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EMI /SUNDAZED
2024 repress of the 2016 album on limited edition transparent green gatefold vinyl.
Recorded between Hawaii and Los Angeles, the album features the hit ‘High and Low’, as well as a contribution from the legendary Fleetwood Mac singer and guitarist, Lindsay Buckingham.
Recorded between Hawaii and Los Angeles, the album features the hit ‘High and Low’, as well as a contribution from the legendary Fleetwood Mac singer and guitarist, Lindsay Buckingham.
TRACK LISTING
1. Before
2. High And Low
3. Two Vines
4. Friends
5. There's No Need
6. Way To Go
7. Ride
8. Digital Life
9. First Crush
10. Zzz
11. To Her Door
Introducing the new album from Johnny Cash titled 'Songwriter'.
Johnny Cash recorded an album’s worth of unreleased, self-penned songs in 1993 ahead of him signing with American Records and his releases with Rick Rubin that re-established himself as one of world’s best songwriters to a new generation of fans. Songwriter’s 11 songs have been updated by his son John Carter and longtime producer David Ferguson.
In early 1993, the legendary Johnny Cash found himself between contracts in his then nearly 40-year career and recorded an album’s worth of songwriting demos at LSI Studios in Nashville of songs he’d written over many years. LSI at the time was owned by his son-in-law Mike Daniels and daughter Rosey, and he wanted to help the family financially while also record some songs special to him. Not long after the fruitful session, Johnny met producer Rick Rubin, and the recordings were shelved as the two embarked on an important and prolific musical partnership that revitalized the Man in Black’s career that would last the rest of his life.
Some thirty years later, John Carter Cash, the son of Johnny and June Carter Cash, rediscovered the songs and stripped them back to just Johnny’s powerful, pristine vocals and acoustic guitar. Along with co-producer David “Fergie” Ferguson, the two invited a handpicked group of musicians that played with Johnny, including guitarist Marty Stuart and the late bassist Dave Roe, along with drummer Pete Abbott and several others, to the Cash Cabin, a hallowed space in Hendersonville, Tenn. where Johnny would write, record and relax, to breathe new life into the tracks, taking the sound back to the roots and heart of the songs.
Johnny Cash recorded an album’s worth of unreleased, self-penned songs in 1993 ahead of him signing with American Records and his releases with Rick Rubin that re-established himself as one of world’s best songwriters to a new generation of fans. Songwriter’s 11 songs have been updated by his son John Carter and longtime producer David Ferguson.
In early 1993, the legendary Johnny Cash found himself between contracts in his then nearly 40-year career and recorded an album’s worth of songwriting demos at LSI Studios in Nashville of songs he’d written over many years. LSI at the time was owned by his son-in-law Mike Daniels and daughter Rosey, and he wanted to help the family financially while also record some songs special to him. Not long after the fruitful session, Johnny met producer Rick Rubin, and the recordings were shelved as the two embarked on an important and prolific musical partnership that revitalized the Man in Black’s career that would last the rest of his life.
Some thirty years later, John Carter Cash, the son of Johnny and June Carter Cash, rediscovered the songs and stripped them back to just Johnny’s powerful, pristine vocals and acoustic guitar. Along with co-producer David “Fergie” Ferguson, the two invited a handpicked group of musicians that played with Johnny, including guitarist Marty Stuart and the late bassist Dave Roe, along with drummer Pete Abbott and several others, to the Cash Cabin, a hallowed space in Hendersonville, Tenn. where Johnny would write, record and relax, to breathe new life into the tracks, taking the sound back to the roots and heart of the songs.
TRACK LISTING
Vinyl:
Side A
1. Hello Out There
2. Spotlight
3. Drive On
4. I Love You Tonite
5. Have You Ever Been To Little Rock?
Side B
1. Well Alright
2. She Sang Sweet Baby James
3. Poor Valley Girl
4. Soldier Boy
5. Sing It Pretty Sue
6. Like A Soldier
CD:
1. Hello Out There
2. Spotlight
3. Drive On
4. I Love You Tonite
5. Have You Ever Been To Little Rock?
6. Well Alright
7. She Sang Sweet Baby James
8. Poor Valley Girl
9. Soldier Boy
10.Sing It Pretty Sue
11. Like A Soldier
Bonus Disc (2CD):
1. I Walk The Line (1988 Version)
2. The Night Hank Williams Came To Town (with Waylon Jennings)
3. Sixteen Tons
4. Long Black Veil (1988 Version)
5. Cry, Cry, Cry (1988 Version)
6. Guess Things Happen That Way (1988 Version)
7. Get Rhythm (1988 Version)
8. Ring Of Fire (1988 Version)
9. Folsom Prison Blues (1988 Version)
10. Cat's In The Cradle
11. Hey Porter
12. Wanted Man
‘Show & Tell’ is the much anticipated debut album from Bored At My Grandmas House (AKA 22 year old songwriter Amber Strawbridge). With critical acclaim and deserved plaudits lavished on Amber following her debut EP ‘Sometimes I Forget You’re Human Too’, ‘Show & Tell carries on the emotive and philosophical themes of the EP, pinned around themes of connection; with yourself, with the world, with loved ones. There is soul-searching, introspection and a challenge to the ways of the world, all packed into 12 hook filled, shoegaze-fused-indie-pop slices.
Emerging from the hotbed of exceptional guitar music bubbling up out of Leeds in recent years, Amber has been supported by BBC 6Music, BBC Radio 1, DIY, and played Glastonbury, Radio 1’s Big Weekend and more.
Speaking about the album, Amber explains “I want to understand connections and process the emotions which surround them. The album covers topics of queer love, humanity and it’s ‘delusions of grandeur’, mental health, introspection and purpose. It’s one big project of of self introspection and a guidebook to understanding my brain’
‘Show & Tell’ also marks a brand new release from the exciting new partnership between Clue Records and EMI North, the first physical major label office to open outside London.
If you have a thing for Soccer Mommy, Alvvays, Girl In Red and boygenius, this record is for you.
Emerging from the hotbed of exceptional guitar music bubbling up out of Leeds in recent years, Amber has been supported by BBC 6Music, BBC Radio 1, DIY, and played Glastonbury, Radio 1’s Big Weekend and more.
Speaking about the album, Amber explains “I want to understand connections and process the emotions which surround them. The album covers topics of queer love, humanity and it’s ‘delusions of grandeur’, mental health, introspection and purpose. It’s one big project of of self introspection and a guidebook to understanding my brain’
‘Show & Tell’ also marks a brand new release from the exciting new partnership between Clue Records and EMI North, the first physical major label office to open outside London.
If you have a thing for Soccer Mommy, Alvvays, Girl In Red and boygenius, this record is for you.
TRACK LISTING
Side A
Intro
Inhibitions
Show & Tell
Friendship Bracelets
How Do You See The World
Side B
I Like What You Bring Out In Me
Don’t Do Anything Stupid
Moving Slow
We See The World In The Same Way
Hide & Seek
Dinked 7” Tracklisting:
Side A
We See The World The Same Way - “4-Track” Version (exclusive For Dinked)
Side B
Show & Tell - “4-Track” Version (exclusive For Dinked)
Loyle Carner has Mercury and Brits nominations, NME Awards, global brand campaigns, and 2 top #3 albums! After performing at a SOLD-OUT Royal Albert Hall on his 29th birthday, the multi-talented artist is looking to make history once again with this release.
Loyle Carner has been announced as a headliner for 2024’s All Points East. His only London live date for 2024 and his biggest yet, he’ll be playing on Saturday 17 August, joined by special guests including Nas, André 3000, Lianne La Havas, Ezra Collective and Flying Lotus across the East, West and North stages that Carner himself has curated.
Loyle Carner has been announced as a headliner for 2024’s All Points East. His only London live date for 2024 and his biggest yet, he’ll be playing on Saturday 17 August, joined by special guests including Nas, André 3000, Lianne La Havas, Ezra Collective and Flying Lotus across the East, West and North stages that Carner himself has curated.
