by multi-instrumentalist Jamie Saft (a renowned keyboardist and composer who scored the Oscar-nominated documentary ‘Murderball’).

                                                        “Truly unusual, deep and all-encompassing music, and yet another brilliant chapter in the Oneida [related] saga.” - The Quietus

                                                        “Consistently captivating.” - The Line Of Best Fit

                                                        “People Of The North is a project that’s all about openness, about laying processes bare, about welcoming people in to what would otherwise be a very private moment.” - Pitchfork

                                                        Oozing Wound are a thrash trio featuring veterans of Chicago’s underground scene who have played with High On Fire, The Body, Ash Borer, Wolf Eyes, Nazoranai and Black Pus, among many others.

                                                        A horrifying concoction of apathy and malaise wrapped in a delectable sheet of hatred drowned in a bath of contempt.

                                                        “Oozing Wound are the Chicago trio ripping up the rule book of thrash.” - The Guardian

                                                        “Chicago trio Oozing Wound play loud, brash and snotty crossover thrash with a penchant for the kind of big, obnoxious riffs that can’t fail to plaster a huge grin across your face.” - Terrorizer

                                                        “Their songs barrel along like Iron Lung bitch-slapping the first Megadeth album or meaty Testament-like guitar gallops infused with an air of frenetic power violence irreverence.” - Metal Hammer

                                                        “A whole sweaty, stinking ruck of basement smashing fun” - The Quietus

                                                        “So refreshingly anti-bullshit are Oozing Wound that they could conceivably turn out to be the Nirvana of thrash.” - Noisey

                                                        FORMAT INFORMATION

                                                        CD Info: CD version in 4 panel mini-LP style gatefold package with high gloss varnish and 4 page booklet.



                                                          ‘Promises’ is Entrance’s debut for Thrill Jockey Records, featuring four astonishingly unforgettable new songs. ‘Promises’ is the introduction to a fresh chapter in the story of Entrance.

                                                          Entrance is the multi-talented singer-songwriter Guy Blakeslee. An artist’s artist, Entrance is a musician with the blues running through his veins.

                                                          His newest creations add up to a set of rich, cinematic songs featuring expansive orchestration and imaginative storytelling, as unique to himself as they are, at times, evocative of Townes Van Zandt, Scott Walker and Gene Clark.

                                                          Among his fans, he counts the likes of Spike Jonze, who featured Entrance’s interpretation of Skip James’ ‘I’m So Glad’ in the film ‘Her’.

                                                          Players on the EP include Paz Lenchantin (Pixies) and Emily Kokal (Warpaint).

                                                          Artwork for the EP is by acclaimed LA artist Amanda Charchian and the photos were shot by Edouard Plongeon in Paris.

                                                          Pressed on virgin vinyl with free download card.

                                                          “Dilating country-blues songs into distorted Velvet Undergroundinspired drones” - The Guardian

                                                          FORMAT INFORMATION

                                                          LP includes MP3 Download Code.

                                                          Grumbling Fur are the UK based duo of Alexander Tucker and Daniel O’Sullivan.

                                                          Alexander Tucker’s solo releases on Thrill Jockey include ‘Third Mouth’ and ‘Dorwytch’. A prolific artist, his latest graphic novel, the acclaimed ‘World In The Force Field’, is out now via Breakdown Press.

                                                          Daniel O’Sullivan has been at the core of the wildly successful This Heat reconstitution and with Massimo Pupillo of Zu recently realised Laniakea. As part of Norwegian experimental collective Ulver he released the ‘ATGCLVLSSCAP’ album and later this year there’ll be a new album from Æthenor, his ongoing project with Steve Noble and Stephen O’Malley of Sunn O))).

                                                          ‘Furfour’ is the band’s second release on Thrill Jockey, with previous releases on Aurora Borealis and Latitudes alongside their last highly successful output on The Quietus Phonographic Corporation.

                                                          On ‘Furfour’, Grumbling Fur are joined by This Heat’s Charles Bullen and Isobel Sollenberger from Bardo Pond. The band have also recently collaborated with Charlemagne Palestine.

                                                          ‘Furfour’ gradually emerged over three years of writing and recording at 147 Tower Gardens, the mystical, ivy-shrouded house that Tucker and O’Sullivan once called home.

                                                          The band’s music is shaped all this are their long-standing shared musical affections, encompassing orchestrated poptones, collage, dub and beatmaking as well as experimental and drone elements - touchtones might include Faust, Arthur Russell, Penguin Cafe Orchestra, Moondog, Michael Nyman, Gate, Syd Barrett, Stereolab, Vibracathedral Orchestra, Ashtray Navigations, CC Hennix and Madlib.

                                                          FORMAT INFORMATION

                                                          LP Info: LP version is pressed on virgin vinyl and packaged with artworked inner sleeve and free digital download coupon.
                                                          Coloured vinyl initial pressing!

                                                          CD Info: CD version in 4 panel mini-LP style gatefold package.

                                                          On new record ‘Star Core’, multi-instrumentalist Marielle V Jakobsons uses her voice for the first time, while expanding on ideas she explored in her previous solo records and as one half of the group Date Palms.

                                                          ‘Star Core’ revolves around minimalist synthesizer layers with melodic violin, ute and vocals over elongated bass grooves. The songs on the album are Jakobsons’ version of devotional hymns and they create a cosmic yet personal environment to slow down with and to get lost in.

                                                          ‘Star Core’ was recorded at Jakobsons’ home studio and at Mills College in Oakland, California and mixed at Chuck Johnson’s Cirrus Oxide studio.

                                                          Jakobsons has previously performed solo as Darwinsbitch and in the group Myrmyr with Agnes Szelag.

                                                          “… like Earth sans metal, a dusty Morricone-on-codeine tortoise plod through dubby deserts” - Spin

                                                          “A meditative amalgam of grounding strings and miragelike shimmers” - The Fader

                                                          “What Marielle has replicated ... is the exuberance of nature, the subtle, superabundance of the given thing itself” - Tiny Mix Tapes

                                                          STAFF COMMENTS

                                                          Barry says: This is heavy! Not heavy like Slipknot or Papa Roach obviously, but it has an atmospheric weight to it, not unlike GYBE or Mogwai (the twinkling lead on the eponymous track reminds me an awful lot of the opening track on Mogwai's recent 'Atomic' LP). Booming string drones and breathy woodwind rise and fall alongside slightly tremoloed guitars, whirring synths pan across the stereo field before being joined by soaring string sections. Well worth a listen for any fans of instrumental or ambient music.

                                                          FORMAT INFORMATION

                                                          LP Info: LP version pressed on virgin vinyl with free download coupon.

                                                          Sam Prekop

                                                          Sam Prekop

                                                            THIS IS A RECORD STORE DAY 2016 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                            For Record Store Day 2016 Thrill Jockey present a limited re-issue of Sam Prekop's classic self-titled debut.

                                                            Sam Prekop’s self-titled debut is a study in pop nuances. Simultaneously transporting the listener from mild climes and swinging palms to darkened skies and wind blown steppes, the record will be easily recognized by fans of The Sea and Cake.

                                                            Prekop is assisted on this release by Archer Prewitt (The Sea and Cake), Chad Taylor (Chicago Underground, Marc Ribot), Josh Abrams (Natural Information Society, Town and Country), and Jim O’Rourke.

                                                            Sam and his band blend West African rhythms with a bit of soul, jazz and pop. The resulting record is something wholly original, elegant and earthy.

                                                            This is the first time this best selling album has been pressed on colour vinyl.

                                                            Limited to 500 copies, pressed on opaque blue vinyl with artworked inner sleeve and free download coupon.

                                                            Jan St. Werner, the well-respected artist and musician known for his solo compositions, his work with Mouse On Mars and art pieces, has created a beautifully rhythmic, instantly gripping work with his new album ‘Felder’.

                                                            Werner has created sounds that are listenable and inviting, complex but approachable and, mostly, completely unidentifiable. ‘Felder’ means ‘fields’ in German and here the word refers to conceptual frameworks and subjects and sound fields. Werner mixes organic sounds from French horns and cellos seamlessly with synthesized notes created with one-of-a-kind programs. He builds layers of sound with differing cadences upon one another, creating intricate patterns that connect with each other structurally, rhythmically, semantically and historically. Suggestions of jazz, industrial music, drone and even folk float in and out of the electronic compositions in a seemingly effortless manner; paradoxically, ‘Felder’ was meticulously constructed over the course of four years.

                                                            “Music that makes you hyper-aware of your place in relation to it and something that removes you from thinking about yourself altogether” - Pitchfork

                                                            Werner has collaborated with Markus Popp (Oval), Mark E Smith (The Fall), Damo Suzuki (Can), the scientist / writer Oswald Wiener and the theorist Siegfried Zielinksi on pieces that were premiered at the Chicago Symphony, Phiharmonie Cologne, Barbican London, Radialsystem Berlin, HAU Berlin, Akademie der Kunste Berlin and the German public radio stations WDR, SWR, BR, and DLF. Werner has also shown works at Kunstverein Munich, Neue Nationalgalerie Berlin, Museum Abteiberg Monchengladbach, Cubitt Gallery London, Kunsthalle Dusseldorf and Cornerhouse Manchester.

                                                            In addition Werner has worked with the visual artist Rosa Barba on pieces premiered at London’s Tate Modern, the MIT List Visual Arts Center and the Reina Sofia in Madrid.

                                                            FORMAT INFORMATION

                                                            LP Info: LP version pressed on virgin vinyl with free download card.

                                                            CD Info: CD version packaged in a 4 panel mini-LP style gatefold package.


                                                            Ultimate Care II

                                                            ‘Ultimate Care II’ is the new album from renowned conceptual electronics duo Matmos (Drew Daniel and MC Schmidt).

                                                            Recorded in the basement studio of their home in Baltimore, the album is constructed entirely out of the sounds generated by a Whirlpool Ultimate Care II model washing machine. Like its namesake, the album runs across its variations as a single, continuous thirty eight minute experience that starts with the grinding turn of the wash size selection wheel, and ends with the alert noise that signals that the wash is done. Between these audio-verité book-ends, we experience an exploded view of the machine, hearing it in normal operation but also as an object being rubbed and stroked and drummed upon and prodded and sampled and sequenced and processed by the duo, with some occasional extra help from an ultra-local crew of guest stars (some of whom regularly do laundry chez Matmos).

                                                            Dan Deacon, Max Eilbacher (Horse Lords), Sam Haberman (Horse Lords), Jason Willett (Half Japanese) and Duncan Moore (Needle Gun) all took part, either playing the machine like a drum, processing its audio, or sending MIDI data to the duo’s samplers. The vocabulary of the Ultimate Care II, its rhythmic chugs, spin cycle drones, rinse cycle splashes, metallic clanks and electronic beeps are parsed into an eclectic syntax of diverse musical genres. The result is a suite of rhythmic, melodic and drone-based compositions that morph dramatically but remain fanatically centered upon their single, original sound source.

