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    TVAM returns to the sun lounger to deliver a horizontal view from the pool of self-reflection. Joe Oxley, a.k.a. TVAM, offers “Costasol began life as two atmospheric interludes that I wrote for my last album, High Art Lite. Over time these ideas took on a life of their own and demanded that I take another look at them. I slowly began putting the pieces together and ended up with a track which became much more than the sum of its parts”. The resultant Costasol is a song about longing, loss and regret wrapped-up in heatwave bass and shimmering guitars, all perfectly enhanced by Mona’s dreamlike vocal.

    TVAM self-released his much-acclaimed debut Psychic Data in the autumn of 2018, something of a cult-classic, the album joined the dots between Suicide’s deconstructed rock ’n’ roll, Boards of Canada’s irresistible nostalgia and My Bloody Valentine’s infinite noise. High Art Lite, released in October 2022 took a different tilt to its predecessor by emphasising the immediate and the personal. The colours were blown-out and the brightness was cranked up.

    It’s in this world where TVAM’s new Costasol EP exists. Full of colour and noise, with a vibrant, distorted palette. Though the title track may find a home at some pool-side retreat, the subsequent tracks return to TVAM’s claustrophobic realm. Ephemerol evokes its own mutant groove, part ‘Midnite Vultures’ Beck, part ‘Pretty Hate Machine’ Nine Inch Nails, with Heart Attack and VHF rounding off this bold, bright, brief encounter.


    Costasol (feat. Mona)
    Heart Attack

    Gazelle Twin

    Then You Run - Original Score

      GAZELLE TWIN - aka composer, producer, singer, and visual artist Elizabeth Bernholz - has scored Sky's brand new TV series "Then You Run".

      The score is pressed on white vinyl, and housed in a deluxe spined sleeve with download card.

      Created for television by Ben Chanan (The Capture), based on the novel YOU by Zoran Drvenkar, Then You Run follows four rebellious London teenagers on a city getaway to Rotterdam. This contemporary eight-part series boasts an incredible cast of rising stars; Leah McNamara (Normal People) as Tara, Vivian Oparah (Rye Lane) as Stink, Yasmin Monet Prince (Hanna) as Ruth and newcomer Isidora Fairhurst as Nessi.

      The four friends embark on what should have been the perfect summer break which soon spirals into a dark and perilous adventure. When their attempt to take on some of the most dangerous people in Europe doesn’t quite go to plan, they find themselves on the run with three kilos of heroin, more questions than answers about Tara’s family, and a gang of deadly criminals tracking their every move.


      History (Extended Version)
      Then You Run
      The Pool
      Stink's Deal
      Uncle Reagan
      Stand Off
      A Great Artist Knows When To Stop
      For Mirko
      Two Minds
      The Hotel
      I Know Him
      Death Drive
      In The Blood
      Summer's Not Over

      Divide And Dissolve


        Divide and Dissolve’s new album, ‘Systemic’, examines the systems that intrinsically bind us, and calls for a system that facilitates life for everyone. It’s a message that fits with the band’s core intention: to make music that honours their ancestors and Indigenous land, to oppose white supremacy, and to work towards a future of Black and Indigenous liberation.

        Like its predecessor, ‘Gas Lit’, ‘Systemic’ was produced by Ruban Neilson of Unknown Mortal Orchestra.

        You can feel the deep intention in Divide and Dissolve’s music. Their dense sound is overwhelmingly heavy; a dissonant pounding of percussion, guitars, piano, synths and saxophone, interwoven with passages of orchestral beauty that give a feeling of respite. ‘Systemic’ is a thick wash of sound, equal parts beauty and anguish and creates a wholly encompassing experience for even a casual listener.

        For fans of Sunn O))), Low, Southern Lord Records.


        Blood Quantum
        Kingdom Of Fear
        (featuring Minori Sanchiz-

        Hannah Peel

        The Midwich Cuckoos - OST

          The Midwich Cuckoos is based on the 1957 science fiction novel by John Wyndham, and tells the story of an English village where the women become mysteriously pregnant. Hannah Peel‘s score is described as a unique and intricately produced soundscape, working in harmony with the sound design of Sky’s adaptation. With analogue synthesisers recreating the horror of the ‘Hive Mind’, tape manipulations, drones, woodwind and melodies echoing the song of the cuckoo bird, Peel creates a score that perfectly balances the organic instrumentations and melodies, juxtaposed with an increasingly dark electronic ‘invasion’. Peel explains, “Creating the score was a constant endeavour to find the balance between darkness and light, fear and beauty. It was a very fine and intricate equilibrium between the normal sunlit logical world as we know it, and a subversive unfamiliar musical language.”


          Hive Mind
          Help Me
          Ward 300
          Hive Scream
          Midwich School
          Midwich Cuckoos
          The Blackout
          The Keys
          If And When
          No Leaving
          A Pattern
          Come Out
          It's Over

          Ben Frost

          1899 (Original Music From The Netflix Series)

            The mystery series ‘1899’ was created by Baran bo Odar and Jantje Friese (‘Dark’), and streamed on Netflix worldwide. A migrant steamship heads west to leave the old continent. The passengers are a mixed bag of European origin, united by their hopes and dreams for the new century and their future abroad. But their journey takes an unexpected turn when they discover another migrant ship adrift on open sea. What they will find on board will turn their passage to the promised land into a horrifying nightmare.

            Ben Frost is a composer, producer, sound artist and director. His work includes the studio albums ‘Theory of Machines’ (2007), ‘By The Throat’ (2009), ‘A U R O R A’ (2014) and ‘The Centre Cannot Hold’ (2017), and spans an array of other forms including installations, live performance, scores for dance, theatre and various studio collaborations. He has composed several scores for film, including the Palme d’Or nominated ‘Sleeping Beauty’, the TV series ‘Fortitude’ and ‘Dark’. Most recently he composed the score for ‘Raised By Wolves’ with director Ridley Scott and wrote and directed ‘The Murder of Halit Yozgat’, an opera for the Hannover Staatsoper. He also recently scored ‘Broken Spectre’, a new installation piece made with long term artistic collaborators Richard Mosse and Trevor Tweeten, which premiered at the National Gallery of Victoria in October.

            TRACK LISTING

            Wake Up!
            Ellas Están Escuchando
            Les Secrets De L'Univers
            Reality, Or A Construct Of One
            Djævlen Kalder På Dem
            At Hjælpe Hendes Sjæl På Vej
            Wirus Się Rozprzestrzenia
            This Can't Be Real

            Blanck Mass

            The Rig (Prime Video Original Series Soundtrack)

              Blanck Mass (Fuck Buttons, Benjamin J Power, The Editors) scored the new Amazon Prime series ‘The Rig’, staring Iain Glen and Emily Hampshire.When the crew of the North Sea stationed Kinloch Bravo oil rig is due to return to the mainland, a mysterious fog rolls in and cuts off communication with the outside world. The crew are then driven to the limits of their endurance and loyalties are forced into a confrontation with forces beyond their imagination.

              “With ‘The Rig’ being the first TV show I have scored, I feel lucky to have worked with the team behind the show on a score which to my mind is my most concise and unified palette-wise in recent memory,” says Power. “The setting of the physical oil rig presented a very specific visual and sonic identity for me. The creaks and groans of the giant metal sculpture and how it is in a constant battle with the nature fed itself into the scoring process. This score is perhaps my most elemental to date and it was a joy to work on.”

              TRACK LISTING

              The Rig (Main Titles)
              Wake Up
              Fossils Digging Fossils
              Flesh Meets Floor
              S.B.V Lights
              Body, Rejecting
              Search For Hutton
              Alwyn / Discovery
              No Fire Without Flare
              We’ll Bring Him In
              Survivors, Arriving
              Person Unknown
              Don’t Let Him Out Of Your Sight
              The Altar
              Fissures Spread
              Sleep Tight
              The Charlie
              Rose Takes Control
              Bigger Than All Of Us
              It’s Quitting Time
              System Priming
              Life Remains In Life
              The Wave
              The Rig (End Credits)



                Critically acclaimed Teesside agitators Benefits return with their much-anticipated debut album ‘Nails’. In their four years of existence, much has changed for Benefits. Over lockdown they morphed from spirited guitar-led punks into overwhelmingly brutal harsh noise-wielders, whose furious, eviscerating music garnered them the kind of word of mouth following most artists can only dream of. Frontman Kingsley Hall’s spoken (and screamed) vocals acting as a righteous rebuke to the divisive, xenophobic, poisonous rhetoric coming from elsewhere, spread by those who stand to profit from the fallout, that had all but overwhelmed our public discourse.

                Every time one of the band’s bracing polemics arrived it would spread rapidly across social media like an antidote to that disease and gather more to Benefits’ cause. High profile fans like Steve Albini, Sleaford Mods and Modeselektor were among those on board from the off. Effusive coverage from the likes of NME, The Quietus, Loud & Quiet and The Guardian and more soon followed.

                Now, however, they are stepping things up a level, signing to esteemed indie imprint Invada who will release their debut album ‘NAILS’ on April 21. “We could have released a record at any point over the last couple of years but held back because I wanted to wait until the right people came along,” Hall says. The label’s co-founder Geoff Barrow of Portishead was one of the many who’d been drawn to the music as it made waves online, and when he came to see the group perform live in his native Bristol was immediately hooked. His faith in the band has been repaid and then some, producing a record that not only confirms the group’s brilliance, but also redefines what you thought was possible. It captures all of that validating rage that established them one of the most exciting acts in the country – skull crushing fan favourites ‘Flag’, ‘Empire’ and ‘Meat Teeth’ are all present and correct – but also pushes their sound into bold new territory, both sonically and emotionally.

                Take lead single ‘Warhorse’ for instance. A playful riposte to those whose limited musical horizons have seen them question the band’s ‘punk’ credentials, the band gathered a series of crushing drum fills, and transformed them into a relentless, inherently danceable electro banger. “I love punk, I love cartoon punk, I think it’s brilliant,” Hall says. “Sometimes we get all that ‘you’re not shit, you’re not punk.’ Bullshit! Yes we are.” He also, however, knows that sometimes the best way to deliver his kind of message is to get people moving. “An iron fist in a velvet glove,” he says, hence the intensified focus on pure rhythm.

                STAFF COMMENTS

                Barry says: A stark, politically charged statement delivered through pummelling percussion and deftly delivered call-to-arms vocals. Moving from sparse, noisy electronics to anything-but-sparse blasts of distortion and hardcore grit. It's a savage, dense beast of an LP, and the ideal Benefits mission statement.

                TRACK LISTING

                Marlboro Hundreds
                Shit Britain
                What More Do You Want
                Meat Teeth
                Council Rust

                Kyle Dixon & Michael Stein

                Stranger Things 4: Volume 2 - Original Score From The Netflix Series

                  ‘Stranger Things 4 (Original Score From The Netflix Series)’ by Kyle Dixon and Michael Stein, is now available.

                  Split over two volumes - this is Volume 2.

                  “A pretty spectacular score from Kyle Dixon and Michael Stein” - Collider

                  “A stunningly creepy original score by Kyle Dixon and Michael Stein” - Billboard

                  Score written, performed and produced by Kyle Dixon and Michael Stein (‘Native Son’, ‘Valley Of The Boom’, ‘Spheres’, ‘Butterfly’, and their band S U R V I V E).

                  ‘Stranger Things’ has won seven Emmy Awards, and has been nominated for 216 various awards, with 77 wins.

                  Starring Winona Ryder (Joyce Byers), David Harbour (Sheriff Jim Hopper), Finn Wolfhard (Mike Wheeler), Millie Bobby Brown (Eleven), Gaten Matarazzo (Dustin Henderson), among many others

                  ‘Stranger Things 4’ is Netflix’s most-viewed English language series of all time.

                  STAFF COMMENTS

                  Barry says: You synth soundtrack fans are ALWAYS in safe hands with Dixon & Stein (aka Survive). With rich oscillator throbs and tense pads akimbo, it's yet another suite of perfectly manicured soundtrackery that's perfect for the series (obviously) and just as good on the home stereo. Lovely.