TRACK LISTING
Hate
Plastic
Georgetown (feat. John Agard)
Polyfilla
Desoleil (Brilliant Corners) (feat. Sampha)
Homerton (feat. JNR Williams)
Blood On My Nikes (feat. Wesley Joseph & Athian Akec)
Nobody Knows (Ladas Road)
Still
Loose Ends (feat. Jordan Rakei)
A Lasting Place
Speed Of Plight
The Cycle
HGU
Ottolenghi (feat. Jordan Rakei)
Queen Rock Montreal presents Freddie Mercury, Brian May, Roger Taylor and John Deacon at their most excitingand exhilarating. As Brian May puts it, this is Queen “live and dangerous.” Queen were on all-conquering form when they returned to Montreal, Canada for the fourth time in November 1981 to play two hugeconcerts at the 18,000-seat Forum. This pair of Montreal concerts marked an historic moment for Queen. After their massive success in the 1970s, the band entered the 80s bigger than ever, with the hugely successful The Game album producing their two biggest ever US singles in Another One Bites The Dust and Crazy Little Thing Called Love (both Billboard No.1’s), followed by theUK No.1 single Under Pressure. Queen’s return to Montreal came afteralmost two years of touring, including their very firsttours of South and Central America, which saw the band playing two nights at Sao Paulo’s Morumbi Stadiumtomore than 150,000 devoted fans. As a result, when the band arrived in Canada in November 1981 they were in electrifying form. “Montreal is one of our favourite cities, it’s a great audience there, very full of energy,” says Brian May. “We’d played this particular venue, The Forum, several times before, and it was always full of really enthusiastic people giving us a lot of energy back.”
The original concerts,which took place on November 24 and 25, 1981, were truly ground-breaking. They were arranged specifically to be filmed for a full-length concert film to document their live show. Director Saul Swimmer planned to shoot them using state-of-the-art Double Anamorphic 35mm footage, which allowed it to be projected on a gigantic, five-storey high screen.Backstage tensions between the members of Queen and Swimmer could have caused problems, but instead they propelled the band to new heights.
“We were very, very hyped up, some of the tempos are really fast, there’s a lot of really incisive, angry playing,” says May.
Queen Rock Montreal features a rawer version of the band who had released Bohemian Rhapsodyhalf a decade earlier, showcasingtheirunparalleled musicianship, soaring vocal powerand unstoppable live energy.“There’s no one on the stage apart from us,” says May.
Says Taylor: “It's fascinating to now realize how free we were on stage in 1981. It's a four piece, just the four of us in Queen, and to see Freddie. It's like being on stage with the band because the cameras are very high quality for the time. I've never seen anything that makes you feel quite so involved with the performance.”
From Freddie Mercury’s opening cry of “Hello Montreal… long time no see. You wanna get crazy?” through to the thrilling climactic one-two of We Will Rock You and We Are The Champions, the energy rarely lets up – and even then only for signature ballad Love Of My Life. The powerful vocal acrobatics of Mercury, May’s dazzling six-string pyrotechnics, Deacon’s rock solid heartbeat bass, Taylor’s unstoppable rhythmic display, and not to mention the unique combination of all four voices – Queen Rock Montreal shows the total cohesion and individual strengths of four musicians who were, as Brian May says, “at the top of our game”.
The original concerts,which took place on November 24 and 25, 1981, were truly ground-breaking. They were arranged specifically to be filmed for a full-length concert film to document their live show. Director Saul Swimmer planned to shoot them using state-of-the-art Double Anamorphic 35mm footage, which allowed it to be projected on a gigantic, five-storey high screen.Backstage tensions between the members of Queen and Swimmer could have caused problems, but instead they propelled the band to new heights.
“We were very, very hyped up, some of the tempos are really fast, there’s a lot of really incisive, angry playing,” says May.
Queen Rock Montreal features a rawer version of the band who had released Bohemian Rhapsodyhalf a decade earlier, showcasingtheirunparalleled musicianship, soaring vocal powerand unstoppable live energy.“There’s no one on the stage apart from us,” says May.
Says Taylor: “It's fascinating to now realize how free we were on stage in 1981. It's a four piece, just the four of us in Queen, and to see Freddie. It's like being on stage with the band because the cameras are very high quality for the time. I've never seen anything that makes you feel quite so involved with the performance.”
From Freddie Mercury’s opening cry of “Hello Montreal… long time no see. You wanna get crazy?” through to the thrilling climactic one-two of We Will Rock You and We Are The Champions, the energy rarely lets up – and even then only for signature ballad Love Of My Life. The powerful vocal acrobatics of Mercury, May’s dazzling six-string pyrotechnics, Deacon’s rock solid heartbeat bass, Taylor’s unstoppable rhythmic display, and not to mention the unique combination of all four voices – Queen Rock Montreal shows the total cohesion and individual strengths of four musicians who were, as Brian May says, “at the top of our game”.
TRACK LISTING
2CD
CD1
1. Intro
2. We Will Rock You (Fast)
3. Let Me Entertain You
4. Play The Game
5. Somebody To Love
6. Killer Queen
7. I'm In Love With My Car
8. Get Down, Make Love
9. Save Me
10. Now I'm Here
11. Dragon Attack
12. Now I'm Here (Reprise)
13. Love Of My Life
CD2
1. Under Pressure
2. Keep Yourself Alive
3. Drum And Tympani Solo
4. Guitar Solo
5. Flash
6. The Hero
7. Crazy Little Thing Called Love
8. Jailhouse Rock
9. Bohemian Rhapsody
10. Tie Your Mother Down
11. Another One Bites The Dust
12. Sheer Heart Attack
13. We Will Rock You
3LP
SIDE A
1. Intro
2. We Will Rock You (Fast)
3. Let Me Entertain You
4. Play The Game
5. Somebody To Love
SIDE B
1. Killer Queen
2. I'm In Love With My Car
3. Get Down, Make Love
4. Save Me
SIDE C
1. Now I'm Here
2. Dragon Attack
3. Now I'm Here (Reprise)
4. Love Of My Life
5. Under Pressure
SIDE D
1. Keep Yourself Alive
2. Drum And Tympani Solo
3. Guitar Solo
4. Flash
5. The Hero
SIDE E
1. Crazy Little Thing Called Love
2. Jailhouse Rock
3. Bohemian Rhapsody
4. Tie Your Mother Down
SIDE F
1. Another One Bites The Dust
2. Sheer Heart Attack
3. We Will Rock You
4. We Are The Champions
5. God Save The Queen
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE, LIMITED TO ONE PER PERSON.
We are thrilled to say we're releasing a limited edition vinyl of our EP 'Heady Metal' with Record Store Day. We had a blast playing Rough Trade Nottingham on Record Store Day in 2023, and this year we have brand new artwork and a colourful vinyl to celebrate independently owned record stores! The existence of record stores is hugely important to artists and buying vinyl is one of the best things you can do to help the independent music industry stay strong, we have so much love for the Record Store Day tradition and we hope you love our alternate EP artwork as much as we do!
We are thrilled to say we're releasing a limited edition vinyl of our EP 'Heady Metal' with Record Store Day. We had a blast playing Rough Trade Nottingham on Record Store Day in 2023, and this year we have brand new artwork and a colourful vinyl to celebrate independently owned record stores! The existence of record stores is hugely important to artists and buying vinyl is one of the best things you can do to help the independent music industry stay strong, we have so much love for the Record Store Day tradition and we hope you love our alternate EP artwork as much as we do!
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
More than four decades after it first appeared on their Hot Space album - QUEEN are releasing 1982's Cool Cat on limited edition 7" pink vinyl. Making its debut as an A-side - this marks the seventh single to be taken from the album. The B-side will be a brand-new previously-unreleased instrumental mix of the song. Cool Cat was co-written by bassist John Deacon and singer Freddie Mercury, and features a rare falsetto lead vocal performance from the flamboyant front man.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
More than four decades after it first appeared on their Hot Space album - QUEEN are releasing 1982's Cool Cat on limited edition 7" pink vinyl. Making its debut as an A-side - this marks the seventh single to be taken from the album. The B-side will be a brand-new previously-unreleased instrumental mix of the song. Cool Cat was co-written by bassist John Deacon and singer Freddie Mercury, and features a rare falsetto lead vocal performance from the flamboyant front man.
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
Following her critically acclaimed, Mercury-nominated, debut album ëMessyí released earlier this year, Olivia Dean returns with a limited edition vinyl featuring live audio from her performance at Londonís Jazz CafÈ. Step inside a magical show from one of UK popís most original and versatile voices, featuring performances of The Hardest Part and Be My Boyfriend. This is a hot ticket not to be missed.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
Following her critically acclaimed, Mercury-nominated, debut album ëMessyí released earlier this year, Olivia Dean returns with a limited edition vinyl featuring live audio from her performance at Londonís Jazz CafÈ. Step inside a magical show from one of UK popís most original and versatile voices, featuring performances of The Hardest Part and Be My Boyfriend. This is a hot ticket not to be missed.