                                                            In addition to releasing a string of acclaimed albums over the past 20 years, Matmos have played the uterus and reproductive tract of a cow at the San Francisco Art Institute, canisters of helium at Radio City Music Hall (while opening for Bjork) and John Cage’s personal collection of conch shells at Carnegie Hall.

                                                            Matmos have also collaborated and performed with Terry Riley, The Kronos Quartet, Antony Hegarty, William Basinski and Horse Lords.

                                                            Three videos will be serviced: one by Baltimore musician Max Eilbacher (Horse Lords, Needle Gun), one by infamous collage artist / plunderphonic cut-up wizard Vicki Bennett (aka People Like Us) and one by Ed Apodaca of San Francisco motion graphics firm L-inc, who created the ‘Very Large Green Triangles’ video for Matmos’ last album.

                                                            FORMAT INFORMATION

                                                            Indies Exclusive LP Info: LP pressed on virgin vinyl and packaged in a heavy stock jacket with full colour inner sleeve and free download card. Available exclusively to independent retailers pressed on ‘clean laundry’ (blue with white swirl) coloured vinyl.

                                                            LP Info: LP pressed on virgin vinyl and packaged in a heavy stock jacket with full colour inner sleeve and free download card.

                                                            Revered Chicago-based instrumental group Tortoise, comprised of Dan Bitney, John Herndon, Doug McCombs, John McEntire and Jeff Parker, have spent 25 years making music that defies description. While the quintet have nodded to dub, rock, jazz, electronica and minimalism throughout their acclaimed and influential six-album discography, the resulting sounds have always been distinctly their own.

                                                            It’s a fact that remains true on the hotly anticipated forthcoming new album ‘The Catastrophist’ (Thrill Jockey) and Tortoise’s first studio album in nearly seven years.

                                                            Recorded at McEntire’s famed Soma Studios, it’s an album where moody, synth-swept jams like the opening title track cosy up next to hypnotic, bassand- beat missives like ‘Shake Hands With Danger’ and a fantastic cover of David Essex’s 1973 hit song ‘Rock On’ sung by U.S. Maple’s Todd Rittmann. Throughout, the songs on ‘The Catastrophist’ transcend expectations as often as they delight the listen’s eardrums.

                                                            ‘Rock On’ isn’t the only vocal moment on the album. Yo La Tengo’s Georgia Hubley distinctive tones are on the bittersweet classic soul/R&B vibe ballad ‘Yonder Blue’. this also marks the first time a Tortoise album will feature a guest vocalist singing original lyrics.

                                                            ‘Gesceap’, the first track premiered from ‘The Catastrophist’, is a stunning seven-minute long, minimalist rhythmic piece, morphing from two gently intersecting synth lines into a pounding, frenzied full-band finish.

                                                            There’s a deeply intuitive interplay between the group that comes only from two decades of experimentation, revision and improvisation. At a time when our minds are constantly bombarded by myriad distractions, ‘The Catastrophist’ reminds us that there’s something much greater out there. All we have to do is listen.


                                                            Beacons Of Ancestorship

                                                              "Beacons Of Ancestorship" is Tortoise's sixth full-length album, and their first release of new material in five years, since 2004's "It's All Around You". A characteristic Tortoise album is one that traverses an encyclopaedia of styles and reference points, a document of where musical intersections and dialogue are occurring at a given moment in time. "Beacons Of Ancestorship" is no different, with nods to techno, punk, electro, lo-fi noise, cut-up beats, heavily processed synths, and mournful, elegiac dirges. We see these ideas working out in compositions like "High Class Slim Came Floatin' In", an eight-minute track which playfully references the world of ecstatic rave and dance culture with a curiously ambivalent, multi-part suite overlaid with robotic, machine-sounding melodies that stop and start in several different time signatures before the song's ultimate resolution; and again in "Yinxianghechengqi", which begins as a straightforward uptempo math-rocker before steadily accelerating into a wall of fuzzy atonal sqwonk.

                                                              1. High Class Slim Came Floatin' In
                                                              2. Prepare Your Coffin
                                                              3. Northern Something
                                                              4. Gigantes
                                                              5. Penumbra
                                                              6. Yinxianghechengqi
                                                              7. Fall of Seven Diamonds Plus One
                                                              8. Minors
                                                              9. Monument Six One Thousand
                                                              10. De Chelly
                                                              11. Charteroak Foundation

                                                              FORMAT INFORMATION

                                                              Ltd LP includes MP3 Download Code.

                                                              Dave Heumann, leader of the beloved Arbouretum, branches out with his debut solo record ‘Here In The Deep’. While Arbouretum were on a year-long hiatus Heumann continued writing, finding himself with a collection of material that displayed a different style of songwriting from his past efforts.

                                                              The recording of these songs gave Heumann a chance to play with a talented group of friends, including Walker Teret of Lower Dens, drummer / percussionist Mike Kuhl, Wye Oak’s Jenn Wasner and accomplished pianist Hans Chew, among others.

                                                              The songs on ‘Here In The Deep’ were arranged with a mind to explore textures outside of what Arbouretum typically embody.

                                                              Significantly, ‘Here In The Deep’ was mixed by John Parish (Perfume Genius, PJ Harvey, Tracy Chapman, Jenny Hval), whose sense for the deep, warm spaces the songs occupy allowed him to give the album a distinct clarity not found on any Arbouretum album.

                                                              Highly informed by folk and pop traditions, the album’s ten tracks are so well crafted that they seem instantly familiar. Lyrically, the songs touch on themes at once cosmic and universal: the connection of the human spirit to its environment and different routes to navigate within. There is a paradoxical lightness to the recording juxtaposed with a deeply resonant sense to the words.

                                                              ‘Here In The Deep’ is a lush showcase of the considerable lyrical, vocal and guitar talents of Dave Heumann and, for the listener, a rich escape.

                                                              FORMAT INFORMATION

                                                              LP Info: LP version includes artworked inner sleeve and free download coupon.

                                                              Dan Friel creates intense, colourful and intricate instrumentals that, for all their complexity, are melodic pop songs. Equally at home in the DIY scene and the contemporary art world, Friel has been at the forefront of a movement of musicians who create dance music with a clear affinity for the extremes of noise and metal, eschewing the traditional dance clubs and adhering to the ethics of the underground.

                                                              On his second Thrill Jockey album ‘Life’, Friel uses his surprisingly small arsenal of gear to distort and manoeuvre his beloved Yamaha Portasound into an expansive sound that is incredibly varied in tone and texture. This toy keyboard, his first instrument, is manipulated beyond recognition to create songs that are frenzied and epic.

                                                              ‘Life’ also has moments that are incredibly sweet, idyllic, and fragile - sentiments that make perfect sense coming from a new father whose instrument of choice is his childhood keyboard.

                                                              All throughout ‘Life’, Friel exploits his intentionally simple set-up to ever surprising effect, using simple electronics to mirror the sounds of guitars, drums and harmonicas. It is an irresistible and genrebending collection of underground anthems.

                                                              ‘Life’ was written and recorded by Friel at his home studios in Brooklyn and was mixed by Jonathan Schenke (Parquet Courts, Liturgy).

                                                              ‘Life’ is Friel’s sophomore Thrill Jockey release following ‘Total Folklore’.

                                                              “Punchy instrumentals instilled with the raw energy of punk” - Pitchfork

                                                              “Full of technicolor chirp, sugar-rush whoosh, and a bucket of adrenaline” - Stereogum

                                                              “A merry onslaught” - New York Times

                                                              “It’s pretty much bottled raw power” - Tom Ravenscroft, BBC

                                                              “Fucking great” - Kurt Braunohler

                                                              FORMAT INFORMATION

                                                              CD Info: CD version in 4 panel mini-LP style gatefold package. LP version includes free download coupon.

                                                              “Eleventh Dream Day have forged one of the most durable sounds to emerge from the indie-rock underground. Balancing ragged guitars against fragile melodies and sweet vocal harmonies, the Chicago group’s albums perfectly encapsulated the promise - both artistic and commercial - of post-punk alternative rock.” - Rolling Stone

                                                              On ‘Works For Tomorrow’ core Eleventh Dream Day members Rick Rizzo, Janet Beveridge Bean, Mark Greenberg, and Douglas McCombs are joined by James Elkington (Brokeback, Tweedy), marking the first time the band have recorded with a second guitarist since 1994. Elkington’s addition has unleashed the band’s strengths. The ferocious and visceral interplay between Rizzo and Elkington charge the band with a joyous exuberance that sweeps the listener in for the 43 minutes of ‘Works For Tomorrow’.

                                                              The album also features performances by long time friend Martin Wenk (Calexico) and Rich Parenti on horns.

                                                              Eleventh Dream Day are known for their raw, inexhaustible live performances. They honed the songs on ‘Works For Tomorrow’ during an extended residency at Chicago’s legendary club venue The Hideout and the packed, sweaty energy of those shows is unmistakable on this new recording. Drummer and sometime lead vocalist Janet Beveridge Bean breaks free as never before with her vocals igniting the songs with an animalistic urgency as she furiously propels the songs with pure command from behind the kit.

                                                              Eleventh Dream Day’s fiery performances and inventive arrangements make for the most complex and compelling record of their career. ‘Works For Tomorrow’ finds the band fixed on the road ahead, barrelling toward the horizon with the radio turned way, way up.

                                                              ‘Works For Tomorrow’ was recorded and mixed by Mark Greenberg at the Loft (Wilco’s studio) and Mayfair Recordings.

                                                              FORMAT INFORMATION

                                                              LP Info: LP version features alternate cover artwork and is pressed on virgin vinyl with a free digital download card.

                                                              CD Info: CD version in 4 panel mini-LP style gatefold jacket.


                                                              Everybody's Boogie

                                                                Dommengang are a Brooklyn-via-Seattle rock trio fronted by Pacific Northwest psych mainstay Sig Wilson (Holy Sons, Castanets, Scout Niblett) and Brooklyn musicians Brian Markham and Adam Bulgasem (currently members of Holy Sons’ live band).

                                                                While the trio’s affection for electric blues and proto-punk bombast is clear, their music abandons traditional song structures and replaces their recognizable tropes with progressive frameworks. The band’s debut, ‘Everybody’s Boogie’, pivots between gloriously inventive riffs and fuzzed-out experimentation, a combination so potent that the listener hardly notices that they rarely sing.