                  TRACK LISTING

                  A Proper Thump
                  Still Dizzy
                  Reign Fire From Above
                  Religious American
                  Surf That Tasty Pie
                  Follow Me Into Death
                  Project Nina
                  Being Different
                  I Want You To Watch
                  A Realm Unspoiled By Mankind
                  Four Gates
                  Sleeping Dracula
                  Praying Something Will Happen To me
                  Stained Glass Roses
                  Gates Of Kamchatka
                  Top Secret Location
                  You're The Heart
                  Skull Rock
                  You Should Go East
                  Unfortunate Development
                  Slashing The Tires
                  ELVIS CLONED BY ALIENS
                  [delicate, Intense Music Playing…]
                  Demogorgons In Tanks
                  The Cure
                  Patient Confidentiality
                  Stay Calm, Focus On The Game
                  It’s Time Max
                  All Evil Must Have A Home
                  Flashlights, Flashlights
                  You Have Already Lost

                  Kyle Dixon & Michael Stein

                  Stranger Things 4: Volume 1 - Original Score From The Netflix Serie

                    ‘Stranger Things 4 (Original Score From The Netflix Series)’ by Kyle Dixon and Michael Stein, is now available.

                    Split over two volumes - this is Volume 1.

                    “A pretty spectacular score from Kyle Dixon and Michael Stein” - Collider

                    “A stunningly creepy original score by Kyle Dixon and Michael Stein” - Billboard

                    Score written, performed and produced by Kyle Dixon and Michael Stein (‘Native Son’, ‘Valley Of The Boom’, ‘Spheres’, ‘Butterfly’, and their band S U R V I V E).

                    ‘Stranger Things’ has won seven Emmy Awards, and has been nominated for 216 various awards, with 77 wins.

                    Starring Winona Ryder (Joyce Byers), David Harbour (Sheriff Jim Hopper), Finn Wolfhard (Mike Wheeler), Millie Bobby Brown (Eleven), Gaten Matarazzo (Dustin Henderson), among many others

                    ‘Stranger Things 4’ is Netflix’s most-viewed English language series of all time.

                    STAFF COMMENTS

                    Barry says: You synth soundtrack fans are ALWAYS in safe hands with Dixon & Stein (aka Survive). With rich oscillator throbs and tense pads akimbo, it's yet another suite of perfectly manicured soundtrackery that's perfect for the series (obviously) and just as good on the home stereo. Lovely.

                    TRACK LISTING

                    What's The Internet?
                    I Wouldn’t Remember Me Either.
                    Journalistic Instinct
                    100% Convinced
                    In The Closet (At Rink O Mania)
                    Does That Make Us Friends?
                    My Boobs Hurt.
                    Unambiguous True Love
                    Stuck In 1983
                    Hawkins National Lab
                    Hellfire Club
                    Buried Memories
                    Fancy Bomb
                    We Are Not Heroes
                    Nine Feet Tall
                    Hail Lord Vecna
                    Powerful Psychic Connection
                    Ruth, Nevada
                    Hellfire Isn’t A Cult
                    I Know What I Saw
                    You’re Regressing Eleven
                    Letter To Willy
                    Palm Tree Delight
                    Brenner’s Little Pet
                    Mr. Fibbly
                    It’s Just A Clock, Right?
                    Welcome To Kamchatka
                    A Nightmare Far Worse
                    Caught A Body At The Munsen Trailer
                    A War Is Coming To Hawkins
                    The Elephant
                    Hurtling Towards A Gruesome Death
                    Barefoot In The Snow
                    Kills You In Your Dreams
                    The Shire Is Burning
                    Blood Balloons
                    Burning Baby
                    There Are Some Things Worse Than Ghosts...
                    A Memory Within A Memory

                    Billy Nomates


                      Billy Nomates, the project of the Bristol-based songwriter, producer and multi-instrumentalist Tor Maries, releases her much anticipated second studio album, CACTI,via Invada Records.

                      Recorded at her flat and Invada Studios, CACTI is a huge step up for the artist, who received widespread critical acclaim for her eponymous 2020 debut album, with heavy airplay across BBC Radio 6 Music and support from luminaries such as Iggy Pop, Florence Welsh and Steve Albini.

                      Though every bit as unrepentant as Billy Nomates’ debut, CACTI comes from a much more exposed place and sees Tor further develop her instinctive, inventive songwriting and production. Unafraid to wade into the traumas of the past two years and the eerie sense of apathy that lingers, alongside heartache and more political themes, the 12-track collection openly confronts uncomfortable truths, as Tor puts it, "70-80% of being bold is about being vulnerable as hell."

                      Maries said: “Writing CACTI took just over a year. I wrote very intensely and then none at all. (This seems to be the way I work best). I picked up old drum machines, mapped out things in my kitchen with the same small micro keyboard I always use and then raided the cupboards and rooms at Invada Studios, to play and experiment with old synths, an upright piano, this weird organ thing. I hope everyone finds their own narrative in CACTI. I think it's about surviving it all.”

                      STAFF COMMENTS

                      Laura says: Ironically, Cacti is a much less, erm, spikey affair than her debut LP. The vocal delivery reminds me of the sort of female singer songrwiters that were filling stadiums in the 90s, but the self produced, sythn led sound keeps things just the right side of pop: rooted in a raw, authentic sound rather than coated in a bland pop sheen, which suits the deeply personal songwriting.

                      TRACK LISTING

                      Balance Is Gone
                      Black Curtains In The Bag
                      Blue Bones (deathwish)
                      Saboteur Forcefield
                      Roundabout Sadness
                      Same Gun
                      Apathy Is Wild
                      Blackout Signal

                      Hildur Guðnadóttir & Sam Slater

                      Battlefield 2042 (Official Soundtrack)

                        Battlefield 2042 soundtrack pressed on 2 x 'Hazard Zone' (Green w/ Blue Markings) vinyl, exclusive variant outside The Americas.

                        Includes gatefold sleeve plus printed inner sleeves.

                        "Guðnadóttir has established her signature sound: a moving fusion of ambient drone and contemporary classical that places an emphasis on her exceptionally controlled tone; she’s capable of conjuring entire worlds out of just a few carefully chosen notes.”

                        "We are thrilled to be writing our first video game score for Battlefield 2042, and teaming with Electronic Arts,” … "It was such a deeply creative experience to dive into this world and create a truly unique and disruptive musical environment for the game.” Gudnadóttir and Slater

                        TRACK LISTING

                        The Observation Of Beautiful Forms
                        Between The Bows
                        Wall Jazz
                        Load Bearing
                        When Does A Country Stop Being A Country?
                        5 Degrees Of Warming
                        Hauled Over The Coals
                        The Long Haul
                        Hourglass (Inverted)
                        Wet Bulb
                        Shipping Forecast
                        Tipping Points
                        Battlefield 2042


                        High Art Lite

                          TVAM self-released his much-acclaimed debut Psychic Data in the autumn of 2018, something of a cult-classic, the album joined the dots between Suicide’s deconstructed rock ’n’ roll, Boards of Canada’s irresistible nostalgia and My Bloody Valentine’s infinite noise. Psychic Data spawned an ‘Album Of The Day’ at BBC 6Music whilst signature tune ‘Porsche Majeure’ featured in HBO’s smash-hit ‘Succession’.

                          Fast forward the VCR to 2022, High Art Lite takes a different tilt to its predecessor by emphasising the immediate and the personal.The colours are blown-out and the brightness is cranked up.TVAM’s take on role models, fictional movie character tropes, and fables of good and evil, are all tackled with the same suspicious cynicism but this time with an urgent belief in the human condition.

                          A heady mix of Black Mirror’s modern fables, JG Ballard’s gated communities of sun-drenched wealth, and Mulholland Drive’s boulevard of broken daydreams, High Art Lite offers an all-inclusive package of redemption.

                          High Art Lite is the first-ever Dinked Edition collaboration with Invada Records.

                          TRACK LISTING

                          Side A
                          Future Flesh
                          Every Day In Every Way
                          Club Nautico (Part 1)
                          Piz Buin
                          Double Lucifer
                          Shallow Ends
                          Side B
                          Say Anything
                          Club Nautico (Part 2)
                          High Art Lite


                          Kosmik Musik

                            Two years in the making Kosmik Musik is a collaboration between artist Joe Currie, writer Ben Wheatley and musical group Beak>, who worked closely with the artists to provide a musical accompaniment for the graphic novel.

                            The soundtrack is pressed on 10" black vinyl and housed in a spined sleeve.

                            Ben and Joe met at art school in the 90s where they both were involved in a lot of comic book drawing and reading. It’s taken thirty years to finally get their acts together and create this book. In the meantime Joe has been sculpting and painting. Ben has been writing and directing films.

                            Kosmik Musik is melting pot of 2000ad, Metal Hurlant, Kirby tech, psychedelic 60s art, Doctor Who, Douglas Adams, Kraut Rock, Star Trek and Star Wars. A UK 70s English childhood basically.

                            The project comes with a sonic accompaniment by Beak> who have live dates on the horizon including Primavera Sound in LA

                            ABOUT KOSMIK MUSIK, THE GRAPHIC NOVEL: The galaxy is a big place–but not big enough for Mick and Eve as they are chased across it by cops, inter-dimensional plunderers, rogue artificial intelligences, middle-aged assassins and a third-tier superhero team. Come with us on a rip roaring, planet hopping adventure. Punches will be thrown, tears will be shed and music will be played on vinyl on vintage record players as Mick and Eve try to solve every sentient creature’s fundamental questions like why and what... and eh? Yes, dear reader, Kosmik Musik will unlock some of the more pressing mysteries of the universe. True Fact.

                            TRACK LISTING

                            KOSMIK MUSIK (Part 1)
                            KOSMIK MUSIK (Part 2)
                            KOSMIK MUSIK (Part 3)
                            KOSMIK MUSIK (Part 4)
                            KOSMIK MUSIK (Part 5)
                            KOSMIK MUSIK (Part 6)
                            KOSMIK MUSIK (Part 7)

                            Ben Salisbury & Geoff Barrow

                            Archive 81 (Soundtrack From The Netflix Series)

                              Ben Salisbury and Geoff Barrow are known for their scores for the Ivor Novello Award winning ‘Ex Machina’ and ‘Devs’, along with their work on ‘Annihilation’, ‘Free Fire’, ‘HANNA’ and more.

                              Inspired by the popular podcast of the same name, ‘Archive 81’ depicts the life of a man who comes across videotapes full of a mysterious woman’s adventures in an even more mysterious apartment building. What seemed to be an ordinary job turns into a nightmare as the strange creature that took the woman’s life in the past seems to have found a way back to him 25 years in the future.

                              TRACK LISTING

                              Archive 81 - Titles
                              The Visser Ritual
                              Tape Cleaning
                              Losing Track Of Time
                              Jess Opens Up
                              Journey To The Compound
                              Ghost Story / Cracking The Code
                              Someone In There
                              The Greenstone Totem
                              Dan’s Theme
                              I’m A Spirit Receiver
                              Church Seizure / The Compound
                              The Cult Of Kaelego
                              A Connection Through Time
                              Tamara’s Opera
                              Dan’s First Lucid Dream
                              I Need To Find Her
                              Pep Talk
                              Going Rogue
                              Fucking Smothering Me
                              The Ritual Space Recreated
                              Song Of The Otherworld
                              What Are You Playing?
                              Stay Out
                              Archive 81 - Credits

                              Archive 81 - Titles
                              The Visser Ritual
                              Tape Cleaning
                              Losing Track Of Time
                              Jess Opens Up
                              Journey To The Compound
                              The Greenstone Totem
                              Dan’s First Lucid Dream
                              Song Of The Otherworld
                              Someone In There
                              Dan’s Theme
                              Tamara’s Opera
                              I Need To Find Her
                              The Ritual Space Recreated
                              Stay Out
                              Archive 81 - Credits

                              Tim Hecker

                              The North Water (Original Score)

                                After selling out on all variants, this score has now been re-pressed on clear vinyl.

                                Tim Hecker’s incredible score to ‘The North Water’, starring Colin Farrell and Jack O’Connell.