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
As a boy, Mark Knopfler was captivated by the giant funfair held every year on Newcastle Town Moor. The songs on his new EP The Boy connect themes of the fairgrounds and their boxing booths commonplace in the Britain of the 50s and early 60s
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
As a boy, Mark Knopfler was captivated by the giant funfair held every year on Newcastle Town Moor. The songs on his new EP The Boy connect themes of the fairgrounds and their boxing booths commonplace in the Britain of the 50s and early 60s
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
RSD Exclsuive Colour Variant of new album
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
RSD Exclsuive Colour Variant of new album
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
The Verve's compilation album of B-sides and outtakes, No Come Down celebrates its 30th anniversary in 2024, to mark this UMR will be releasing it on vinyl for the very first time. With outtakes from the band's debut album A Storm in Heaven sessions. ìBlue" is a different (vocally upfront) "USA Mix" - released to coincide with Verve playing Lollapalooza Festival Chicago in 1994, this also features acoustic versions of "Make It Till Monday" & "Butterfly", "Gravity Grave" is the live recording from the bands first ever Glastonbury performance in 1993. This LP is pressed on black vinyl with printed inners.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
The Verve's compilation album of B-sides and outtakes, No Come Down celebrates its 30th anniversary in 2024, to mark this UMR will be releasing it on vinyl for the very first time. With outtakes from the band's debut album A Storm in Heaven sessions. ìBlue" is a different (vocally upfront) "USA Mix" - released to coincide with Verve playing Lollapalooza Festival Chicago in 1994, this also features acoustic versions of "Make It Till Monday" & "Butterfly", "Gravity Grave" is the live recording from the bands first ever Glastonbury performance in 1993. This LP is pressed on black vinyl with printed inners.
Rock & Roll Hall Of Fame inductees, Pearl Jam, return with their highly anticipated new album Dark Matter.
The band’s 12th studio album was produced by Grammy® Award Winning Producer, Andrew Watt.
The band’s 12th studio album was produced by Grammy® Award Winning Producer, Andrew Watt.
STAFF COMMENTS
Barry says: A blistering new LP of soaring grunge hooks and Big Ed's unmistakeable vocal fire. It's a brilliantly recognisable sound that Pearl Jam make, but has just enough moments that veer outside of their already venerable canon to make it sound fresh. Lovely stuff.TRACK LISTING
CD & LP Tracklisting:
Sacred Of Fear
React, Respond
Wreckage
Dark Matter
Won’t Tell
Upper Hand
Waiting For Stevie
Running
Something Special
Got To Give
Setting Sun
The Tortured Poets Department is the eleventh studio album by American singer-songwriter Taylor Swift, released on 19th April 2024. Swift announced the album at the 66th Annual Grammy Awards on February 4, 2024, after winning Best Pop Vocal Album for her tenth studio album, 'Midnights' (2022).
STAFF COMMENTS
Barry says: There's no doubt there's been a big reassessment of Taylor's sound since the superb duo of Folklore and Evermore (and the brilliant Long Pond sessions LP from RSD last year), and mass appreciation for Midnights so it's with some excitement that her new LP 'The Tortured Poet's Department' lands. I for one am excited to hear it.
The Libertines are excited to announce the release of their fourth studio album entitled, All Quiet On The Eastern Esplanade out 8th March 2024. The release marks the band’s first new album in nine years and opens with the infectious new single, Run Run Run.
On All Quiet On The Eastern Esplanade, the quartet of unlikely lads have gathered from their new-found homes in France, Denmark, Margate and London to solder a strongest-ever internal bond, and scale new creative heights resulting in the best music of their extraordinary career so far.
On All Quiet On The Eastern Esplanade, the quartet of unlikely lads have gathered from their new-found homes in France, Denmark, Margate and London to solder a strongest-ever internal bond, and scale new creative heights resulting in the best music of their extraordinary career so far.
STAFF COMMENTS
Barry says: Gotta love a bit of The Libertines, and this their first album in nine years continues the legacy of swooning, melodically rich pieces centred around the perfect chemistry of Doherty & Barat. Guitar lines and vocals weaving together effortlessly like they always did, a more mature, slightly less chaotic maelstrom but ram-packed with classic Libertines sounds.TRACK LISTING
Run Run Run
Mustang
I Have A Friend
Man With The Melody
Oh Shit
Merry Old England
Night Of The Hunter
Baron’s Claw
Shiver
Be Young
Songs They Never Play On The Radio
English alternative rock band The Blinders' return with third album, 'Beholder'.
The perfect introduction to their album, 'Brakelights' drips with a dark atmospheric intensity which equally lurks across the albums other 9 tracks. Beholder shares a frenetic energy with their previous albums, but there's a new depth both lyrically and musically to the album.
With a visceral urgency live to more than match the likes of contemporaries IDLES or Fontaines DC, The Blinders live shows are brooding and intense, recalling the dark atmospherics of The Bad Seeds or peak-period Bunnymen.
The perfect introduction to their album, 'Brakelights' drips with a dark atmospheric intensity which equally lurks across the albums other 9 tracks. Beholder shares a frenetic energy with their previous albums, but there's a new depth both lyrically and musically to the album.
With a visceral urgency live to more than match the likes of contemporaries IDLES or Fontaines DC, The Blinders live shows are brooding and intense, recalling the dark atmospherics of The Bad Seeds or peak-period Bunnymen.
STAFF COMMENTS
Barry says: Swimming with gothic influence, but kept moving along with propulsive percussion and throbbing post-punk bass, The Blinders' new outing 'Beholder' has all of the moody drive and melodic leaning of their previous two but refined into a finely honed melodic powerhouse. Reminiscent of several bands but with a sound all of their own.TRACK LISTING
1. Ceremony
2. Brakelights
3. While I’m SVll Young
4. At Any Hand But Hers
5. Always
6. Iggy Got Camaro
7. Waterfalls Of Venice
8. Nocturnal Skies
9. Swallowing Static
10. All I Need
Nadine Shah announce her fifth album Filthy Underneath, the follow up to 2020's critically acclaimed Kitchen Sink and 2017's Mercury Prize nominated Holiday Destination.
Filthy Underneath chronicles a period of unprecedented turbulence in Nadine Shah’s life. And yet, the experience of listening to it is oddly life-affirming – a parade of ghosts spanning the entirety of Nadine’s thirty-seven years, moving with balletic beauty to the music that Nadine and long-time co-writer and producer Ben Hillier have created around them, with renewed emphasis on placing melody and movement front and centre.
Filthy Underneath chronicles a period of unprecedented turbulence in Nadine Shah’s life. And yet, the experience of listening to it is oddly life-affirming – a parade of ghosts spanning the entirety of Nadine’s thirty-seven years, moving with balletic beauty to the music that Nadine and long-time co-writer and producer Ben Hillier have created around them, with renewed emphasis on placing melody and movement front and centre.
STAFF COMMENTS
Barry says: Shah's wonderfully emotive brand of majestic call-to-arms rock takes a perfectly manicured turn into the outer reaches of synth, stadium pop and world music. It's a beguiling and perfectly measured whole, and one that proves that Shah has *plenty* more where 'Holiday Destination' came from. Ace.TRACK LISTING
1. Even Light
2. Topless Mother
3. Food For Fuel
4. You Drive, I Shoot
5. Keeping Score
6. Sad Lads Anonymous
7. Greatest Dancer
8. See My Girl
9. Twenty Things
10. Hyperrealism
11. French Exit
“With the world we’re living in now, it feels like we’re all just trying to hang onto our souls. Everything seems to be getting more extreme and everyone keeps wondering, ‘WHAT NOW? What’s next?’
By the same coin, the only constant on this record is that you never know what’s going to happen next: every song is its own aquarium, its own little miniature world built around whatever I was feeling and thinking at the time.”
By the same coin, the only constant on this record is that you never know what’s going to happen next: every song is its own aquarium, its own little miniature world built around whatever I was feeling and thinking at the time.”
STAFF COMMENTS
Barry says: Though Howard's brand of wonky psychedelic soul has always been packed full of great musicianship and bold, inventive production, for me 'What Now' is her greatest moment thus far. Swimming with melody, deeply rooted in soul, but playful and full of surprises.TRACK LISTING
1. Earth Sign
2. I Don’t
3. What Now
4. Red Flags
5. To Be Still
6. Interlude
7. Another Day
8. Prove It To You
9. Samson
10. Patience
11. Power To Undo
12. Every Color In Blue
Self-titled debut album by the American singer-songwriter. 'Taylor Swift' is a country album, with some tracks having pop and pop rock sensibilities. Five singles were released from the album, all of which reached the top 40 of the Billboard Hot 100 chart - 'Tim McGraw', 'Teardrops On My Guitar', 'Our Song', 'Picture to Burn' and 'Should've Said No'.
