“Coming To You Love” is a classic and ever popular jazz funk and soul release from 1980. From its original release, the LP and 12” versions have dominated, this 7” version only recently coming to light as a different take on the track with a bonus Charles Earland organ solo. Since the realization of its existence, the previously styrene only US Columbia 7” has exchanged hands for increasingly higher amounts. Charles came from Philadelphia, played sax first with Jimmy McGriff before turning to organ in the late 60s and earning a nickname ‘The Mighty Burner’ During his time at Mercury records he scored a hit song with the disco record “Let The Music Play”, building an audience with a jazz funk and soul crowd which exists to this day through numerous other releases on Mercury and then Columbia through to his passing in 1999.

TRACK LISTING

1. Street Themes
2. Coming To You Live

The cult followed Wrekin Havoc crew return with their highly anticipated third release. Covering electro-disco, euro-pop and Balearic beat, they dig deeper than your average excavator, bringing you the lost sounds from forgotten discotheques.

Miss at your peril.

TRACK LISTING

A1. Double Deb
A2. Boon Rocks
B1. Kool Keith
B2. Splash Gordon

Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.

"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.

Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."

Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.

"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.

The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.

Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.

TRACK LISTING

Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes 

Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power

Star Creature's Italian boogie buffalo Giovanni Damico comes fresh for the label with, I have to say, a pretty tantalizing new sound. Though still rooted in that vintage boogie sound (Linn drums and slap bass a plenty...) "Watch Out" jolts out with a confident urgency. Dazzling keyboard licks, meticulously programmed drums and a frenetic b-line combining perfectly with Damico's empowered vocal. "Nowhere" is a creeping synth disco track, reminiscent of Sylvester's more electronic and sultry numbers. "Night Time" opens with bright synth bursts before dropping into a raw boogie groove littered with space echo detritus. Then the fun loving vocal drops urging you into party mode. "Voodoo" irreverently cruises into full on space disco moods - recalling Arpadys & Sauver Mallia's soaring epics. Finally, "Cowbell (Eeh Aah Eeh)" is a tropical disco flavoured beast that has end-of-night qualities written all over it. Majestic flute, fluttering muted Strat licks, galloping percussion, this baby got it all...

Brilliantly diverse modern boogie flavours for the discerning dancer and jock! Highly recommended! 

STAFF COMMENTS

Matt says: One of my favourite signings of the Star Creature camp, Giovanni Damico can always be relied upon for summat fresh. "Watch Out" takes the boogie template into dazzling new territories - a highly syncopated offering with space-age sfx but with that vintage drum programming and untreated soulful vox that's synonymous with the genre. Sure to be a true classic of the scene that's so far undiscovered.

TRACK LISTING

Side 1
1. Watch Out (4:54)
2. Nowhere (5:49)
Side 2
1. Night Time (5:04)
2. Voodoo (5:07)
3. Cowbell (Eeh Aah Eeh) (4:31)

Oakland-based artists DJML (dan Letson) & Jerod S. Rivera debut their Later Version project with the "Swim Domain" EP on London label Third Place

Across the 12”, the duo’s natural flair for hi-res IDM-tinged electronica is on full display, with four colourful and playful originals that toy with rhythm, harmony and experimentation with an almost flippent confidence. 

STAFF COMMENTS

Matt says: Check for that club levelling, palette cleanser "Chelating Ligand". Perfect for muscling some upstart off the decks and setting the tone for summat a bit more sophisticated. Elsewhere, witness ethereal electronics and red-shifted ambience that's beamed across the galaxies. Super strong EP of club / head electronix.

TRACK LISTING

A1. Chelating Ligand
A2. Swim Domain
B1. Effigy Tumuli
B2. Aguahoja

Repress alert! In the four years since legendary Italian producer alexander Robotnik dropped his Undicidisco ep on hell yeah, it has become a cult classic.

The big room Italo beats have become modern staples and regular fixtures in sets by the likes of Gerd Janson, Peggy Gou, Prins Thomas, Dixon and many others around the globe. Because of this, original 12" versions are highly sought after but rather than paying inflated prices, you can now get your hands on this re-issue.

The original track here dates back to a coast to coast 12” in 2013. It became a big regular tune for the Balearic Gabba Sound System crew back then before the wider scene picked it up and made it into favourite it is now.

'Undicidisco' still sounds wildly original and wonderfully unique today with its trippy melodic leads and chunky drum slaps.

There is also a rugged cosmic mix from Prins Thomas, a raw and unhinged Bawrut version and swirling ambient and downtempo fusion from Irish outfit the vendetta suite to complete this package.

Do not sleep on this Bonafide Balearic bomb.

TRACK LISTING

A1. Justin Vandervolgen Edit
A2. Prins Thomas Diskomiks
B1. Bawrut 1-2-3-4 Remix
B2. The Vendetta Suite Stone Tape Remix

Extended edit of Letherette's Woop Baby which has gained virality on Instagram and Tik Tok as well as extensive syncs with the original version gaining a huge amount of attention. 

TRACK LISTING

1. Woop Baby (Extended Version)
2. Mash

Volume 2 of this beautiful instrumental Soothsayers series featuring 10-tracks mixed and dubbed by Sao Paolo-based by Grammy-winning bass player/producer Victor Rice (Easy Star All Stars, Skatelites, Cedric Brooks), already popular with UK soundsystems including Channel One, Real Roots Soundsytem

TRACK LISTING

1. Glass Fish
2. Hummingbird Highway
3. Standing Back
4. Harry's Way
5. Black Sand
6. Glass Fish (Dub)
7. Standing Back (Dub)
8. Harry's Way (Dub)
9. Hummingbird Highway (Dub)
10. Black Sand (Dub)

New Wave and Dub Reggae are two children of the same generation, separated at birth, and yet now united in triumph: 15 years after his Echo Beach tribute to British pop pioneers "The Police", Dubxanne returns to the roots and infects ten classics of the new wave, post-punk and synth-pop era with the dub-reggae virus. The album is the latest in a loose series of dub sets, with which Echo Beach pays a dubwise tribute to the defining sounds of the "80s. "Fade to Grey", "Running up that Hill", "Video Killed The Radiostar", "Heart of Glass", and more..

Lloyd Cole & The Commotions – Cole, Blair Cowan, Lawrence Donegan, Neil Clark and Stephen Irvine – were formed in Glasgow in 1982, where Buxton-born singer-songwriter Cole was studying Philosophy and English at the University of Glasgow -Their sound swam against the tide of shiny 80s synthesisers, offering intense, melodic, guitar-based pop, topped with droll words packed with literary references.

Given just how loved debut album Rattlesnakes was, it would have been hard for whatever followed to be received as warmly – yet Easy Pieces made a good first of it. It was to sell twice as many copies in its first two weeks as Rattlesnakes had to date, giving the group a Top 5 chart placing on its release in November 1985. Recorded with 80s super- producers Clive Langer and Alan Winstanley, its first two singles, the brooding, gospel influenced Brand New Friend and the forever-jaunty Lost Weekend reached the UK Top 20.

TRACK LISTING

Rich
Why I Love Country Music
Pretty Gone
Grace
Cut Me Down
Brand New Friend
Lost Weekend
James
Minor Character
Perfect Blue

"Let it first be said that the title track of The Hypnogogue, the first new album from The Church in six years, is one of the most breath-taking singles they’ve released in years, a darkly psychedelic six minutes that slowly spirals into a menacing descent. That alone is reason to keep this one on your radar; the Australian neo-psych band have been going for over 40 years, with around a half dozen classic albums and zero bad ones, yet their ability to keep evolving and uncovering new aspects to their sound and approach only serves as a reminder of how vital they remain after four decades." After an epic return to homeland stages, Australian psych-rock legends The Church announce their forthcoming studio album The Hypnogogue. Following on from 2017’s widely acclaimed Man Woman Life Death Infinity, the Sydney band’s 27th album was recorded just before the world was shut down by the COVID-19 pandemic. Emerging from the darkness is the band’s first new studio album in six years and the first to feature the newest line-up led by founder, bassist and vocalist Steve Kilbey. “The Hypnogogue” is the most prog rock thing we have ever done, we’ve never created a concept album before,” says Kilbey. “It is the most teamwork record we have ever had. Everyone in the band is so justifiably proud of this record and everyone helped to make sure it was as good as it could be. Personally, I think it’s in our top three records.”

Picking up substantial international airplay, raising anticipation for the album’s release, the digital singles ‘The Hypnogogue’ and ‘C’est La Vie’ set the stage for the album’s striking science fiction narrative. Kilbey unpacks the themes that tie the album together: “The Hypnogogue is set in 2054, a dystopian and broken-down future. Invented by Sun Kim Jong, a North Korean scientist and occult dabbler, it is a machine and a process that pulls music straight off dreams.” This new five-piece line-up is made up of Kilbey along with long-time collaborator, drummer and producer Tim Powles, who’s remained a staple across 17 albums since 1994. Joining them is guitarist Ian Haug, formerly of Australian rock icons Powderfinger, who has been with the band since 2013. Touring multi-instrumentalist talent Jeffrey Cain is now a full-time member since the departure of Peter Koppes in early 2020. Completing the line-up, newcomer Ashley Naylor is one of Australia’s finest guitarists and a long-time member of Paul Kelly’s touring band.Formed in 1980, The Church found early chart success in their homeland, before establishing themselves as an international touring entity, earning a worldwide hit with the single ‘Under The Milky Way’ from their hit 1988 album Starfish, while their stellar live shows have been deemed ‘spectacular’ by MAGNET magazine and continue to win the hearts of industry and fans across the world.Often seen as the Godfathers of an Australian psych/prog scene generating such internationally successful names as Tame Impala and King Gizzard And The Lizard Wizard, The Church have gone on to maintain a loyal and far-reaching following as their fanbase has expanded with their evolving sound. Entering their fourth decade as a band, The Church continue to remain a treasured creative force.

TRACK LISTING

Side 1:
1. Ascendence
2. C ’Est La Vie
3. I Think I Knew
Side 2:
1. Flickering Lights
2. The Hypnogogue
3. Albert Ross
Side 3:
1. Thorn
2. Aerodrome
3. These Coming Days
4. No Other You
Side 4:
1. Succulent
2. Antarctica
3. Second Bridge 

Erased Tapes are thrilled to announce the reissue of Bell Orchestre second album As Seen Through Windows out on April 28th.

Bell Orchestre is a collaborative instrumental group based in Montreal. Whose six members come from wildly divergent musical backgrounds, and the unlikely chemistry that results from their collaboration is the very thing that sustains their connection. It’s as if the group as a whole has tapped into a very particular, very distinct energy: like that of an approaching storm. In many ways, Bell Orchestre is the sum of not only its parts but the sum of its influences and inspirations

Expanding further on the foundation that Recording a Tape the Colour of the Light laid, the group refined and tightened their sound on this masterpiece.

Bell Orchestre retreated to Banff Centre in the rocky mountains of Alberta to write the follow-up to their debut album. The title As Seen Through Windows is inspired by the rehearsal space where it was written. The room had two exterior walls entirely made of windows, and with the cinematic view of the mountains they saw occasional herds of elks and deer’s passing by.

The specifics of time and place, the elemental forces at work outside, and those forces that exist inside, all come into play within Bell Orchestre’s musical process. This particular music could be made by no one else at no other time in history.

The album was produced by John McEntire (Stereolab, Jeff Parker), drummer and producer of the legendary Chicago post-rock band Tortoise. McEntire had been the group’s dream producer to work with. “I think I was more starstruck around John McEntire than I’d been around anyone before,” says violinist Sarah Neufeld. McEntire was up for trying anything in the studio, and inspired the band endlessly.