                                The score is pressed on clear vinyl and housed in a deluxe spined sleeve with double sided printed insert and digital download card.

                                Features beautiful artwork throughout, using stunning imagery from the film.

                                “The score for ‘The North Water’ was written just before and during the pandemic in 2020, mostly over arguably one of the darkest winters of some memory in Montreal,” says Hecker.

                                “The music was an attempt to add depth and texture to a five-hour doomed arctic journey that charts a trajectory from hardened optimism into abject futility. We worked with a primary palette of synthesizers, electronics, and treated cello, in rich live spaces as well as suffocating dead ones. This version of the score is an enhanced mix of some of the material that made its way into the project.”

                                Adapted from a novel of the same name by Ian McGuire, it tells the story of a disgraced doctor who becomes a medic onboard an Arctic whaling ship.

                                TRACK LISTING

                                First On Deck
                                Delirious Hunt
                                Seasick II
                                Left On The Ice
                                Our First Whale
                                Ice Row
                                It's A Mistake To Think Too Much
                                The Warmth Of Drax
                                Winter’s Coming
                                A Breather
                                Seasick III
                                Twinkle In The Wasteland
                                Starting Over Again

                                Nick Cave & Warren Ellis

                                La Panthère Des Neiges - Original Soundtrack

                                  Originally available as a digital-only release, Invada Records and Lakeshore Records present the original score by Nick Cave and Warren Ellis to the film La Panthère Des Neiges (AKA The Velvet Queen).

                                  The soundtrack is one of Ellis and Cave’s most heartfelt and haunting film projects. 

                                  High up on the Tibetan plateau. Amongst unexplored and inaccessible valleys lies one of the last sanctuaries of the wild world, where rare and undiscovered fauna lives. Vincent Munier, one of the world’s most renowned wildlife photographers takes the adventurer and novelist Sylvain Tesson (In the Forest of Siberia) with him on his latest mission. For several weeks, they’ll explore these valleys searching for unique animals and try to spot the snow leopard, one of the rarest and most difficult big cats to approach.

                                  Ellis explains how Cave and himself came to be involved : “There is something about the heart of this film that draws you in. I realised after a day, that I wanted to do whatever it took to compose an entire original score. The film deserved to have its own musical voice. I booked five days and asked Nick if he could come in for a day to write a theme song and play some piano. He saw the film and stayed for four days. In the end we made what I think is one of the most beautiful films we have ever worked on. One of my favourite experiences ever working on a project. The stars are the animals in all their wild glory, as we have never seen them before, and man in reverence and wonder.”

                                  TRACK LISTING

                                  L'attaque Des Loups
                                  Les Cerfs
                                  La Bête
                                  Les Yaks
                                  Des Affûts Elliptiques
                                  Les Nomades
                                  La Grotte
                                  Les Princes
                                  La Neige Tombe
                                  Les Ours
                                  Un Être Vous Obsède
                                  L’apparition/We Are Not Alone

                                  Jonny Greenwood

                                  The Power Of The Dog (Soundtrack From The Netflix Film)

                                    “The year's indisputable soundtrack pinnacle” - Peter Travers, ABC “The year’s best film score” - The New Yorker

                                    “Greenwood’s latest score - and the one that might be likeliest to finally win him an Oscar” - Stereogum 

                                    Jane Campion’s masterful ‘The Power of the Dog’ is the most honoured film of the year. The critically acclaimed original score by Academy Award and BAFTA-nominated composer Jonny Greenwood has won Best Score at 13 major critics organisations and is now SCL nominated for Outstanding Original Score for a Studio Film.

                                    This incredible score recently received the Academy Award nomination for Best Original Score, BAFTA nomination for Best Original Music, Golden Globe nomination for Best Original Score along with loads of other nominations. As well as the score, the film has been incredibly popular this awards season, picking up many nominations.

                                    TRACK LISTING

                                    1. 25 Years
                                    2. Requiem For Phil
                                    3. So Soft
                                    4. Detuned Mechanical Piano
                                    5. Prelude
                                    6. The Ravine
                                    7. Mimicry
                                    8. West Alone
                                    9. Miss Nancy Arrives
                                    10. Figured It Out
                                    11. Viola Quartet
                                    12. Best Friends
                                    13. Paper Flowers
                                    14. A Lovely Evening
                                    15. They Were Mine
                                    16. West
                                    17. Psalm 22

                                    Alexis Grapsas & Philip Klein

                                    Pig - Original Motion Picture Soundtrack

                                      The score reflects the mood of the lead character, played by Nicolas Cage, with the simple ‘folk’-like colours of the solo violin and acoustic guitars creating a richly mournful tone.

                                      More modern, aggressive electric guitars, distorted colours and drums provide a strikingly ominous, propulsive backdrop to the character’s more intense moments.

                                      Alexis Grapsas says this about the film’s score: “The score was born after lots of trial and error and experimentation under the guidance and vision of the filmmakers, where we tried very original acoustic and electric sounds. In the process of creating an environment that would capture the lead character’s emotional world, we landed on a very unique raw and gritty sound that remains true to the story while being self-aware.”

                                      TRACK LISTING

                                      Out Of The Woods
                                      Bottom Of The Ocean
                                      Salted Baguette
                                      Take Me To The City
                                      The Trees Tell You Where To Look
                                      Tell Him Who You Are
                                      Things To Really Care About
                                      Hotel Portland
                                      Wasted Space
                                      See You Thursday

                                      Tim Hecker

                                      The North Water - Original Score

                                        “The score for ‘The North Water’ was written just before and during the pandemic in 2020, mostly over arguably one of the darkest winters of some memory in Montreal,” says Hecker.

                                        “The music was an attempt to add depth and texture to a five-hour doomed arctic journey that charts a trajectory from hardened optimism into abject futility. We worked with a primary palette of synthesizers, electronics, and treated cello, in rich live spaces as well as suffocating dead ones. This version of the score is an enhanced mix of some of the material that made its way into the project.”

                                        Adapted from a novel of the same name by Ian McGuire, it tells the story of a disgraced doctor who becomes a medic onboard an Arctic whaling ship.

                                        STAFF COMMENTS

                                        Matt says: Have you seen The North Water yet? It's amazing - accentuated and enhanced by Hecker's immersive and detailed score. Possibly avoid if, like me, the thought of being trapped in a submarine 3 miles underwater absolutely scares the living shit out of you. Otherwise - you're good!

                                        TRACK LISTING

                                        First On Deck
                                        Delirious Hunt
                                        Seasick II
                                        Left On The Ice
                                        Our First Whale
                                        Ice Row
                                        It's A Mistake To Think Too Much
                                        The Warmth Of Drax
                                        Winter’s Coming
                                        A Breather
                                        Seasick III
                                        Twinkle In The Wasteland
                                        Starting Over Again

                                        Mario Batkovic


                                          Mixing classical and contemporary sound, Mario Batkovic seeks to explore the sonic possibilities of the accordion, without effects or loops, rather through a mutualist symbiotic relationship between man and instrument. Challenging, hypnotic and grandiose; Batkovic’s symphonic vision is unique and he has received widespread critical acclaim, including Rolling Stone magazine who voted his self-titled debut album in the Top 10 ‘Best Avant Albums of 2017’

                                          ‘Introspectio’ is a self-questioning, self-examination of society and the meaning of sound. Featuring collaborations with electronic sorcerer James Holden and former BEAK> member Matthew Williams aka MXLX, in addition to drummer Clive Deamer (Radiohead/Portishead/Robert Plant/Roni Size), saxophonist Colin Stetson and concert choir Cantus Domus, Batkovic questions the place of sound, clichés and prejudices, taking the listener on a journey through infinite universes of sound.

                                          Musical contrasts run throughout the album. Sound aesthetics versus compositional ethics play out, it all about creation and destruction as our sound researcher creates his very own macrocosm of music and sound. Whether solo or in collaboration, ‘Introspectio’ invites us on a rhythmically pulsating trip somewhere between dissolution and new beginnings.

                                          TRACK LISTING

                                          REPERTIO (w/ Clive Deamer & MXLX)
                                          CHOREA DUPLEX (w/ James Holden)
                                          QUIS EST QUIS (w/ Colin Stetson)
                                          PRIMORDIUM FINALE

                                          The KVB


                                            Underground coldwave duo The KVB are back with their most potent and immediate record yet. Produced and mixed by Andy Savours (Black Country New Road, My Bloody Valentine, The Horrors) ‘Unity’ represents an exciting development in the band’s sonic journey. Across the album's ten songs, The KVB masterfully pull together their trademark components; radiant guitars, textural synths and an ear for a moody, brooding melody all presented here with a renewed dynamism.

                                            Throughout the album lyrical themes combine double meanings and a sleight of hand is present; Le Corbousier’s brutalist ‘Unité d’habitation’ informs the title track and via the French-to-English translation ‘Unité' becomes ‘Unity’ - a rallying cry to totality on the dancefloor. ‘Unbound’ is informed by the classic shoegaze stylings of Slowdive and Ride but also late-modern poet Keston Sutherland and the idea of recreating a special moment lost to the past . 

                                            TRACK LISTING

                                            Sunrise Over Concrete
                                            Ideal Living
                                            World Of Fire
                                            Structural Index

                                            Gazelle Twin

                                            Welcome To The Blumhouse: Nocturne

                                            Gazelle Twin’s incredible electronic score to horror film “Nocturne”, released as part of the Welcome To The Blumhouse series.

                                            Includes previously released tracks by Gazelle Twin “Unflesh” and “Belly Of The Beast”.

                                            The score is pressed on clear vinyl and housed in a deluxe spined sleeve with digital download card included.

                                            ‘The director wanted there to be a strong appearance of feminine rage featuring heavily in the score, building around the classical pieces,’ says Gazelle Twin. ‘She wanted to use some of my existing tracks, “Unflesh” and “Belly Of The Beast”, in a couple of scenes, so I took leave from the vocal style of “Unflesh”, which has a lot of strong chest singing inspired by Bulgarian Folksong. It became a motif that the music editor, Shie Rozow, weaved throughout the film for those especially fierce moments. Then there’s the ‘dread drones’ that haunt the whole score, getting more and more intense.’

                                            TRACK LISTING

                                            1. Moira’s Sacrifice
                                            2. Juliet’s Rage
                                            3. The Book
                                            4. Invocation
                                            5. Belly Of The Beast
                                            6. Assurance
                                            7. Golden Light
                                            8. Purification
                                            9. Triumph
                                            10. Consummation
                                            11. Unflesh
                                            12. Blood Sport
                                            13. Vivian’s Fall
                                            14. Juliet’s Sacrifice


                                            Oh Know

                                              Two new tracks from Beak>.

                                              Pressed on black 7” vinyl with digital download card included.

                                              ‘Oh Know’ was originally released as part of NRML Festival in Mexico City as a music video release by Echo Panda Films.

                                              STAFF COMMENTS

                                              Barry says: They do a stunning 7" Beak do, I remember 'Sex Music' getting a hell of a playing in the shop, and this newest outing is sure to go down just as well with a motorik backbeat perfectly laying the foundations for the syncopated groove and echoic vocal squawks. Filthy.

                                              TRACK LISTING

                                              Oh Know
                                              Ah Yeh



                                                A good 10 years after her first solo LP, Annika Henderson of Exploded View fame has created the perfect album. One that is great from start to finish and steeped in the scope of human emotion. Change combines goth disco© (“Critical”, “Rights”) and synth stompers (“Finger Pies”, “Naysayer”) with eerie, haunting songs (“Sand Witches”, “Freedom”) and heartfelt melancholia (“Change”, “Never Coming Back”, “Wait For Something”). The tracks are gloomy yet catchy and with its industrial feel and Anika’s Nico-esque voice the album sounds both moody and empowering. The title track “Change” and my personal favourite “Never Coming Back” in particular have me in awe of her songwriting abilities and pop sensibility. Anika has written an album that contrasts darkness and hope and brilliantly covers a broad range of sentiments. It's an experimental synth pop masterpiece that deserves to be heard by a much wider audience.