Entitled Rebel Diamonds, the album of highlights features 20 tracks, including the modern day classics “Mr. Brightside,” “When You Were Young,” “All These Things That I’ve Done,” “Human,” “Read My Mind” and at least one song from each of the band’s seven studio albums. The album also carries through to the band’s most recently released, critically-lauded single, “Your Side of Town” and includes a brand new anthem ready to be sung at festivals across the world called “Spirit.”
The album is a curated dive into an impressive catalog of songwriting and musicianship - one that has solidified the band as one of the most important voices in rock ‘n’ roll over the last two decades.
The album is a curated dive into an impressive catalog of songwriting and musicianship - one that has solidified the band as one of the most important voices in rock ‘n’ roll over the last two decades.
TRACK LISTING
Jenny Was A Friend Of Mine
Mr. Brightside
All These Things That I’ve Done
Somebody Told Me
When You Were Young
Ready My Mind
Human
Spaceman
A Dustland Fairytale
Be Still
Runaways
The Man
Caution
My Own Soul’s Warning
Dying Breed
Pressure Machine
Quiet Town
Boy
Your Side Of Town
Spirit
The debut album from Marc Almond and Dave Ball AKA Soft is truly an icon of electronic music. Not only did ‘Non-Stop Erotic Cabaret’ introduce the world to classic singles ‘Tainted Love’ (one of the biggest global hits of all time) ‘Bedsitter’ and ‘Say Hello Wave Goodbye’, it also shocked and delighted in equal measure with a 10-track song cycle straight outta the seedier, sleazier, darker side of life. ‘Sex Dwarf’, ‘Frustration’, ‘My Secret Life’, ‘Seedy Films’… four decades on, it still has the power to thrill, shock and swoon.
In 2023, Mercury-EMI / UMR present the ultimate celebration of ‘Non-Stop Erotic Cabaret’ in a series of exciting new formats, all with a host of supplementary extras and rarities from the ‘Cabaret’ era.
In 2023, Mercury-EMI / UMR present the ultimate celebration of ‘Non-Stop Erotic Cabaret’ in a series of exciting new formats, all with a host of supplementary extras and rarities from the ‘Cabaret’ era.
TRACK LISTING
6CD (* Denotes Previously Unreleased)
CD1 - Non-Stop Erotic Cabaret: 2023 Remaster + Singles, B-Sides & Edits
Frustration 04:12
Tainted Love 02:35
Seedy Films 05:05
Youth 03:21
Sex Dwarf 05:47
Entertain Me 03:00
Chips On My Shoulder 04:06
Bedsitter 03:36
Secret Life 03:37
Say Hello, Wave Goodbye 05:34
Memorabilia (Single Version) 04:49
A Man Could Get Lost (Single Version) 03:17
Persuasion (Edit Of 12” Single B-Side) 03:36 *
Where Did Our Love Go? (Single B-Side) 03:14
Facility Girls (Single B-Side) 02:23
Fun City (Edit Of 12” Single B-Side) 04:24
Torch (Single Version) 04:08
Insecure Me (Single B-Side) 03:10
What! (Single Version) 02:51
…So (Single B-Side) 03:49
CD2 - Non-Stop Extended Cabaret: Full-Length Versions & New Remixes
Frustration (Extended Version) 06:02 *
Tainted Love (2021 10" Extended Version) 05:05
Seedy Films (2023 Extended Version) 05:16 *
Youth (2018 ‘Wasted On The Young’ Extended Version) 05:41
Sex Dwarf (2023 Extended Version) 05:45 *
Entertain Me (2023 Extended Version) 06:05 *
Chips On My Shoulder (2018 Extended Version) 06:16
Bedsitter (1981 Original 12” Mix) 07:52
Secret Life (2018 Extended Version) 05:20
Say Hello, Wave Goodbye (2018 Dave Ball ‘Lateral Mix’) 07:07
A Man Could Get Lost (2023 Extended Version) 05:08 *
Memorabilia (Daniel Miller 2023 Remix) 05:16
Memorabilia (The Hacker 2023 Remix) 06:37
CD3 - Non-Stop Exotic Cabaret: Curios, Rarities, Sessions & Alternate Mixes
Frustration (Original ‘Mutant Moments’ Version) 03:32
Tainted Love (New 2023 Version) 03:01 *
Seedy Films (Richard X Remix) 05:20
Youth (Dave Ball ‘Warhol Funeral’ Mix) 03:05 *
Sex Dwarf (Live On BBC ‘Old Grey Whistle Test’ 4th February 1982) 05:16
Entertain Me (Richard Skinner Session, Radio 1, 26th July 1981) 03:45
Chips On My Shoulder (Live From ‘The Oxford Road Show’ 22nd January 1982) 03:28 *
Bedsitter ((Richard Skinner Session, Radio 1, 26th July 1981) 03:34
Secret Life (George Demure Remix) 05:10
Say Hello, Wave Goodbye (Live From ‘The Oxford Road Show’ 22nd January 1982) 04:33 *
A Man Could Get Lost (Live At Leeds Warehouse, 16th July 2018) 03:30 *
Torch (Live From ‘Top Of The Pops 2’, 28th January 2002) 04:05 *
Tainted Love/Where Did Our Love Go (US Radio Edit) 04:01 *
Seedy Films (Richard Skinner Session, Radio 1, 26th July 1981) 03:58
Youth (Live On BBC ‘Old Grey Whistle Test’ 4th February 1982) 03:15 *
Chips On My Shoulder (Richard Skinner Session, Radio 1, 26th July 1981) 04:20
Tainted Love (Live From ‘Top Of The Pops’ 1981 Reunion, 2001) 03:14 *
Bedsitter (‘Flexipop’ Version) 03:45 *
Memorabilia (2023 Dub Mix) 5:44 *
Tainted Love (Aborted 1981 Studio Take) 1:07 *
CD4 - Non-Stop Instrumental Cabaret: Instrumentals & Bonus Demos
Frustration (Instrumental) 04:15 *
Tainted Love (Instrumental) 03:01 *
Seedy Films (Instrumental) 05:10 *
Youth (Instrumental) 03:25 *
Sex Dwarf (Instrumental) 05:15 *
Entertain Me (Instrumental) 02:57 *
Chips On My Shoulder (Instrumental) 04:09 *
Bedsitter (Instrumental) 03:39 *
Secret Life (Instrumental) 04:03 *
Say Hello, Wave Goodbye (Single B-Side Instrumental) 03:54
A Man Could Get Lost (Original Daniel Miller Instrumental Version) 03:30 *
Torch (Instrumental) 04:12 *
What! (Instrumental) 03:11 *
Insecure Me (Instrumental) 03:12 *
Tainted Love (Original 1981 Daniel Miller Demo) 02:47
Seedy Films (Original 1981 Demo) 04:02 *
Sex Dwarf (Original 1981 Demo) 06:53 *
Chips On My Shoulder (Original Demo) 03:50 *
Secret Life (Original 1981 Demo) 03:39 *
Say Hello, Wave Goodbye (Original 1981 Demo) 04:39 *
CD5 - Non-Stop Original Cabaret: The 1981 / 1982 12” Mixes & B Sides
Tainted Love/Where Did Our Love Go? (Original 12" Version) 08:57
Memorabilia (Original 12" Version) 07:47
Torch (Original 12" Version) 08:28
What! (Original 12" Version) 06:09
Tainted Dub (Original Version) 09:14
Persuasion (Original 12" Version) 07:35
Facility Girls (Original 12" Version) 07:16
Fun City (Original Version) 07:33
Insecure Me (Original 12" Version) 08:16
…So (Original 12" Version) 08:29
CD6 - Non-Stop Intimate Cabaret: Live In Concert, London 2021 & 2018
Frustration (Live At Eventim Apollo London, November 2021)
Tainted Love (Live At Eventim Apollo London, November 2021)
Seedy Films (Live At Eventim Apollo London, November 2021)
Youth (Live At Eventim Apollo London, November 2021)
Sex Dwarf (Live At Eventim Apollo London, November 2021)
Entertain Me (Live At Eventim Apollo London, November 2021)
Chips On My Shoulder (Live At Eventim Apollo London, November 2021)
Bedsitter (Live At Eventim Apollo London, November 2021)
Secret Life (Live At Eventim Apollo London, November 2021)
Say Hello, Wave Goodbye (Live At Eventim Apollo London, November 2021)
Torch (Live At Eventim Apollo London, November 2021)
Memorabilia (Live At Eventim Apollo London, November 2021)
Insecure Me (Live At 02 Arena London, 30 September 2018
What! (Live At 02 Arena London, 30 September 2018
Tainted Love/Where Did Our Love Go? (Live At 02 Arena London, 30 September 2018
2LP Black/Coloured
LP1 - Side A
Frustration 04:12
Tainted Love 02:35
Seedy Films 05:05
Youth 03:21
Sex Dwarf 05:47
LP1 - Side B
Entertain Me 03:00
Chips On My Shoulder 04:06
Bedsitter 03:36
Secret Life 03:37
Say Hello, Wave Goodbye 05:34
LP2 - Side C
Memorabilia (Single Version) 04:49
A Man Could Get Lost (Single Version) 03:17
Persuasion (Edit Of 12” Single B-Side) 03:36
Where Did Our Love Go? (Single B-Side) 03:14
Facility Girls (Single B-Side) 02:23
Say Hello, Wave Goodbye (Single B-side, Instrumental) 03:54
LP2 - Side D
Fun City (Edit Of 12” Single B-Side) 04:24
Torch (Single Version) 04:08
Insecure Me (Single B-Side) 03:10
What! (Single Version) 02:51
…So (Single B-Side) 03:49
TRACK LISTING
1. "Welcome To New York" Taylor's Version
2. "Blank Space" Taylor's Version
3. "Style" Taylor's Version
4. "Out Of The Woods" Taylor's Version
5. "All You Had To Do Was Stay" Taylor's Version
6. "Shake It Off" Taylor's Version
7. "I Wish You Would" Taylor's Version
8. "Bad Blood" Taylor's Version
9. "Wildest Dreams" Taylor's Version
10. "How You Get The Girl" Taylor's Version
11. "This Love" Taylor's Version
12. "I Know Places" Taylor's Version
13. "Clean" Taylor's Version
14. "Wonderland" Taylor's Version
15. "You Are In Love" Taylor's Version
16. "New Romantics" Taylor's Version
17. ""Slut!"" Taylor's Version (From The Vault)
18. "Say Don't Go" Taylor's Version (From The Vault)
19. "Now That We Don't Talk" Taylor's Version (From The Vault)
20. "Suburban Legends" Taylor's Version (From The Vault)
21. "Is It Over Now?" Taylor's Version (From The Vault)
10 Year Anniversary editions of Chvrches debut album The Bones Of What You Believe remastered for 2023 by Gavin Lurrsen – expanded formats featuring previously unreleased studio & live tracks.