Now looking back at the recording sessions, lap steel guitarist Michael Feuerstack remembers “I don’t know how aware we were of the uniqueness of our bond and the resulting methods of music making, but they are very evident across this recording.”

Following the original release, they went on to tour the world, from festivals and theatres to small venues.

TRACK LISTING

1. Stripes
2. Elephants
3. Icicles / Bicycles
4. Water / Light / Shifts
5. Bucephalus Bouncing Ball
6. As Seen Through Windows
7. The Gaze
8. Dark Lights
9. Air Lines / Land Lines

Reports of their demise have been greatly exaggerated - the North has risen again. Close to five years since their last record, Leeds denizens AUTOBAHN re-enter the fray with the release of their third record, Ecstasy of Ruin via Tough Love. Half a decade is both a long time and no time at all: forever changes while some things remain eternal… So it goes that AUTOBAHN may have re-emerged with many of the hallmarks of their characteristic blend of industrial post-punk intact, but under the bonnet they’re a much leaner, more focused machine. AUTOBAHN 3.0.

If 2017’s The Moral Crossing was a record defined by its dramatic rhythm section, then it’s not insignificant that the 2023 incarnation of AUTOBAHN arrives shaved to a four piece and sans their previous drummer. The change necessitates an evolution. Live drums have given way to drum-machines and sample-based percussion, and with it see the band reconfigure their typically blackened aesthetic into a hardened take on Electronic Body Music. As with their previous record, it’s an entirely self-produced collection, recorded between two self-built studios on a range of analogue equipment, the ghosts of their industrial forefathers haunting the circuits. Indeed, some of Ecstasy of Ruin was made with pieces salvaged from Martin Hannett’s legendary studio. The mark of their presence is clear and AUTOBAHN certainly feel part of the long tradition of crepuscular music to emanate from Northern Britain, be that the transgressive activities of COUM Transmissions from Hull, Sheffield Steel City or the gothic history of their very own hometown. It’s a noble torch they carry.

Still, if Ecstasy of Ruin forms part of a rich lineage, it also speaks to right now. No album opens with a song titled ‘Post-History’ and closes with another called ‘Class War’ without some concession to the current condition and its place within it. Industrial music by its very nature is a physical concern, often placing the human body and its experience in the context of technology, reflecting the varying trevails of late capitalism. AUTOBAHN strive towards some kind of articulation of that conflict. The music is unrelentingly taut and terse, and the vocals of frontman Craig Johnson are invariably intense, though lyrically there are repeated allusions to beauty, empowerment and, ostensibly, hope. As such, the title of the album is an instructive one - there’s some kind of bliss in all this mess. AUTOBAHN don’t so much push against the pain as ride it out to its (il)logical ends. As Johnson implores on the title track, “focus on living, the pain wont be forgotten”. It’s a relatable sentiment. 

TRACK LISTING

1. Post-history
2. Silver
3. Acid Child
4. Fields Of Blood
5. Tension
6. Cylinder
7. Ecstasy Of Ruin
8. Breather
9. Vanity
10. Class War

Indigo De Souza announces her new album All of This Will End, the anticipated follow-up to her acclaimed 2021 breakthrough album Any Shape You Take. All of This Will End marks a warmer and unmistakably audacious era for her. It’s a statement about fearlessly moving forward from the past into a gratitude-filled present, feeling it all every step of the way, and choosing to embody loving awareness.

Across 11 songs, the album is a raw and radically optimistic work that grapples with mortality, the rejuvenation that community brings, and the importance of centering yourself now. These tracks come from the most resonant moments of her life: childhood memories, collecting herself in parking lots, the ecstatic trips spent wandering the Appalachian mountains and southern swamps with friends, and the times she had to stand up for herself. “All of This Will End feels more true to me than anything ever has,” she says.

TRACK LISTING

1. Time Back
2. You Can Be Mean
3. Losing
4. Wasting Your Time
5. Parking Lot
6. All Of This Will End
7. Smog
8. The Water
9. Always
10. Not My Body
11. Younger And Dumber

Tom n Ed, possibly one of the UK's most influential and successful electronic music outfits, return with a brand new single: "No Reason". Featuring a bleak lyrical hook (provided by a vocal sample from Second Layer's "Courts Or War") - 'we have no reason to live / no reason at all / when will they kill us all' - the track's poignantly gloomy outlook is juxtaposed by one of their typically galvanized grooves - pairing up a punchy B-line with nuevo-disco drums, the odd vocal whoop and darting synth stabs. Add a lashing 303 and military snare rolls which allude to its shadowy war-mongering. It's stadium friendly, with soaring breakdowns and full fat processing; and has been going down a storm at their live shows for the past year or so.

As much as dance music is about hedonism and escapism, there's always been a political and social commentary underlining the best bits. The Chems perfectly balance energy release with wry contemplation on a track that is destined to become a global hit.

On the flip, they pop the cork off the dance tent, firing off sharp acid lines, precision beats and head-splitting reversals - layering up the incessant percussion lines for a fiery and frothy techno steam train that'll have everyone sweating and gasping for breath. Festival season better be ready! 

STAFF COMMENTS

Matt says: Nihilistic in vocal content, with clever sampling of Second Layer (me neither) - The Chemical Brothers deliver a stadium slaying hit which still has summery connotations whilst biting hard at the jugular. Always the same, always different!

TRACK LISTING

A. No Reason
B. All Of A Sudden

Reissue of Paul Oakenfold's classic "Southern Sun" from 2002, now
remastered for 2023 - this remix package features the full 9 min 44 sec trance journey by Tiësto & the equally dazzling Gabriel & Dresden remix, both of which have seen their stocks rise inline with the recent upinterest in trance; meaning 2nd copies fetch quite the pretty penny. 

Originally released as a double A side with "Ready Steady Go", it peaked at No. 16 in the UK chart. It was taken from 1M worldwide selling album "Bunkka" which was released the following month (and is also reissued alongside this single). Featuring vocals by Carla Werner, the original version and various remixes have been included on over 70 compilation albums. 

Tiësto's remix is an absolute beast of a track. Pulsating and rippling with various arps and leads, it epitomizes the long form trance epic - with a detailed and adventurous arrangement which constantly reveals more tantalizing hooks and endorphin-rushing greatness, the soaring vocal only surfacing towards the second half of the track. 

Gabriel & Dresden's remix contrasts jagged, hard-edge bass notes with an eerie mood and squishy background breaks. The vocal emerges early, guiding the track alongside an almost live bassline. If anything is accentuates the pop-like sensibilities of the track; with the focus on that vocal part; but the production surrounding it is nothing short of breaktaking, even some 20 years later. 

TRACK LISTING

1. Southern Sun (Tiësto Remix)
2. Southern Sun (Gabriel & Dresden Unplugged Remix)

Live In St. Kilda is a twelve song live album from a one-time-only show in which Kid Congo Powers was backed by The Near Death Experience. Kid Congo says, “How did I hook up with The Near Death Experience you may ask? One fine day Kim Salmon, my long time Scientists Surrealist Beast of a friend, wrote from Australia to ask me to play at his book launch for his biography Nine Parts Water, One Part Sand: Kim Salmon And The Formula For Grunge on November 9th, 2019. The launch was to take place at the Memo Music Hall in St. Kilda, a seaside suburb of Melbourne. A royal command performance for the king of Kim? How could I say no to such an honor? What to do about a band? It did not take more than a minute for each of us to suggest Harry Howard and The Near Death Experience as the logical choice. I was a massive fan of the band already and we shared crossed paths as expats claiming out our musical in 1980s London. Harry with Crime And The City Solution and These Immortal Souls, Dave and Clare with The Moodists, Kim with the Scientists and me with Gun Club and Fur Bible. Needless to say it was fantastical to get together and make a playlist for Kim featuring covers by Suicide and Shangri La, with mine and NDE’s songs as well. The night was magic—I still am floating on a surrealistic pillow remembering the night. Enjoy the racket, enjoy the love, enjoy this record of friendship and celebration.”

STAFF COMMENTS

Barry says: Snapping garage percussion and screaming guitars lay the foundation for Kid Kongo Powers' unmistakeable vocals and scathing live show. Featuring the Near Death Experience members instead of the usual Pink Monkey Birds has lent his sound an even more raw edge, accentuated by the live setting. Hefty.

TRACK LISTING

1. LSDC
2. I Found A Peanut
3. Black Santa
4. La Llorona
5. The Only One
6. Sophisticated Boom Boom
7. New Kind Of Kick
8. Diamonds, Fur Coat, Champagne
9. She Doesn't Like It
10. Sex Beat
11. When He Finds Out
12. Garbage Man

Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground. This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.

As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says. An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world. 

TRACK LISTING

CD Tracklist:
01. Elkka - Attention, Lovers
02. Shake - Music Is The Only Way (I Can Communicate)
03. Paula Tape - Panamericana
04. Dauwd - La Nota
05. East-West - Can’t Face The Night (Club Mix)
06. Omri Smadar, Roy Shpilman - Adama
07. Pelada - No Hay
08. Herbert - Keep Time (Nobody)
09. UK Electro, Gerd Janson - ICA Beats Part 1 (Gerd Janson Edit)
10. Dan Curtin - Particle Dawn
11. Carli - Lights & Strobes
12. Jensen Interceptor - Lean Before The Interview
(Ft. Assembler Code)
13. Surusinghe - BAD GIRLS
14. Elkka - Hands
15. Anna Wall - Memories
16. Hodge, Peder Mannerfelt - All My Love
17. Mark Broom - Silenced Part 2
18. Elkka, Jeigo - Body
19. Jeigo - IHaint
20. Villager - Monocyclical
21. Breaka - Living
22. Mark Pritchard - Give It Your Choir Ft. Bibio
23. Patty Waters - Why Can’t I Come To You


LP Tracklist:
A1. East-West - Can’t Face The Night (Club Mix)
A2. Omri Smadar, Roy Shpilman - Adama
B1. Herbert - Keep Time (Nobody)
B2. Dan Curtin - Particle Dawn
C1. Jensen Interceptor - Lean Before The Interview (Ft. Assembler Code)
C2. Elkka - Hands
C3. Hodge, Peder Mannerfelt - All My Love
D1. Elkka, Jeigo - Body
D2. Villager - Monocyclical
D3. Breaka – Living

Delving into the deepest recesses of raï, this compilation serves as a tribute to its roaring years, but also as a rejuvenation of the genre in its sulphurous, subterranean version.

Through the pre and post-independence years, from 1950 to 1970, raï urbanised itself, with a generation listening to the traditional sounds, but also and mostly listening to twist, French variété and rock music. Including 6-page booklet with liner notes in French and English and download code.

TRACK LISTING

Cheb Hindi - A Moi La Libert?
Houari Benchenet - Malika
Chab Mohamed Sghir - Khalouni
Chaba Fadila - Kii Kount Ouelite
Cheb Tahar - Djehida
Cheb Djalal - Mohal Nahna
Benchenet - Ghir Hiya Salbetni
Cheb Kader - Reggae Ra?
Chab Hamouda - Zahri Mate
Cheb Khaled - Li Bini Ou Binek
Nordine Sta'fi - Rouh Ya L'mersoul
Chaba Amel - Lala Kusti
Chaba Malika Meddah - Sid Houari Ya Mlah
Tchier Abdelgani - La'roussa Jate?

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Limited edition yellow vinyl of The Adicts’ fourth studio album. Released on RSD2023.

Not since the 1980’s has this album been available on vinyl!
Now with a new inner bag, lyrics and a previously unseen colour photo session.

The Adicts came from Ipswich on the east coast of England, dressed in white in an amalgam of The Joker and Clockwork Orange imagery. Their previous two LPs had made a big impact in the UK, with singles entering the lower reaches of the national charts on Sire Records – (who insisted they change their provocative punky name to ADX or The Fun Adicts when on children's TV!). 