                                                STAFF COMMENTS

                                                Mine says: It's been a while! Anika is back and I'm sure everyone who's enjoyed her outings with Exploded View will dig her (equally dark and moody) solo stuff too. Very excited about this one!

                                                TRACK LISTING

                                                1. Finger Pies
                                                2. Critical
                                                3. Change
                                                4. Naysayer
                                                5. Sand Witches
                                                6. Never Coming Back
                                                7. Rights
                                                8. Freedom
                                                9. Wait For Something

                                                Gazelle Twin & Max De Wardener

                                                The Power - OST

                                                  Gazelle Twin and Max de Wardener’s score to “The Power”, directed by BAFTA nominated director Corinna Faith.

                                                  Taking about the soundtrack, Gazelle Twin expands, “Working on The Power with Corinna and Max didn’t feel much like work. It was a long haul thrill, from our field trip to the derelict wing of Goodmayes Hospital to record squeaky trolleys and smashed pill bottles, to making countless experiments with samples, voice, and electronics, pushing them in every extreme direction we could think of. The results bring me a lot of joy. I hope the collaboration continues.”

                                                  Max de Wardener goes on to say, “For this score we tried to match Corinna’s terrifying vision of the dark by creating music that was both as ambiguous as it was frightening. Keeping the palette small to increase the feeling of claustrophobia, this ranged from quiet dusty out of focus sounds, to full blown dense vocal textures with pounding synths to evoke our primal fear of the unknown. Gazelle Twin’s brilliantly inventive approach to vocal music became such an important part of the film.”

                                                  Summoning the spirit of classic ghost stories such as Susan Hill’s novel The Woman in Black and the intense psychological atmosphere of Dario Argento’s Suspiria, The Power is set in a crumbling East London Royal Infirmary in 1974.

                                                  TRACK LISTING

                                                  First Day
                                                  Prayer In The Dark
                                                  Dream Come True
                                                  On Trial
                                                  Intensive Care
                                                  Dark Won’t Hurt
                                                  Dark Shift
                                                  Nothing Happened
                                                  Black Pages
                                                  Babs’ Eyes
                                                  Gail Returns
                                                  White Sheets
                                                  You Will Listen To Us
                                                  The Well

                                                  Clint Mansell & Clint Walsh


                                                    Clint Mansell and Clint Walsh’s reimagining of Lou Reed’s 1973 album ‘Berlin’ as a tribute to Mansell’s late partner Heather who passed away in 2014. Mansell is best known as the former lead singer of Pop Will Eat Itself and as a composer for films such as ‘Requiem for a Dream’ and ‘Black Swan’. Walsh is a multi-instrumentalist and founding member of Tweaker and is known for his work with Courtney Love, Gnarls Barkley and many others. Mansell and Walsh worked previously together on the score for ‘Black Mirror’ episode ‘San Junipero’.

                                                    TRACK LISTING

                                                    Lady Day
                                                    Men Of Good Fortune
                                                    Caroline Says I
                                                    How Do You Think It Feels
                                                    Oh Jim
                                                    Caroline Says II
                                                    The Kids
                                                    The Bed
                                                    Sad Song

                                                    Clint Mansell

                                                    Rebecca (Music From The Netflix Film)

                                                      The psychological thriller - directed by Ben Wheatley and starring Lily James, Armie Hammer and Kristin Scott Thomas - aired on Netflix on October 21 - one of Netflix’s biggest films of 2020.

                                                      Speaking about his score, Mansell says: “Of course the main objective is to serve the film, support the story, and have the music play its role. But aside from that, to be honest, when I approach a new film nothing is sacred, everything is up for grabs. You need to take it apart and then rebuild it to find one’s own voice within it. That said I love to do lots of research on a project before I start writing - it’s my most favourite part of the process. The film I’m scoring has to inform me of what it needs, to what it will respond. So, an intimate knowledge of the work, other interpretations, background, the author, etc. is key to my being receptive to that.”

                                                      As well as being one of the founding members of Pop Will Eat Itself, Clint Mansell is one of the most respected contemporary film composers and his hugely successful works include Requiem For A Dream, Moon, The Fountain, Black Mirror: San Junipero, High- Rise, Doom and more.

                                                      TRACK LISTING

                                                      Last Night I Dreamt I Went To Manderley Again
                                                      Une Douzaine D'Huîtres
                                                      Côte D’Azur
                                                      A Bond In Common
                                                      Rebecca Always Rebecca
                                                      The Peace Of Manderley
                                                      The Shadow Between Us
                                                      Do The Dead Come Back And
                                                      Watch The Living
                                                      The Happy Valley
                                                      Rebecca's Room
                                                      The Quality Of Insincerity
                                                      I Could Fight The Living But I Could Not Fight The Dead
                                                      Je Reviens
                                                      All Memories Are Bitter
                                                      By Night She’d Come
                                                      The Second Mrs De Winter
                                                      The Wings Of Mercury
                                                      I Should Never Be Rid Of Rebecca
                                                      Tell Me That You Love Me Now
                                                      We Can Never Go Back Again
                                                      We Are Both Alone In The World *
                                                      Dancing Till Three *
                                                      The Tradesman’s Complaint - Trad *
                                                      A Phantom In My Mind *
                                                      Ghosts Of Manderley *

                                                      * = 2LP Only

                                                      Divide And Dissolve

                                                      Gas Lit

                                                        Multidimensional duo Divide and Dissolve release their third full length studio album ‘Gas Lit’ on Invada Records, produced by Ruban Neilson of Unknown Mortal Orchestra.

                                                        Divide and Dissolve members Takiaya Reed (saxophone, guitar, live effects) and Sylvie Nehill (drums, live effects) create instrumental music that is both heavy and beautiful, classically influenced yet thrillingly contemporary and powerfully expressive and communicative. Their music has the ability to speak without words and utilises frequencies to interact with the naturally occurring resonance.

                                                        ‘We Are Really Worried About You’ presents a formidable saxophone sound giving way to a surge of crushing percussion and heavy guitar riffs. ‘Denial’ is a potent blend of Takiaya’s ominous and unsettling sax that blows wide open into riff city for almost eight glorious minutes. Both tracks encapsulate the message behind the music: to undermine and destroy the white supremacist colonial frameworks and to fight for indigenous sovereignty, black and indigenous liberation, water, earth and indigenous land given back.

                                                        For fans of James Baldwin, Osa Atoe, Adrienne Davies, the ocean and freshwater, breath/breathing, Toni Morrison, Octavia Butler, Afro futurism, indigenous futurism, indigenous sovereignty, slavery abolition, resistance, the forest, bodies of water, being submerged, the railroad and Ai Ogawa.

                                                        STAFF COMMENTS

                                                        Barry says: At no point throughout 'Gas Lit' do you come away with the impression that they're just having a good time. This is a visceral and intense, but entirely enjoyable fusion of neo-classical timbres with metallic heft and shoegazey walls of sound. Towering and impeccably constructed.

                                                        TRACK LISTING

                                                        Prove It
                                                        Did You Have Something To Do With It (ft. Minori Sanchiz-Fung)
                                                        Far From Ideal
                                                        It’s Really Complicated
                                                        Mental Gymnastics
                                                        We Are Really Worried About You

                                                        Billy Nomates

                                                        Emergency Telephone

                                                          Off the back of her critically acclaimed self-titled debut album released last year on Invada Records, Billy Nomates returns with her new EP “Emergency Telephone”, which follows the release of brand new single “Heels” taken from the EP.

                                                          TRACK LISTING

                                                          Emergency Telephone
                                                          Right Behind You
                                                          Petrol Fumes

                                                          Warren Ellis

                                                          This Train I Ride: Original Soundtrack

                                                            Invada Records release Warren Ellis’ score to ‘This Train I Ride’.

                                                            The Australian musician (Dirty Three, Bad Seeds, Grinderman) has scored a number of high-profile films (‘The Assassination of Jesse James by the Coward Robert Ford’, ‘Hell or High Water’, ‘The Road’) and his latest score is for ‘This Train I Ride’, a documentary film directed by Arno Bitschy.

                                                            The score is pressed on black vinyl and comes in a deluxe gatefold sleeve with the record itself housed in a double sided printed inner sleeve featuring liner notes by Warren Ellis and Brian Eno. Digital download card included.

                                                            “My idea was to record, collate and produce the music on trains, in the spirit of the women in this documentary. Brian was so encouraging with this approach and told me about a train journey he had taken in the 80’s with no fixed destination. Over the next month I sat with my computer, loops, iPhone, Reface DX synthesiser and forgotten ideas and composed the music on the Metro and Eurostar and in various hotels while working on Ghosteen. I would send the pieces to Arno from the train, or wherever I was located, and he edited them into the film.” - Warren Ellis

                                                            The film tells the story of women hopping freight trains around America. The film follows the life-journeys of these women living on the fringe in a rapidly changing country, in their quest for identity, freedom and finding their place in the world.

                                                            TRACK LISTING

                                                            This Train I Ride
                                                            Because I Was A Girl
                                                            The Rules Concerning Men
                                                            Airport Train
                                                            I'll Hop Trains The Rest Of My Life
                                                            Freight Train
                                                            Mystery Train

                                                            Jeremy Gara

                                                            Passerine Finale

                                                              Jeremy Gara, drummer of Arcade Fire, releases his second solo album ‘Passerine Finale’ on Invada Records.

                                                              The album was mastered by Helge Sten (Deathprod, Supersilent) and composed, produced and recorded by Jeremy over the last three years. ‘Passerine Finale’ is a varied collection of songs and disparate sounds, from arranged static noise to extended melodic drones, improvised and chiselled at, ignoring form or structure, and completed the moment things ‘felt’ something.

                                                              The album comes pressed on silver vinyl and is housed in a heavyweight sleeve with digital download card included, with artwork throughout by Jeremy himself.

                                                              Jeremy explains: “‘L_06’ - the visual thing, like the song it accompanies, comes from trying to push really simple objects and figures to a place where they hopefully, somehow, become imprinted with a kind of emotional energy - attempting to entwine single note drones and simple straight lines together tightly enough that they dance a little.”

                                                              Originally from Ottawa, Canada, Jeremy has been a member of Arcade Fire since 2004. Outside of the band, he has recently collaborated with bandmate Sarah Neufeld and world-renowned dancer and choreographer Peggy Baker on composing music for a large-scale dance production called Who We Are In The Dark and performed it live at various dance festivals. He’s also been touring and performing his solo material across the world since his first album, ‘Limn’, was released in March of 2016.

                                                              STAFF COMMENTS

                                                              Barry says: invada obviously have form for this sort of soundtracky full-spectrum mayhem, but i've not heard anything quite as brilliantly punishing and heavy since Ben Frost's 'Theory Of Machines'. Passerine Finale is a gorgeous, genre straddling behemoth, and one that deserves to be absorbed at full volume.

                                                              TRACK LISTING

                                                              In, Final Note
                                                              Ice Towers
                                                              Watching You
                                                              Passerine Finale

                                                              Atticus Ross, Leopold Ross, Claudia Sarne

                                                              Dispatches From Elsewhere (Music From The Jejune Institute)

                                                                Dispatches From Elsewhere (Music From The Jejune Institute) is a meticulously crafted electronic score, composed for the AMC show by Atticus Ross, Leopold Ross & Claudia Sarne. “Music From The Jejune Institute” and “Music From The Elsewhere Society” both represent opposing factions in the series. The score is pressed on black vinyl and housed in a deluxe spined sleeve with printed insert and download card included. Atticus Ross is an English musician and producer who has been living and working in Los Angeles since 2000. His move from records to include working in film started in 2010 with The Book of Eli and The Social Network. Along the way he has won a number of awards including the Grammy, the Oscar, the Golden Globe, the Critics’ Choice and the Ariel. He is also a member of the band Nine Inch Nails.

                                                                Leopold Ross is an English composer whose scoring career began with the Hughes Brothers The Book of Eli. He has gone on to score numerous films and TV shows, working with many notable directors including Michael Mann (Blackhat), Harmony Korine (Caput) and more. Claudia Sarne is an English musician, composer and songwriter who lives and works in Los Angeles. Her music is featured on work with leading contemporary female artists such as Tierney Gearon and Polly Borland. She collaborates extensively with Atticus Ross and Leopold Ross. Created by and starring Jason Segel, “Dispatches From Elsewhere” is an original anthology series centered around four ordinary people who feel there’s something missing in their lives, but they can’t quite put their finger on what it is. This diverse foursome is brought together by chance – or perhaps it’s by design – when they stumble onto a puzzle hiding just behind the veil of everyday life.