A 10-year anniversary product suite of Chvrche’s 2013 debut album including 2LP edition with bespoke die-cut sleeve, 1LP on crystal clear vinyl & 2CD inc. booklet. The album originally charted at number 9 in the UK & is now gold status with over 170K UK sales – All formats feature 10th anniversary artwork & the album has been newly remastered by Gavin Lurrsen in LA. The band have just come off tour with Coldplay & are playing the Other Stage at this year’s Glastonbury festival.
A 10-year anniversary product suite of Chvrche’s 2013 debut album including 2LP edition with bespoke die-cut sleeve, 1LP on crystal clear vinyl & 2CD inc. booklet. The album originally charted at number 9 in the UK & is now gold status with over 170K UK sales – All formats feature 10th anniversary artwork & the album has been newly remastered by Gavin Lurrsen in LA. The band have just come off tour with Coldplay & are playing the Other Stage at this year’s Glastonbury festival.
TRACK LISTING
2LP Deluxe Edition
Side A
The Mother We Share (remastered)
We Sink (remastered)
Gun (remastered)
Tether (remastered)
Lies (remastered)
Under The Tide (remastered)
Side B
Recover (remastered)
Night Sky (remastered)
Science/Visions (remastered)
Lungs (remastered)
By The Throat (remastered)
You Caught The Light (remastered)
Side C
Manhattan
White Summer
Talking In My Sleep
City On Fire
Side D
We Sink (Live At Ancienne Belgique 2013)
Now Is Not The Time (Live At Ancienne Belgique 2013)
Lies (Live At Ancienne Belgique 2013)
Strong Hand (Live At Ancienne Belgique 2013)
By The Throat (Live At Ancienne Belgique 2013)
1LP Coloured
Side A
The Mother We Share (remastered)
We Sink (remastered)
Gun (remastered)
Tether (remastered)
Lies (remastered)
Under The Tide (remastered)
Side B
Recover (remastered)
Night Sky (remastered)
Science/Visions (remastered)
Lungs (remastered)
By The Throat (remastered)
You Caught The Light (remastered)
2CD
CD 1
The Mother We Share (remastered)
We Sink (remastered)
Gun (remastered)
Tether (remastered)
Lies (remastered)
Under The Tide (remastered)
Recover (remastered)
Night Sky (remastered)
Science/Visions (remastered)
Lungs (remastered)
By The Throat (remastered)
You Caught The Light (remastered)
CD 2
Manhattan
White Summer
Talking In My Sleep
City On Fire
We Sink (Live At Ancienne Belgique 2013)
Now Is Not The Time (Live At Ancienne Belgique 2013)
Lies (Live At Ancienne Belgique 2013)
Strong Hand (Live At Ancienne Belgique 2013)
By The Throat (Live At Ancienne Belgique 2013)
The Chemical Brothers - one of the most acclaimed and innovative electronic duo in the world - have announced details of their tenth studio album For That Beautiful Feeling.
Recorded in the band’s own studio just near the south coast, this is a record that hunts for and captures that that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.
Matt says: Rocketing into orbit with the stadium inferno that is “Live Again”, there’s little chance to touch down, as Tom and Ed hit the thrusters for one of the most stratospheric ‘Chems LPs we can remember. A rousing & rebellious message for our times, with the usual smattering of guest appearances and sampled vox articulating their uplifting insubordination with soaring, memorable hooks.
Recorded in the band’s own studio just near the south coast, this is a record that hunts for and captures that that wild moment when sound overwhelms you and almost pulls you under yet ultimately lets you ride its wave, to destinations unknown. It’s a record that pinpoints the exact moment you lose all control, where you surrender and let the music move you as if pulled by an invisible thread.
STAFF COMMENTS
Barry says: There is absolutely no sign that The Chemical Brothers are slowing down, with 2019's incendiary 'No Geography' blowing people away and 'For That Beautiful Feeling' set to do so even more. It's a triumphant, heavy hitting marvel that is enhanced perfectly by Halo Maud's distinctive vocal talents. Classic 'chems and then some.Matt says: Rocketing into orbit with the stadium inferno that is “Live Again”, there’s little chance to touch down, as Tom and Ed hit the thrusters for one of the most stratospheric ‘Chems LPs we can remember. A rousing & rebellious message for our times, with the usual smattering of guest appearances and sampled vox articulating their uplifting insubordination with soaring, memorable hooks.
TRACK LISTING
1. Intro
2. Live Again (feat. Halo Maud)
3. No Reason
4. Goodbye
5. Fountains
6. Magic Wand
7. The Weight
8. Skipping Like A Stone (feat. Beck)
9. The Darkness That You Fear (Harvest Mix)
10. Feels Like I’m Dreaming
11. For That Beautiful Feeling (feat. Halo Maud)
Their debut album documents the journey through their friendship, from school to where they now find themselves, commenting on what's around them.
"translating to ‘further beyond’, a latin naval term adopted by those exploring uncharted waters, we present a collection of our best works to date, each lyrically distinct but venturing into new territories that life presents; mass media, tory austerity, mental health, homelessness, the deprived nhs and the release that music gives you from it all. come with us to make sense of what lies beyond in this world through questions, power and statements that we stand by."
"translating to ‘further beyond’, a latin naval term adopted by those exploring uncharted waters, we present a collection of our best works to date, each lyrically distinct but venturing into new territories that life presents; mass media, tory austerity, mental health, homelessness, the deprived nhs and the release that music gives you from it all. come with us to make sense of what lies beyond in this world through questions, power and statements that we stand by."
STAFF COMMENTS
Laura says: This is one of my favourite albums this year. Think the super melodic pop of The Rolling Blackouts but swathed in Rainy City drizzle rather than Antipodean sunshine.TRACK LISTING
1 Full Round Table (Explicit)
2 Wayfinding
3 Kulture
4 Need You No More
5 Wide Asleep (Explicit)
6 Fair Game
7 Opaque
8 Not In Love (Explicit)
9 My Fall
10 My Fall II
11 Can I Trick
Few albums define a particular era as does The Lexicon Of Love. It’s embedded deep in the fabric of popular culture. Namechecked, referenced and, now, frequently in “best of all time” polls, the album opened up the 80s wide, in full, glorious Technicolor. In 1982, ABC became the toast of the world with this album. It also launched the production career of Trevor Horn. Like the greatest landmark albums, it has transcended its origins and is simply there, an ever-evolving testament to its marriage of youth, wit, creativity, technology, emotion, masterplan and happy accident.