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Tales Of Ephidrina is an ambient/techno album by electronica duo Amorphous Androgynous (also known as Future Sound Of London). To celebrate the 30th anniversary Brian Dougans has located 2 unreleased tracks from his personal archive and created 2 alternate versions of album tracks that are featured on the bonus 12”, Remastered by Matt Colton at Metropolis studios, this seminal album has only ever been pressed once. The remastered album will also be pressed on a 1CD package featuring the 4 bonus tracks.

TRACK LISTING

LP1 (Side A)
1. Liquid Insects
2. Swab
3. Mountain Goat
4. In Mind
(Side B)
1. Ephidrena
2. Auto Pimp
3. Fat Cat
4. Pod Room
12” (Side A)
1. Mountain Path
2. Static Field

12” (Side B)
1. Sky-Scraper ( Xtnd )
2. Swab ( Alt )

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

This 12" single by post rock legends Bark Psychosis, is a beautifully haunting masterpiece, with an incredibly cool sleeve to accompany. Improvised and recorded live in the band's home of St John's Church in 1992, SCUM experimented with the use of space and extreme dynamics, with music that varied between minimal jazzy chording, airy acoustic drums, clamorous noise guitar, space-ambience and random vocal snippets. You can hear why the band have been credited as genre defining. Now a complete reinvention of the original 1992 release on 3rd Stone Records, and the first ever release on Rolling Heads. With updated artwork true to the original, SCUM has been fully remastered at Abbey Road Studios by Miles Showell, with the help of frontman Graham Sutton. It will be pressed in 180g heavyweight black vinyl, and packaged in luxury 300gsm card sleeve, boasting something a little different to the original. This is a beautiful must listen release.

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



Unavailable on vinyl since it's release in 1987 on the famous Creation label. This folk-rock styled mini-album was produced by Pete Astor of The Weather Prophets, and the rest of the band back Heidi up, with Martin Duffy (Felt/Primal Scream) on piano and organ. Sleeve Notes by Heidi Berry, Ivo Watts-Russell (4AD) and David Barker (Glass Modern). Random Colour Vinyl.

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Classic 2nd Creation 1989 LP from Heidi Berry unavailable on vinyl since it's release. More pastoral than it's predecessor, half filmscape, half dreamscape, when you lie in bed at three in the morning, unable to sleep in the sticky summer heat, the melodies and shimmering string arrangements of ëBelow The Wavesí will be there with you. The blueprint for Heidis three subsequent 4AD Albums. 'Berry' Red Vinyl.

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Andy Rourke, formerly of The Smiths & one of the most revered bassists of all time, has teamed up with front-man & guitarist Kav for their music project "BLITZ VEGA" They release their debut vinyl for Record Store Day, featuring new versions of their single "Strong Forever", including guest guitar from Johnny Marr & B-Sides / mixes & remixes from Z-Trip, Jagz Kooner, DayBreakers & Will Kennedy. The vinyl features unreleased new material, unavailable online.

TRACK LISTING

Strong Forever (single Version) Z-Trip Mix
Strong Forever Original (Jagz Kooner Mix)
Strong Forever (Day Breakers Remix)
Strong Forever ( Will Kennedy Live Band Mix)
Lost & Found (Jagz Kooner Mix)
Lost & Found ( Day Breakers Remix)
LA Vampire ( Jagz Kooner Mix)
Big Nose

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



Limited Edition vinyl release of a never-before-heard collaboration between music veteran, Bruce Hornsby, and Concord Jazz artist Butcher Brown. The limited edition 12" LP pressed on Metallic Copper vinyl includes two tracks "Secret House" and "Thirty One". Exclusive release for RSD 2023.

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Carter The Unstoppable Sex Machine exploded onto the indie punk scene in the early '90 releasing a string of hit singles and top ten albums as well as selling out countless live shows acquiring a fiercely loyal fanbase

30 Something was Carter's second album. Released in February 1991, it charted at number 8 in the UK album charts and spawned the singles 'Anytime Anyplace Anywhere' and 'Bloodsport For All' With nods to The Clash and Bowie, the album contained the band's trademark lyrical puns and snarling punk vocals juxtaposing with harmonisng guitars. The album received 10/10 from NME upon release and ranked as number 8 on their albums of the year list for 1991.

This RSD version is presented as a picture disc in a cut out spined sleeve.

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Never before released on vinyl, no plans to repress. True RSD exclusive. No digital release until far in the fuutre. This was recorded live in Belgium in 2004 with a pick-up band. colour vinyl. CD is long out of print

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Lovingly re issued on double vinyl for the first time since 1998. Come's final chapter sees Thalia Zedek and Chris Brokaw at their peak, refining their incredible blend of dissonant blues and cathartic noise-rock heightened by the intricate guitar dual-play and the added melody that permeates the songwriting. Includes full album download and new liner notes.

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A 7-track digital EP released in the back-end of 2022 is released on a 12" for the first time. Featuring 'TILT' reworks from Tame Impala, CC:DISCO!, X-COAST, Daniel Avery, CHAI and Erol Alkan. 'TILT' is the much-loved and acclaimed second album from Confidence Man which came out on Heavenly Recordings in April 2022. Written and self-produced by the band and mixed by Ewan Pearson (Metronomy, Jagwar Ma, Pet Shop Boys, Jessie Ware), the release of 'RE-TILT' follows the band's sold out 2022 headline tour. Starts and lands in time for the summer festival season. 

TRACK LISTING

1.1 Holiday (Tame Impala Remix)
1.2 Luvin U Is Easy (Totally Enormous Extinct Dinosaurs Remix)
1.3 Relieve The Pressure (X-COAST Remix)
1.4 Angry Girl (CHAI Version)
2.1 Break It Bought It (CC:DISCO! Dub Mix)
2.2 Feels Like A Different Thing (Daniel Avery Remix)
2.3 Holiday (Erol Alkan OOO Rework)

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TRACK LISTING

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Live recording of the one-night-only DIIV Unplugged show at Murmrr Theatre in Brooklyn on August 17th, 2017. Mixed by Jarvis Taveniere, mastered by Alex DeTurk. Includes unique arrangements of songs off DIIV's first two albums (Oshin and Is The Is Are), as well as covers of My Bloody Valentine and Alex G

TRACK LISTING

1. Druun
2. Past Lives
3. Human
4. When You Sleep
5. Dopamine
6. Hollow
7. Loose Ends
8. How Long Have You Known
9. Under The Sun
10. Earthboy
11. Wait

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 Echo & The Bunnymen's classic 1997 John Peel session available for the first time on vinyl, featuring 2 songs from 1997's 'Evergreen' plus the Bunnymen classics "Villiers Terrace" and "Altamont". Black vinyl, no download code. 

TRACK LISTING

A1. Don't Let It Get You Down
A2. Villiers Terrace
B1. Altamont
B2. Rescue

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An instrumental edition of the critically acclaimed 2022 album, FOREVERANDEVERNOMORE written and produced by Brian Eno
“Heartbreaking songs shot through with wonder…. these songs feel personal, intimate and urgent.” ****, The Observer
“FOREVERANDEVERNOMORE is not a ‘protest album’, Eno insists, but rather, a necessarily sombre meditation on a world that is “changing at a super-rapid rate….large parts of it are disappearing for ever.” As such, it is as timely as it is sobering and, in places, austerely, compellingly beautiful.” - ****, Mojo
“‘FOREVERANDEVERNOMORE’ is nostalgic, melancholic, hopeful and hopeless, existentialist and nihilist. Brian Eno is one of the few artists who is able to convey the things he does by using so little, and ‘FOREVER’ is a prime example of his mastery.” - 9/10 CLASH
“It’s a safe musical harbor from the hustle and bustle of everyday life that serves, like a cathedral, to draw us out of the mundane and into the realm of the transcendent.” - Riff
“FOREVERANDEVERNOMORE was personal, intimate and vital” - #9: Albums of the Year, Uncut Magazine

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The E.A.R. debut project, Mesmerised, is a total collage of drones, tones, and endless atmospheric washes that becomes a logical extension of earlier works into realms of psychedelic haze. This mysterious and beautiful sound is a complete exploration into 90ís post/space rock. Only released on vinyl once in 1994, this RSD 2023 release has been created to exactly replicate the Space Age Recordings release from 2009. Working with Pete Kember, and keeping an environmentally conscious mind. This superb release will look as good as it sounds. Transparent red vinyl, inside a clear acetate bag with concentric circles and the EAR logo printed direct to it (plus barcode, track list etc). A very special release and one sure to get the collectors buzzing.

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



First global vinyl pressing for Marianne Faithfull’s final album for Island records. 1995’s ‘A Secret Life’ received its only vinyl issue in Greece, and copies are hard to come by with collectors now expected to pay anywhere between £50 and £200 for a copy.



The album was a new direction for Marianne and was written with the Italian composer Angelo Badalamenti, known for his atmospheric scores to David Lynch’s films. The result successfully marries his multi-layered orchestral production style with Marianne’s trademark voice and poetic lyrics to create a wholly original and timeless album.



Marianne’s other 90's albums ‘20th Century Blues’ and ‘Vagabond Ways’ have recently appeared on vinyl, so this could join the dots for collectors.



• Album never pressed on vinyl outside of Greece

• Greek second hand copies sell for between £50-£100

• One of Marianne's most original collaborations essentially available on vinyl for the first time.

TRACK LISTING

Side A)
1. Prologue
2. Sleep
3. Love In The Afternoon
4. Flaming September
5. She
Side B)
1. Bored By Dreams
2. Losing
3. The Wedding
4. The Stars Line Up
5. Epilogue
6. You're Not In London Anymore

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Fat Freddy's Drop's legendary performance at London's Roundhouse from 2008 is finally available on vinyl for the first time ever to celebrate its 15th anniversary. 3LP with a neon green sleeve, gatefold. 

TRACK LISTING

A1. The Camel
B1. Raft
C1. Flashback
D1. Pull The Catch
E1. The Nod
F1. Shiverman

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12" single pressed on Red Vinyl. b/w 'Jigsaw Puzzle Blues'.

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"ZAM, the Double-Album underground breakout release from Los Angeles Psych heavyweights Frankie and the Witch Fingers, completely out of print since its initial release in 2018. This is the record fans have been asking for. RSD Exclusive 2xLP color vinyl edition of 5000. New Artwork featuring RSD exclusive Mirror/Reflective Jacket Artwork & Bonus Flexi 7"" with an unreleased demo. 24"" x 24"" double sided full color poster. RSD Hype Sticker on Shrink. Proudly reissued by Greenway Records. Mirror Red & Chrome Wide-Spine Jacket Double 12"" - A/B on Black Smoke & C/D on Red Smoke Vinyl Poly-Lined Inner Sleeves Unreleased Demo Flexi 7"" Double Sided 24""x24"" Poster"

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Generation X were born out of the English punk era of 1976 from the ashes of the band Chelsea, and featured Billy Idol and Tony James who achieved both solo and group success throughout the decade and beyond

Recorded in one week in a converted garage with producer Martin Rushent (The Stranglers, Buzzcocks, Human League) this debut showcased the cleaner sound, with more focused vocals, with the band often cited as pioneers of the pop-punk genre. An underrated album at the time, it stands as a snapshot of the era. Breaking into the UK album top at the time, it featured the single Ready Steady Go. This RSD version is presented as 180g yellow vinyl with a bellyband to emulate the original release.