                                                                TRACK LISTING

                                                                1. Data Analysis
                                                                2. Chocolate Milk
                                                                3. Fredwynn Knows
                                                                4. Macguffin
                                                                5. Those Dark Horses
                                                                6. Disillusion
                                                                7. The Architect
                                                                8. This Is Existing
                                                                9. Breaking And Entering
                                                                10. Hooded Gathering

                                                                Ben Salisbury, The Insects, Geoff Barrow

                                                                Devs (Original Series Score)

                                                                  This is the original score to Devs by Ben Salisbury, The Insects and Geoff Barrow. It includes all 37 tracks from the stunning score. Ben Salisbury says, "As with all of Alex's projects, we started working on ideas for the music after reading the scripts, and as well as being blown away by the material, we knew the music would need to reflect the strong religious thread that runs through story, and that we would need a number of developing themes that had a warped devotional vibe to them. But the music also needed to work with the thriller and tension side of things and the moments of outright horror, as well as sitting alongside the sheer beauty and scale of the amazing cinematography and set design. Crucially, the score also had to reflect and emphasise the human and emotional aspects of a story that is ultimately about grief and love.”

                                                                  TRACK LISTING

                                                                  Stranger Danger
                                                                  Amaya Corporation
                                                                  Entering Devs / The Machine
                                                                  Stealing The Code
                                                                  Two Concurrent States (Plainsong Part 2)
                                                                  Were You Listening?
                                                                  You're Fired
                                                                  Amaya's Theme (Version 1)
                                                                  The Visualisation Chamber
                                                                  Reporting A Crime
                                                                  All Possible Worlds
                                                                  I'm A Tank
                                                                  Specifically You
                                                                  Crash No Crash
                                                                  Stay In My Bed
                                                                  Object Input
                                                                  All Buddies Now
                                                                  Keep Extrapolating
                                                                  Someone Crazy
                                                                  Ad Infinitum Ad Nauseam
                                                                  You Were Counting In Russian
                                                                  Cause And Effect
                                                                  The Universe Is Deterministic (Plainsong Part 3)
                                                                  The Day Will Break
                                                                  The Second Coming
                                                                  Your System Breaks
                                                                  This Is Where You Say Goodbye
                                                                  Amaya's Theme (Version 2)

                                                                  Billy Nomates

                                                                  Billy Nomates

                                                                    Billy Nomates, the fierce, funny, outspoken force of nature who hails from Melton Mowbray and now flits between Bournemouth and Bristol, has arrived to rattle cages.

                                                                    The songs on her debut album all come from a place of defiance. Rebellion against Brexit. Against soul-sapping, dead-end jobs and zero-hours contracts. Against gender inequality, sexual harassment and festivals with obligatory female acts hidden in the small print. Billy’s songs lampoon the same bleak reality satirised by her beloved Scarfolk website and explored so abrasively in the fringe theatre she finds solace in.

                                                                    Musically, there are snatches of Nick Cave’s rumbling sprechgesang; the “off-the-wall-ness of musicians like Captain Beefheart”; Sleaford Mods’ febrile post-punk; the groovesome lofi art-rock of Sonic Youth; and the brassy Americana of Emmylou Harris. What dominates, though, is a feeling of release. Of letting it all out.

                                                                    TRACK LISTING

                                                                    Modern Hart
                                                                    Hippy Elite
                                                                    Happy Misery
                                                                    Supermarket Sweep
                                                                    Call In Sick
                                                                    Fat White Man
                                                                    Wild Arena
                                                                    Escape Artist

                                                                    Blanck Mass

                                                                    Calm With Horses

                                                                      Invada Records are proud to release Blanck Mass’ score to ‘Calm With Horses’ on vinyl and CD! Black Mass’ first feature length, synth-heavy score was previously released on digital platforms on 13th March.  Blanck Mass is the solo project of Benjamin John Power. The musician, also one half of Fuck Buttons, has been making music under the moniker since 2010 and has released three albums on Sacred Bones, 2015's Dumb Flesh, 2017's World Eater and 2019’s Animated Violence Mild. Calm With Horses, Nick Rowland’s feature film debut, is a raw and beautiful tale of one man’s struggle to navigate both crime and family life in rural Ireland.

                                                                      TRACK LISTING

                                                                      Violent Child
                                                                      The Devers
                                                                      Jack's Theme
                                                                      Different Breed
                                                                      The Cliff
                                                                      Loyal Skins
                                                                      Heck Speaks
                                                                      That Plank In Your Eye
                                                                      Prove Yourself
                                                                      Nothing That Cannot Be Turned Back

                                                                      Various Artists

                                                                      The Virtues: Television Series Soundtrack - Feat. Original Music By PJ Harvey

                                                                        The soundtrack to Shane Meadows’ ‘The Virtues’, which screened on Channel 4 in May / June 2019, features six original pieces of music by PJ Harvey written for the series and includes tracks used throughout the series, including music by Aphex Twin, MONO, Lisa Hannigan and more.

                                                                        “I am so happy to have provided the original music for this extraordinary and powerful new drama by a director I have admired and followed all my life. Shane has a unique directness and sensitivity to his work which I am drawn to and aspire to in my own work, so our collaboration was open and trusting. I sent Shane ideas as demos for him to try out as he edited and let him choose what he used and where to the greatest effect. In the end we both loved how the demos worked so left them as they were, adding to the raw beauty of the piece.” - PJ Harvey

                                                                        STAFF COMMENTS

                                                                        Barry says: What better combination could there be than Shane Meadows' singular artistic direction and PJ Harvey's keen soundtracking talents? Beautiful ambient sections and orchestral lushness, terse melodies and PJ's instantly recognisable vox. Lovely.

                                                                        TRACK LISTING

                                                                        PJ Harvey - The Lonely Wolf
                                                                        Lisa Hannigan - Flowers
                                                                        PJ Harvey - Death
                                                                        Aphex Twin - Gwely Mernans
                                                                        Micah P. Hinson - Beneath The Rose
                                                                        PJ Harvey - Submerge
                                                                        Toydrum - Jesus Song (Rival Consoles Rework)
                                                                        Gazelle Twin - Cutting Into Flesh
                                                                        PJ Harvey - Prayer
                                                                        MONO - The Flames Beyond The Cold Mountain
                                                                        Ted Barnes - If The Truth Hurts
                                                                        Set Fire To Flames - When Sorrow Shoots Her Darts
                                                                        PJ Harvey - Subterranean
                                                                        PJ Harvey - The Crowded Cell

                                                                        Mark Jenkin

                                                                        Bait - Original Score

                                                                          Invada Records announce the release of Mark Jenkin’s drone-heavy score to UK film ‘Bait’.

                                                                          Mark Jenkin amazingly directed, edited and composed the score himself for the resolutely DIY yet hugely successful film. ‘Bait’ has since received four British Independent Film Awards nominations for Best Indie Film, Best Director, Breakthrough Producer and Best Editing and is one of the highest grossing and most successful indie films of 2019.

                                                                          The score is pressed on blue vinyl and comes housed in an extra thick deluxe spined sleeve with double sided heavyweight card printed insert, featuring stills from the film. There is also a digital download card included.

                                                                          Jenkin: “I started playing around with some drone ideas as a distraction from the editing of the film; something to take my mind off the cutting,” he says. “I was experimenting with delays and reverbs and decay and I began to feel that there was a nautical theme to the sounds that I was making.

                                                                          “An original drone was created very separate to the film but then I realised it might work as a score. From there I created a set of about 12 drones (eight of which are on the album) which were mostly variations on a theme and I began to place them in the edit to match the score. The drones work very well with the sounds of the sea, which is pretty much omni-present throughout the film and makes it easier to embed a drone without it being a big ‘musical’ statement.”

                                                                          TRACK LISTING

                                                                          Polmeor Rising
                                                                          We're Here Now
                                                                          Winner Stays On
                                                                          Ring Bolt Billy
                                                                          Another Tuss
                                                                          You Go Home Now
                                                                          Polmeor Falling

                                                                          For the surreal German supernatural thriller, Frost’s dynamic and ominous orchestrations provide a striking backdrop. Says Frost: “Working in this strange and beautiful world of light and shadow has been a gift and an endless source of inspiration”. Ben Frost is an Australian composer and producer based in Iceland. His albums include: Steel Wound (2003), School of Emotional Engineering (2004), Theory of Machines (2007), By the Throat (2009), Sólaris (with Daníel Bjarnason) (2011), Aurora (2014), The Centre Cannot Hold (2017), Fortitude OST (2017, 2018) and more. Dark is set in a German town in present day where the disappearance of two young children exposes the double lives and fractured relationships among four families. The story takes on a supernatural twist that ties back to the same town in multiple time periods.

                                                                          STAFF COMMENTS

                                                                          Barry says: Furthering his already prolific output on the soundtrack scene, top-tier noise merchant and ambient god Frost brings out two parts to his superb score for German Netflix outing, 'Dark'. The first cycle is a bit more of a brooding affair (as with Stranger Things) and perfectly soundtracks the rising unease and supernatural strangeness of the whole situation.

                                                                          TRACK LISTING

                                                                          Alles Ist Miteinander Verbunden
                                                                          Ein Mensch - Ein Schmetterling
                                                                          Die Hölle Ist Leer, Alle Teufel Sind Hier
                                                                          Tick Tack, Tick Tack
                                                                          Warum Nicht Waldweg
                                                                          Kein DeLorean
                                                                          Das Ist Nicht Mikkel
                                                                          Eine Reise Durch Die Zeit
                                                                          Ich Kann Die Vergangenheit Ändern
                                                                          Gott Gib Mir Gelassenheit
                                                                          Wo Ist Übergang

                                                                          Ben Frost

                                                                          Dark: Cycle 2 (Original Music From The Netflix Series)

                                                                          For the surreal German supernatural thriller, Frost’s dynamic and ominous orchestrations provide a striking backdrop. Says Frost: “Working in this strange and beautiful world of light and shadow has been a gift and an endless source of inspiration”. Ben Frost is an Australian composer and producer based in Iceland. His albums include: Steel Wound (2003), School of Emotional Engineering (2004), Theory of Machines (2007), By the Throat (2009), Sólaris (with Daníel Bjarnason) (2011), Aurora (2014), The Centre Cannot Hold (2017), Fortitude OST (2017, 2018) and more. The award-winning mystery series DARK transcended borders and connected with audiences around the world. The second season continues the story of four families and their attempts to change their fate within their tightly knit community. Through eight hour-long episodes, they experience how every decision irretrievably influences the present, the past and the future.

                                                                          STAFF COMMENTS

                                                                          Barry says: The second part of Frost's soundtrack for 'Dark' ramps things up a little, with tension and in turn musical intensity building to breaking point through a shadowy and foreboding electronic soundcape. Typically mindblowing work.

                                                                          TRACK LISTING

                                                                          Schwarze Materie
                                                                          Winden 2053
                                                                          Alles In Einer Endlosen Schleife
                                                                          Die Reisenden 1
                                                                          Du Bist Ein So Guter Mensch
                                                                          Jeder Bekommt Was Er Verdient
                                                                          Die Apokalypse Muss Kommen
                                                                          Wir Haben Keine Zeit Mehr
                                                                          Die Reisenden 2
                                                                          Ich Dachte, Ich Haette Mehr Zeit
                                                                          Folge Dem Signal
                                                                          Der Weisse Teufel

                                                                          Ben Salisbury & Geoff Barrow

                                                                          Luce: Original Motion Picture Soundtrack

                                                                          ‘Luce: Original Motion Picture Soundtrack’, featuring original score by Ben Salisbury and Geoff Barrow (‘Annihilation’) stars Naomi Watts, Octavia Spencer, Tim Roth and Kelvin Harrison, Jr. Stacked with amazing performances and adapted from JC Lee’s acclaimed play, director Julius Onah has created an intense, multi-layered and deeply entertaining look at identity in today’s America.