                                                                ‘Everybody’s Boogie’ was recorded live in the studio in Greenpoint, Brooklyn with minimal overdubs.

                                                                Recommended for fans of Pontiak, Endless Boogie, Earthless and Goat

                                                                FORMAT INFORMATION

                                                                LP Info: LP mastered and cut to vinyl by Josh Bonati at Bonati Mastering and pressed on virgin vinyl with free download card.

                                                                CD Info: CD version in 4 panel mini-LP style gatefold package.

                                                                White Hills are one of the most legendary acts in psychedelic rock today and remain a consistent top seller, often selling through multiple vinyl pressings quickly upon release.

                                                                ‘Walks For Motorists’ showcases a new intensity for the band, emphasizing rhythm and groove. It is their definitive statement.

                                                                The album was recorded at Bryn Derwen Recording Studio in Wales with David Wrench (Caribou, Bear in Heaven, FKA Twigs, Owen Pallet).

                                                                White Hills have recently appeared in Jim Jarmusch’s film ‘Only Lovers Left Alive’, toured with both The Cult and Kylesa and were selected by Scion for their AV Club compilation.

                                                                FORMAT INFORMATION

                                                                2xLtd LP Info: Double LP set, exclusive to independent retailers. Translucent red vinyl LP plus bonus ‘Drives For Pedestrians’ black vinyl LP featuring 30 minutes
                                                                of unreleased material packaged in its own jacket with bootleg style cover sticker.

                                                                LP Info: LP version pressed on virgin vinyl and packaged in a high gloss jacket with spot varnish, artworked inner sleeve and free download coupon.

                                                                Liturgy are a Brooklyn-based, self-styled ‘Transcendental Black Metal’ band whose yearning, energetic music exists in an uncanny space between avant rock, black metal, fine art and shamanic ritual. Led by songwriter and conceptual architect Hunter Hunt-Hendrix, who is joined by guitarist Bernard Gann, bassist Tyler Dusenbury and drummer Greg Fox, the band exist as a 21st Century total work of art (gesamtkunstwerk), activating divine potencies by means of music and culture even as they underscore the contradictions inherent in such a project during the internet era.

                                                                ‘The Ark Work’ is the much anticipated follow up to Liturgy’s 2011 breakout album ‘Aesthethica’.

                                                                ‘The Ark Work’ hums and churns with Hunt-Hendrix’s inventive arrangements, drenched with glockenspiels, bagpipes, strings, ritual chanting and MIDI horns. It supplements its metal energy with motifs from unlikely, disparate genres; crossfertilizing hard-style beats, occult-oriented rap and the glitched re-sampling of IDM, with structures from Medieval sacred music, Romantic classical music and minimalism. The result is a rich, seething cyber-fantasia that is improbably listenable, conveying the disarming, authentic emotion that is Liturgy’s hallmark - a blend of startling invention, high calibre musicianship, raw energy and profound, cosmic sadness.

                                                                FORMAT INFORMATION

                                                                2xLtd LP Info: Deluxe double LP packaged in a gatefold jacket with high gloss varnish on inside panels and spot varnish and debossing on front cover. LPs are pressed on virgin vinyl and housed in artworked inner sleeves with free download coupon.
                                                                Special white vinyl format exclusively available to independent retailers.

                                                                Jan St Werner

                                                                Miscontinuum Album

                                                                ‘Miscontinuum Album’ documents an impressive new work by seminal electronic musician Jan St. Werner, whose innovations with Mouse On Mars and Microstoria are well documented.

                                                                This album is the third entry in Werner’s lauded ‘Fiepblatter Catalogue’ series and features contributions from Dylan Carlson (Earth), Markus Popp (Oval), Taigen Kawabe (Bo Ningen) and Kathy Alberici.

                                                                ‘Miscontinuum Album’ is a radical convergence of sound exploration and storytelling that has few precedents. It is a dark gothic electronic work whose dense layers reveal more with each listen. The central concept of ‘Miscontinuum’ explores misconceptions of time and memory, inspired by unique acoustic phenomena derived digital phasing and musical time stretching techniques.

                                                                There is an aura of doom that pervades the work. Much of the album’s evocative nature comes from the interplay of Werner’s electronics with Alberici and Kawabe’s voices and the contrast between those organic and inorganic elements. Popp, a longtime collaborator with Werner in Microstoria, wrote the libretti, which is presented in five distinct scenes and recited redolently by Carlson. The surreal plot involves a progressive distinction of time as a force rather than a structuring system and an individual who can shift consciously between states within that force. The high concepts and unusual creative partners combine for an album that is uncommonly emotionally resonant.

                                                                FORMAT INFORMATION

                                                                CD Info: CD version packaged in a 4 panel mini-LP style gatefold package.

                                                                Rhyton are the Brooklyn based trio of Dave Shuford (D. Charles Speer And The Helix, No Neck Blues Band), Jimy SeiTang (Stygian Stride) and Rob Smith (Pigeons).

                                                                Rhyton take ancestral forms, instrumentation and scales, primarily sourced from Middle Eastern and Greek traditions and incorporate them into the context of scorching improvised rock.

                                                                ‘Kykeon’ was recorded at the legendary Black Dirt Studios (Jack Rose, Steve Gunn, The Black Twig Pickers, etc) in upstate New York with their longtime engineer Jason Meagher.

                                                                “Rhyton is going to take you somewhere you’ve never been... Undulating rhythm throbs and plate shifts; sun spots that flash right between the ears; melodies that come, go, return, vanish, and never really existed – this is all Rhyton at work.” - Jambands

                                                                “...smoke-belching psychedelia, like Eternal Tapestry getting spanked by Blue Oyster Cult, only more throbbing and fried.” - Magnet

                                                                FORMAT INFORMATION

                                                                CD Info: CD version limited to 300 copies with hand-applied
                                                                wrap around artwork.

                                                                ‘Slant Of Light’, the first album by the duo of Mary Lattimore (harp) and Jeff Zeigler (guitar, synthesizer, production) is a completely unique document blending ancient classical traditions with modern improvisation and electronic performance.

                                                                On their first record as a duo Lattimore and Zeigler emerge completely synergetic, offering up stunning improvisations that are as advanced melodically as they are texturally. The four pieces on ‘Slant Of Light’ are seductive and picturesque, with Lattimore’s elaborate melodies blossoming out of Zeigler’s tonal beds of synthesizer and guitar.

                                                                Equally inviting and challenging, ‘Slant Of Light’ is an impressionistic work that draws on musical histories ancient and contemporary, existing outside current trends in music as a whole. There is nothing that sounds remotely like it.

                                                                The strong and fast kinship between Lattimore and Zeigler is best understood in the context of their highly collaborative pasts. Lattimore has recorded and performed with Kurt Vile, Meg Baird, Jarvis Cocker, Wrekmeister Harmonies and Steve Gunn. Her years touring with Thurston Moore inform some of ‘Slant Of Light’’s noisier moments. Zeigler has played with members of Chris Forsyth’s Solar Motel Band, The War On Drugs, and A Sunny Day In Glasgow in his group Arc In Round. The contemplative, dynamic improvisations on ‘Slant Of Light’ reflect the collaborative ingenuity of musicians experienced in adapting their playing and sound to fit multiple contexts.

                                                                ‘Slant Of Light’ was recorded by Jeff Zeigler in Philadelphia during a citystopping snowstorm during the winter of early 2014. Zeigler is one of the most in-demand recording engineers in Philadelphia, and has recorded albums by Kurt Vile, The War On Drugs, Nothing, Purling Hiss and many others. The cover painting is by Philadelphia based artist Rebecca Suss.

                                                                Lattimore was recently awarded a grant by the Pew Center For Arts & Heritage.

                                                                FORMAT INFORMATION

                                                                CD Info: CD version presented in a four panel mini-LP style gatefold package.

                                                                White Hills

                                                                Glitter Glamour Atrocity

                                                                  'Glitter Glamour Atrocity' is a snapshot of the band in the midst of an incredible burst of creativity, and was recorded during the same sessions that produced 'Heads On Fire' and 'Abstractions & Mutations'. Sonically, it is radically different from anything else coming out of the New York underground at the time, and it set the template for the singular concoction of heavy psychedelic music, krautrock, and a worship of pure sound they have explored in different variations ever since.

                                                                  Throughout the album the band explores themes of greed, misinformation, war, hypocrisy and their outcomes within the world’s political and economic systems, presenting these weighty topics with the same air of mystic understanding that underpins their music. Glitter Glamour Atrocity includes the song “Under Skin Or By Name,” the longest running staple in the band’s live set, which the band performed in the acclaimed film Only Lovers Left Alive at the request of director Jim Jarmusch. It is one of only two performances in the movie, which is enamored with the music making process and record collector culture.

                                                                  Following the mood-setting intro track and the meditative bombast of “Under Skin or By Name,” WHITE HILLS settle into the sparse groove of “Spirit of Exile,” an expression of a desire to live apart from a culture that one does not fit into. These songs glow with the burning vitality and passion of free thinkers trapped in the waning years of the Bush administration. Those sentiments are perhaps most compellingly expressed on “Love Serve Remember,” a warped, surreal vision of life after 9/11 seen through the eyes of someone who witnessed the event first-hand, interspersed with a brilliantly edited speech by Bush himself in which he admits “I was a threat to the United States.”

                                                                  Glitter Glamour Atrocity was recorded with the first iteration of the trio line-up with Dave W on vocals, guitar, synthesizers, and sound collage, Ego Sensation on bass and vocals, and Bob Bellomo on drums. It was recorded at Bellomo’s studio in Passaic, NJ, and produced by Dave W.

                                                                  The Soft Pink Truth is the solo alter ego of Drew Daniel, one half of celebrated Baltimore-based electronic duo Matmos.

                                                                  After a decade of silence in which Daniel concentrated on Matmos and becoming a Shakespeare professor, The Soft Pink Truth is set to release ‘Why Do The Heathen Rage?’, whose subtitle ‘Electronic Profanations Of Black Metal Classics’ reveals its bizarre agenda as an unrequited love letter to a justly divisive genre.

                                                                  A gleeful queer travesty of black metal’s undying obsession with kvlt authenticity, ‘Why Do The Heathen Rage?’ is also a formally precise homage executed with a scholar’s obsession. With the guitar chord transcription assistance of Owen Gardner (Teeth Mountain, Horse Lords) and a coven of guest vocalists including Antony Hegarty (Antony And The Johnsons), Terence Hannum (Locrian), Jenn Wasner (Wye Oak) and M.C. Schmidt (Matmos), Daniel meticulously transposes the riffs, structures and patterns of black metal chestnuts and deep cuts by Darkthrone, Venom, Mayhem, Sarcofago, Beherit and more into oddly hybrid new forms. Cruising camp absurdity by forcing a sticky tryst between the two mutually incongruous early 90s subcultures of rave and black metal, the results are bracingly strange on first listen but curiously addictive as the album sinks in.