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



Expanded double LP edition of the early ë90s Giant Sand gem, including a second previously unreleased disc featuring live recordings from Sub Pop's Vermonstrous Festival, 1992. With new liner notes and commentary from Howe Gelb. An everyday tale of answering machines, petroglyphs and a Takamine guitar; true stories from Joshua Tree: ìAnother fascinating set of desert-fried rock ëní roll, serving up one winner after another.î (AllMusic). A masterpiece of psychedelic desert-rock, a spiritual cousin to the Meat Puppets' ëUp On The Suní and Kyuss's ëSky Valleyí.

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Greentea Peng's 'RISING' EP was a turning point in her career, this 7-track vinyl pressing features some of her biggest tracks such as "Downers" and "Mr. Sun (miss da sun)" that launched her into the limelight and solidified her position as one of the most exciting artists coming out of the UK right now.

This new pressing of "RISING" will be pressed on Eco vinyl, using offcuts and waste from other vinyl pressing runs, melting them down and creating new records from the vinyl waste. Each record will be slightly unique in colour and pattern. Records are brown/crimson with a marble effect containing black, green, blue and grey highlights. Each record is slightly different due to the eco element, using melted down offcuts from other pressing runs. Colour may vary.

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Available for the first time on vinyl since 1976, pressed on silver wax and featuring a limited edition foil embossed sleeve with extensive liner notes. Crosscut Saw sees the reformed Groundhogs with second guitarist Dave Wellbelove, sparring with the legendary Tony McPhee."Musically I'd gone back to the basics," McPhee told Sounds, the addition of a doodle of synth and a second guitarist notwithstanding. As a result; "Riffs galore permeate." (AllMusic). A suitably explosive prog-pleasing follow up to 1992's 'Who Will Save The World' and 'Hogwash' rekindling the fire of the blues in a new, heavy progressive setting, all set for a new guitar-powered age.

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The seminal album from Half Japanese back on Limited edition Orange vinyl and featuring updated artwork and liner notes from Jad Fair and producer Kramer. This is the Zen of Half Japanese, of prolific songwriter Jad Fair; wide-eyed crooner, humorous raconteur and spontaneous storyteller. A genre-bending romp through the mind of the man, originally released in 1989 in a purple patch for the group, preceded by "Music To Strip By" and "Charmed Life". "Half Japanese were a song machine," attested Pitchfork, while AllMusic saw this album as a collection of "humorous lo-fi rock'n'roll hit singles."

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14 track album on transparent vinyl, with 16 page 12x12" book of Darren's Lido artwork. Darren Hayman's 2012 classic LP "Lido" gets the deluxe reissue treatment this record store day - an all-new 12" transparent vinyl with a 16 page 12x12" book of Darren's Lido artwork. As was the original, this is a joint release between Clay Pipe and wiaiwya. I was thinking about instrumental music and whether it could truly be about something. I was thinking about how classical, jazz and the avant-garde often group music together under conceptual titles and themes. Isnít a lot of this music about music itself? Isn't instrumental music literally about the unspeakable, the indescribable? My friend Dave says that he see no reason why wordless music should be any less about ësomethingí then lyrics or prose. I think he's right, but I also know that some music that is titled and thematically labelled is nothing more than the beautiful sound of a musician trying to reach out; to evoke; to remember. My name is Darren Hayman and I have made an instrumental album about Britainís open air swimming pools; it's called 'Lido'. If I am known or liked for anything at all in my career then it is for my lyrics. I see words as incisive, accurate tools, when used correctly. I donít want my words to paint vague canvasses; I want them to make detailed, forensic technical drawings. I am interested in specifics; my songs thus far have very much been about stuff. In my own listening, however, I have moved more and more towards instrumental music. I enjoy the heavenly fog of the ECM label. I love following the unpredictability of John Coltrane's reckless career. I adore roots dub reggae - it makes me feel safe and calm. Instrumental music has given me something that has been missing from my listening for a few years. It confuses, frustrates and excites me, and in no way do I feel it a less erudite companion to lyrical music. The opposite is true, in fact: this music can often say more, I just love not being able to define what it is. Cautiously, over the last few years, I started to amass recordings of my instrumental compositions. When I had five that I thought were good, I needed a title that might pull these sunny, open tunes together; I thought of 'Lido'. From that point onwards I tried to think about what it would be to write music with a specific setting in mind. I tried to write the tunes in my head, while visiting the individual pools. I collected field recordings and buried them inside the songs. Some were audible but I wanted to link the music to the place in some way. When it came to writing tunes about closed or destroyed lidos, I thought about absence and nothingness. I thought about disconnected music; tunes without formal structure or time signatures. I have not re-invented the wheel but this was a truly experimental record for me in that I devised routines and procedures that produced music alien to me. I thought hard about Brentwood Lido, in my hometown. It closed in 1976, when I was just five. It is one of those places that have slipped past the internet. I can find only two grey, fuzzy pictures online. Do you have any pictures of it? Iíd love to see them. My own memory of the place is also fuzzy: one of those early childhood memories that seems to be projected onto sunlight. If you think hard or try to grasp it in any way then it just melts. I can see a towel; there is a low wall or steps maybe? My mother is there some other people... It's sunny but then there's nothing there's no focus or clarity to the memory. If instrumental music can be about anything then surely it can be about this feeling; the sensation of fumbling, desperately, in the back of your mind. Looking for something beautiful that you know was there once. I wanted to make music that sounded half remembered but purposeful. I went to the road where the pool used to be. I recorded nothing but the faint rumble of traffic and put in my tune. My album 'Lido' is about open air swimming pools and something else as well. It's just impossible to say what it is exactly. - Darren Hayman February 2012. Track Listing: 1. London Fields 2. Black Rock Baths 3. Brockwell Park 4. Parliament Hill 5. Saltdean 6. The Knap 7. Super Swimming Stadium 8. Brentwood 9. Tinside 10. Stonehaven 11. Kingís Meadow 12. Jubilee Pool 13. Purley Way 14. Tooting Bec

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Matthew Herbert presents remixes by Floating Points, Seven Davis Jr and Herbert himself as part of a special 12" vinyl RSD 2023 release. The remixes are of tracks from 2021's full length album Musca, an instinctive return to the ëdomestic houseí series that started back in 1998 with Around The House and the 2001's Bodily Functions.

TRACK LISTING

A1: Fantasy (Floating Points Remix)
B1: Might As Well Be Magical (Seven Davis Jr. Multiverse Edit)
B2: Fantasy (Herbert’s Greenery Dub)

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This is Honey Bane's first vinyl release in 40 years. Music's biggest rebel turned her back on the scene in 1983, after a string of successful punk/new wave singles. Violence Grows is Bane's 1978 debut, which she wrote at just 14 years old. She recorded it under her band, Fatal Microbes. The single has been reissued, with digitally remastered audio and pressed on limited edition, "bruised" black and blue 12 inch vinyl. This is the first ever coloured vinyl in Bane's catalogue of work.

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Single-sided 12" featuring 2 new originals from RSD US Ambassadors Jason Isbell & Amanda Shires, a reimagined version of "Tour of Duty" from Here We Rest, and a cover of Richard Thompson's "Beeswing". Side B includes a stunning vinyl etching designed by Pearl Rachinsky-Moreland.

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Toy Balloon receives itís long overdue debut vinyl pressing, featuring new artwork. Caught somewhere between traditional folk and Janschís penchant for the blues, ëToy Ballooní, from 1998, was the elder statesman of British folkís 20th studio album. Featuring a host of fantastic solo performances along with a brace of bigger sounding moments with a band including former Dire Straitsí Pick Withers on drums and the legendary Pee Wee Ellis on sax, the mainly self-penned opus also boasts a hypnotic cover of the standard ëShe Moves Through The Fairí and an evocative reading of Jackson C Frankís ëCarnivalí.

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When The Circus Comes To Town receives it's long overdue first vinyl pressing, featuring new artwork. From 1995, the 19th studio album from the revered legend of the British folk community, saw Bert Jansch in a purple patch surrounded by the umpteenth folk revival and new generations "discovering" his virtuoso playing. Featuring 15 self-penned originals and bringing both sax and slide guitar into the mix on occasion, 'When The Circus Comes To Town' finds Jansch in fine voice as well as with swift fingers which feature on a brace of standout solo acoustic numbers.

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Double vinyl release of Jazz Butcher favourites, oddities, unheard alternate versions + a live radio session from LA's KCRW - many of which have never been on vinyl. Features extensive liner notes and exclusive artwork. The compilation gathers a raft of indie chart hits, plus a host of truly eclectic Butcher tunes from his early Glass recordings through his time at Creation. ìThe Jazz Butcher is one of the most brilliant incisive pop writers that Britain has produced since the glory days of Ray Davies and Pete Townshendî Alan McGee, Creation. This collection compiles an essential alternative world view, tracing pop culture through the kaleidoscope of the ë80s and beyond, filled with a unique brand of wit and wisdom.

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



Lemonade coloured LP Vinyl. 'Warchild' charity release. - Up Your Alley, the sixth studio album from Joan Jett & the Blackhearts, will be released on Lemonade Yellow colored vinyl exclusively for Record Store Day. The Grammy nominated album, originally released in 1988, features ìI Hate Myself For Loving You,î ìLittle Liar,î and ìI Wanna Be Your Dog.î

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British new wave band JoBoxers' debut album 'Like Gangbusters' was originally released in 1983. The album was produced by Alan Shacklock and contains hit singles "Boxerbeat", "Johnny Friendly" and the double-A-side "Jealous Love / She's Got Sex". It also includes "Just Got Lucky" - the band's huge international hit that reached the top 10 in the UK and top 40 in the U.S. This 40th Anniversary Edition reissue is sourced from the original master tapes, pressed on red vinyl and is a 2023 Record Store Day Exclusive! JoBoxers 'Like Gangbusters' is a must-have record for every 80s new wave music fan.

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A brand-new John Massoni LP that was produced by his good friend, Grammy nominated producer, Hunter Lea. This is another John Massoni and Pete Kember, aka Sonic Boom (Spacemen 3, EAR, Spectrum) collaboration. It will have one side completely mixed by Sonic Boom. Featuring the excellent track ìGreat Godís Giftî this will be pressed in heavy weight 180g solid mustard coloured vinyl.

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Factory Benelux presents a limited edition 180gm vinyl singles collection by Marcel King, best known for his sparkling 1984 dance single ‘Reach For Love’ on Factory Records, as well as the youthful vocalist on ‘Sad Sweet Dreamer’ by Sweet Sensation, a UK number one back in 1974

Limited to just 1000 copies, Reach For Love: Singles 1983-88 features both sides of the infectious electro single co-produced by Bernard Sumner (New Order) and Donald Johnson (A Certain Ratio) and released as Fac 92 in April 1984, as well as a previously unreleased demo for ‘Love To Shine’, the planned follow-up single on Factory produced by Tony Henry of 52nd Street. (NON-RETURNABLE)

The album also features ‘Hollywood Nights’, a later single cut by Marcel with Gee Bello of Light of the World, along with a rare US remix of ‘Reach For Love’ by noted New York DJ Mark Kamins, and extended dub and instrumental versions.

King was invited to record for Factory in 1983 by Joy Division/New Order manager Rob Gretton, a devotee of soul and black music, and prime mover behind the famous Hacienda nightclub. ‘Rob was a massive fan of Marcel and thought he was as good a singer as Michael Jackson,’ explains Tony Henry. Not just a gifted and plaintive soul singer, King also wrote both sides of his Factory single, ‘Reach For Love’ and ‘Keep On Dancin’, both paeans to perseverance and enduring Hacienda classics.