                                                                          Certain to be one of the most talked-about films of the year, ‘Luce’ is a smart psychological thriller that will leave audiences breathless.

                                                                          Says Ben Salisbury: “The script for ‘Luce’ had such an impact on us, that we not only jumped at the chance to be involved, but also immediately came up with a theme for Luce himself. This was one of those rare occasions where our very first response, informed by Julius Onah’s incredibly strong vision, ended up being the catalyst for the whole score.

                                                                          The music is predominately performed on church organ, which seemed the ideal instrument to provide the sort of ‘cold emotion’ that was often required, and could also be used to build tension and contribute to the general sense of unease."

                                                                          "It was a real privilege to be involved in a film where the drama is so nuanced, and the character allegiances and emotions are constantly shifting. When a film purposefully asks difficult questions, and doesn’t attempt to provide easy answers, you are obliged as composers, to leave the musical ‘sledgehammer’ alone. This is often a very good thing!”

                                                                          TRACK LISTING

                                                                          Luce’s Theme
                                                                          Goodnight Amy
                                                                          Breakdown Aftermath
                                                                          Luce’s Theme (Reprise)
                                                                          Everything’s Fine
                                                                          Speech To No-one
                                                                          You Can’t Run From Blood
                                                                          Amy Follows Luce
                                                                          We Are Done Here
                                                                          Try Again
                                                                          Luce’s Theme (Coda)
                                                                          End Credits (Skyhooker Mix)
                                                                          Luce’s Theme (St. Mary Redcliffe)
                                                                          You Can’t Run From
                                                                          Blood (St. Mary Redcliffe)

                                                                          PJ Harvey

                                                                          All About Eve - Original Music

                                                                            All About Eve — Original Music, composed by double Mercury Music Prize-winner PJ Harvey.

                                                                            The 14-track album contains 10 original pieces of instrumental music, as well as two new songs written by Harvey and sung by Gillian Anderson and Lily James.

                                                                            The physical release also includes demo versions of ‘The Sandman’ and The Moth’, performed by PJ Harvey.

                                                                            On composing this score, Harvey says, “I have always loved stories, and so to compose music to support and enhance a story being told is a challenge I enjoy. I also love the freedom that working instrumentally can give me without the constraints of song form.”

                                                                            “For All About Eve I chose to work with my long-time collaborator James Johnston as he has a soulfulness and sensitivity to his playing that inspires me. I also worked with Kenrick Rowe who has a versatility to his drumming I knew I could experiment with until I found what was right.”

                                                                            All About Eve is the stage adaption directed by Ivo Van Hove.

                                                                            STAFF COMMENTS

                                                                            Barry says: It's become more and more clear that PJ Harvey can easily put her mind to anything she deems necessary, and with great effect. The soundtrack for this adaptation of All About Eve is even more evidence, with perfect cues and touching sentimaentality oozing through every note. A beautifully performed and perfectly written piece. In-situ or not.

                                                                            TRACK LISTING

                                                                            The Sandman
                                                                            The Moth
                                                                            Arpeggio Waltz
                                                                            Change In C
                                                                            The Sandman (Demo)
                                                                            The Moth (Demo)

                                                                            Mica Levi

                                                                            Monos: Original Motion Picture Soundtrack

                                                                              Invada Records and Lakeshore Records will co-release ‘Monos: Original Motion Picture Soundtrack’, featuring original music by Ivor Novello Award-winner and Academy Award-nominated Mica Levi (Jackie, Under the Skin).

                                                                              The London-based composer, music producer and artist creates an indescribably hallucinatory, often menacing backdrop to the survivalist thriller set on a remote mountain in Latin America.

                                                                              Says director Alejandro Landes: “Mica connected with and understood the spirit of the film: the faces, the colors, the extremeness of the environment, the mash of costumes, the absence of a specific time, place or date. She's classically trained but can be equally as inspired by pop or heavy metal; she can mix synthesizer-driven music with a quartet. All this brings a very particular sensibility, a mixing of instruments, that made for a distinct, emotional and atemporal sound.”

                                                                              TRACK LISTING

                                                                              Lobo Y Lady
                                                                              A La Selva
                                                                              Sin Radio
                                                                              El Regreso De
                                                                              Pisa Suave

                                                                              Geoff Barrow, Ben Salisbury & Various Artists

                                                                              HANNA: Season 1 (Music From The Amazon Original Series)

                                                                                Invada Records and Lakeshore Records announce the release of the soundtrack to Amazon Prime’s ‘HANNA: Season 1’ on vinyl.

                                                                                Pressed on white double vinyl housed in a deluxe gatefold sleeve.

                                                                                For the first time, composers Ben Salisbury and Geoff Barrow were able to put together a team of musicians to work together to form a collaborative score for the whole series.

                                                                                The soundtrack consists of tracks by Karen O and Beak>, plus an original score by Ben Salisbury, Geoff Barrow, The Insects, Simon Ashdown and Yann McCullough.

                                                                                “Because of the size of the ‘HANNA’ series, we had the opportunity to bring our own team of artists and composers. The producers had already contacted the amazing Karen O whose song ‘Anti-Lullaby’ formed a theme that was continued throughout the series. It was also great to work with our friends The Insects (Massive Attack co writers Bob Locke & Tim Norfolk), Simon Ashdown and music editor turned composer Yann McCullough” - Geoff Barrow

                                                                                Yeah Yeah Yeahs’ singer Karen-O’s wandering, ominous ‘Anti-Lullaby’ appears on the soundtrack along with her Goth rendition of Smashing Pumpkin’s ‘Bullet With Butterfly Wings’, with Beak>’s ‘Wulfstan II’ appropriately closing the album.

                                                                                The score for ‘HANNA: Season 1’ features layers of manipulated organic elements which composer Ben Salisbury describes thusly: “The score for the series was mainly inspired by the character of Hanna herself, and her forest upbringing. Even though the music is sometimes processed, it is always based on something real and organic rather than pure electronics. We often used layers of woodwind instruments (including some fairly unusual ethnic flutes and pipes) as a way of linking Hanna to the natural world in which she was brought up, and also to try and capture her fierce animal spirit and her sense of wonder as she experiences the ‘new world’ beyond the forest.” - Ben Salisbury

                                                                                TRACK LISTING

                                                                                We Have Heller
                                                                                Anti-Lullaby (Karen O)
                                                                                Escaping The Hotel
                                                                                The Ghost Of Her Mother
                                                                                Relentless / Forest
                                                                                Bullet With Butterfly Wings (Karen O)
                                                                                Berlin Night Drive
                                                                                Always Hunted
                                                                                Eric's Theme
                                                                                Sensing Danger
                                                                                A Cornered Animal
                                                                                Marisa Held Hostage
                                                                                Eric Leaves Hanna
                                                                                Nice Paris Life
                                                                                Runway Ambush
                                                                                Wulfstan II (Beak>)

                                                                                Kyle Dixon & Michael Stein

                                                                                Butterfly: Original Series Soundtrack

                                                                                  Grammy nominated ‘Stranger Things’ composers and S U R V I V E members Kyle Dixon and Michael Stein return to score three part British drama ‘Butterfly’.

                                                                                  Housed in a heavyweight spined sleeve and pressed on 180g black vinyl with digital download card included.

                                                                                  “We had just come off our first project that had established us as these retrosynth/80s producers, and we wanted to do something that helped get us out of that box,” Dixon and Stein said in a press release. “Obviously there are still synths being used, and coincidentally some of them are from the 80s, but hopefully this score won’t be received as such.”

                                                                                  The music to ‘Butterfly’ sustains Kyle Dixon and Michael Stein’s proclivity for locating humanism in their electronics. The signals they send have some sort of uncanny correlation with core feelings. More uncanny is their tonal grasp of what it is to be young and curious.

                                                                                  ‘Butterfly’ is the story of 11-year-old Max who identifies as a girl and wants to live her life as Maxine. Her estranged parents Vicky and Stephen attempt to work out how best to cope with and support this huge life decision.

                                                                                  LP includes digital download code.

                                                                                  STAFF COMMENTS

                                                                                  Barry says: AARGH. I always loved the throbbing synths and intense atmospheres in Dixon & Stein's work under their own names (soundtracking Stranger Things for example), and as 'Survive', but this soundtrack takes all of that oscillator knowledge and inject it with a healthy dose of hazy 80's reverie (despite their insistence to the contrary), all saturation and arps. Completely on-board.

                                                                                  TRACK LISTING

                                                                                  Blue Eyes
                                                                                  Taking In Lodgers
                                                                                  Just Make Up Your Mind
                                                                                  I Don't Know How Happy I Am Anymore
                                                                                  School Troubles
                                                                                  Introducing Maxine
                                                                                  Cut Wrists
                                                                                  Tickle Gods
                                                                                  Dress Up
                                                                                  Maxine's Groove
                                                                                  Making The Choice
                                                                                  What Was The Point Of Me?
                                                                                  Dancing With The Girls
                                                                                  A Long Way To Go

                                                                                  Kyle Dixon & Michael Stein

                                                                                  Spheres (Original Score)

                                                                                    ‘Spheres’ is a celestially immersive experience focusing on the human connection with the cosmos - with music composed and performed by Kyle Dixon and Michael Stein.

                                                                                    Written and directed by Eliza McNitt (‘Fistful of Stars’, ‘Without Fire’), ‘Spheres’ will be released on the Oculus Rift and is presented by City Lights and Protozoa Pictures. Darren Aronofsky and Ari Handel are executive producers.

                                                                                    Grammy nominated Kyle Dixon and Michael Stein need no introduction as two of today’s most highly regarded film score composers, having worked on ‘Stranger Things’ series 1 and 2 and ‘Butterfly’, as well as being members of S U R V I V E.

                                                                                    STAFF COMMENTS

                                                                                    Barry says: Two D&S scores in one week?! This one is equally as excellent, but a little more geared towards the ambient end of the spectrum, with cavernous echoing reverb and subtly panned swirls of industrial machination, this is equally as superb as their previous work but considerably darker. A perfect flipside to the coin.

                                                                                    TRACK LISTING

                                                                                    Accretion Disk
                                                                                    Solar System
                                                                                    Ecliptic Planes
                                                                                    In The Dark
                                                                                    Birth Of A Star
                                                                                    Cosmic Microwave Background
                                                                                    Burning Star Core
                                                                                    Planetary Cruise
                                                                                    Black Holes Collide
                                                                                    Gravitational Waves
                                                                                    Earth Song

                                                                                    Clint Mansell

                                                                                    Out Of Blue: Original Motion Picture Soundtrack

                                                                                      ‘Requiem For A Dream’ and ‘Black Mirror’ composer Clint Mansell scores British film director Carol Morley’s neo-noir thriller, ‘Out Of Blue’.

                                                                                      In ‘Out Of Blue’, Mansell’s dark and hypnotic score enhances the moody and menacing moments in the neo-noir murder mystery based on the novel ‘Night Train’ by Martin Amis.

                                                                                      Says Morley in the soundtrack’s liner notes: “So, here we have it, this soaring, heart shifting, mind bending soundtrack for ‘Out Of Blue’. It takes you about and around and inside yourself. It propels, it develops, it leads us places. It is true to the film, but doesn’t illustrate what we see. It has its own energy, its own beautiful hidden depths, and it creates its own star spangled mystery.”

                                                                                      For fans of ‘PI’, ‘Black Mirror’, ‘Requiem For A Dream’, ‘Stranger Things’, ‘Drive’.

                                                                                      TRACK LISTING

                                                                                      We Are All Stardust
                                                                                      This Black Hole's Dark Heart
                                                                                      .38 Killer
                                                                                      Parallel Universe
                                                                                      Wipe Them From Your Mind, Mike
                                                                                      Astral Blues
                                                                                      Observation Changes The Result
                                                                                      Out Of Blue
                                                                                      Schrödingers Cat

                                                                                      Geoff Barrow & Ben Salisbury

                                                                                      DROKK: Music Inspired By Mega-City One

                                                                                        After being completely sold out on vinyl, Geoff Barrow & Ben Salisbury’s "DROKK: Music Inspired By Mega-City One" has been reissued as a special edition on double LP with beautiful new bespoke packaging and bonus material. This incredible new package is designed by Marc Bessant and features a spined ‘sombre grey’ outer sleeve with deboss and die-cut revealing the reverse board inner sleeve and vinyl label.