                                                                  FORMAT INFORMATION

                                                                  CD Info: CD version in 4 panel mini-LP style gatefold package.

                                                                  Alexander Tucker

                                                                  Alexander Tucker

                                                                    THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                    First time vinyl release of Alexander Tucker's self-titled debut originally released in 2005.

                                                                    This album was previously only available as a CD-r in a very limited run.

                                                                    This new 2014 edition has been re-mastered by Paul Gold at Salt Mastering and is pressed on virgin vinyl with a free download coupon.

                                                                    The download coupon not only includes all the material from the LP but also a non-LP bonus track as well as tracks from ‘Yew’, a 2004 3" mini-CDr.

                                                                    In total the download includes over 20 minutes of bonus material.

                                                                    This LP is released in a limited edition of only 500 copies for the world.

                                                                    Limited to 140 copies for the UK and Ireland.

                                                                    Glenn Jones

                                                                    Welcomed Wherever I Go

                                                                      THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                      Brand new 16 minute 12“ EP from Glenn Jones pressed on virgin vinyl and packaged in a full colour LP jacket with free download coupon.

                                                                      Limited to only 1,000 worldwide.

                                                                      All exclusive, never before released material.

                                                                      Limited to 120 copies for the UK and Ireland.

                                                                      A Minor Forest

                                                                      Flemish Altruism / Inindependence

                                                                        THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                        Classic albums from the early days of Thrill Jockey.

                                                                        Originally released in 1996/1998 - these have been out of print on vinyl for nearly a decade.

                                                                        Both albums are being re-issued and will be sold as a 4xLP set.

                                                                        ‘Flemish Altruism’ will feature new/updated artwork.

                                                                        Both will include download coupons for the first time.

                                                                        A Minor Forest recently reunited and played a very well received show in San Francisco (with a Bay Guardian cover story)

                                                                        The band will tour the US in April & May of this year.

                                                                        Limited to 60 copies for the UK and Ireland.

                                                                        Man Forever With So Percussion


                                                                        Man Forever is an exploratory percussion project helmed by John Colpitts (aka Kid Millions), one of New York’s most versatile and critically lauded collaborators and a founding member of Oneida.

                                                                        Since its inception in 2010, Man Forever has hosted an impressive list of guest performers, but few have been as specially qualified to perform Colpitts’ technically challenging meditative workouts as So Percussion, the United States’ premiere contemporary percussion ensemble. So Percussion have commissioned and premiered new compositions by Steve Reich and their interpretations of John Cage have revolutionized the legendary composer’s cannon. They have collaborated with Matmos, Dan Deacon, Medeski Martin & Wood, Glenn Kotche (Wilco) and The Dirty Projectors, as well as composers Steve Reich, Arvo Pärt, Fred Frith, David Lang (Bang On A Can) and Paul Lansky. Following a collaborative performance at the Metropolitan Museum Of Art in New York in June of 2013, So Percussion and Colpitts entered the studio together to record ‘Ryonen’, two pieces that combine the former’s precision and ingenuity with the latter’s restless punk spirit. While previous Man Forever records were inspired by blissful, overwhelming confusion, ‘Ryonen’ derives its power from its clarity and immediacy.

                                                                        The two pieces on ‘Ryonen’ are rhythmically seductive and instantly exciting while retaining the experimental legacy that Man Forever has cultivated over several albums and relentless touring. ‘The Clear Realization’ is an exploration in polyrhythm performed on two drum sets, two sets of bongos (an instrument Colpitts rediscovered while performing with Yo La Tengo on ‘Late Night With Jimmy Fallon’), a concert bass drum, snares, crash cymbals, and vocals. Each instrument is performing in a different time signature at the same tempo, creating a beat that is both propulsive and nonproductive. ‘Ryonen’ is more chaotic on the surface, but repetitions and rhythms hidden beneath the surface emerge with close listening. The drums are tuned to resonate with each other, creating a series of overtones that hover over the music and provide a baseline drone for the ensemble to harmonize with during the piece’s dramatic climax.

                                                                        Colpitts continues to be one of the most in-demand drummers in New York. Throughout 2013 he toured as a member of Spiritualized, performed in duos with Greg Fox and Jim Sauter, recorded a record with Akron/Family, released an album with People Of The North on Thrill Jockey, and performed with Rhys Chatham as a member of Oneida. So far in 2014 he has recorded an album with Rick Moody and is performing with William Basinski at the Ecstatic Music Festival in March. Man Forever will tour the US and Europe performing ‘Ryonen’.

                                                                        FORMAT INFORMATION

                                                                        CD Info: CD version in a 4 panel mini-LP style gatefold jacket.

                                                                        D. Charles Speer, aka Dave Shuford, is a founding member of both Rhyton and No Neck Blues Band, and also known for his work with Enos Slaughter, The Suntanama, Egypt Is The Magick #, and Coach Fingers.

                                                                        On ‘Doubled Exposure’ The Helix take their loose and free country rock boogie and enhance it with the blistering psych Speer explores in Rhyton, and the traditional Greek melodies delved into on the Speer solo album, ‘Arghiledes’ (also on Thrill Jockey).

                                                                        ‘Doubled Exposure’ was recorded by Jason Meagher at the increasingly legendary Black Dirt Studios in upstate New York, where Blues Control, Expo 70, Jack Rose and Psychic Ills have also recorded.

                                                                        The Helix band member Hans Chew (keyboards) has released solo music on Three Lobed, while Marc Orleans (pedal steel) has performed with Catherine Irwin, Steve Gunn, Meg Baird and Chris Forsyth.

                                                                        FORMAT INFORMATION

                                                                        CD Info: CD version comes in a 4 panel mini-LP style gatefold

                                                                        2013 was a notable year for Thalia Zedek. She released her first album in five years, ‘Via’, which PopMatters called a “rumbling, sweet, muscled set of tunes, as resilient as they are beautiful,” followed by a tour across North America with Low. She also reunited with Come, the classic band she formed with Chris Brokaw in 1990, reissuing their classic debut ‘Eleven:Eleven’ and playing their first shows in over a decade across the US and Europe. Following this intense flurry of activity, Thalia regrouped with herband in Boston to record an EP, harnessing the creative energy she had accumulated during her time on the road.

                                                                        ‘SIX’ is a brand new 29 minute mini-album following ‘Via’, which was praised by Pitchfork, Spin, PopMatters, Paste, American Songwriter, Magnet, and Under The Radar.

                                                                        ‘SIX’ opens with a full band version of ‘Fell So Hard’, a characteristically mournful dirge that exudes a tenacious, slowmoving intensity. Zedek explores the complexities of interpersonal relationships, employing some of the most sparse arrangements of her career. The spareness of tracks like ‘Julie Said’ and ‘Afloat’ achieve incredible emotional heft, letting Thalia’s lyrics, delivered in her unmistakable voice, take centre stage.

                                                                        FORMAT INFORMATION

                                                                        CD Info: CD version packaged in 4 panel mini-LP style gatefold package.

                                                                        CD includes MP3 Download Code.

                                                                        Wooden Shjips’ rise to prominence from the psychedelic underground to the rock and roll overground has been a steady sojourn. With each consecutive release, the band has found new ways of transforming heady psychedelic rock into minimalist masterpieces, bridging the gap between the woozy freeness of Les Rallizes Denudes and Crazy Horse and the tightly wound simplicity of Suicide and the Velvet Underground. Back To Land, the quartet’s follow-up to West, is the first Wooden Shjips record to be conceived outside of San Francisco. Ripley Johnson and Omar Ahsanuddin moved to Oregon, where the lush climates became a major influence on the songwriting. The band’s scope expanded to include more earthy, grounded tones, such as the acoustic guitar, without abandoning their modernist psych core.

                                                                        There is an increased brightness to many of the songs on Back To Land, an easiness with which the band has flirted with in the past but never fully realized until now. The nervy urgency of West has evolved into an assured confidence, from the alliterative, interlocking guitar and organ groove of “Ruins” to the languidly compelling guitar solos of “Servants.” The addition of the acoustic guitar to the band’s textural palate is coupled here with some of the most melodically direct songs the band has written.

                                                                        Still, there are still plenty of signature Shjips songs, with distorted riffs, modal keys, and a steady, crisp drum sound unfolding intensely while the elongated melodic guitar lines drift in and out of the foreground. On Back to Land this energy is captured in clear detail, designed as an immersive experience rather than a passive blasting. Back To Land was laid to tape at Jackpot Recording Studios in Portland by Kendra Lynn and mixed by Larry Crane. It was recorded over an 11-day session, resulting in some of the most detailed and spacious recordings of their career.

                                                                        Back To Land is a breakthrough record for the Wooden Shjips: nuanced, varied and utterly addictive.

                                                                        STAFF COMMENTS

                                                                        Andy says: The Shjips sail on, doing the same mega thing, but better!

                                                                        ‘Mediation Of Ecstatic Energy’ is the third album from Dustin Wong, and the conclusion of a trilogy that began with ‘Infinite Love’ (2010) and continued with ‘Dreams Say, View, Create, Shadow Leads’ (2012).

                                                                        Dustin Wong was a founding member of Ponytail and Ecstatic Sunshine.

                                                                        “Wong makes intricately layered guitar music that is as hypnotic as it is beautiful.” - The Fader

                                                                        “While Brian Eno and Robert Fripp first brought the music-as-system aesthetic within hailing distance of pop music in the mid 70s, Wong is way ahead of them when it comes to making his system turn out things that sound like pop songs.” - Dusted

                                                                        FORMAT INFORMATION

                                                                        CD Info: CD version packaged in a 4 panel mini-LP style
                                                                        gatefold package.

                                                                        ‘Drifter’s Temple’ is Plankton Wat (aka Dewey Mahood)’s second album for Thrill Jockey, following last year’s ‘Spirits’.

                                                                        Mahood utilized 6 and 12 string guitars, lap steel, bass, organ, and synth to realize these richly detailed songs. ‘Drifter’s Temple’ harkens back to Mahood’s childhood in Northern California, both sonically and conceptually. A loose narrative is woven through these ten instrumental tracks, touching on the Gold Country and Mt. Shasta that populate his native countryside.

                                                                        The album unfolds with the grace and contour of the landscape that inspired it, with fingerpicked melodies slowly growing to gigantic peaks of lysergic bliss. His guitar style is as far reaching as ever on ‘Drifter’s Temple’, which shows him seamlessly integrating his love of the Appalacian folk music of Dock Boggs and Roscoe Holcomb into the subtle Grateful Dead-isms, nods to 70s cosmic music, and overt Crazy Horse moves he has explored on recent releases.