A classic video clip for the single, filmed at The Hacienda with local breakdancing crews, is available in YouTube: www.youtube.com/watch?v=-h7X3z8JghY

Alas ‘Reach For Love’ was destined to remain an underground hit rather than a chart topper. Rob Gretton blamed Factory’s disdain for conventional promotion. ‘At Factory we still basically believe that you don’t have to hype a group in any way, and that a record should success on its own. But it’s getting increasingly difficult. We put a record out by Marcel King and it’s hardly sold at all. The charts are wide open to hyping and marketing.’

Adds Bernard Sumner: ‘Marcel was an incredibly talented guy, but a tragic figure. He used to sleep in a car in Moss Side and was a bad heroin addict.’ A troubled but pioneering artist, Marcel sadly passed away in 1995 after suffering a brain haemorrhage.


1000 copies only of FBN 47 will be available on Record Store Day on 22 April 2023, pressed on 180gm black vinyl. The sleeve is based on original artwork for the Factory single and also includes a press interview with Marcel from 1984.

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Released on limited vinyl in 2009 but sold out for years, Svart Records brings out an offiicial reissue wrapped in a gatefold jacket and pressed on clear vinyl, limited to 1500 copies in Europe only.

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Released on limited vinyl in 2012 but sold out for years, Svart Records brings out an offiicial reissue wrapped in a gatefold jacket and pressed on red vinyl, limited to 1500 copies in Europe only.

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100 % New original songs done by the psychedelic french garage duo The Liminanas & german-french music composer David Menke for the forthcoming Arte documentary "Thatcher's Not Dead" dedicated to Margaret Thatcher. The only physical edition done is the this Double LP for the Record Store day. 

TRACK LISTING

A1 - Snatcher – Feat. Oliver Howlett
A2 – Downfall – Part.1
A3 – Not Our War
A4 – Heritage
B1 – Bright Future
B2 – The Iron Lady
B3 – Master Plan – Feat. Oliver Howlett
B4 – Don’t Be A Traitor Feat. Oliver Howlett
B5 – Fuzzy Thatcher
B6 – She Had To Be Believed
B7 – War
C1 – Broken Dreams – Feat. Oliver Howlett
C2 – Num Confrontation
C3 – Chaos
C4 – Business As Usual
C5 – Revolting
D1 – Tears Don’t Lie
D2 – Way Of Her Cross
D3  - Ambiguous Memories
D4 – Downfall Part.B

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).





A COMPREHENSIVE COLLECTION OF THE PRE-ATTACK OF THE GREY LANTERN ERA SINGLES & B-SIDES, RELEASED ON LP FOR THE FIRST TIME FOR RECORD STORE DAY 2023.



In 1995, Mansun signed to the legendary record label Parlophone (home to The Beatles & Radiohead) & headed to the studio to record their seminal #1 album 'Attack Of The Grey Lantern'



The debut album topped the charts & remains one of the classic brit pop albums of the 90's. Formed in Chester in 1994, the band wrote & released a collection of songs before the album sessions, released on CD/7-inch vinyl leading up to their debut album. Now, for the first time, these pre- Grey Lantern tracks has been compiled on this essential album - 'Before The Grey Lantern'.



Included in the compilation is 'Take It Easy Chicken' (1995 Original Self Released Version), the band's first ever single & a song Mansun famously closed sets with, right up until they disbanded in 2003. Elsewhere on the record, stand- out moments include tracks from the bands One, Two, Three, Four & Five EP's & Bsides from the 'Stripper Vicar' & 'Wide Open Space' singles.



The exclusive LP is available as a Record Store Day 2023 release on black vinyl.



Kscope, having acquired this impressive catalogue, are running a thorough reissue series that delves into a treasure trove of previously unreleased audio & visual material, including the much- awaited 21st- anniversary remaster of their experimental Top 10 album 'Six', which jumped back into the UK charts in 2019, as #1 Vinyl album, #5 Indie album, #12 Physical album & #36 Album. Meanwhile the label's reissue of 'Attack Of The Grey Lantern' reached #28 in the UK album chart & ultimate 25- disc box set 'Closed For Business' (which chronicled the band's entire career) gained critical acclaim upon its release in 2020 with Record Collector describing it as a "truly monolithic collection".

TRACK LISTING

Take It Easy Chicken (1995 Original Self Released Version )
Flourella
The Greatest Pain
The Edge
Rebel Without A Quilt ( 2018 Remaster )
No One Knows Us
The Holy Blood & The Holy Grail
Skin Up Pin Up
Ski Jump Nose
Things Keep Falling Off Buildings
Lemonade Secret Drinker ( Acoustic Version - 2018 Remaster )
Drastic Sturgeon
Moronica
The Most To Gain

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



The very first time on vinyl for The March Violets’ ‘difficult’ debut album!

Limited edition in PURPLE vinyl in gatefold sleeve with lyric sheet released on RSD2023. 



Originally from Leeds in the early 80’s – label-mates of Sisters of Mercy.



THE MARCH VIOLETS came out of Leeds in the early 80’s, label-mates of Sisters of Mercy. Constantly at the heights of the UK indie singles charts, the singles became the foundation of LP compilations in the UK and USA. Signing to a major, they featured in the John Hughes’ Some Kind of Wonderful movie with two songs, but split up before an album was completed.



Twenty-five years later they reformed, touring the UK and USA, and at last completed their first album, Made Glorious along with a video of ‘Dandelion King’ via a well over-subscribed Pledge Music campaign in 2013. Fans got access to a very limited CD and download, but sadly various events conspired to stop a planned vinyl production. Here at last is the long-awaited ‘difficult first album’ on vinyl from The March Violets! 

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From Bob Marley and the Wailers world renowned 5th studio album (first release on Island Records) "Catch A Fire" this RSD exclusive will feature an unreleased version of Stir It Up Alternate Jamaican version and an instrumental version to celebrate the albums 50th anniversary 7".

TRACK LISTING

1. Promo/Stir It Up Alternate Jamaican
2. Stir It Up Alternate Jamaican Instrumental

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First time on vinyl for the gorgeous 'Late December', with a second LP featuring rare recordings from her Live Acoustic LA tour in 2006, the package includes new liner notes and a download of the studio album and live show. An album thatís broader than Broadway, a panoramic view of life, love and loss filled with drama and theatricality. Plus a live set thatís heart-on-sleeve time, bringing together songs from Lone Justice, plus covers of the traditional country anthem 'The World Is Not My Home', Richard Thompson's 'Has He Got A Friend For Me' and three songs that show the bittersweet beauty of her brother Bryan MacLeanís song writing. In total, it's Kurt Weill, Springsteen, itís the million-selling global hit 'A Good Heart' delivered by the songwriter herself in all its Phil Spector-like baroque beauty.

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Metronomy’s last studio album "Small World" revisited : new version of each track with a guest . This 1 x Black LP will be the only physical edition and features an exclusive artwork. 

TRACK LISTING

A1. Life And Death - Metronomy X Porij
A2. Things Will Be Fine - Metronomy X PPJ
A3. It’s Good To Be Back - Metronomy X Panic Shack
A4. Loneliness On The Run - Metronomy X Nadeem Din Gibisi & Tony Njoku
B1. Love Factory - Metronomy X Katy J Pearson
B2. I Lost My Mind - Metronomy X Jessica Winter
B3. Right On Time - Metronomy X Haich Ber Na
B4. Hold Me Tonight - Metronomy X Bolis Pupul
B5. I Have Seen Enough - Metronomy X Sebastien Tellier

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Denton, TX indie folk-rock pioneers Midlake announce their first catalogspanning double live album, ‘Live At The Roundhouse’.

Recorded at London’s historic Roundhouse in April 2022, the album includes material from their latest album For The Sake Of Bethel Woods, fan favorites from 2013’s exploratory Antiphon, dark psych-folk thickets of 2010’s The Courage of Others, and the highly wondrous and critically acclaimed modern classics of 2006’s The Trials of Van Occupanther.

A pivotal city to the band’s success and their dedicated fanbase, London was the obvious show to record during their most recent tour. Midlake’s Eric Pulido shares, “Since our early days, London has been like a second home. We’ve been embraced so warmly all of these years and knew our show at The Roundhouse would serve as the perfect night to celebrate our 20-year relationship with our first live album.”

A long overdue retrospective, Live at Roundhouse includes 75+ minutes of music including Midlake classics “Roscoe,” “The Old and the Young,” “Head Home,” and “Acts of Man,” featuring vocals from singer/songwriter Bess Atwell.

The packaging showcases a gorgeous matte-board double album, printed on Translucent Red (Side A) and Translucent Orange (Side B) 180-gram vinyl, with expansive artwork by photographer Andy Little.

‘Live At The Roundhouse’ is a true collector's item for any fan of the band.

TRACK LISTING

Commune
Bethel Woods
Glistening
We Gathered In Spring
Young Bride
Acts Of Man
Children Of The Ground
Antiphon
Aurora Gone
Meanwhile…
Feast Of Carrion
Roscoe
Noble
The Old And The Young
Head Home

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For the first time on 12", The Mike Flowers Popsí easy-listening smash "Wonderwall" is joined by covers of classic songs by BjOrk, The Doors and Prince. Black Vinyl, no download code.

TRACK LISTING

A1. Wonderwall
A2. Light My Fire
B1. Venus As A Boy
B2. 1999

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Senza Sapere Niente di Lei (1969, Luigi Comencini) is one of the first scores composed by Ennio Morricone for a Giallo film, just ahead of the great season of the cult Italian thrilling genre forged by Dario Argento. 12" yellow 1LP, gatefold Morricone's score has never been issued on vinyl. It is one of his most ethereal scores, with a sweet and delicate theme unfolding in a lullaby to the rhythm of a valzer. Think lounge-jazz to experimental music. The final result is a sensual and suave sound that matches the quintessential morbid style of Giallo cinema

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Out Of True, the shock comeback album by the Nightingales, was originally released more than a decade after Robert Lloyd's strange major label foray. Now getting the recognition the band deserve, following the critical success of The Nightingales documentary King Rocker (Stewart Lee), this 2006 comeback record is available on vinyl for the very first time. Spread across two LPs, with over an hour of banging tunes, this is an essential piece of the bandís history and is packaged with liner notes from Robert Lloyd and a bonus download of the "What's Not To Love" EP.

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First re-issue since it original pressing in 1969, and this time on a very limited edition Sky Blue vinyl The highly sought after record Come To The Party is very much a homage to the end of the 60ís and was produced at the Hollywood Sound Recorders by the songwriter Tandyn Almer ("Along Comes Mary"). Musicians included Dennis on piano, Jack Elliott on guitar, Ronnie Brown bass, Eddie Greene percussion. Tommy Scott sax, and Tandyn Almer on Rocksichord. Sampled by Dj Shadow on Six Day War on the Private Press album bringing new interest to Dennis's musical career.

TRACK LISTING

1. Opportunity
2. Sad Song #1
3. Mama's Funeral Song
4. Walk Rite Out
5. Fuzzy Soft Thing
6. I Cry In The Morning
7. Come To The Party
8. You Gotta
9. Lady Fair
10. More Friends
11. Yesterday Was Nuthin' Like Today

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IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).





This vinyl debut captures one of the biggest names in jazz, at the peak of his powers, live in concert



This 180-gram double set features 18 selections from Charlie Parker, one of jazz's greatest saxophonists. All the recordings were captured in the late 1940s and early '50s at such storied venues as Carnegie Hall and Birdland in New York, The Jubilee in Los Angeles, and the Portland Civic Auditorium. Focused on experiments in Afro-Cuban fusion, Parker is joined by a dazzling array of jazz legends including Dizzy Gillespie, Milt Jackson, Art Blakey, Woody Herman, Stan Kenton, Red Rodney, and others. The track listing matches the cast of musicians; classics 'Cherokee' and 'A Night in Tunisia' are captured in pristine form, while maintaining the intimate jazz spontaneity of Parker's best recordings. The package includes an essay by rock keyboardist Keith Emerson. While these tracks have previously appeared on other albums, this is the first time they have been gathered in this package on double 180-gram vinyl.