                                                                                        "DROKK" is a synth heavy score with a relentless darkness, a cold atmosphere where the tension never drops. Although it is a soundtrack of sorts, Barrow and Salisbury instinctively felt that music for MC1 should steer clear of the rich orchestration common to many contemporary film scores. Even for electronica the music is often purposefully stark and spare, with the majority of tracks created exclusively on the Oberhiem 2 Voice Synthesizer with a cameo from Beak>.

                                                                                        STAFF COMMENTS

                                                                                        Barry says: Absolutely one of my favourite synth albums to this day, Barrow & Salisbury's DROKK is finally available again for everyone I constantly recommend it to. Brilliantly restrained atmospheres and dusty synth soundscapes perfectly capture the Dreddian atmosphere better than the original soundtrack could ever hope to (sorry Silvestri). An essential cinematic synth staple.

                                                                                        TRACK LISTING

                                                                                        1. Lawmaster / Pursuit
                                                                                        2. Helmet Theme
                                                                                        3. Titan Bound
                                                                                        4. 301-305
                                                                                        5. Justice One
                                                                                        6. Scope The Block
                                                                                        7. Exhale
                                                                                        8. Council Of Five
                                                                                        9. Puerto Luminae
                                                                                        10. Miami Lawgiver
                                                                                        11. Eagle
                                                                                        12. Clone Gunman
                                                                                        13. Inhale
                                                                                        14. Iso Hymn
                                                                                        15. 2T[FRU]T
                                                                                        16. Dome Horizon
                                                                                        17. End Them
                                                                                        18. Helmet Theme [Reprise]
                                                                                        19. The Men Who Never Learned
                                                                                        20. Heista
                                                                                        21. Cal
                                                                                        22. Dark Judges
                                                                                        23. Fish
                                                                                        24. Justice 1 (Demo)
                                                                                        25. Miami Lawgiver (Alt. Version)
                                                                                        26. Call-Me-Kenneth
                                                                                        27. Scope The Block (Alt. Version)

                                                                                        Thought Forms

                                                                                        Thought Forms - 10th Anniversary Reissue

                                                                                          Thought Forms celebrate the ten year anniversary of their classic self-titled debut album with a reissued version plus a handful of gigs.

                                                                                          Hailing from England’s rural South West, the trio were brought together amongst the ley-lines and ancient vibrations by a shared love of guitar abuse and pedal worship.

                                                                                          Thought Forms are a true band’s band, having toured extensively with Portishead, recording this debut record in Geoff Barrow’s studio and finally releasing it on his label Invada Records 10 years ago.

                                                                                          Thought Forms have also played with Kaiser Chiefs and 65DaysOfStatic and have featured on the Ivor Novello winning score to ‘Ex Machina’.

                                                                                          This most progressive and forward-looking of bands take a rare moment to breathe and reflect on their early days and in particular their classic debut album.

                                                                                          TRACK LISTING

                                                                                          20 Satellites On My Hill
                                                                                          Dust Magic
                                                                                          Nothing Is As Easy As You Think
                                                                                          We Would Be So Happy If
                                                                                          David, 18
                                                                                          Mr Steve Has Eaten Your Dog

                                                                                          Nick Cave & Warren Ellis

                                                                                          War Machine - Original Score

                                                                                            ‘War Machine’ is a new Netflix film, directed by David Michôd and starring Brad Pitt and Tilda Swinton among many others.

                                                                                            Military snares set a sharp cadence beneath the score’s eerie synths and strings, instantly reminiscent of ‘Skeleton Tree’ by Nick Cave & The Bad Seeds and the beautiful ‘Hell Or High Water’ score.

                                                                                            “Together we made a score that was both light and dark, propulsive and meditative at the same time. We developed a kind of ‘spiritual electronics’ that captured both the melancholy and the terrible absurdity of the Afghan war,” Cave and Ellis said in a press release. “It was a great pleasure to work with David Michôd, who is not only an extraordinary filmmaker but a musician too. Our favorite score!”

                                                                                            TRACK LISTING

                                                                                            Ah America
                                                                                            Humble Man
                                                                                            The Bubble
                                                                                            The Civilian Executive
                                                                                            In Liebe Dein (Roedelius)
                                                                                            Badi Basim
                                                                                            Kamee (Roedelius)
                                                                                            The Moon Landing
                                                                                            Our Noise
                                                                                            Fabelwein (Roedelius)
                                                                                            NY Snow Globe (Rachel’s)
                                                                                            Thousands Of Parades, All Over America
                                                                                            Staunen Im Fjord (Roedelius)
                                                                                            The Hand Of Helping
                                                                                            Be Lovely
                                                                                            A Page In The History Books
                                                                                            War Machine

                                                                                            The KVB

                                                                                            Only Now Forever

                                                                                              Whilst holding evident inspiration from previous times, the sound this London-founded duo present is progressive and distinctly new in every sense. Idyllic at times; gritty in others, each bar is as enchanting as the last, leaving you in a melancholic trance. Offering poignant lyricism that explores modern anxieties that plague many, the duo manage to imbue feelings of empowerment, fighting such struggles with a deceivingly sanguine sound. This seamless juxtaposition is perhaps their best trait.

                                                                                              TRACK LISTING

                                                                                              1. Above Us
                                                                                              2. On My Skin
                                                                                              3. Only Now Forever
                                                                                              4. Afterglow
                                                                                              5. Violet Noon
                                                                                              6. Into Life
                                                                                              7. Live In Fiction
                                                                                              8. Tides
                                                                                              9. No Shelter
                                                                                              10. Cerulean

                                                                                              The mighty Beak> – made up of Billy Fuller, Will Young, and Geoff Barrow of that band fame – return with their most claustrophobic album yet, chock full of the krautrock grooves, meandering structures and off-kilter melodies that fans of the band have come to expect from them. Having knocked it out of the park with their ‘Sex Music’ single earlier this year, >>> carries on in the same subtle, bass-led vein.
                                                                                              The trio flirt with chaos throughout the album, pushing each instrument through layers of distortion and reverb to the brink of recognisability, and the countless eerie squeaks, sci-fi synths and fucked-with-strings only add to its otherworldly nature. >>> is as mesmerising as it is uneasy, teetering on a tightrope stretched between soft, winding compositions and edgy, no nonsense heft.
                                                                                              Pretty much every song is a highlight. ‘Birthday Suit’ is devastating, all fluttering synths, lo-fi vocals and heartbreak, while ‘Allé Sauvage’ is a dangerously danceable seven-and-a-half-minuter, with blips galore and razor sharp hi-hats driving the song along nicely. ‘RSI’ is a motoric gem. Scratch that – Beak> are a motoric gem.
                                                                                              But ‘When We Fall’ is on another level entirely. First released under the band’s Like easy listening music thrown off a cliff and pieced back together again, >>> is a Frankenstein’s monster of atmosphere, griminess, groove and space. Transcendent.

                                                                                              STAFF COMMENTS

                                                                                              Javi says: You’d be right to judge >>> by its brilliant cover because it’s a brilliant album, and one that’s likely to win 2018 for me. Buy it / play it / love it.

                                                                                              TRACK LISTING

                                                                                              1. The Brazilian
                                                                                              2. Brean Down
                                                                                              3. Birthday Suit
                                                                                              4. Harvester
                                                                                              5. Allé Sauvage
                                                                                              6. Teisco
                                                                                              7. King Of The Castle
                                                                                              8. RSI
                                                                                              9. Abbots Leigh
                                                                                              10. When We Fall



                                                                                                Hot Krautrock infused rhythms from this new band featuring Geoff Barrow of Portishead. Beak> were formed in January 2009 by three Bristol musicians, Billy Fuller, Matt Williams and Geoff Barrow. The band have very strict guidelines governing the recording and writing process of their work. The music was recorded live in one room with no overdubs or repair, only using edits to create arrangements. All tracks were written over a twelve-day session in SOA Studio's, Bristol. Sometimes a band can be no more than the sum of it's parts, but Beak> are an equation in which it's impossible to define equivalents or totals. Instead the meeting of three talent's form a foundation from which idea's assimilate and propagate. Those talents are: Billy Fuller. Reared in Bristol, on an aural diet of anything and everything, facilitated later by his time working in the cities top independent record shop Replay Records, and also playing with handfuls of bands – including Invada's first signing: Fuzz Against Funk, as well as Massive Attack, Robert Plant, and Malakai. Billy is Beak>'s thoughtful pulse; his bass a forceful origin for their superlative narrative arcs. Matt Williams. Picked up a Yamaha keyboard aged three and never looked back, as Team Brick creates dissonance that immediately elucidates free forming thought, and impacts heavily on Beak>'s rolling landscape. He enjoys playing air drums whilst cycling, singing lines from a favourite Latin prayer and doesn't understand the music he makes himself. Geoff Barrow. Musician and producer born near Bristol. Best known for forming and producing popular music group Portishead and part owner of the independent record label Invada Records.

                                                                                                Kyle Dixon & Michael Stein

                                                                                                Stranger Things Season 2

                                                                                                Dixon and Stein return for the latest addition to their overwhelming spate of excellence over the past couple years. Following on from the first series waas never going to be easy for anyone involved, with it's 80's buddy-movie hauntology vibe being perfectly accentuated by Survive's less shadowy alter-ego on soundtrack duties, but series 2 has lived up to that expectation in every way. I know, that episode was pretty ridiculous, but you don't have to listen to it do you. 

                                                                                                We kick things off with the haunting melancholy beauty of 'Walkin In Hawkins', perfectly capturing the eerie ambience of the city streets after the discovery of an analogue hell, hidden behind a bit of your local school. It's a moment we're all familiar with i'm sure, but Dixon & Stein manage to make its duality seem alluring, pressing forwards with paddling apreggio's and swelling pads.  Pieces like 'Eulogy' and 'On The Bus' talking things slowly forwards, opening the filters into an edgy benzoed bliss.

                                                                                                As we move onwards, things shift from a resolved optimism, into the inevitable downturn of a threatened society, with pieces like 'Descent Into The Rift' and 'Escape' providing a darker edge to things, moving towards the inevitable crescentic audiovisual finale. It's a brilliant companion to the programme, and just as much a divine pleasure in it's own right. Impeccable. 

                                                                                                STAFF COMMENTS

                                                                                                Barry says: Brilliant pulsing synths, eerie atmospheres and soaring, crackling pads. An equal amount of pastoral, suburban meanderings, and supernatural, hellish drive. Stunning stuff once again.

                                                                                                TRACK LISTING

                                                                                                Walkin In Hawkins
                                                                                                On The Bus
                                                                                                Eight Fifteen
                                                                                                The First Lie
                                                                                                I Can Save Them
                                                                                                Descent Into The Rift
                                                                                                Looking For A Way Out
                                                                                                Birth / Rescue
                                                                                                In The Woods
                                                                                                Eggo In The Snow
                                                                                                Never Tell
                                                                                                She Wants Me To Find Her
                                                                                                Shouldn’t Have Lied
                                                                                                It’s A Trap
                                                                                                The Return
                                                                                                We Go Out Tonight
                                                                                                Connect The Dots
                                                                                                The Hub
                                                                                                On Edge
                                                                                                What Else Did You See?
                                                                                                To Be Continued

                                                                                                Geoff Barrow & Ben Salisbury

                                                                                                Free Fire: Original Motion Picture Soundtrack

                                                                                                  Geoff Barrow and Ben Salisbury return to score Ben Wheatley’s 1970s based epic shoot-out ‘Free Fire’, executively produced by Martin Scorsese.

                                                                                                  Compiled by director Ben Wheatley himself, the soundtrack will be released on CD and double LP, featuring the full score by Geoff Barrow and Ben Salisbury, dialogue from the film and licensed tracks (The Real Kids, Creedence Clearwater Revival, John Denver).