                                                                        ‘Drifter’s Temple’ features contributions from Dustin Dybvig (Horse Feathers and Edibles), Matt McDowell (Sagas) and John Rau (Royal Baths and Edibles).

                                                                        Dewey Mahood was a founding member of Eternal Tapestry and has performed in Gärden Söund (with Barn Owl), Edibles, Bloodbiker, and Jackie-O Motherfucker.

                                                                        FORMAT INFORMATION

                                                                        CD Info: CD version comes in a 4 panel mini-LP style gatefold package.

                                                                        White Hills

                                                                        So You Are... So You'll Be - Bonus 12" Edition

                                                                          This LP is available exclusively to independent retailers in the UK packaged with a bonus 3 track 12” featuring 30 minutes of all-new material. This format is expected to be extremely limited. This bonus material will not be available anywhere else.

                                                                          White Hills’ seventh studio album, ‘So You Are... So You’ll Be’, features Dave W on guitars, synthesizer and vocals, EgoSensation on bass, synthesizer and vocals, and Nick Name on drums. The album is their most concentrated blast of psychedelic interstellar rock to date. Building on the solid foundations laid by last year’s excellent ‘Frying On This Rock’, they went back to BC Studios, Brooklyn to record once more with Martin Bisi (Sonic Youth, Swans), emerging with a concentrated blast of White Hills at their fullest potential. 

                                                                          ‘So You Are… So You’ll Be’ is a blazing totem of rock & roll empowerment. After the deconditioning and deprogramming blast of electronic noise which is ‘InWords’, the album opens properly with the call to arms ‘In Your Room’, a skyscraper razing slab of mantra metal, which bids you abandon all doubt and fear so you can start your quest into inner space. ‘The Internal Monologue’ is an ecstatic shivering sliver of celestial acidic drone followed by the post-Hawkwind transmission of ‘So You Are... So You’ll Be’. 

                                                                          White Hills command that you cower before the altar of the mind warping, machinetooled riff that is ‘Forever In Space (Enlightened)’, but after this cataclysmic shock, there is barely time to process what just happened before you are lowered into the howling lysergic swamp rock of ‘Rare Upon The Earth’. Only the echoing synthesized landscape of ‘Circulating’ offers some respite. The album builds effortlessly to the sumptuous ‘MIST (Winter)’ which features a John Carpenter synth line engine inserted into a glistening La Dusseldorf chassis, forming some kind of god-like chariot.

                                                                          FORMAT INFORMATION

                                                                          Ltd LP Info: Deluxe LP version is pressed on high quality virgin vinyl and presented in an old-style tip-on gatefold jacket with UV high gloss printing and free download coupon.


                                                                          Mountains Mountains Mountains

                                                                          ‘Mountains Mountains Mountains’ was originally released in 2008 on the Catsup Plate label in a tiny edition of 500 copies that quickly sold out.

                                                                          Thrill Jockey are happy to re-issue the album in a limited edition of 1,000 copies with different artwork (an inverted colour scheme from the original) pressed on high quality virgin vinyl with a download coupon for the first time.

                                                                          This re-issue follows the band’s latest album ‘Centralia’ (released in January of this year to critical acclaim). The band toured the US and Europe this year in support.

                                                                          Koen Holtkamp describes ‘Mountains Mountains Mountains’ thusly: “One thing that strikes me on listening back 5 or so years later is both how different and similar it sounds to what we are currently doing. While these pieces are clearly more minimal and intimate on some level and our technical approach has changed somewhat, the dynamics between the acoustic and electronic elements remain fairly consistent throughout our releases. Which is something we’ve been engaged with from the beginning and part of what defines us as a band.”

                                                                          The record’s artwork mirrors the band’s ability to create music that encourages personal revelation through universal consciousness: “We made sign up sheets with instructions for people to right the word Mountains which we had by the door at a few of our shows and left in a couple record stores in NY. Each ‘signature’ is in a unique handwriting by a different person, but all writing the same word.”

                                                                          Mountains vinyl remains in very high demand, with ‘Centralia’ already in a third pressing.

                                                                          Jan St Werner

                                                                          St Werner

                                                                            Jan St. Werner - founding member of Mouse On Mars, Microstoria, Lithops, Von Sudenfed and the music labels Sonig and RR, as well as collaborating with the likes of Stereolab, Matthew Herbert, Helado Negro, Mark E. Smith, Rosa Barba, Oswald and Ingrid Wiener amongst others - releases a unique solo record on Thrill Jockey, titled ‘Blaze Colour Burn’.

                                                                            ‘Blaze Colour Burn’ will be the first of a new series from him on the Chicago label, as Jan explains: “the idea for the ‘Fiepblatter’ catalogue series is not a band or composer concept but a re-treasuring of musical material displaying a parallel view on sound and musical structures.”

                                                                            St. Werner’s cutting edge technical prowess and avant-garde strategies go hand in hand with a natural and unshakeable sense of lyricism and harmony - complexity comes not at the cost of beauty. But in the end this record, and the ‘Fiepblatter’ series at large, has a more serious purpose: to deconstruct and deterritorialise the very idea of sound, to liberate it from such limiting categories as ‘popular’ or ‘academic’, and to instead explore its potential as a raw material, massaging it into structures that are unconventional, non-hierarchical and free.

                                                                            ‘Blaze Colour Burn’ was mastered and cut to vinyl by Rashad Becker at D&M in Berlin. The LP is pressed on virgin vinyl and comes with a free download coupon.


                                                                            Walking Field - Bonus 7" Edition

                                                                              Limited deluxe LP edition (150 copies for the UK, exclusively available to independent retailers) includes a bonus 7” with two unreleased non-album tracks (‘Night Train To Tuscan’ / ‘Believers II’). The 7” is packaged in its own jacket and included with the LP.

                                                                              Peals is a new band led by William Cashion (Future Islands) and Bruce Willen (Double Dagger), members of two of Baltimore’s most dynamic live bands.

                                                                              The instrumental music on ‘Walking Field’ was created with acoustic and electric guitars, keyboards, tambourines, toy pianos, and other sonic tools to create a stripped-down, warm living room atmosphere.

                                                                              The music that sprang from these sessions, simultaneously exultant and cerebral, took the duo into unexpected territory. While the emotional intensity of their other projects is on full display here, a more gentle, melancholic and often abstract expression recalls Robin Guthrie and minimalist recordings from the sonic pioneers of the 1970s German scene - all direct inspirations for Peals as the songs that would become ‘Walking Field’ took shape.

                                                                              ‘Walking Field’ was recorded with no bass guitars or drums - all percussion sounds were generated by contact with guitars and microphones - the emphasis here is placed on texture and feeling.

                                                                              FORMAT INFORMATION

                                                                              Ltd LP Info: Just found one copy of this!

                                                                              Peals is a new band led by William Cashion (Future Islands) and Bruce Willen (Double Dagger), members of two of Baltimore’s most dynamic live bands.

                                                                              The instrumental music on ‘Walking Field’ was created with acoustic and electric guitars, keyboards, tambourines, toy pianos, and other sonic tools to create a stripped-down, warm living room atmosphere.

                                                                              The music that sprang from these sessions, simultaneously exultant and cerebral, took the duo into unexpected territory. While the emotional intensity of their other projects is on full display here, a more gentle, melancholic and often abstract expression recalls Robin Guthrie and minimalist recordings from the sonic pioneers of the 1970s German scene - all direct inspirations for Peals as the songs that would become ‘Walking Field’ took shape.

                                                                              ‘Walking Field’ was recorded with no bass guitars or drums - all percussion sounds were generated by contact with guitars and microphones - the emphasis here is placed on texture and feeling.

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version packaged in a 4 panel mini-LP style gatefold

                                                                              Survival are a New York trio featuring Hunter Hunt-Hendrix (Liturgy), Greg Smith, and Jeff Bobula.

                                                                              This self-titled debut was recorded by Colin Marston (Krallice, Dysrhythmia) at The Thousand Caves and mastered by Heba Kadry at Timeless Mastering.

                                                                              ‘Survival’ is an album of dark and meditative heavy rock. Syncopated riffs, intricate rhythms and atypical time signatures create dramatic and complex melodic lines that provide a bed for chant-like lyrics. The group operate as a collective, writing lyrics, riffs and singing with one voice. The album is a unique document that harkens back to post-hardcore, Black Sabbath, Magma, Aphrodite’s Child, Creedence Clearwater Revival, Aaron Copeland, The Smashing Pumpkins, and the first wave of math rock.

                                                                              Survival were formed out of the ashes of Birthday Boyz, whose 2007 tour of China was documented by Vice TV for an instalment of the Music World show ‘Rock Under The Red Flag’.

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version packaged in a 4 panel mini-LP style gatefold package.

                                                                              Brother JT is Central, PA’s John Terlesky, who, since the early 90s, has been exploring experimental and psychedelic rock music as Brother JT with releases on labels such as Drag City, Drunken Fish, Siltbreeze, and Birdman.

                                                                              Brother JT founded the garage pop band The Original Sins in 1987 and went on to release 10 albums (some with Bar/None).

                                                                              Brother JT has toured with Bardo Pond, Royal Trux, Bevis Frond, Blonde Redhead and Smog.

                                                                              ‘The Svelteness Of Boogietude’ is his debut on Thrill Jockey, and Bryon Coley (from whom he acquired the Brother JT moniker) called it his “most outstanding effort yet.” The album is typical of JT’s output in certain ways - rockers mixed with ballads, all of them crafted with casual elegance - but there are new elements here as well. In particular, there’s an attention to the legacy of later-period T. Rex, which results in tunes that kick total ass. Again Byron Coley, having seen Bolan play during his ‘Zinc Alloy And The Hidden Riders Of Tomorrow’ / ‘Zip Gun Boogie’ period, went so far as to claim that “JT’s approach to this stuff equals that of the Master - huge riffbased anthems that balance glam dynamics with mystical history on the head of a pin.”

                                                                              JT also manages to pull off ballads that can remind one of Beat Happening (‘Gliding’) or what it might be like to hear Warren Zevon covering The Velvet Underground (‘Somebody Down There’), a lost track by The Stalk-Forrest Group (‘Muffintop’) or even a Kevin Ayers / Scott Walker move so bold you’ll shiver (‘I Still Like Cassettes’).

                                                                              Brother JT hosts the internet talk show ‘Trippin’ Balls’, that features lively discussions on the subject of hallucinogenic drugs. Guests have included Espers, Bardo Pond, Greg Fox (Guardian Alien), Ed Schrader, and Twig Harper.

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version in 4 panel mini-LP style gatefold package with high gloss printing.