1LP Half Speed Master
A commemoration of the album that kickstarted the 80s. Half-speed mastered at Abbey Road by Miles Showell. In new gatefold sleeve with Abbey Road obi strip and certificate of authenticity
1LP Half Speed Master
A commemoration of the album that kickstarted the 80s. Half-speed mastered at Abbey Road by Miles Showell. In new gatefold sleeve with Abbey Road obi strip and certificate of authenticity
TRACK LISTING
Side A:
Show Me
Poison Arrow
Many Happy Returns
Tears Are Not Enough
Valentine’s Day
Side B:
The Look Of Love
Date Stamp
All Of My Heart
4 Ever 2 Gether
The Look Of Love (Part Four)
Beck and Phoenix mark the kick-off of their hotly anticipated Summer Odyssey tour with the physical release of their collaborative sun-splashed banger, “Odyssey."
Their collaborative single hailed by UPROXX as "an empowered, shimmering anthem" and by FLOOD as "a joyful slice of hedonistic disco-pop" is released as a limited edition yellow vinyl 7" single featuring the "Odyssey (Instrumental)" on its B-side.
Their collaborative single hailed by UPROXX as "an empowered, shimmering anthem" and by FLOOD as "a joyful slice of hedonistic disco-pop" is released as a limited edition yellow vinyl 7" single featuring the "Odyssey (Instrumental)" on its B-side.
TRACK LISTING
1. Odyssey
2. Odyssey Instrumental
‘Pearls’ sees the dancefloor diva back where she belongs. Thumping with 70’s funk infused basslines and infectious grooves towed by sonic synthesisers, the track was co-written and produced by Coffee Clarence JR, Sarah Hudson and legendary British producer Stuart Price. The track is riding high on captivating energy that seems like it could’ve emerged straight from a mirror ball.
“Pearls is a record that doesn’t take itself too seriously but demands you to have a dance. It’s inspired by divas like Donna Summer, Evelyn Champagne King, Teena Marie and Chaka khan and I guess attempts to show - in lightness - all the hats I try to wear (usually at the same time). It’s the second song you will hear from my collaboration with Stuart Price and Coffee - with the wonderful addition of Sarah Hudson - and hopefully gives you a taste of the fun we have working together. “ Jessie also added, “That! Feels Good! stems from over 10 years of understanding who I am, and who I enjoy being as an artist and the thrill of performance. “
The new single follows recent release ‘Free Yourself’, that offered a taster session to Jessie’s upcoming studio album. ‘Free Yourself’ went on to have the biggest week one streams in both the UK and internationally ahead of any other Jessie single to date.
‘That! Feels Good!’ is the follow up album to 2020’s ‘What’s Your Pleasure?’, which proved her status as one of the UK’s most influential artists and became her highest charting album to date. It included singles ‘Save A Kiss’, ‘Spotlight’ and Barack Obama approved ‘Remember Where You Are’ (added to his NYE playlist). Last year saw Jessie support juggernaut Harry Styles in the USA, gain 2.4 billion global streams and complete a fantastic run of live shows including career defining sets at Glastonbury and Primavera. She continues to cement herself as a formidable force and at the forefront of UK pop.
“Pearls is a record that doesn’t take itself too seriously but demands you to have a dance. It’s inspired by divas like Donna Summer, Evelyn Champagne King, Teena Marie and Chaka khan and I guess attempts to show - in lightness - all the hats I try to wear (usually at the same time). It’s the second song you will hear from my collaboration with Stuart Price and Coffee - with the wonderful addition of Sarah Hudson - and hopefully gives you a taste of the fun we have working together. “ Jessie also added, “That! Feels Good! stems from over 10 years of understanding who I am, and who I enjoy being as an artist and the thrill of performance. “
The new single follows recent release ‘Free Yourself’, that offered a taster session to Jessie’s upcoming studio album. ‘Free Yourself’ went on to have the biggest week one streams in both the UK and internationally ahead of any other Jessie single to date.
‘That! Feels Good!’ is the follow up album to 2020’s ‘What’s Your Pleasure?’, which proved her status as one of the UK’s most influential artists and became her highest charting album to date. It included singles ‘Save A Kiss’, ‘Spotlight’ and Barack Obama approved ‘Remember Where You Are’ (added to his NYE playlist). Last year saw Jessie support juggernaut Harry Styles in the USA, gain 2.4 billion global streams and complete a fantastic run of live shows including career defining sets at Glastonbury and Primavera. She continues to cement herself as a formidable force and at the forefront of UK pop.
STAFF COMMENTS
Liam says: Following on from her incredible disco odyssey 'What's Your Pleasure?', 'That! Feels Good!' sees Jessie Ware fully diving into high camp. Lead single 'Free Yourself' is empowering disco floorfiller, whilst 'Pearls' serves as a long-lost Chaka Khan-esque funk cut that has 'Ru Paul's Drag Race Lipsync For Your Life' written all over it. It's infectious, sultry and undoubtedly got the potential to be the party record of the year - Mega, mega stuff!!TRACK LISTING
1. That! Feels Good!
2. Free Yourself
3. Pearls
4. Hello Love
5. Begin Again
6. Beautiful People
7.Freak Me Now
8. Shake The Bottle
9. Lightning
10. These Lips
Speak Now (Taylor's Version) is the upcoming third re-recorded album by American singer-songwriter Taylor Swift, set for release on July 7, 2023, via Republic Records. It is a re-recording of Swift's third studio album, Speak Now (2010), and follows her 2021 re-recorded albums, Fearless (Taylor's Version) and Red (Taylor's Version).
The re-recording is a part of Swift's counteraction to her 2019 masters dispute. Speak Now (Taylor's Version) was announced on May 5, 2023, at the first Nashville show of her ongoing concert tour, the Eras Tour. It features collaborations with American rock acts Fall Out Boy and Hayley Williams.
The re-recording is a part of Swift's counteraction to her 2019 masters dispute. Speak Now (Taylor's Version) was announced on May 5, 2023, at the first Nashville show of her ongoing concert tour, the Eras Tour. It features collaborations with American rock acts Fall Out Boy and Hayley Williams.
TRACK LISTING
1. "Mine"
2. "Sparks Fly"
3. "Back To December"
4. "Speak Now"
5. "Dear John"
6. "Mean"
7. "The Story Of Us"
8. "Never Grow Up"
9. "Enchanted"
10. "Better Than Revenge"
11. "Innocent"
12. "Haunted"
13. "Last Kiss"
14. "Long Live"
15. "Ours"
16. "Superman"
17. "Electric Touch" (featuring Fall Out Boy)
18. "When Emma Falls In Love"
19. "I Can See You"
20. "Castles Crumbling" (featuring Hayley Williams)
21. "Foolish One"
22. "Timeless"
LYR return with their second, remarkable album, The Ultraviolet Age via Clue Records / EMI North. For a second, compelling time, the band concocts ethereal, pulse-altering, extraordinary sounds by combining the creative powers of British poet, Simon Armitage, singer-songwriter Richard Walters and multi-instrumentalist and producer Patrick J Pearson.
Fast rising UK soul-pop star Olivia Dean releases her long-awaited debut album Messy. Featuring the singles ‘Danger’ and ‘UFO’, Messy cements Dean as one of the most original and versatile voices in UK pop.
Crafting classic yet conversational hooks with genre-fluid tinges, she’s honed a way of exploring universal themes of love, loss and everything in between with razor-sharp but open-hearted storytelling. Of her debut album, Olivia shares, “Going into making the record, I'd just done this ‘Growth’ project. And for ages, I was like, well, my debut album needs to be what I've grown into, I need to have the answer. And that really confused me for a while. Then I realised, I'm always going to be growing. So this doesn't have to be a destination, it's just where I’m at now.”
Crafting classic yet conversational hooks with genre-fluid tinges, she’s honed a way of exploring universal themes of love, loss and everything in between with razor-sharp but open-hearted storytelling. Of her debut album, Olivia shares, “Going into making the record, I'd just done this ‘Growth’ project. And for ages, I was like, well, my debut album needs to be what I've grown into, I need to have the answer. And that really confused me for a while. Then I realised, I'm always going to be growing. So this doesn't have to be a destination, it's just where I’m at now.”
