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Timothy J. Fairplay

Pathfinder Theme / UFOs Over China

Timothy J Fairplay is back on the label with a 7” single containing two tracks cut from a rock of uranium. “Pathfinder Theme” and “UFO’s Over China” might differ in sound and tempo but are connected by a radiant feeling. The two tracks bathes in a greenish/yellow bright toxic aura.

This plutonium charged music carries with it some quality elements known from his earlier repertoire like for example a primitive yet crisp beat working as foundation to a few but very exquisite synth sounds.

Timothy J. Fairplay stands on the shoulders of past Italian masters and the works of John Carpenter but with an accentuated alien feel. Something otherworldly, maybe good, maybe harmful, is hidden in the vibe on both sides of this 7”. The balance between good and evil is very even - yin/yang from outer space!


A. Pathfinder Theme
B. UFOs Over China

The electronic, experimental group Gravité from San Fransisco is releasing their third album ”III” on Höga Nord Rekords. Their sound varies from motorik and beat driven, airy compositions to heavier denser numbers with swelling pads, glittering arpeggios and powerful Moog basses.

”III”’s balanced production gives the elements in the music room to breath and the tracks on the album often stands on a solid 80’s foundation; ”Into The I” sounds like an hommage to classic arcade game soundtracks but without modern Retrowave pastiches. ”Elation” on the other hand is three and a half minutes of cool and refreshing oceanspray. Gravité moves effortlessly over genres and moods, merging some of the finest moments of analog electronic music.

Like migrating birds, Matthew Riley and Aaron Diko seem have an inner pathfinder, leading them right no matter what musical airspace they’re flying in.


A1. Eclipse
A2. Chilled
A3. Red Horizon (feat. Al Lover)
A4. Elation
A5. Oxygen
B1. Reptile
B2. Into The I
B3. Glass
B4. Fin 

With distorted arpeggiated synthesisers and cold metallic drum-machine patterns, William Wiffen from Yorkshire invites you to his sonic warzone. A record that's fiendishly suited to the Höga Nord label, "R.E.D" is a stripped and harsh take on postpunk, motorik and EBM moods. With haunting and reverb drenched synthesizers, Wiffen’s new project sometimes resembles acts like Two Lone Swordsmen in their dirtiest moments.

"RED" is not a wholesome and pleasant experience. Heavily modified vocals, used more like an additional instrument, break through the distorted and frazzled backing tracks, contributing to the feeling of being trapped in a mental slit trench or bomb shelter: no light coming in - only sound. Set the controls for the heart of the void.


A1. Channels 
A2. One 
A3. Move Away 
A4. Tubular Cells 
B1. Weatherman
B2. Transparency 
B3. Second To Last Bongo In Brighton 
B4. 6am With Horses And Sunrise 

Various Artists

Music Is The Healing Force Of The Universe - Höga Nord Rekords Singles Collection Vol.4

The Mothership has come! It has arrived in the form of the strictly limited collection box “Music Is The Healing Force Of The Universe”, containing all singles released on the label between 2019 and 2021. The Höga Nord – galaxy resounds of all good between strict electro and loose jams, fluffy krautrock and moist world music to underwater techno and space funk. Although, what it is that defines the Höga Nord sound is not genres, instead it is, to cite Mathias Nilsson, founder of and boss for the label, music “strongly connected to fantasy, to the creative world.” Creativity over profit!

The collection is an overview on Gothenburg’s underground music and on an international scene that breathes similar air as the local Swedish acts that Höga Nord Rekords has chosen to highlight. The kinship between Jesse’s 80’s varnish sports car-electro and Purple Desert Rain God’s more traditional mountain sound can appear distant but the artists come together in their free spirited approach to their own productions – what all acts on this collection has in common is that they move toward something new, something beyond the genre they are in.

“Music Is The Healing Force Of The Universe ” mark the closer for Höga Nords first run. The 2010s are over and the 2020s lies open for further investigation of the cream of the Swedish and international of underground scenes!


Matt says: Cosmic, EBM, DnB, drug-chug... it's all there in this 3rd crucial, catch-all collection from our Gothenburg buddies. One of our favourite labels of recent times - the DIY aesthetic and stylistic direction is some of the strongest around and their roster, varied, innovative and highly creative! In short, an imperative and beautiful release - not least because of the sexy silk scarf that you get alongside the records!


Record 1 - A. Global Tracks - Hither Green
Record 1 - B. GlobalTracks - Shelley
Record 2 - A. Kanot - Bottenmannen
Record 2 - B. Kanot - La Danse Des Corneilles
Record 3 - A. Tecwaa - Cï
Record 3 - B. Tecwaa - Xentæh
Record 4 - A. Dame Bonnet - Portamento
Record 4 - B. Dame Bonett - Dark, Slow
Record 5 - A. Birds - Transcendental Phases
Record 5 - B. Birds - Tunnel Vision
Record 6 - A. Purple Desert Rain God - Invisible Matter
Record 6 - B. Purple Desert Rain God - Bridge To Nowhere
Record 7 - A. Jesse - Possibilities
Record 7 - B. Jesse - Shazzy
Record 8 - A. The Exorcist GBG - Stonerdisco
Record 8 - B. The Exorcist GBG - Superstandard
Record 9 - A. Timothy J. Fairplay - Pathfinder Theme
Record 9 - B. Timothy J. Fairplay - UFOs Over China
Record 10 - A. Pink Skull - Taki Chrome
Record 10 - B. Pink Skull - Strummer Maxx


Observatoriet / Besök

The word datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave.