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IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



Peaness' double EP "Are You Sure?", featuring songs from their first ever EP "No Fun" plus previous 7" and cassette releases such as "Oh George" and "Seafoam Islands" which was originally released in 2017. As a firm fan favourite, their 'Petite Pois' as they have so affectionately named their fanbase, will be over the moon that they are finally getting a repressing of this record. Limited one off pressing on Splatter (green and yellow) coloured vinyl.

TRACK LISTING

A1 Oh George
A2 Seafoam Islands
A3 Sam Place
A4 Skin Surfing
A5 Ugly Veg
B1 Summer Song
B2 Fortune Favours The Bold
B3 I'm Not Your Problem
B4 No-One
B5 Breakfast

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



20th Anniversary Edition of the long-deleted fifth album by THE PEARLFISHERS from 2003.



Deluxe 2-LP set in a beautiful gatefold sleeve with enhanced artwork and all lyrics. The album has been remastered and features four previously unreleased bonus tracks. Non-Returnable.



Masterful, melody-laden classic pop music, driven by main man DAVID SCOTT’s exceptional songwriting which has often been compared to PAUL MCCARTNEY, BURT BACHARACH, JIMMY WEBB, TODD RUNDGREN and BRIAN WILSON.

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Double LP expanded re-issue of Pearls Before Swine's classic debut, plus unreleased extras, including demos, rehearsals and alternative versions. With faithfully recreated original sleeve and extensive notes, all created in collaboration with the Tom Rapp Estate. The psychedelic-folk debut from "one of the most erudite, literate minds in rock" a stunning piece of work, from the nightmarish sleeve art - the "Hell Panel" from Hieronymus Bosch's 15th century painting "Garden Of Delights" - to the strange yet powerful songs." AllMusic. "From moody, poetic gems to the anger and intensity of the bitter anti-war anthem, "Uncle John". Fiercely unique and individual sounding." Goldmine. "A high of psychedelic delicacy and deceptive urgency, one of his masterpieces." Rolling Stone.

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Double LP expanded re-issue of Pearls Before Swine's follow up to "One Nation Underground", plus a second disc of unreleased extras including demos, rehearsals and alternative versions. With a faithfully recreated original sleeve and extensive notes, produced in collaboration with the Tom Rapp Estate. "The near-brilliant follow-up intended as a defiant condemnation of the Vietnam War, it doesn't offer anthemic, fist-pounding protest songs. Instead, Tom Rapp vented his anger through surrealist poetry, irony, and historical reference." AllMusic. "A high point in his recorded output." Goldmine. "A high of psychedelic delicacy and deceptive urgency, one of his masterpieces." Rolling Stone.

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Poison Girls "Hex" was first recorded and released in 1979. The recordings were produced by Penny Rimbaud and the band was led by vocalist Vi Subversa. Poison Girls came up on the punk wave, but Vi was obviously not your typical frontwoman. She was a 44-year-old mother, singing about life as a single parent. A unique and powerful voice both then and now. The album was recorded live in the studio, with precious few overdubs. This creates an immediacy and urgency to the performances. It bristles with the energy of anger, paranoia, hopelessness, helplessness, mental fragility and full-on anguish. Vi Subversa took no prisoners. The stunning gatefold sleeve contains new insightful liner notes by founding guitarist Richard Famous. In addition, an insert is included with complete song lyrics and rare archival band photos overseen by the Poison Girls bass player, Bernhardt Rebours. This vinyl format of ëHexí is a 2023 Record Store Day exclusive. It is an 8 song 12ì LP, to be played at 45 RPM, and pressed on Blood Red vinyl. This record, from 1979, was streets ahead of its time. Is it as important and relevant to 2023 as it was then? Listen and learn. (btw, the answer is yes)

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POLIÇA, founded by vocalist Channy Leaneagh and producer Ryan Olson out of the ashes of Minneapolis collective Gayngs, and featuring Drew Christopherson, and Ben Ivascu on drums and Chris Bierden on bass, came seemingly from nowhere with their debut ‘Give You The Ghost’, released in April 2012 and which became one of that year’s most beloved albums. 

Born out of a tumultuous, head spinning subsequent 18 months POLIÇA released their second album Shulamith in October 2013, the album named in homage to pioneering feminist activist and thinker Shulamith Firestone with cover banned by Apple and hit singles including “Chain My Name” and the Justin Vernon featuring “Tiff”.

Musically, ‘Shulamith’ demonstrated an increased mastery and extension of the unique sonic palette that POLIÇA mined on their debut album. The recording process was naturally a more collaborative process than their debut, with the band reacting to and working off Olsen’s beats, drawing on elements of R&B, electronica and dub to create a sound that, already, this early in their career, is uniquely and identifiably their own. Leaneagh’s continued exploration of, and increased control over the effects processor to manipulate and enhance her already outstanding voice take her vocals to new and unusual heights.

'Shulamith' reaffirmed POLIÇA as one of the most fascinating and vital groups in forward-thinking pop. Ultimately, Channy succinctly summed up the ideas and themes behind ‘Shulamith’, and POLIÇA as follows: “Drums. Bass. Synths. Me, Women”.

2023 marks 10 years since the release of 'Shulamith' and this double LP edition comes on blue opaque vinyl.

TRACK LISTING

Chain My Name
Smug
Vegas
Warrior Lord
Very Cruel
Torre
Trippin
Tiff (featuring Justin
Vernon)
Spilling Lines
Matty
I Need $
So Leave

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IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



Burning Love: The RCA Rehearsals compiles the best of the rehearsal recordings around Elvis' April 1972 US tour, all taken from the new Elvis On Tour collection. The 2LP set features rare and unreleased versions of "Burning Love", "Heartbreak Hotel" and "Jailhouse Rock", along with some of Elvisí favorite cover songs, gospel songs and more.

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).





First time on vinyl in at least 30 years, this underground collectable from producer Bunny Lee features early '70s productions with Max Romeo The album was originally distributed by (VP Records family) Chin Randy's in North America.

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The follow-up to Snapped Ankles' 2018 RSD release, 'Violations' (which included new recordings of songs by Can, The Fugs, Joey Beltram and Comateens), 'Blurtations' sees the woodwose focus their eye on the work of a single artist. Ted Milton's post-punk Dada-jazz stalwarts Blurt blazed a trail for acts like Snapped Ankles, and 'Blurtations' assembles covers of some of their finest works, including 'The Fish Needs A Bike'. Packaged in a full sleeve and pressed on yellow vinyl, 'Blurtations' will be available on vinyl exclusively for RSD 2023. The EP builds on the success of 2021ís 'Forest Of Your Problems' album, which has seen Snapped Ankles grow their reputation as a formidable live force, with dates around the world. 

TRACK LISTING

A1. Alouette
A2. Machina Machina
A3. Tube Plane
B1. Some Come
B2. The Fish Needs A Bike
B3. Planet You

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Originally released in February 1973 on the ABC Dunhill Record label, in the US, and on the UK Philips label in May 1973, Cameo is one of Dusty’s most overlooked albums, featuring some of her greatest vocal performances of the era on material written by major songwriters including David Gates, Ashford & Simpson and Van Morrison. Recorded in the US between July and October 1972, Cameo was produced by Steve Barri, Dennis Lambert and Brian Potter who later went on to write and produce major hits for Glen Campbell and The Four Tops, among others.

A stellar line-up of musicians contribute to the superb sound (including members of the famous ‘Wrecking Crew’), Hal Blaine, Larry Carlton, Wilton Felder, Carol Kaye, Michael Omartian, Venetta Fields and Clydie King.
Among the many highlights are Learn to Say Goodbye – a masterpiece of tortured soul, with a sublime string arrangement, the brilliant opening track Who Gets Your Love and David Gates' heart-breaking The Other Side of Life. Her beautiful rendition of Van Morrison’s Tupelo Honey even transcends the master’s original.

Ashford & Simpson’s soul stomper I Just Wanna Be There bounces along on a Motown-style groove, horns and backing vocals creating the wave for Dusty’s magical voice to ride.There are five Lambert and Potter originals, including Comin' and Goin', a number one single that never was!
Classic Dusty LP, unavailable on vinyl since 1973!
For its 50th anniversary, a special edition replicating the original US gatefold edition with enhanced artwork.

Pressed on heavyweight BLUE vinyl.

TRACK LISTING

Side A
1. Who Gets Your Love 3:24
2. Breakin' Up A Happy Home 3:32
3. Easy Evil 2:54
4. Mama's Little Girl 3:30
5. The Other Side Of Life 2:39
6. Comin' And Goin' 3:10
Side B
1. I Just Wanna Be There 2:39
2. Who Could Be Loving You Other Than Me? 3:00
3. Tupelo Honey 3:59
4. Of All The Things 3:03
5. Learn To Say Goodbye 2:48
(From The ABC Movie Of The Week "Say Goodbye, Maggie Cole")

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Formed in Brooklyn in 1981, Stetsasonic was one of the first hip hop bands to perform with a full band and to use live instrumentation in their studio recordings

Stetsasonic's unique sound combines multi genres including R&B, Jazz, Reggae, Dancehall and Rock and is considered one of the first groups to pioneer jazz rap. Their 1988 album, In Full Gear, largely produced by band members Prince Paul, Daddy-O & Wise contains the tracks "Talking All That Jazz" and "Float On" Celebrating its 35th Anniversary, In Full Gear is a remastered double LP.

140 gram black vinyl, in custom printed sleeves in a custom printed jacket w/ shrinkwrap & marketing sticker.

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Previously only available as a download and CD on the band's Bandcamp page, this is it's first appearance on vinyl. metal machine music... moody and alluring. edwin pouncey, the wire beautiful, chaotic and compelling - genres are unimportant, the telescopes pay pigeonholes as much attention as pigeons do immigration officials. the telescopes are truly transcendental, they make the music they feel moved to when they feel moved to do so. This is why they can record a perfect pulse drone backwash like 'another sky' and equally why legions of allegedly cutting edge bands will rip off and run out with a diluted version within the next year. this is why 'household objective#2' is the coolest and scariest piece of electronica to surface since the BBC's radiophonic workshop got dr who off to a flier. the telescopes light a torch under the arse of a depressingly homogenized world, but don't follow theirs, light your own, it's what they'd prefer. Milky Clear Vinyl

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Reissued for the first time since 2008 this first ever repress of the much sought after Field Music offshoot The Week That Was celebrates 15 years since its release. Reissued on an exclusive clear vinyl the album has also been remastered by David Brewis of Field Music.

TRACK LISTING

Learn To Learn
The Good Life
The Story Waits For No
One
It's All Gone Quiet
The Airport Line
Yesterday's Paper
Come Home
Scratch The Surface

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2-LP set of legendary Scottish rockers Travis’ entire performance of The Invisible Band captured at the final night of the 20th Anniversary tour in their hometown concert of Glasgow in May 2022. Pressed on 180-gram clear vinyl and housed in a gatefold jacket featuring exclusive photography from the tour.

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Soul Jazz Records’ new Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 is a one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Record Store Day 2023.

The album draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caesar, Dorothy Norwood, Andraé Crouch and others crossed over into secular soul music during this period.

Many of the most successful soul artists – from Aretha Franklin to Al Green, The Staple Singers to Sam Cooke – all drew upon their upbringing in the church for their musical inspiration. This album discusses how important the links between the black church and soul music were in creating soul music and spotlights some of the many important (and also little-known) gospel artists who walked this line between sacred music and soul, funk and disco in the 1970s and early 1980s.