Tears for Fears debut album The Hurting was released on 7 March 1983, and peaked at No. 1 on the UK Albums Chart in its second week of release. The album reached Platinum status in January 1985. The album contains Tears for Fears’ first three hit singles – “Mad World”, “Change”, and “Pale Shelter” – all of which reached the top five in the UK.
This half speed was engineered by Miles Showell at Abbey Road Studios using a half-speed mastering technique which produces a superior vinyl cut.
This half speed was engineered by Miles Showell at Abbey Road Studios using a half-speed mastering technique which produces a superior vinyl cut.
TRACK LISTING
Side A
The Hurting
Mad World
Pale Shelter
Ideas As Opiates
Memories Fade
Side B
Suffer The Children
Watch Me Bleed
Change
The Prisoner
Start Of The Breakdown
This 50th Anniversary celebration edition of Tubular Bells, overseen by Mike Oldfield, contains a brand new half-speed Abbey Road master of the original album, plus a second album that unites several beguiling versions of Oldfield’s masterwork for the first time.
Receiving its first outing on vinyl is Tubular X, that Mike recorded in 1998 for an X-Files album*; Mike’s remix collaboration with York, the original Mike Oldfield’s Single (Theme From Tubular Bells)* and, for the first time since a very limited run in 2012, Mike’s stunning Tubular Bells/In Dulci Jubilo (Music for the Opening Ceremony of the London 2012 Olympic Games).Of particular interest brand new eight-minute track Tubular Bells 4 Intro, which may well be the last thing ever recorded by Oldfield.
Receiving its first outing on vinyl is Tubular X, that Mike recorded in 1998 for an X-Files album*; Mike’s remix collaboration with York, the original Mike Oldfield’s Single (Theme From Tubular Bells)* and, for the first time since a very limited run in 2012, Mike’s stunning Tubular Bells/In Dulci Jubilo (Music for the Opening Ceremony of the London 2012 Olympic Games).Of particular interest brand new eight-minute track Tubular Bells 4 Intro, which may well be the last thing ever recorded by Oldfield.
TRACK LISTING
Vinyl Tracklist
LP1
1. Tubular Bells - Part One (2023 Half Speed Master By Miles Showell)
2. Tubular Bells - Part Two (2023 Half Speed Master By Miles Showell)
LP2 - SIDE A
1. Tubular Bells 4 Intro (previously Unreleased Demo)
2. Tubular Bells/In Dulci Jubilo (Music For The Opening Ceremony Of The London 2012 Olympic Games)
LP2 - SIDE B
1. Tubular X
2. Tubular Bells (Mike Oldfield & YORK Remix)
3. Mike Oldfield's Single (Theme From Tubular Bells)
CD Tracklist
1. Tubular Bells - Part One
2. Tubular Bells - Part Two
3. Tubular Bells 4 Intro (previously Unreleased Demo)
4. Tubular Bells/In Dulci Jubilo
5. (Music For The Opening Ceremony Of The London 2012 Olympic Games)
6. Tubular Bells (Mike Oldfield & YORK Remix)
Throughout 2022, The Wedding Present’s ‘24 Songs’ series saw the legendary indie band release two new tracks a month as double A sided 7”s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present’s first guitarist, Peter Solowka.
‘24 Songs’ was a doff of the cap to The Wedding Present’s ‘Hit Parade’ project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year – at the time something that only Elvis had achieved!
David Gedge says: “When it came to compiling the ‘24 Songs’ album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six ‘beginnings’ and six ‘ends’ to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history. I loved releasing the singles, but it’s satisfying to have them all rounded up together.”
“The idea of releasing another collection of twenty-four tracks did initially seem quite daunting,” admits David Gedge in the deluxe-CD sleeve notes but, with Jon Stewart (also of Sleeper) having joined the band at the end of 2019 and their subsequent writing partnership flourishing, he began to feel confident that they would be able to produce a year’s worth of music. And, with one of the UK’s most influential independent record labels by their side in Clue, a key partner to EMI North who will be distributing the record - there was no looking back.
‘24 Songs’ was a doff of the cap to The Wedding Present’s ‘Hit Parade’ project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year – at the time something that only Elvis had achieved!
David Gedge says: “When it came to compiling the ‘24 Songs’ album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six ‘beginnings’ and six ‘ends’ to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history. I loved releasing the singles, but it’s satisfying to have them all rounded up together.”
“The idea of releasing another collection of twenty-four tracks did initially seem quite daunting,” admits David Gedge in the deluxe-CD sleeve notes but, with Jon Stewart (also of Sleeper) having joined the band at the end of 2019 and their subsequent writing partnership flourishing, he began to feel confident that they would be able to produce a year’s worth of music. And, with one of the UK’s most influential independent record labels by their side in Clue, a key partner to EMI North who will be distributing the record - there was no looking back.
TRACK LISTING
24 Songs
1. I Am Not Going To Fall In Love With You
2. Memento Mori
3. That Would Only Happen In A Movie
4. We Interrupt Our Programme
5. We Should Be Together
6. Strike!
7. Science Fiction
8. Summer
9. Each Time You Open Your Eyes
10. We All Came From The Sea
11. Monochrome
12. Kerplunk!
13. Don’t Give Up Without A Fight
14. X Marks The Spot
15. You’re Just A Habit That I’m Trying To Break
16. Plot Twist
17. Whodunnit
18. A Song From Under The Floorboards
19. Telemark
20. Astronomic
21. Go Go Go
22. Once Bitten
23. La La La
24. The Loneliest Time Of Year
5 Songs
25. White Riot
26. Panama
27. Jump In, The Water’s Fine [Japanese Edit]
28. We All Came From The Sea [Utah Saints Remix]
29. Teper My Hovorymo
Deluxe DVD:
Featuring The Band Playing Live During The ‘24 Songs Launch’ Event At The Old Market, Hove, In January 2022, Plus A Fascinating Fly-on-the-wall Documentary Filmed As The Songs Were Being Written, Arranged And Recorded.
After much anticipation, Sub Focus has today announced that he will be releasing his new album ‘Evolve’ on May 12th via EMI Records. The album will be the third full-length solo LP by the acclaimed, London-based electronic music producer and artist - following his 2009 debut ‘Sub Focus’ and 2013’s ‘Torus’ and the collaborative album ‘Portals’ with Wilkinson in 2020. ‘Evolve’ will feature 14 tracks, including the recent UK Top 30 hit ‘Ready To Fly’ with Dimension. …Drum & Bass has never felt stronger or more popular as a genre and I’m proud to have been a part of such a thriving scene for so long. I’ve dabbled with multiple genres in the past but this time I wanted to make an album that speaks to my D&B core, with breakbeats laced through every track as a backbone."
Tom n Ed, possibly one of the UK's most influential and successful electronic music outfits, return with a brand new single: "No Reason". Featuring a bleak lyrical hook (provided by a vocal sample from Second Layer's "Courts Or War") - 'we have no reason to live / no reason at all / when will they kill us all' - the track's poignantly gloomy outlook is juxtaposed by one of their typically galvanized grooves - pairing up a punchy B-line with nuevo-disco drums, the odd vocal whoop and darting synth stabs. Add a lashing 303 and military snare rolls which allude to its shadowy war-mongering. It's stadium friendly, with soaring breakdowns and full fat processing; and has been going down a storm at their live shows for the past year or so.
As much as dance music is about hedonism and escapism, there's always been a political and social commentary underlining the best bits. The Chems perfectly balance energy release with wry contemplation on a track that is destined to become a global hit.
On the flip, they pop the cork off the dance tent, firing off sharp acid lines, precision beats and head-splitting reversals - layering up the incessant percussion lines for a fiery and frothy techno steam train that'll have everyone sweating and gasping for breath. Festival season better be ready!
As much as dance music is about hedonism and escapism, there's always been a political and social commentary underlining the best bits. The Chems perfectly balance energy release with wry contemplation on a track that is destined to become a global hit.
On the flip, they pop the cork off the dance tent, firing off sharp acid lines, precision beats and head-splitting reversals - layering up the incessant percussion lines for a fiery and frothy techno steam train that'll have everyone sweating and gasping for breath. Festival season better be ready!
STAFF COMMENTS
Matt says: Nihilistic in vocal content, with clever sampling of Second Layer (me neither) - The Chemical Brothers deliver a stadium slaying hit which still has summery connotations whilst biting hard at the jugular. Always the same, always different!TRACK LISTING
A. No Reason
B. All Of A Sudden
Produced by Greg Fidelman with Hetfield & Ulrich, and clocking in at over 77 minutes, the 12-track 72 Seasons is Metallica’s first full length collection of new material since 2016’s Hardwired…To Self-Destruct.