The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The two tracks on this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s - a time when the internet was still fun.

The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.


Matt says: The third Hoga Nord 7" of the week and it's a cosmic leaning, arpeggio-driven, star-guided delight. The label goes from strength to strength


A. Observatoriet
B. Besök

Höga Nord Rekords kindly welcomes Teecwa back to the label, following up his last full length-album “Beyond the Altai” with “Elysian on Moon Lake”. He is still exploring the intersections between house, electro, techno and dub and once again he manages to harness the analogue electronics in his machines to produce modern psychedelia.

“Elysian On Moon Lake” is rawer, less airy and not as sparkling as his last album. This is a tighter, and slightly darker experience than Teecwa’s previous work, maybe caused by being in quarantine for extensive time during production, letting some of the dreaminess aside for the harsher reality in a pandemic world. Still, you get a mind-altering experience in a lot of tracks since the album starts off in a lighter tone than how it later develops. Switching from the A to the B-side works as a rite of passage going from dusk to night; the sun rays through the blinders are replaced by neon light dancing on the walls and ceiling.

Regarding the dramaturgy of “Elysian On Moon Lake”, this album has movielike qualities; a well-directed piece from the opening impact and setup through the confrontational part where intensity builds up to the climax in “Hythmdoser” to the cooling down effect of the peaceful closer “Celestial Trails”. The trip eventually ends up in a safe and happy place after the cathartic finale.

This is not a just collection of songs, this is an album made to experience in full length without interruptions. 


A1. Never, There. Was
A2. Tropic Notations
A3. No Lies To Her Fire
A4. Hunting Lights
B1. Solar City
B2. Welcome Dystopia!
B3. To Reach Apogee
B4. Hythmdoser
B5. Celestial Trails

Rudolf Abramov

Paracetamol / Clonex

Rudolf Abramov is taking a step in a different direction from his last release on Höga Nord Rekords. This 7” contains the works of deep mining in an old hard drive during the introversion of the pandemic quarantine. These two gems have been given a bit of tasteful polishing before reaching the point of release and the result is a punk meets stoner rock experience propelled by hard sequencers and drum machines.

This record is as English / Irish as you find em: straight forward instrumentation and lyrical performance presented with a dirty and rough production. The beats are stripped with an edgy punch and the synthesizers are overdriven, giving them guitar like qualities.

The “Paracetamol / Clonex” 7” is a release of covid demons, and the sound of spitting out the bitter taste of isolation, or to use his own words: ‘On this 7" you will find absurd and desperate lyrics accompanied by heavy English and Irish accents, driven robotic drum machines, dirty synths, crunching bass, and as unpolished as your dad's old Angle grinder.’


Matt says: One of the shining lights of the underground, Höga Nord Rekords, continues to usher in a crucial roster of artists eschewing music trends and Instagram stardom for a dark, nocturnal, gothy inspired sound all of their own. Equally at home in the rock club or warehouse; this is uncompromising music strictly for those who like it strange!


A. Paracetamol Feat. Matthew Johnson
B. Clonex Feat. Brendan Cleary

Birds’ second Höga Nord offering is a 4 track EP created entirely during the first UK Coronavirus lockdown in spring / summer 2020. The themes throughout the record are inspired by various thoughts, feelings and coping mechanisms adapted by herself and her peers; from live streams to micro-dosing, to exercising patience and trying to feel comfort in the fact that there will be other opportunities and we’ve just got to wait this thing out whilst trying to stick together for emotional support. Sonically it moves around a lot from gurgling 303 bass lines, to breakbeats, to dubby guitar breakdowns, to heavy club inspired 909 kick drums, whilst always maintaining a droney undertone.

It's another wonderfully sincere and individual crafted document from this incredibly singular label - one of our 'best label's of 2021' infact! 


Matt says: Warehouse mutants and nightclub goths have yet another instalment of freakishness from our good friends at Höga Nord Rekords. Black eye-liner not included.


A1. Solitary Dancers
A2. Night Time Life
B1. Dont Drink The Acid Water
B2. Young Blood

Various Artists

Höga Nord 100 - The Effect Will Last Forever

    What better way to celebrate 100 releases than with a handmade box containing soul expanding music!? Höga Nord Rekords have reached an important goal and releases a rare box set containing all 12” from the HNRUK-series plus a new record from Birds, unique for this box. Except Birds, this compilation includes Dark Strands, High Boys, Vox Low, Timothy J. Fairplay, Fontän, Bird Of Paradise, Mythologen, Jamie Paton and Frak.