Holy Church of the Ecstatic Soul shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Blige.

TRACK LISTING

A
1. Andraé Crouch & The Disciples - Satisfied (3.07)
2. Shirley Caesar - Jesus Children Of America (4.19)
3. The Meditation Singers - Trouble's Brewin' (5.01)
B
1. The Clark Sisters - You Brought The Sunshine (5.49)
2. Dorothy Norwood - Let Your Feet Down Easy (2.42)
3. Shirley Caesar - Jesus Is Coming (3.50)
4. Swan Silvertones - If You Believe Your God Is Dead (3.11)
C
1. The Alvin Darling Ensemble - Is There Anybody Here? (3.24)
2. Roscoe Robinson - There's A Creator (3.10)
3. Destiny - Nothing Can Stop Me Now (2.57)
4. The Meditation Singers - Good Old Gospel Music (4.32)
5. Keith Barrow - Everything Is Gonna Be Alright (3.07)
D
1. Roscoe Robinson - Elijah (2.33)
2. Dyson's Faces - Till I've Got This Feelin' Of Love (3.45)
3. The Violinaires - The Upper Way (3.24)
4. Leomia Boyd And The Gospel Music Makers - Higher In Jesus' Love (2.53)
5. Keith Barrow - The Right Road Now (3.06)

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Soul Jazz Records’ new 20th anniversary one-off limited-edition heavyweight specialedition coloured vinyl pressing + download code exclusively for Record Store Day 2023 of Soul Jazz Records’ classic Studio One Ska. 

A blistering collection of non-stop Ska classic tunes from Clement ‘Sir Coxsone’ Dodd’s legendary Studio One Records, Jamaica's foundation label of reggae music. Featuring classic cuts from the originators of Ska alongside a heavy dose of superb rarities from the mighty vaults of 13 Brentford Road - pure fire!

Studio One Records and the seminal in-house band The Skatalites created and defined Ska in the process making Jamaican music famous throughout the world. This compilation features classic vocal and instrumental tracks from The Skatalites, Bob Marley and The Wailers, Delroy Wilson alongside super-rare tracks from the likes of Ken Boothe, The Maytals, Jackie Mittoo, Tommy McCook and many more.

Clement ‘Sir Coxsone’ Dodd’s musical empire was founded on Ska, the first explosive and most exciting music to come out of the newly independent Jamaica, which soon spread across the world. This album is a celebration of the music of Studio One Records’ seminal Ska releases and features a who’s who of the most important artists and musicians in the history of reggae. Studio One is often described as both the University of Reggae and the Motown of Jamaica.

“Utterly brilliant collection of Ska music. Essential stuff” - Q 

"There are a million ska compilations around, but this selection outshines them - yet another blinder from Soul Jazz“ - Wallpaper 

"This shows the Soul Jazz Records vault digger’s gold standard of quality” - Mojo

“Every side collected here is a classic” - All Music

TRACK LISTING

A
1. Jackie Mittoo – El Bang Bang
2. Ken Boothe & Stranger Cole – Arte Bella
3. The Wailers – (I'm Gonna) Put It On
4. The Skatalites – Addis Ababa
B
1. Roland Alphonso – President Kennedy
2. Joe Higgs – (I'm The) Song My Enemies Sing
3. The Skatalites – Beardsman Ska
4. Delroy Wilson – I Want Justice
C
1. Tommy McCook's Orchestra – Sampson
2. The Ethiopians – I'm Gonna Take Over
3. Tommy McCook – Freedom Sounds
4. The Maytals – Marching On
D
1. The Skatalites – Exodus
2. Roland Alphonso – Look Away Ska
3. Don Drummond – Don Cosmic
4. Roland Alphonso – Scambalena
5. Andy & Joey – You're Wondering Now

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.



IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).





New one-off limited-edition heavyweight special-edition coloured vinyl pressing + 28-page booklet insert + download code exclusively for Record Store Day 2023 of Soul Jazz Records’ ‘Gipsy Rhumba: The Original Rhythm of Gipsy Rhumba in Spain 1965 – 1974’.



Soul Jazz Records’ Gipsy Rhumba is the first album ever outside of Spain to focus on one of the most exciting musical culture clashes ever that first took place in the early 1960s.



Primarily known as the creators of Flamenco, Gypsies from the Catalan region of Spain came up with a fascinating hybrid style – Gipsy Rhumba – which blended together Latin and Rhumba music of Cuba and the Caribbean together with their own Flamenco, as well as the emerging Rock and Roll from America.



The extensive booklet contains definitive sleevenotes by the musicologist Jose Manuel Gómez, record designs and stunning photography from the celebrated photographer Jacques Leonard.



“A capsule of supercharged clapping and joyous vocals’” - The Guardian



“Must-have’ ‘You all know Gipsy Kings’ blend of flamenco and Latin rhythms … but where did this convergence of Latin music styles occur? This compilation demonstrates how mid-1960’s Barcelona hot-housed gypsy musicians who employed the rumba rhythm… Gipsy Rhumba unearths a forgotten corner of Europop” - The Sunday Times



“Musicologists aren’t the only ones who will enjoy pulling at the threads that bind this particular sound clash … Messing with the traditional form is daring at any time, but the result was something quite fantastic, potent and intriguing, full of marvellous grooves and compelling rhythms” - Irish Times

TRACK LISTING

A
1. Rabbit Rumba – Nuestro Ayer
2. El Noi – Labios Morenos
3. Los Gitanos Polinais – En El Fondo Del Mar De Lima
4. Antonio González – Sarandonga
5. Peret – La Fiesta No Es Para Feos
B
1. El Gitano Portugués – Fui A Bahía
2. Maruja Garrido – Ché Camino
3. Juncal Y Sus Calistros – Tequila
4. Moncho Y Su Wawankó Gitano – Orisa
5. Peret – Voy, Voy
C
1. Dolores Vargas "La Terremoto" – Anana Hip
2. Chango – El Guapo
3. Ramonet Y Sus Rumberos – Bacalao Salao
4. Lola Flores Y Antonio González – Meneíto Men
5. Dolores Vargas "La Terremoto" – A-Chi-Li-Pú
D
1. El Noy – El Loco
2. El Noi – Sí, Compay
3. Chacho Y Sus Rumbas – El Pan Y Los Dientes
4. Maruja Garrido – Amanecí En Tus Brazos
5. Antonio González – Levántate

A brand new volume in the successful Stag-O-Lee series titled Exotic Blues & Rhythm. Enjoy amazing and danceable tunes from the late 50s and early 60s - a handful of Popcorn dancefloor smashes, a few grinding Tittyshakers, awesome Rhythm & Blues - most of them with an exotic twist! 14 songs on nice 10" vinyl (only)!

April 27th marks the 5th Anniversary of Janelle Monae’s third studio album Dirty Computer. This album was the first album that did not continue the Cindi Mayweather Metropolis narrative that she was known for early in her career, although it's been hypothesized that the album serves as a prequel. The album received universal critical acclaim upon release; it was included in the top three of seven publications' Best Album of 2018 lists and received two nominations at the 61st Annual Grammy Awards, including Album of the Year.

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

A leap of faith reaps extraordinary rewards on ‘Black Bay’, an album of depth, atmosphere and daring from the collective known as Silver Moth. Recorded under unusual circumstances, ‘Black Bay’ is the sound of seven storied musicians yielding to shared goals, a policy of trust in action. Between hushed incantations and molten guitars, 15-minute noise-rock epics and healing psalms, the record is a testament to connectivity and receptivity: to a union of disparate minds committing to something greater than the sum of its parts.

Stuart Braithwaite of Mogwai, Elisabeth Elektra, Evi Vine, Steven Hill, members of Abrasive Trees, Burning House and Prosthetic Head convened to improvise the album in early 2021, inspired by a Twitter exchange between Abrasive Trees guitarist/songwriter Matthew Rochford, musician Elisabeth Elektra and fellow artist Nick Hudson about the Isle of Lewis. A couple of Zoom meetings would subsequently lead to Rochford, Elektra, Vine, Braithwaite, Hill, drummer Ash Babb and cellist Ben Roberts visiting the dramatic location of Great Bernera’s Black Bay Studios on the Isle of Lewis in the Outer Hebrides, where they tracked the songs in just four days: a testament to the musicians’ focused openness to their shared mission and environment.

This is an album of elemental force and evocative poise, its controlled power focused around the ego-free chemistry between the players. By abandoning all certainties, Silver Moth have found something truly special on ‘Black Bay’.

STAFF COMMENTS

Barry says: A stunning debut LP from Silver Moth here displaying every bit of the influence from the myriad heads of the collective, forging brittle ballads and thundering gothic waves from haunting vocals and hypnotic post-rock instrumentals.

TRACK LISTING

1 Henry
2 The Eternal
3 Mother Tongue
4 Gaelic Psalms
5 Hello Doom
6 Sedna

The White Stripes are celebrating the 20th anniversary of their RIAA Platinum-certified 2003 fourth studio album, Elephant, with a limited edition 2xLP version of the original Elephant album released on Red Smoke (1st LP) & Clear with Red & Black Smoke (2nd LP) colored vinyl.

Released on April 1, 2003, Elephant swiftly proved to be a critically acclaimed, award-winning phenomenon, as well as garnering worldwide popularity, peaking at #6 on the Billboard 200 while also topping the UK’s Official Albums Chart. Largely recorded over two weeks in April 2002 at London’s analogue Toe Rag Studios, Elephant includes such now-classic singles as the GRAMMY® Award-winning “Seven Nation Army,” “I Just Don’t Know What To Do With Myself,” “The Hardest Button To Button,” and “There’s No Home For You Here,” all of which prompted Rolling Stone’s David Fricke to hail the album as quite simply, “a work of pulverizing perfection.”Elephant went on to win the 2004 GRAMMY® Award for “Best Alternative Album” and was an “Album of the Year” nominee. 

TRACK LISTING

1. Seven Nation Army
2. Black Math
3. There’s No Home For You Here
4. I Just Don’t Know What To Do With Myself
5. In The Cold, Cold Night
6. I Want To Be The Boy To Warm Your Mother’s Heart
7. You’ve Got Her In Your Pocket
8. Ball And Biscuit
9. The Hardest Button To Button
10. Little Acorns
11. Hypnotize
12. The Air Near My Fingers
13. Girl, You Have No Faith In Medicine
14. It’s True That We Love One Another

As some of you may know, Alice Coltrane was a legendary pianist, composer, spiritual leader, and the wife of John Coltrane, the most venerated and influential saxophonist in the history of jazz. In 1967, four years after meeting John, he died of liver cancer, leaving Alice a widow with four small children. Bereft of her soul mate, Alice suffered sleepless nights and severe weight loss. At her worst, she weighed only 95 pounds. She had hallucinations in which trees spoke, various beings existed on astral planes, and the sounds of “a planetary ether” spun through her brain, knocking her into a frightening unconsciousness.

The critical event of this period was not that Alice fell into the nadir of her existence, but rather that she experienced tapas, a vital period of trial. These tapas (a Sanskrit term she used to describe her suffering) helped prepare Alice for the spiritual ally she found in Swami Satchidananda, an Indian guru, with whom Alice made her first trip to India. On her second trip there, Alice had a revelation instructing her to abandon the secular life and become a spiritual teacher in the Hindu tradition – so she moved out West – eventually opening the Shanti Anantam Ashram on 47 acres she’d bought in Agoura Hills, California.

Music was the foundation of Alice’s spiritual practice. From the mid 1980’s to mid 1990’s, Alice Coltrane self-released four brilliant cassette albums. These cassettes contained a music she invented, inspired by the gospel music of the Detroit churches she grew up in, mixed together with the Indian devotional music of her religious practice, and even finds Alice singing for the first time in her recorded catalog. Originally only made available through her ashram, they are her most obscure body of work and possibly the greatest reflection of her soul.