                                                                              John Parish is an accomplished composer, solo artist, and producer. Parish has worked with PJ Harvey since the 80s (when she was backing singer and guitarist in his cult band Automatic Dlamini), producing and performing on many albums with her, including the 2011 Mercury Prize-winning ‘Let England Shake’.

                                                                              Parish has also worked with Eels (he co-wrote and performed on Eels’ 2001 album ‘Souljacker’), Sparklehorse, 16 Horsepower, Tracy Chapman, Adrian Utley, Rokia Traore, Jenny Hval, and Howe Gelb / Giant Sand.

                                                                              ‘Screenplay’ compiles music created for the films ‘Little Black Spiders’ (2012, Patrice Toye, Belgium), ‘Sister’ (2012, Ursula Meier, Switzerland), ‘Nowhere Man’ (2008, Patrice Toye, Belgium), ‘Plein Sud’ (2009, Sébastien Lifshitz, France).

                                                                              FORMAT INFORMATION

                                                                              2xLP Info: Deluxe 2LP version includes eight tracks not on the CD
                                                                              format, and is pressed on high quality virgin vinyl
                                                                              packaged in a gatefold sleeve. A coupon for a free
                                                                              download of the music with a digital booklet is included.

                                                                              CD Info: CD version is packaged in a 4 panel mini-LP style gatefold package with a 4 page booklet.

                                                                              Stygian Stride is the solo guise of the New York based musician Jimy SeiTang, who was a member of Psychic Ills and is currently a member of New York experimental / improve / psych trio Rhyton with Dave Shuford (D. Charles Speer & The Helix, No Neck Blues Band) and Spencer Herbst (Messages, Matta Llama). Rhyton released albums on both Thrill Jockey and Three Lobed in 2012.

                                                                              Stygian Stride is an album of gauzy electronic music reminiscent of Gas and the classic era of Mille Plateaux and Chain Reaction, with nods to Manuel Göttsching, Tangerine Dream and Popul Vuh.

                                                                              The album artwork was created by Arik Roper (Sleep, Sunn O))), Howlin Rain, Earth, High On Fire, Weedeater).

                                                                              The album was recorded entirely on analogue equipment, without MIDI synching, at Black Dirt Studios by Jason Meagher (D. Charles Speer, Jack Rose, Expo 70, Blues Control).

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version is limited to 500 copies worldwide and
                                                                              packaged in a 4 panel mini-LP style gatefold package.

                                                                              Matmos deliver their first material for Thrill Jockey in the form of ‘The Ganzfeld EP’, which is nearly 30 minutes in length. A new full length album, ‘The Marriage Of True Minds’, is to follow in 2013.

                                                                              The EP and the album have the same conceptual basis: Telepathy. ‘The Ganzfeld EP’ features two new Matmos tracks that are explicitly based upon psychic session material, and a throbbing minimal techno remix by RRose of the Matmos song ‘You’. Careening from widescreen electronic pop to eerie choral music, the results are eclectic, fun, and disorienting in equal measure. Matmos are one of the most prominent experimental electronic artists of the last decade. Their seven albums have been some of the most significant and acclaimed in the genre, and their high profile collaborations and shows with artists like Bjork and Kronos Quartet have given them definite exposure that extends far beyond the world of heady electronic music.

                                                                              “Matmos are an innovative electronica duo... playing their tactile and thunderously crunchy work” - The New York Times

                                                                              “Matmos have always heard symphonies in life’s smallest details, sampling things like thawing streams and liposuction vacuums and building busy pop tapestries out of them” – Pitchfork

                                                                              FORMAT INFORMATION

                                                                              CD Info: The CD version is packaged in a 4 panel mini-LP style gatefold package with a 4 page booklet.

                                                                              Plankton Wat is the solo sound world of Dewey Mahood, known for his work in Eternal Tapestry, Gärden Söund (with Barn Owl), Edibles, Bloodbiker, and Jackie-O Motherf*cker. Beginning as a home recording project in 2001, Mahood has slowly built a collection of highly personal music that has filtered out into the underground via tape labels such as Stunned, Digitalis, and Sloow. 2009 saw the release of Dawn of the Golden Eternity, a full length LP on DNT which brought together many of Mahood's influences - kosmische drones, spiritual improvisation, burnt out psych, and sun baked folk.

                                                                              Raised in rural Northern California, and calling Portland, OR home since the early 90s, Mahood has spent his life dedicated to the outsider fringe of experimental music. Early bands like Ungutta, and Kino-Eye explored DIY punk and free improv, while Elephant Factory (with Larry Crane of Tape-Op magazine fame) took on avant guitar rock in the tradition of Mission of Burma. Mahood's music has gradually moved into the dark realm of psychedelia first traced in early 2000's bands The Cosmos Group, and Scuffle & Dustcough, both of which borrowed from late 60's San Francisco acid rock. Upon meeting Nick Bindeman and forming Eternal Tapestry in 2005 there has been no looking back. In recent years Mahood has also worked with Barn Owl in the project Gärden Söund, drenched his music in dub with Edibles, blasted hardcore punk with Bloodbiker, and laid down the bass groove with Jackie-O Motherfucker.

                                                                              Spirits, the Plankton Wat debut for Thrill Jockey, takes these diverse experiences and creates a record of soaring exploration and raw beauty. The album is intended as a meditation on the Pacific Northwest environment - the dramatic landscape of the Cascades, high desert, rugged coastline, and ever changing sky. Recorded throughout 2011 on 4-track cassette in Mahood's basement, Spirits traces a year of changing seasons, feelings, and emotions. Inspired by the "universal music" of Don Cherry and Alice Coltrane, the album uses a variety of instruments including electric and acoustic guitar, bass, hand drums (played by Dusty Dybvig (Edibles, Horse Feathers) on the title track), synthesizer, harmonium, banjo, cymbals, drum machine, and voice in a layered approach reminiscent of Sandy Bull and Brian Eno. Both a celebration of the magical possibilities of life, and a contemplative look into the darkness, Spirits creates a warm blanket of sound perfect for watching the sunset from a high coastal sand dune. Exotic and esoteric as the ancient city of Angkor Wat which Plankton Wat takes its name, this is future primitive music for mental escapism.

                                                                              STAFF COMMENTS

                                                                              Darryl says: A wonderful mix of avant drones, burnt out psyche-folk, and kosmische induced synthy sways.

                                                                              FORMAT INFORMATION

                                                                              LP Info: LP version includes free download coupon.

                                                                              White Hills newest and most energized recording to date is bursting with raw energy packed into their most concise songs to date. Fear not long time White Hills fans, there is still loads of killer guitar work and fuzzed out psychedelia on 'Frying on this Rock. The album opens with an under five minute scorcher and closes with a 15 minute track that reminds us why space rock gatekeepers like Julian Cope were very early supporters. The end result, Frying on this Rock, is an invigorating deep space rock album. An album that is at once able to channel the energy born of a collective anger into a swirling psychedelic, brutalizing musical statement that mainlines the thrill of defiance straight to the listener’s heart.

                                                                              “...White Hills have established themselves as some of America’s foremost proponents of fuzz-driven space rock... Its latest effort H-p1 expands upon the the legacies of Hawkwind, Can, and early Tangerine Dream with synapse-frying deepspace epics” - SF Weekly; “A darkly hypnotic mix of churning guitar, distant vocals and swirling synth drones, this record conjures a riff-heavy psychedelic vibe that picks up where the Velvet Underground and Spacemen 3 left off. Far out.” - Los Angeles Times.

                                                                              STAFF COMMENTS

                                                                              Darryl says: More epic fuzz-psyche onslaughts from the current leaders of the pack, the White Hills. Molten guitars and a pummelling rhythm section, create a swirling wave of noise taking space rock to new dimensions.

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version comes in a 4 panel mini-LP style gatefold package.

                                                                              Dustin Wong’s second LP 'Dreams Say, View, Create, Shadow Leads', is a departure from Dustin’s previous methods but more closely a distillation of his live show into recorded form. The pieces are so intricate and detailed that Thrill Jockey asked Dustin to explain his process and he happily obliges:

                                                                              “When I begin to explore and to build a song through a series of pedals, I begin with the tuner. It helps keep my guitar’s pitch consistent. An octave pedal and the distortion pedals allows me to change the textures and colors of the guitar. The delay pedal determines the tempo and the pattern. Once these sounds are determined, it then gets replicated and repeated through a loop pedal. Repeating that process, I lay different sounds and melodies on top. After the loop pedal comes the envelope filter that changes the color of the sounds but in a different way, more like a blend or like a dye. At the end of this chain of pedals awaits another delay pedal that corresponds to the delay pedal before the looper, further accentuating and changing the patterns of the loop.

                                                                              I see all these pedals as a kind of textile factory. The sheets and colors are determined then the patterns are laid on top, one layer after another until it becomes a fabric mille feuille. Once that cake looks done it gets replicated again through another delay pedal. I can keep building these sounds on top each other and decide whether I want to take half of the cakes slices or not, if i do, I can gaze at the symmetrical void of what I have taken.

                                                                              I changed the recording process for Dreams Say, View, Create, Shadow Leads from the process used for Infinite Love. In Infinite Love I recorded every layer as a separate track dividing them up throughout the stereo-field, but in Dreams Say… it was all mostly recorded live with a few overdubs moving around in the stereo-field. The presentation of songs are also different, Infinite Love was presented as a whole, and in Dreams Say… I decided to have titles for each song or idea. In a way the physical documentation and the presentation of the idea got switched. Just like choosing how to see a light through a prism. Whether to see the fragmented light into the prism and out to the single ray of light or the other way around.”

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version comes in a 4 panel mini-LP style
                                                                              gatefold package.

                                                                              High Places is Rob Barber and Mary Pearson. The two create danceable pop music that is both artistic and refined. While very much involved in the music scene of New York and later migrating to Los Angeles, High Places has always been on its own unique musical path. The consistent dialog between the duo over the span of three albums is always through rhythmic and melodic ambient space. The two mix their particular internal rhythms with a long-standing love of UK and US dance sensibilities such as that of UK garage, drum and bass, Chicago/NYC house, Detroit techno, dub reggae, and electro dancehall. The early influence of visceral live experiences of NYC/Philly hip hop of the late ‘80s and early ‘90s is evidenced in the band’s massive sound system. With Original Colors, they are at once pushing forward with much heavier and more complex beats, but also returning to their more gritty, electro-acoustic roots.