    The music is of course the main focus of all releases on Höga Nord Rekords but what birthday gift comes without a proper wrapping? This exclusive handmade box made in Norrmalms kartongfabrik in Stockholm, is a celebration to the Scandinavian Bronze age. You’ll find rock carvings like those on the artwork scattered over the land but mostly near Gothenburg, home of Höga Nord Rekords on the Swedish west coast.

    Archaeological evidence proves similarities in ornaments and pictures between the Nordic and European Bronze age, just like you find common features in the music released on our label. Though the acts in this compilation box come from all over Europe and beyond, they stem from an obscured and mysterious common source of escapism, purity and creativity.


    Dark Strands - The Last Ride
    Dark Strands - We Own The Night
    Dark Strands - Black Dog
    Dark Strands - Wandering Star
    Vox Low - I'll Save You Anyway (Evelyne)
    Vox Low - I'm Coming To Your House (feat. Tarik Ziour)
    Vox Low - Loving Hell
    High Boys - Drunken Master
    High Boys - Down With Chaos
    High Boys - This Is The Captain Speaking
    High Boys - No Hope For A Sexual Revolution
    Timothy J. Fairplay - Mindfighter
    Timothy J. Fairplay - Nightmare City
    Timothy J. Fairplay - Lost In The Mirror Maze
    Timothy J. Fairplay - Jennifer Has Some Strange Ideas
    Fontän - Sen Sen No Sen (Red Axes Remix)
    Fontän - Mangsebung (Timothy J Fairplay Remix)
    Fontän - Gangri (Khjinda Remix)
    Fontän - Bardo (Mythologen Remix)
    Fontän - Shadows (Pardon Moi Remix)
    Birds Of Paradise - Tito
    Birds Of Paradise - Joy-Rides
    Birds Of Paradise - Smoking Holiday
    Birds Of Paradise - Breather Resist
    Mythologen - The Joy I Feel
    Mythologen - Canavan's Peckham Pool Club
    Mythologen - Blackheath
    Mythologen - House Of Parakeet
    Jamie Paton - Enhance 224
    Jamie Paton - State Line
    Jamie Paton - Disk Memories
    Jamie Paton - Leviathan Aftermath
    Frak - Corridor
    Frak - Stetoskop
    Frak - Micro Fisson
    Frak - Arcitect
    Birds - Solitary Dancers
    Birds - Night Time Life
    Birds - Dont Drink The Acid Water
    Birds - Young Blood


    I’m An Arpeggiator

      Stiletti Ana, part of the dreamy sunbathed electronic duo Jesse and top tier in Finnish music production releases a new solo album, “I’m An Arpeggiator” on Höga Nord Rekords. This album carries similarities to Jesse in both production and sounds but hides more ancient wisdom. A refined sound but with more edges left sharp and more of a mysterious vibe.

      As the sound professor he is, Stiletti Ana takes you in a tour of his vast collection of vintage synthesisers and in centre of attention sits the arpeggiator (hence the album title) which gives the sound much of its repetitive character. Recorded in the legendary Haista II-studio outside Helsinki, “I’m An Arpeggiator” channels the energies from the waters and forest surrounding the studio, giving the music its’s escapistic and romantic character.

      This record is a transcendental trip down the paths of Boards of Canada and Manuel Göttsching, dedicated to the ancient Babylonian fishing god, Dagan.


      A1. Light Chords
      A2. A To B
      A3. Piilevä
      B1. Pikku-Karhu
      B2. Waiting For EMP
      B3. Takaisin Pangeaan

      Rickard Jäverling

      Album 4

        Rickard Jäverlings music can deservedly be described as playful and searching but for that sake not fumbling or too loose around the edges. On Album 4, the second album release from Jäverling on Höga Nord Rekords, he dwells more in dub than on his prior album release, and Jäverlings skillful songwriting is carried smoothly by the soft and fluffy production: the rhythm section sounds as if resting upon a sun warm bed of moss and elements flows in and out of the production like a freshly rippling stream of water deep in the summer forest. Echoes shoots through the pines, the hills and the valleys and makes the album a premium dub experience which dominates large parts of the album.

        Aside the obvious references to nature that comes in mind listening to Jäverlings music, this album is more than a romantic view on the Swedish wilderness. It flirts, like all quality dub from the seventies and eighties with science fiction and space with broad synthesizer sweeps and delay drenched clouds like imploding and exploding stars somewhere in the outskirts of the Milky way, spreading dust over the Swedish forest. On the final three tracks, Ganjaman_72 takes the album out of the galaxy with spaced out-remixes on some of the songs.

        With his feet steadily grounded in jamaican music tradition whit a non sentimental and curious view on production, Rickard Jäverling have together with Johan Holmegård (Dungen, Goran Kajfes), Andreas Söderström (ASS, Goran Kajfes) och Ganjaman_72 created the natural follow up to Album 3.


        A1. Set Piece
        A2. Road Across World
        A3. Rising Skies
        A4. Bruised Banana
        A5. I Won’t Get Your Love
        B1. From Left To Right
        B2. Radiation
        B3. I Won’t Get Your Love
        B4. From Left To Dub
        B5. Radiation Dub

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