With the departure of Garbus for the American west coast and her focus on tUnE-yArDs, Pat drew inspiration from that friendship and from Garbus’ hermetic solo process, retreating to minimum wage employment while working up home recordings of solo material.
"Future Songs" is the bracing result of Pat's isolation; an album of brilliant off-kilter pop, anchored by woozy baritone vocals, angular guitar lines and a gloriously careening approach to rhythm and arrangement. Evoking sounds and sensibilities that encompass David-Baker-era Mercury Rev, Joy Division, Scott Walker and Can, to name just a few.
"Future Songs" was self-released on cassette and went up on Bandcamp in summer of 2010, circulating quickly through Montreal's DIY music community and Tumblr accounts across the continent. While entirely self-recorded, with almost all parts played by Jordache, the material cried out for full band treatment, for which there was no shortage of eager participants.
Early Pat Jordache shows were solo ventures, re-working the recorded music using a DD-3 pedal capable of looping only 1.4 seconds of sound. These droning minimalist arrangements soon came to be supported by the explosive percussion efforts of dueling drummers Phillip Chanel, Jeffrey Malecki and Thom Gillies. Rory Seydel (Shapes and Sizes) soon joined the group on guitar, allowing for a more faithful interpretation of the recorded songs.
With the original sessions lost in the theft of Jordache’s laptop from a Montreal roadside smoked meat shop, the initial self release of "Future Songs" was in lo-res, self-mastered 160 kbps mp3. In one of the many small miracles of our digital age, full resolution back-up .wav files of the sessions were dredged up from a forgotten Mediafire account, from which the songs were re-mastered for the Constellation release of the album.