                                                                              Recorded in the band’s home studios in Los Angeles, Original Colors dives headlong into driving bass pulses and dynamic rhythms. Rob and Mary’s singular visions are built upon a foundation of syncopated beats, while still adhering to their layered, collaborative style of writing. From the four-on-the-floor dance rhythms of album opener “Year Off” to the more extended and darker phrases of tracks like “Sophia”, the end result is more forceful than ever. Throughout their nearly five years of existence, the band has traveled extensively and performed in a multitude of environments. Whether it’s at the Guggenheim Museum in Manhattan or in an industrial warehouse in Santiago, Chile, their travels are reflected in Original Colors. The album is dotted with sun-drenched references to Australia’s inimitable foliage, the expansive desert of Northern Mexico, and the crystal, blue waters of the Indian Ocean. Such allusions are presented over a bed of swirling stereo rhythms and infectious melodies that are the band’s signature. Each track possesses a specific texture and emotion that serve to create a variegated yet unified album that is held together by the binding force of Mary’s mezzosoprano vocals. The air of naïveté has been peeled away since the first album, and her voice is pushed to the fore; liberated from the dense sonic waves of previous work, and blossoming into a truly melodic instrument.

                                                                              Visual art plays an important role in Mary and Rob’s collaboration. The two make video projections for their stage shows, keep a photo blog that documents their travels (, and create their own album artwork. In this way and others, Mary and Rob challenge the conventional parameters of a rock band and instead give us a multisensory aesthetic partnership that continually defies expectations.

                                                                              High Places has plans to tour this fall; bringing their sound to new environments, always in the hope of collecting experiences that will shape the evolution of their truly unique sound.

                                                                              FORMAT INFORMATION

                                                                              CD Info: CD version comes in a 4 panel mini-LP style gatefold package.

                                                                              Wooden Shjips, as it is today, started in 2006. The band self released a 10” and 7” that year and started playing shows shortly thereafter. Prior to 2006, Wooden Shjips was an experiment in primitive and minimalist rock. After it imploded, Ripley Johnson, guitar and vocals, assembled the current lineup of Dusty Jermier on bass, Nash Whalen on organ, and Omar Ahsanuddin on drums. 'West' marks the first time the band recorded in a proper studio, as well as the first time with an engineer (Phil Manley). All previous recordings, either self-released, for Holy Mountain, or Mexican Summer were done more piecemeal in the band’s rehearsal studio. 'West' was recorded and mixed in six days at Lucky Cat Studios in San Francisco. It was mastered by Sonic Boom at Blanker Unisinn, Brooklyn, with additional mastering by Heba Kadry at the Lodge in New York.

                                                                              The over riding theme for the album (as indicated by the title) is the American West, and all of the mythology, romanticism, and idealism that it embodies. The band members grew up on the East Coast, so for a long time the history and literature of the West was an abstraction and a fascination for them. Part of the allure of the West, which is part of the myth, is the concept of Manifest Destiny, the vastness, and the possibilities for reinvention, which is not to say that is what each song is specifically about, but it was very much an undercurrent during the songwriting of the album. The artwork also touches on the same theme by using an iconic structure that is both a gateway in a literal and metaphorical sense.

                                                                              It is easy to see why these would appeal to Wooden Shjips, as their music lends itself to exploration. It is both transformative and transporting, the sum being far greater than it’s parts. The steady driving rhythms are the elliptical motion machine driven by the often thick and distorted guitar lines, melodic and boundless. Where they may lead cannot be anticipated but following them is exhilarating. It is all about getting there, the destination, while the experience of getting there is an adventure. It is the guitar lines that guide both the listener and the band on the literal and metaphorical journey into the vastness. The ghostly vocals, obscured by dense layers of instruments surrounding them, are alluring with their airy mystery. This elusive quality further draws the listener in, while they attempt to grasp at their meaning. While indebted to both the psych music of the ‘60s and mid-‘70s, electric Neil Young, and even the induced travels of Spacemen 3, the Wooden Shjips’ music is modern and in every way their own. 'West' is an epic journey to the edge and beyond.

                                                                              STAFF COMMENTS

                                                                              Matt says: We've come a long way, baby. Three albums (and countless other Moon(Duo) missions) down the line, Ripley Johnson and his Wooden Shjips are still wearing the crown of grooving, off-the-wall, dancefloor psychedelia. “West” sees the band hit the peak of their production style, effortlessly spewing out 5-dimensional guitar solos over a mirage of thick, celestial gloop. The formula hasn't changed (thankfully) but the distillation and chemistry is tighter, more refined, and far more intoxicating than we thought it could get - high grade lysergic rock; just don't let tell the authorities. Not without surprises, we get the Shjips’ first ‘proper’ air-guitar anthem on "Home" while the whole album sees Ripley’s ghostly croon elevated to angelic new heights; less blurry and more focused, as he develops in confidence as front man for one of the world’s greatest fuzz-rock space explorers.

                                                                              FORMAT INFORMATION

                                                                              Coloured LP Info: Limited transparent blue swirl edition.

                                                                              Coloured LP includes MP3 Download Code.

                                                                              Oval / Liturgy

                                                                              Split LP (RSD 2011 Edition)

                                                                                THIS IS A RECORD STORE DAY EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                                For Record Store Day 2011 Thrill Jockey offers up a split LP release featuring two of the label’s musical extremities, recent signing Liturgy, and electronic pioneer Oval. Not a random pairing, but in fact born out of each band’s mutual appreciation of the other. The artists are both given a side of an LP to share exclusive new recordings.

                                                                                Oval is electronic pioneer Markus Popp. Popp is often credited as the creator of what was later dubbed the “glitch” or “clicks & cuts” style. For this special Record Store Day release Oval gives us four new songs to follow up his heavy 2010 output.

                                                                                Liturgy is the Brooklyn based band of Hunter Hunt Hendrix, Greg Fox, Tyler Dusenbury, and Bernard Gann. The band released the critically acclaimed album Renihilation on 20 Buck Spin in 2009 and will follow it with the release of ‘Aesthethica’ on Thrill Jockey this May. The band disregards the genre boundaries of black metal, hardcore and experimental music. For this Record Store Day release Liturgy wanted to weave together different doom metal and black metal riffs with loosely related chanting and electronics. The result is a single soundscape with shifting tempos and textures.

                                                                                All in all a different side of Liturgy.

                                                                                Limited edition vinyl LP – 150 copies for the UK and Eire. Includes download code.

                                                                                D Charles Speer & The Helix

                                                                                Leaving The Commonwealth

                                                                                "Leaving The Commonwealth" follows the D Charles Speer solo album "Arghiledes" and the band’s collaborative recording with Jack Rose, "Ragged And Right".

                                                                                D Charles Speer aka Dave Shuford is a founding member of the long running No Neck Blues Band and is also known for his work with Enos Slaughter, The Suntanama, Egypt Is The Magick # and Coach Fingers.

                                                                                The Helix band member Hans Chew (keyboards) has released solo music on Three Lobed, and Marc Orleans (pedal steel & guitar) also performs in Sunburned Hand Of The Man and Enos Slaughter.

                                                                                FORMAT INFORMATION

                                                                                CD Info: CD version comes in a 4 panel mini-LP style
                                                                                gatefold package.

                                                                                Thank You could only come from one city, at one moment in time. Like Pere Ubu’s Cleveland and Joy Division’s Manchester, post-industrial Baltimore serves as simultaneous playground, obstacle course, and muse to this show-stealing art-rock trio. Jeffrey McGrath (everything), Michael Bouyoucas (everything), and Emmanuel Nicolaidis (everything) are veterans of a cold era when the Baltimore music scene barely exceeded the carrying capacity of a warehouse elevator. Things change, and the band’s urgent collision of rhythm, melody, and noise has placed them at the creative center of today’s Baltimore renaissance, sharing stages and tours with such acts as Beach House (Sub Pop), Lungfish (Dischord), Celebration (4AD), Dan Deacon (Carpark), Zomes (Holy Mountain), Jason Urick, and Future Islands (both Thrill Jockey).

                                                                                Launched in 2006 with original drummer Elke Wardlaw (who now resides in Berlin), Thank You carved out a new sound drawing inspiration from the innovative post-punk of This Heat and Swell Maps and the polyrhythmic attack of The Ex and Dog Faced Hermans. Their live shows have become the stuff of (living) legend, a tension-and-release pile-on that drops jaws and leaves organs vibrating; their recordings, crafted with collaborators such as J. Robbins (Jawbox, Yeasayer, Ponytail, and Mary Timony) and Chris Coady (Yeah Yeah Yeahs, Beach House, Gang Gang Dance, TV on the Radio), all vital documents of the recent future as performed by six arms and three sets of teeth.

                                                                                Thank You’s first full-length with new drummer Emmanuel Nicolaidis follows closely on the heels of 2009’s sold-out 12” EP Pathetic Magic. A band that once limited its vocals to hums, grunts, and chants has entered the next phase, delivering a stellar collection of challenging rock-and-roll songs. But Golden Worry eschews easy, anthemic sing-alongs, instead dipping into the vocabularies of Krautrock, post-punk, no-wave, and noise to produce what is at once Thank You’s most melodic and most aggressive record.

                                                                                Here we have guitars, drums, and vocals -- but also ‘60s Vox organs, harmonica, mini-moog, jaw harp, sampler, and Fender Twin Reverb amps -- all in the service of six hypnotic tracks of Baltimore-built avant-rock. From the first-jangling, then-jagged guitars of album-opener “1-2-3 Bad” to the triumphant swirls and squeals of “Continental Divide” and the dexterously deconstructed instrumental bridge of galvanizing closer “Can’t/Can,” these songs are intricate yet immediate stunners. Attacked with the ecstatic, fierce energy of a Thank You live set – and then perfected in the studio with ears attuned to dub, Eno, 20th Century classical, and Konono No. 1 – Golden Worry is a new world in which we listeners can lose ourselves: the sound of Baltimore at the vanguard as we enter the Two-Thousand Teens.

                                                                                FORMAT INFORMATION

                                                                                CD Info: The CD version comes in a four panel mini-LP style
                                                                                gatefold package.



                                                                                  Markus Popp’s first Oval release after almost a decade of silence is a spectacular departure from the deconstructivist electronica that made him a laptop legend.
                                                                                  This meticulously crafted EP is indeed a wild ride - and it is in fact so fundamentally different in almost every imaginable way (Guitars? Are those actual drums?!?) that we will instead conveniently list what remains unchanged: Popp’s latest tracks still have this almost unsettling, organic, soothing atmosphere that has made Oval tracks and remixes such timeless classics.
                                                                                  What makes this new release especially exciting, is that Popp effortlessly merges totally unexpected musicianship with his sensibility for abstract, angular electronics and blends them into a vibrantly colorful music that truly feels alive.

