Reduced 
First thing's first, Kdot's the greatest rapper alive. Through the hype-heavy new school G-shit of "Good Kid M.A.A.d City", the politically charged 'Martin Luther King Jr meets Miles Davis at a cypher' stylings of "To Pimp A Butterfly" and the free-wheeling, string of consciousness expression of "Untitled Unmastered", the West Coast rapper has embarked on a creative period comparative to Stevie Wonder in the 70s. Not concerned with setting the bar at Olympic record heights, Kendrick follows the 'voice of a generation' vibe of "To Pimp A Butterfly" with a move straight out of the Bob Dylan playbook. Much like the folk great going electric and swapping the protest songs for personal reflections, Kendrick finds the middle ground between the hard hitting car bumpers of "GKMC" and societal rage of "TPAB" with a fourteen track examination of his place within contemporary America. Over a series of whip beating, bass heavy beats, Kendrick muses on religion, the media, whack rappers and relationships, inviting mega stars Rihanna and U2 along for the ride. Beyond the massive singles "Humble" (better than Drake's whole album) and "DNA" (FEAT. bowel emptying bass!) we get a faultless LP of diverse moods and themes, culminating in the sublime "Duckworth". Taking us back to the early 90s, Kdot explores a chance meeting between his father and TDE's Top Dawg, which could have resulted in Ducky's death, Top Dawg's prison sentence and no Kendrick. Chillingly deep yo.