TRACK LISTING

1. Om Rama
2. Om Shanti
3. Rama Rama
4. Rama Guru
5. Hari Narayan
6. Journey To Satchidananda
7. Er Ra
8. Keshava Murahara
9. Krishna Japaye*
10. Rama Katha

Power trio Dommengang deliver heavy psych rock on new album ‘Wished Eye’. The album delivers super tasty, dirty guitars, serpentine psychedelic grooves, and propulsive drumming with gleeful abandon. Guitarist Dan ‘Sig’ Wilson switches from explosive to expansive on a knife’s edge, laying down wailing hooks before evaporating into bristling fuzz. Bassist Brian Markham and drummer Adam Bulgasem (Black Mountain)’s foundations play with time, galloping forward or stretching out into the cosmos. ‘Wished Eye’ is an expression of the sheer joy of making music together.

For fans of Blues Creation, Earthless, High Rise, and Acid Mothers Temple.

TRACK LISTING

Runaway
Society Blues
Last Card
Myth Time
Little Beirut
Blue & Peaceful
Petrichor
Wished Eye
Flower

Everything But The Girl - aka EBTG - was formed in 1982 by singer-songwriter-musicians Tracey Thorn and Ben Watt. Their debut single was a stark jazz-folk cover of Cole Porter's Night and Day.

Acclaimed for their tender-tough lyrics, Thorn’s unique voice and Watt’s arrangements, they released a string of UK gold albums throughout the 1980s experimenting with jazz, guitar pop, orchestral wall-of-sound and drum-machine soul.

In the 1990 they released three albums, Amplified Heart, Walking Wounded and Temperamental, which gained them huge critical acclaim and commercial success. Then in 2000 they chose to quit. Tracey focused on family life away from the spotlight before returning with a run of solo albums and best-selling autobiographical books. Ben moved into DJing and remixing, and launched the respected electronic label, Buzzin' Fly. He returned to his singer-songwriter roots with a trilogy of solo albums from 2014-2020.

Now at last, the duo return with their new LP, which sees Tracey’s distinctive dolorous vocals topping their downtempo grooves. And as you’d expect, the songwriting is exemplary. Some, 20 years on, it feels like a natural progression from their ‘90s sound, filtered through the uncertainty and confusion of the intervening years.

TRACK LISTING

1. Nothing Left To Lose
2. Run A Red Light
3. Caution To The Wind
4. When You Mess Up
5. Time And Time Again
6. No One Knows We’re Dancing
7. Lost
8. Forever
9. Interior Space
10. Karaoke

Enter Shikari are a rock band from St Albans, UK. In 2020, they released their sixth album - Nothing Is True & Everything Is Possible - which also gave them their sixth album to debut in the UK Album Chart top 5. Frequently collecting Best Live Artist awards, Enter Shikari’s seventeen-year career thus far has seen them rise from teenagers touring the UK grassroots venues, to festival main stages and arena headliners worldwide.

It was in the Spring of 2022 that the band descended to the coastal town of Chichester, and a delipidated farmhouse, to rebuild their studio setup and capture their renewed momentum on record. Using only solar power to track the album–in what Reynolds says was to “bring back some sense of naivety” – the life-giving properties and Technicolor palate of A Kiss For The Whole World were made real. Reynolds continues: “Back to basics. This band - my best friends - bundled into an old farmhouse, miles away from anywhere.

Off-grid, and ready to rediscover ourselves. This album is powered by the sun, the most powerful object in our solar system. And I think you can tell. It’s a collection of songs that represent an explosive reconnection with what Enter Shikari is. The beginning of our second act”.

TRACK LISTING

Side A
01. A Kiss For The Whole World X
02. (pls) Set Me On Fire
03. It Hurts
04. Leap Into The Lightning
05. Feed Yøur Søul
06. Dead Wood

Side B
01. Jailbreak
02. Bloodshot
03. Bloodshot (Coda)
04. Goldfĭsh ~
05. Giant Pacific Octopus (i Don’t Know You Anymore)
06. Giant Pacific Octopus Swirling Off Into Infinity…

Lael Neale still has a flip phone and there were no screens involved in the creation of her new record Star Eaters Delight. The album is her second for Sub Pop and reveals an expansion of her sonic collaboration with producer and accompanist Guy Blakeslee. In April of 2020, in the wake of transformations both personal and global, Lael moved from Los Angeles back to her family’s farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She says, “Acquainted with Night (recorded in 2019, and released in 2021), was focused inward, amidst the loud and bright Los Angeles surrounding me. It was an attempt to create spaciousness and quiet reverie within. When I moved back to the farm, I found that the unbroken silences compelled me to break them with sound. This album is more external. It is me reaching back out to the world, wanting to feel connected, to wake up, to come together again.” Album opener and lead single “I Am The River” melts the ice with a dynamic explosion of minimalist transcendental pop clearly descended from the Velvet Underground’s branch of modern music’s family tree.

Blakeslee’s spare yet cinematic arrangements create an ambient space in which Neale’s clear and unaffected voice can explore familiar themes in an unexpected way. Subtle but potent references to Shakespeare, Emerson and the Bible (which she hasn’t read) swirl together with deeply personal musings and touches of wry humor, always more optimistic than cynical. While this is a record about polarities- country vs. city, humanity vs. technology, solitude vs. relationship - the deeper intention is to heal; to come to terms with our differences and put the broken pieces back together again. Lael’s affinity with the Transcendentalists has to do with her quest to hold onto sovereignty over her own mind. In a time when our devices are constantly flooding us with information, opinions and propaganda, Lael is intentional about what she takes in - hence the flip phone and the cassette recorder. Neale identifies as a minimalist “not because I don’t like things, but because I value freedom more.”

TRACK LISTING

I Am The River
If I Had No Wings
Faster Than The Medicine
In Verona
Must Be Tears
No Holds Barred
Return To Me Now
Lead Me Blind

'One, two, three and to the fo', Snoop Doggy Dogg and Dr Dre is at the Do' - AH 'The Chronic' was the cornerstone of Death Row's initial success when it was released in 1992. The impact of major hits such as 'Nuthin But A G Thang' was astounding. Suddenly hip-hop was on US national radio gaining wide spread acceptance in the smoother life style of the suburbs world wide for its very special message, style and rhythm generated in the tough surroundings of the LA ghettos.

It was Dr. Dre's first solo album after he had departed from NWA and its label Ruthless Records over a financial dispute. On 'The Chronic', he included both subtle and direct insults at Ruthless and its owner, former NWA member Eazy-E. Although a solo album, it features many appearances by Snoop Dogg, who used the album as a launch pad for his own solo career.

Lightning Dreamers is new work by composer, trumpeter, post-rock and avant-jazz legend Rob Mazurek, a follow-up to the widely-acclaimed 2020 release Dimensional Stardust, which charted an 8.0 in Pitchfork and #5 in The New York Times' Best Jazz Albums of 2020.

The album, dedicated to the late jaimie branch (a protégé of Mazurek's), features a compacted version of his long-running Exploding Star Orchestra including guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn.

Drop the needle and immediately find this crew deep in a chromatic funk fantasy of outer-space grooves and Bartok-ian riffs. Vocalist/MC Damon Locks brings the Deltron 3030 energy while pianist Craig Taborn and Angelica Sanchez face-off from behind Wurlitzer pianos and Moog synthesizers. Parker is in absolute space shred mode.

Lightning Dreamers will connect with the 90s Chicago heads who still ride for Mazurek projects Isotope 217 and Chicago Underground -no doubt- but be sure to play it for your customers on that hip-hop-into-jazz road; the young heads who are now posthumously discovering the long form work of Pharaoh Sanders; the crowd who wandered to the Can section after hearing a Tyler The Creator sample.

The curious shopper, genre rebuffers, are Rob Mazurek's crowd: his work with IARC alone ranges from the minimal drone of our very first release, Alternate Moon Cycles, to the decimated electronic downer folk of his cold weather classic Alien Flower Sutra, a collaboration with Emmett Kelly (Cairo Gang, Bonnie 'Prince' Billy, Ty Segall, Natural Information Society, Angel Olsen).

TRACK LISTING

1. Future Shaman
2. Dream Sleeper
3. Shape Shifter
4. Black River
5. White River

American Football's first album showcases cleanly picked guitars, intricate drumming, and the vocals of Mike Kinsella (Owen, Cap'n Jazz). The band, made up of Kinsella, Steve Holmes and Steve Lamos rooted itself in Champaign and recorded this album at Private Studios with Brendan Gamble (Braid). Despite little touring and with only an EP behind them, these nine songs highlight the trio's uncanny songwriting abilities.

TRACK LISTING

LP1
1 Never Meant
2 The Summer Ends
3 Honestly?
4 For Sure
5 You Know I Should Be Leaving Soon
6 But The Regrets Are Killing Me
7 I'll See You When We're Both Not So Emotional
8 Stay Home
9 The One With The Wurlitzer

LP2 (Deluxe Edition Only)
1 Never Meant
2 The Summer Ends
3 Honestly?
4 For Sure
5 You Know I Should Be Leaving Soon
6 But The Regrets Are Killing Me
7 I'll See You When We're Both Not So Emotional
8 Stay Home
9 The One With The Wurlitzer
10. Intro – Live At The Blind Pig, Champaign, IL, 1997
11. Five Silent Miles - Live At The Blind Pig, Champaign, IL, 1997
12. Untitled #1 – The One With The Trumpet – Boombox Practice Session, 1998
13. Untitled #2 - Boombox Practice Session, 1998
14. Stay Home - Boombox Practice Session, 1998
15. Untitled #3 Boombox Practice Session, 1998
16. Never Meant – 4 – Track Album Prep, 1999
17. But The Regrets Are Killing Me – 4 – Track Album Prep, 1999
18. I'll See You When We're Both Not So Emotional - 4-Track Album Prep, 1999
19. The 7’s - Live At The Blind Pig, Champaign, IL, 1997 

Easy Star All-Stars return with their first new tribute album in over a decade! Ziggy Stardub, a reggae re-imagining of David Bowie's entire The Rise and Fall of Ziggy Stardust and the Spiders from Mars album. Features guest performances by Macy Gray, Steel Pulse, Fishbone, Alex Lifeson (Rush), Vernon Reid (Living Colour), The Skints, Mortimer, The Expanders, Samory I, Naomi Cowan, and many others.

TRACK LISTING

LP :
1. Five Years
2. Soul Love (feat. Mortimer)
3. Moonage Daydream
4. Starman
5. It Ain't Easy (feat. Samory I)
6. Lady Stardust (feat. SunDub)
7. Star (feat. Carlton Livingston)
8. Hang On To Yourself (feat. Fishbone And JonnyGO Figure)
9. Ziggy Stardust (feat. The Skints)
10. Suffragette City (feat. The Expanders)
11. Rock 'n' Roll Suicide

CD:
1. Five Years
2. Soul Love (feat. Mortimer)
3. Moonage Daydream
4. Starman
5. It Ain't Easy (feat. Samory I)
6. Lady Stardust (feat. SunDub)
7. Star (feat. Carlton Livingston)
8. Hang On To Yourself (feat. Fishbone And JonnyGO Figure)
9. Ziggy Stardust (feat. The Skints)
10. Suffragette City (feat. The Expanders)
11. Rock 'n' Roll Suicide
12. Five Years Dub (CD Only)
13. Moonage Daydream Dub (CD Only)
14. Lady Stardust Dub (CD Only)
15. All The Young Dudes (feat. Kirsty Rock) (CD Only)