                                                                                  FORMAT INFORMATION

                                                                                  LP Info: "Oh" is pressed on 150 gram white vinyl and housed in an LP jacket with a hand-glued photo art card on the front. The 12” is limited to 1,000 copies worldwide and includes a download coupon.

                                                                                  Daniel Higgs is a musician and artist from Baltimore, Maryland on whose behalf superlatives are destined to fail. It’s not that his artistic output – spanning three decades, numerous albums, books of poetry and collections of drawings – simply eludes classification, it defies it. Often we hear that a true work of art is meant to speak for itself, and with the work of Daniel Higgs the maxim rings truer than ever. Daniel is best known for his work as the lyricist and frontman of Lungfish, whose work on Dischord Records has spanned 3 decades. In addition to his work with Thrill Jockey, Daniel has released solo work on Holy Mountain, Northern Liberties, Open Mouth and Ideal Recordings. "Say God" is an album of gospel songs and poems, recorded with the help and enthusiasm of David Andrew Sitek (TV On The Radio).

                                                                                  FORMAT INFORMATION

                                                                                  2xCD Info: The double CD version is presented in a 4 panel
                                                                                  gatefold mini-LP style package with fold out 8" x 10"

                                                                                  Lazer Crystal is a veritable supergroup of Chicago spaced-out krautrock featuring Mikael De Graff (Mahjonng) and drummer Josh Johanpeter (Cave, Mahjonng, Bobby Conn).
                                                                                  Previous Lazer Crystal releases have been available only as ultra-limited, hand-crafted art projects. This is the band’s first full length and their first widely distributed release.
                                                                                  Alongside Cave, Mahjongg, Chandeliers and White Car, Lazer Crystal are major figures in Chicago’s burgeoning scene of synth-driven noise rock.

                                                                                  Mi Ami

                                                                                  Steal Your Face

                                                                                    Highly anticipated Thrill Jockey full length album from Mi Ami. Produced by Phil Manley (Trans Am).

                                                                                    Mi Ami is committed to their own particular joyful noise, to the intersection of vicious high-energy playing with ebullient communal experience. In this climate, when pretty much every band has some dub records at home and myriad musical influences have been rendered mundane, Mi Ami defines itself by turning inward.

                                                                                    FORMAT INFORMATION

                                                                                    CD Info: CD version comes packaged in a 4 panel mini-LP style gatefold package with 4 panel insert.

                                                                                    "High Places vs. Mankind" is the second full length album from Mary Pearson and Rob Barber, aka High Places.
                                                                                    Formed as a Brooklyn duo in 2006, High Places have since relocated to Los Angeles, whose warmer temps and mountain vistas better fit the warmth of High Places’ music and personalities. But relocation was but a small part of what’s been a dynamic few years for the two.

                                                                                    Baltimore trio Double Dagger’s songs are meant to be experienced, rather than just listened to - either at one of their intense performances or with the volume turned up loud enough to feel it in your gut. Their performances have highlighted their hometown Baltimore Whartscape Festivals, upstaged the likes of The Jesus Lizard and Melt Banana, and left smouldering rubble around the US and in Europe on tours with Dan Deacon, Parts & Labor and The Deathset. 2009’s ‘More’ album captured that intensity on what their local City Paper called the year’s best local album.

                                                                                    Music reviewers have compared Double Dagger to (in alphabetical order) At The Drive In, Big Black, Cop Shoot Cop, Dead Kennedys, The Fall, Fucked Up, Happy Mondays, Henry Rollins, The Hold Steady, Led Zeppelin, Les Savy Fav, New Order, Nirvana, No Age, Rites Of Spring, Shellac, Steve Reich, Unwound, The White Stripes and The Yeah Yeah Yeahs, among others. While this description is generally apt, Double Dagger continues to push the boundaries of what some critics have dubbed agit punk, art rock, DIY, future shock, hardcore, metallic funk, minimalist punk, post-grunge, post-hardcore, post-pop, post-punk, post-rock, or underground music.

                                                                                    FORMAT INFORMATION

                                                                                    Ltd CD Info: The "Masks" package is designed by the band’s design studio Post Typography.
                                                                                    The CD is available in three different covers, all with custom die-cut jackets printed as different mask drawings with 'eyes' that change colour depending on the orientation of the sleeve. Limited to 675 copies.

                                                                                    Formed by Dave W. on guitar and Ego Sensation on bass, White Hills are an ever changing entity and always striving to push the envelope. Recorded over the course of three days in the summer of 2009, basic tracks for the album were laid down at The Ocropolis, Oneida’s studio located in Williamsburg, Brooklyn, with all drums on the album played by Kid Millions of Oneida. Later some overdubbing, vocal tracking and mixing were done at 60B in Manhattan. In contrast to previous recordings that were very rigid and adhering to the rehearsed versions, this self-titled album is loose and open. ‘White Hills’ stands apart from previous albums in that there’s a certain intimacy to it, a toughness and brutality. In the mind of the band it’s a rebirth, a new beginning, and the eponymous title reflects this.

                                                                                    FORMAT INFORMATION

                                                                                    Ltd LP Info: "White Hills" is the first White Hills album to be released by Thrill Jockey on both CD and LP. The two versions are not only different in artwork, they are sequenced differently with the respective formats in mind. The LP is a limited edition (1000 copies) with two exclusive tracks, and comes in an ultra-deluxe custom printed jacket, silver foiled and embossed, with a download code that includes the CD tracks.

                                                                                    Mi Ami

                                                                                    Cut Men

                                                                                    "Cut Men" is the first Mi Ami recording to truly capture the intensity of the band’s heavy bass and wiry, angular guitar sounds. The limited edition 12” comes in a silk-screened custom jacket fabricated by Crosshair in Chicago. Half of the jackets will be screened in pink ink and the other half in purple ink. Limited to 750 copies only!

                                                                                    From previous albums "Shakey" to "Pyramids", from EPs "3D Message" to "Feel No Pain", Pit Er Pat's recorded output to date has no easily definable style. It instead represents their evolution as modern musicians whose affinity for pop and melody is filtered though their desire to have a truly singular voice. The band are clearly comfortable with the fact that this music acknowledges several genres, yet exists outside of any one. There is a consistency in all of the recordings in that they are all unmistakably Pit Er Pat. Their musical focus remains firmly grounded in rhythm, while incorporating a strong sense of melody and harmony to dance above the complex rhythms and to stretch the layers to lofty heights. A significant difference on "High Time" was that because it was recorded in the band's own studio, they could spend the natural amount of time that the songs needed to become fully realized. The additional time allowed the band to work a horn section into several songs. Pit Er Pat also employed a variety of new instruments, including electric kalimba, bobo balaphone, Burmese temple gongs, agogo bells, anandolohori, cuica, timbale, conga, bongos, vibraslap, various shakers, bells, chimes, claps, and melodica, to name a few. Many of these instruments are used in traditional and spiritual music.

                                                                                    FORMAT INFORMATION

                                                                                    LP Info: The vinyl format is limited to 1000 copies world wide and includes a fold out poster and free mp3 download coupon.

                                                                                    Daniel A.I.U. Higgs

                                                                                    Atomic Yggdrasil Tarot

                                                                                    On "Atomic Yggdrasil Tarot", Higgs weaves meditative, casually ruptured drones using acoustic and electric guitar, upright pianos, banjo and Jaw's harp, recorded entirely at home on cassette recorder. He pairs the music with a series of paintings that call to mind religious iconography passed through the disfiguring surrealism of Miro.

                                                                                    FORMAT INFORMATION

                                                                                    Ltd CD Info: BACK IN - Just found a copy of this long deleted gem!!!!!!!! This release is a limited edition full colour 6x8" hardcover book plus CD, PLEASE NOTE as a result the weight of this is equivalant to three CDs.

                                                                                    Fred Anderson & Hamid Drake

                                                                                    From The Ocean To The River

                                                                                    Following up on their 2004's acclaimed "Back Together Again" on Thrill Jockey, Drake and Anderson set out to show just how much they've grown, how beautifully their work together has evolved. The closest of relationships gives its members space to expand, change, develop, and play. Tenor saxophonist Fred Anderson and drummer Hamid Drake have just that kind of partnership, one that has seen them periodically move apart and work extensively on other fronts. Over the course of some three decades, master saxophonist and prodigy percussionist have continued to reconfirm their commitment to their joint project. Drafting an all-star band consisting of fellow-Chicagoans, the twosome entered John McEntire's Soma Studios and proceeded to record their most relaxed, perfectly balanced date yet. In a discography that has gone from a handful of rare LPs fifteen years ago to a staggering number of discs on various labels today, it may seem hyperbolic to call "From The River To The Ocean" Fred Anderson's greatest album yet, but the empathy and cohesiveness of the ensemble, coupled with the saxophonist's brilliant, searching improvisations, makes it a ringer.

                                                                                    Thrill Jockey presents "A Lazarus Taxon" a boxset containing three CD's and a DVD which features most of Tortoise's music videos and extensive and rare live performance footage. Features include rare singles, foreign releases and tour EP's, compilation tracks, previously unreleased material and the out-of-print 1995 album "Rhythms, Resolutions, And Clusters". Also features remixes from Mike Watt, John McEntire, David Pajo, Steve Albini, Jim O'Roukre, Nobukazu Takemura and more.

                                                                                    Howe Gelb

                                                                                    'Sno Angel.......Like You

                                                                                    "'Sno Angel" is a new project from Howe Gelb, recorded with the help of a Canadian gospel choir called Voices Of Praise, but this is not gospel music, in theme or in content. Howe describes the album's goal: 'It was a grand experiment to see if we could mesh the sounds of the muck I make with the dizzying effect of the glorious sound (the choir) makes.'


                                                                                    Quicksand / Cradlesnakes

                                                                                    A mixture of country, 70s rock and folk music, interspersed with fuzz and feedback. The Chicago Tribune describes it as 'How the Flaming Lips might've interpreted Harry Smith's Anthology Of American Folk Music'. And that sums it up just about perfectly!

                                                                                    FORMAT INFORMATION

                                                                                    CD Info: The CD is enhanced and features the animated film "Francis".

                                                                                    Howe Home

                                                                                    The Listener

                                                                                    Howe Home is Howe Gelb (Giant Sand) and he's joined by his usual collaborators Joey Burns, John Convertino and Nick Luca, along with some new faces including Handsome Family members Brett and Rennie Sparks. The album was partly recorded in Denmark, then brought back home to Tucson, Arisona where it was completed. As with his previous work, his piano / guitar compositions and his distinctive, almost spoken vocals manage to convey perfectly the sparse, desolate landscape of the American Southwest.

                                                                                    Nobukazu Takemura


                                                                                    Yet another new album from Takemura, and this one finds him in a playfull melodic mood, combining strange manipulated vocals with sweet melodies.

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