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ROOM 13

The Radiophonic Workshop

Possum

    Original soundtrack to a new British horror film by the pioneering UK electronic research lab responsible for Doctor Who and Quatermass.

    Astonishingly considering their 50 year career scoring for radio and television, this is the first time The Radiophonic Workshop have ever scored a feature film for theatrical release or collaborated on a major score together. They’ve risen to the challenge admirably, concocting a soundtrack that mixes pastoral flute with dread synth tones and bowed percussion that connects this to England’s hidden reverse of Coil as much as the masters of Italian Giallo soundtracks. Housed in a beautiful 6-panel sleeve designed by Julian House (Ghost Box Records/Children Of Alice), the soundtrack includes all the cues from the feature film as well as 9 bonus tracks. The soundtrack features sound elements and drones from the Delia Derbyshire archives, the pioneering producer of the original Doctor Who signature tune. These sound elements, discovered in boxes of tapes in the late composer’s attic, have been restored and used in the foundations of the sound track and sound design.

    Possum is the directorial debut of Matthew Holness (best known for co-writing and playing the title role in Garth Marenghi’s Darkplace). The film stars Sean Harris and Alun Armstrong, telling the story of a disgraced children’s puppeteer who returns to his childhood home and is forced to confront his wicked stepfather and the secrets that have tortured him his entire life.

    “This soundtrack a testament to the Radiophonic Workshop’s mastery of sound. At once unnerving, atmospheric, and deeply moving.” - Matthew Holness (Writer & Director)

    The Radiophonic Workshop maintain it amongst the most significant work of their career. “The unearthly sounds of this form of radiophonic music are well-suited to atmospheres of paranoia, fear and haunting. In the best tradition of horror and suspense, this soundtrack adds to the extraordinarily claustrophobic atmosphere between the two central characters with dark scampering and threatening moans."

    The Radiophonic Workshop

    Burials In Several Earths

    Burials In Several Earths is a brand new work by the legendary Radiophonic Workshop, the soundtrack architects behind classic British TV music such as Doctor Who and The Hitchhiker's Guide to the Galaxy. An evocative suite of synth improvisations, Burials In Several Earths evokes the haunting qualities of their classic work whilst exploring fresh new vistas of sound.

    Conjuring up atmospheric, immersive textures that mix tried-and-trusted analogue techniques and leading edge digital technologies, the release connects the dots between the work of pioneering British electronic composers such as Delia Derbyshire and artists whose work bares the unmistakable genetic footprint of the Radiophonic Workshop: the likes of Cavern Of Anti-Matter, Pye Corner Audio and Children Of Alice.

    Features guest appearances from Martyn Ware (The Human League/Heaven 17) and Steve ‘Dub’ Jones (Grammy-award winning mixing engineer for The Chemical Brothers, UNKLE, and New Order).

    Both editions designed by David Chatton Barker, founder of the acclaimed Folklore Tapes label. The titling of the album and individual tracks were inspired by Francis Bacon’s incomplete 1627 literary work New Atlantis, previously used by one of the founders of the Workshop, Daphne Oram, as a manifesto for the original sound sorcery they famously produced in room 13 of the BBC Maida Vale studio complex in London. Room 13 is also the name of the Workshop’s newly minted label!

    STAFF COMMENTS

    Barry says: Immersive, visceral library electronica, bubbling synths and clattering machinated noises form into an exuberant and exciting tour-de-force of noise and melody. It's a journey this one, but one i'd undertake time and time again. What legends.

    FORMAT INFORMATION

    LP Box Set Info: The vinyl edition is a deluxe quadruple 10” boxset (including fold-out double-sided poster and download card) featuring edits of the tracks unique to this edition, and an alternate mix that does not appear on the CD and digital versions. The formatting is a subtle nod to the retrospective 4 x 10” set the Aphex Twin’s Rephlex label put out in 2003.


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