                                                                                                  ‘Free Fire’ sees Barrow and Salisbury take a huge directional curve away from their intense, synth-based Ivor Novello award winning score for ‘Ex Machina’, with the composers curating a prog rock, free jazz, psychedelic journey influenced by bands such as King Crimson, Camel and Magma and tips its hat to the Lalo Schifrin thriller genre scores of that era.

                                                                                                  Both the LP and CD will include a digital download card which features the full soundtrack as well as additional unheard bonus material not used in the score.

                                                                                                  TRACK LISTING

                                                                                                  Where We Going?
                                                                                                  Do The Boob (The Real Kids)
                                                                                                  I’m I.I.F.M
                                                                                                  Sledgehammer Cracks Nut
                                                                                                  This Is Ord
                                                                                                  Docks Beat
                                                                                                  Step Into My Office
                                                                                                  Run Through The Jungle (Creedence Clearwater Revival)
                                                                                                  Raw Onions
                                                                                                  Come Out
                                                                                                  Gorgeous As Ever
                                                                                                  Money Count
                                                                                                  Nice Teeth
                                                                                                  Harlequins Reunion
                                                                                                  Steven’s Been Reprimanded
                                                                                                  Stevo Apologises
                                                                                                  Suck On This
                                                                                                  First Shot
                                                                                                  Mostly The Suit
                                                                                                  Martin Shot
                                                                                                  Will Everybody Calm The Fuck Down
                                                                                                  Good To Go
                                                                                                  Free Firing Gunshot Solo
                                                                                                  The Phone Rings
                                                                                                  Watch And Vern
                                                                                                  Crawl Chase
                                                                                                  So That’s What A Fucking Brain Looks Like
                                                                                                  Lead Lobotomy
                                                                                                  Poke Him In The Eye
                                                                                                  We Can’t All Be Nice Girls
                                                                                                  That’s Why I Appreciate The Arts
                                                                                                  Aiming For The Nose
                                                                                                  Oh Fuck
                                                                                                  Where Do You Think You’re Going Little Harry
                                                                                                  Annie’s Song (John Denver)
                                                                                                  A John Denver Story
                                                                                                  Justine’s Theme
                                                                                                  This Old Guitar (John Denver)



                                                                                                    JUPITER-C’s debut release on Invada Records, featuring remixes by legendary film score composer Clint Mansell (‘Requiem For A Dream’, ‘Moon’, ‘Black Mirror’), and by UK electronic musician East India Youth. The East India Youth remix is to be the artist’s final piece of work under this name.

                                                                                                    JUPITER-C describe their sound as “ruptured melodies with dissonant noise,” a description presented brilliantly in their debut EP which features heavy drones, saturated guitar melodies and haunting female vocals.

                                                                                                    With darkly-hued synths and pulsing drum machines, this project is reminiscent of works by The KVB, The Soft Moon, Siouxsie Sioux, The Cure and Joy Division.

                                                                                                    TRACK LISTING

                                                                                                    Critical Mass
                                                                                                    Another Place (East India Youth Remix)
                                                                                                    Critical Mass (Clint Mansell Remix)

                                                                                                    Kyle Dixon & Michael Stein

                                                                                                    Stranger Things Season 1, Vol. 2

                                                                                                    With its pillowy synth-pads and rich textures, the soundtrack to Volume Two seamlessly wanders through the 80s world of ‘Stranger Things’, breeding an unthreatening serenity with a gentle shift toward a darker mood. Floating between sweeter moments which temporarily blossom amidst the danger and decay, Volume Two is the second part of the ‘Stranger Things’ score, reaching climactic highs as the series comes to an end.

                                                                                                    This soundtrack is instantly reminiscent of works by John Carpenter (‘Halloween’, ‘The Thing’), Tangerine Dream and Vangelis (‘Blade Runner’), whilst also delving into the ambience of Aphex Twin and more modern composers such as Cliff Martinez (‘Drive’, ‘Solaris’).

                                                                                                    STAFF COMMENTS

                                                                                                    Barry says: Having been entranced with Stranger Things, reading this tracklist is like a 'skip to the end' recap of the latter half of the series, listening obviously makes it all the more enthralling. Moody synth ambience, throbbing saw waves and eerie sweeps. Unsurprisingly brilliant.

                                                                                                    TRACK LISTING

                                                                                                    Hopper Sneaks In
                                                                                                    I Know What I Saw
                                                                                                    Rolling Out The Pool
                                                                                                    Gearing Up
                                                                                                    First Kiss
                                                                                                    Walking Down The Tracks
                                                                                                    Where’s Barb?
                                                                                                    Speak Of The Devil
                                                                                                    Danger Danger
                                                                                                    Kids Two
                                                                                                    Talking To Australia
                                                                                                    Night Of The Seventh
                                                                                                    See Any Rain?
                                                                                                    Coffee & Contemplation
                                                                                                    Inside The Black Room
                                                                                                    Starts To Rain
                                                                                                    Eleven Is Gone
                                                                                                    Time For A 187
                                                                                                    Something In The House
                                                                                                    Still Pretty
                                                                                                    They Found Us
                                                                                                    Bad Men
                                                                                                    Spiked Bat
                                                                                                    Making Contact
                                                                                                    What Do You Know
                                                                                                    It’s Not My Boy
                                                                                                    Something In The Wall
                                                                                                    Let’s Go
                                                                                                    Leap Of Faith
                                                                                                    In Pursuit
                                                                                                    Breaking And Entering
                                                                                                    Stranger Things (Extended)

                                                                                                    Scarlet Rascal

                                                                                                    Scarlet Rascal

                                                                                                      Scarlet Rascal release their much anticipated debut album; an ambitious, rough and ready achievement which marries driving guitars with dark, hazy sonic textures and a strikingly deep vocal sound.

                                                                                                      Scarlet Rascal unite a distinct concoction of alternative ideas that tap into Joy Division, The Birthday Party and ‘Love’–era The Cult whilst also neatly neighbouring the likes of The Velvet Underground and The Jesus and Mary Chain.

                                                                                                      Mixed by Geoff Barrow of Portishead and Craig Silvey (New Order / Baxter Dury / The Horrors), Scarlet Rascal’s debut is a ringing, tense and unique proposition.

                                                                                                      TRACK LISTING

                                                                                                      Here I Am
                                                                                                      Sleep Take Me Down
                                                                                                      Blood Orange
                                                                                                      Last Day

                                                                                                      Ringo Deathstarr

                                                                                                      God’s Dream - Sunshine Yellow Vinyl Edition

                                                                                                        THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                                                        Ringo Deathstarr are making no hesitations when it comes to checking things off their 2014 To Do List. The Austin, Texas trio will kick off the new year by releasing God's Dream, a 12-inch LP on Invada Records UK. The album is set to be released on 19th April 2014 Record Store Day. arm guitars and pulsing drums combine to form an aggressively atmospheric bubble, encompassing the listener in an infectious cohesive which blends the sounds of an era when Sonic Youth and Jesus and Mary Chain walked the Earth with a forward thinking and creatively stubborn indie darling. Joined by Adam Franklin of Swervedriver on the track "Nowhere" and Jeff Schroeder of the Smashing Pumpkins on "Chainsaw Morning," Ringo Deathstarr has created a flawlessly crafted sound on God's Dream, destined and deserving to exist on vinyl. Thankfully for enthusiasts, that is exactly where God's Dream has ended up. Ringo Deathstarr will release an exclusive run of sunshine yellow vinyl, limited to 500 copies. ingo Deathstarr, a musical trio from Austin, TX, have been putting out records since 2007. Consisting of Elliott Frazier (guitar, vocals), Alex Gehring (bass, vocals), and Daniel Coborn (drums, vocals), their sound is born from a love of melody, a love of guitar, and a hatred of pompous vocals. Finding it to be too much fun, the group has expounded upon the sounds of the masters before them. This desire to play the music they were too young to witness as children has taken Ringo Deathstarr around the globe, performing in places as far flung as Israel, Mexico, Brazil, Japan, Europe, Canada, and the continental USA, supporting favorites like ...And You Will Know Us By The Trail Of Dead, Dean Wareham, The Wedding Present, and The Smashing Pumpkins. With two full length records (Colour Trip and Mauve) and a handful of EPs and singles in the bag, now is the time for a new EP, "God's Dream," which was recorded in Austin and on a ranch in Dripping Springs, TX. For this record, the band reunited with Chris "Frenchie" Smith, who co-produced their debut EP.

                                                                                                        TRACK LISTING

                                                                                                        SIDE A:
                                                                                                        1. ‘Bong Load’
                                                                                                        2. ‘God’s Dream’
                                                                                                        3. ‘Flower Power’
                                                                                                        4. ‘Shut Your Eyes’
                                                                                                        SIDE B:
                                                                                                        5. ‘Chainsaw Morning’
                                                                                                        6. ‘Over There’
                                                                                                        7. ‘Nowhere’



                                                                                                          There is an accepted music industry strategy, mainly from the mouths of experienced music managers and A&R men, that for a band to get ready to present themselves to the world they should go on tour. In most cases this advice works; the band hone their craft on the road so by the time they get on to ‘Later with Jools Holland’ they can amaze with their slick, tight rock performance. However, this doesn’t always work.

                                                                                                          BEAK> formed by Geoff Barrow - Matt Williams - Billy Fuller in 2009 recorded their self-titled debut album in Bristol, created out of 12 days of improv sessions and then edited into song form. Shorty after releasing it on INVADA records UK and Ipecac records U.S., the band went on a successful tour, playing various festival dates across Europe and the U.S.

                                                                                                          Buzzing from the tour, Beak> then returned to the studio to start work on ALBUM 2 only to find that the time on the road had taken its toll on the band’s delicately sensitive and creative nature. And, by consequence, had turned them into a truly awful-sounding pub prog-rock band. The magic had gone. It seemed that the band were thoroughly moribund.

                                                                                                          Until... One rainy afternoon in Bristol after many tortured, truly terrible recording sessions something changed. It may have been the diesel fumes from the bands tour splitter bus had worn off, others say that the band simply turned their amplifiers down. We will possibly never know the true events of that afternoon but the band began to play and, once again
                                                                                                          as before, their bleak, wobbly anti-blue note sound had returned, but this time with added synthesizers.

                                                                                                          And so... recorded in one room live (with very few overdubs) Beak>> is upon us.

                                                                                                          Invada Records announce the release of Team Brick's debut album "Alogon". Team Brick is vocalist / multi instrumentalist Matt Williams who has over the past couple of years been quietly making a name for himself in the Bristol music scene, not least his involvement last year on Portishead's "3rd" album. Along with Geoff Barrow and Billy Fuller, Williams is also a member of Beak whose debut album will be released on Invada later this year. If you haven't heard or seen this man play out or heard any of his music this is a good a place as any to check him out. The man cant be compared to anybody or anything, but if you're a fan of the following artists... John Zorn, Merzbow, Mr Bungle, Secret Chiefs 3, Steve Reich, Dalek, Cardiacs etc etc you may wish to explore what he has to offer with this album. Making comparisons from Robert Wyatt to Gastr Del Sol to Sunn O))) Wire magazine concluded; 'There are plenty of would-be mavericks currently operating on the fringes of the UK music underground, most of whom are labouring under delusions of adequacy, never mind grandeur. Matt Williams is the genuine article.'

                                                                                                          The Heads

                                                                                                          Dead In The Water

                                                                                                            **LONG OVERDUE CD REPRESS**

                                                                                                            "Dead in The Water" is compilation carefully edited together by The Heads vocalist and guitar player Simon Price. It was originally released in a micro edition of 100 CD copies on the bands own Rooster label, these copies sold out overnight! The material consists of album outtakes, jams and rehearsal recordings, most of which are improvised. "Dead In The Water" is a lot more space rock than the previous Invada outtakes LP "33", it will appeal to fans of Bardo Pond, Acid Mothers Temple, Faust and Hawkwind!


                                                                                                            From Under The Trees

                                                                                                              Huge slabs of monolithic stoner drenched rock!!

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