Speaking on the concept of the album title, James Hetfield said: “72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”
Speaking on the concept of the album title, James Hetfield said: “72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.”
STAFF COMMENTS
Barry says: New Metallica! With pummelling percussion and chugging guitars (a Flying V no less), they cut the figure of a band who haven't lost any momentum since their early days and will continue for the foreseeable. Classic, unmistakeable Metallica.TRACK LISTING
72 Seasons
Shadows Follow
Screaming Suicide
Sleepwalk My Life Away
You Must Burn!
Lux æterna
Crown Of Barbed Wire
Chasing Light
If Darkness Had A Son
Too Far Gone?
Room Of Mirrors
Inamorata
In celebration of the 40th anniversary of OMD’s fourth studio album, Dazzle Ships, UMR/EMI are pleased to announce the release a brand new expanded version of the album. The set comprises of the original album, plus a bonus LP of unreleased demos and rarities which has been compiled and mixed by Paul Humphreys.
TRACK LISTING
LP1 - Side A
Radio Prague
Genetic Engineering
ABC Auto-Industry
Telegraph
This Is Helena
International
LP1 - Side B
Dazzle Ships (Parts II, III And VII)
The Romance Of The Telescope
Silent Running
Radio Waves
Time Zones
Of All The Things We've Made
LP2 - Side A
Telegraph 82 (Very Early Demo)
Silent Running (Demo)
Sold Our Souls (the Avenue Demo)
Shakespeare 82
LP2 - Side B
Untitled Instrumental 82
In Heaven Above (4- NEU Demo)
Telegraph Live 1984
1CD
Radio Prague
Genetic Engineering
ABC Auto-Industry
Telegraph
This Is Helena
International
Dazzle Ships (Parts II, III And VII)
The Romance Of The Telescope
Silent Running
Radio Waves
Time Zones
Of All The Things We've Made
Telegraph - Very Early Demo / 1982
Silent Running - Demo
Sold Our Souls - The Avenue Demo
Shakespeare '82
Untitled Instrumental '82
In Heaven Above - 4- NEU Demo
Telegraph - Live 1984
3LP
‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time. Curated by Genesis founding member Tony Banks and the group’s long-time engineer and producer Nick Davis this 3LP set includes 24tracks, all of which are making their first appearance on the format. The vinyl set also includes fully illustrated inner bags containing extensive sleeve notes by respected music writer Michael Hann.
5CD
‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time. Curated by Genesis founding member Tony Banks and the group’s long-time engineer and producer Nick Davis this 53-track, 5-CD set includes a treasure trove of rare and previously unreleased material and comes with a fully illustrated 40-page booklet containing extensive sleeve notes by respected music writer Michael Hann.
‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time. Curated by Genesis founding member Tony Banks and the group’s long-time engineer and producer Nick Davis this 3LP set includes 24tracks, all of which are making their first appearance on the format. The vinyl set also includes fully illustrated inner bags containing extensive sleeve notes by respected music writer Michael Hann.
5CD
‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time. Curated by Genesis founding member Tony Banks and the group’s long-time engineer and producer Nick Davis this 53-track, 5-CD set includes a treasure trove of rare and previously unreleased material and comes with a fully illustrated 40-page booklet containing extensive sleeve notes by respected music writer Michael Hann.
Irish indie rock band The Academic are very excited to announce details of their new album, “Sitting Pretty” . The album was produced by Nick Hodgson at Snap Studios in London. Sitting Pretty is an album about navigating life in your 20s; the uncertainties and the ever-shifting sense of self. “It’s about the entrance into true adulthood and how that can alienate you from yourself, making you feel like you’re playing a supporting role in your own life,” the band explain. “In one moment feeling 100% certain about everything, only to become overwhelmed with feelings of aimlessness and lack of direction in the next.”
It was back in April 2021 when Johnny Borrell, Andy Burrows, Björn Ågren and Carl Dalemo revealed they’d been back working together for the first time in over a decade, correcting the unsatisfactory conclusion to their original formation.
Crucial to the group’s reunion was an emotional meeting between Borrell and Burrows near Johnny’s home in the Basque country in summer, 2020, which plays a pivotal part in the groups forthcoming ‘Fall To Pieces’ documentary, premiering on November 4th at the Genesis Cinema in Whitechapel & is part of this year's Raindance film festival.
“I had to go and chat with Johnny and make things good,” recalls Burrows. “If I didn’t, I’d have gone on thinking about it for the rest of my life, that we should’ve met up, we should’ve played together again, it was too special to leave behind.”
Bridges have been built. The artistic, and sometimes unwieldy, connection between the two has been re-established. It has been a heartening experience for those involved. “My trust with Andy was at absolute zero so to get that back was really inspiring,” says Borrell. “That’s never happened before and it made me think a lot about my life, like if I can get my trust back with Andy, I could do it with anybody.” “Whilst our relationship hasn’t always been plain sailing, when Johnny and I sit down to write music together, there’s a magic that happens. I’m so grateful to have him and the band back in my life,” agrees Burrows.
Crucial to the group’s reunion was an emotional meeting between Borrell and Burrows near Johnny’s home in the Basque country in summer, 2020, which plays a pivotal part in the groups forthcoming ‘Fall To Pieces’ documentary, premiering on November 4th at the Genesis Cinema in Whitechapel & is part of this year's Raindance film festival.
“I had to go and chat with Johnny and make things good,” recalls Burrows. “If I didn’t, I’d have gone on thinking about it for the rest of my life, that we should’ve met up, we should’ve played together again, it was too special to leave behind.”
Bridges have been built. The artistic, and sometimes unwieldy, connection between the two has been re-established. It has been a heartening experience for those involved. “My trust with Andy was at absolute zero so to get that back was really inspiring,” says Borrell. “That’s never happened before and it made me think a lot about my life, like if I can get my trust back with Andy, I could do it with anybody.” “Whilst our relationship hasn’t always been plain sailing, when Johnny and I sit down to write music together, there’s a magic that happens. I’m so grateful to have him and the band back in my life,” agrees Burrows.
TRACK LISTING
Golden Touch
In The Morning
Who Needs Love?
Before I Fall To Pieces
Violence Forever?
Stumble And Fall
America
Somewhere Else
You Are Entering The Human Heart
Rip It Up
Good Night
Building on the success of 2021’s Feel Flows and the Sounds Of Summer product suite, UMe will be releasing 4 new packages based on the 1972 recordings by The Beach Boys from the albums “Carl and The Passions” and “Holland” in November.
The project is expansive with 120 tracks, 80 of which are previously unreleased!
The band is celebrating its 60th anniversary this year and through 2023 and a number of tentpole events will build consumer excitement through next year.
The project is expansive with 120 tracks, 80 of which are previously unreleased!
The band is celebrating its 60th anniversary this year and through 2023 and a number of tentpole events will build consumer excitement through next year.
Formed in Sheffield in 1977 The Human League are one of the most renowned English synth-pop bands. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and attained widespread commercial success with their third album Dare in 1981. The album contained four hit singles, including the UK/US number one hit “Don’t You Want Me”.
Under Oakey’s leadership, the Human League have evolved into a commercially successful New Pop band, with a line-up including female vocalists Joanne Catherall and Susan Ann Sulley.
Since 1978, the Human League have released nine studio albums, two remix albums, one live album, six EPs, 30 singles and several compilation albums. They have had five albums and 15 Top 20 singles and had sold more than 20 million records worldwide by 2010.
This set contains their albums from their time with Virgin Records and all records come in coloured vinyl (chosen by the band) and in tip on sleeves, all housed in a sturdy box with a poster. The band have just completed a sold-out UK tour playing Dare in its entirety.
Under Oakey’s leadership, the Human League have evolved into a commercially successful New Pop band, with a line-up including female vocalists Joanne Catherall and Susan Ann Sulley.
Since 1978, the Human League have released nine studio albums, two remix albums, one live album, six EPs, 30 singles and several compilation albums. They have had five albums and 15 Top 20 singles and had sold more than 20 million records worldwide by 2010.
This set contains their albums from their time with Virgin Records and all records come in coloured vinyl (chosen by the band) and in tip on sleeves, all housed in a sturdy box with a poster. The band have just completed a sold-out UK tour playing Dare in its entirety.
TRACK LISTING
DARE - Side A
The Things That Dreams Are Made Of
Open Your Heart
The Sound Of The Crowd
Darkness
Do Or Die
DARE - Side B
Get Carter
I Am The Law
Seconds
Love Action (I Believe In Love)
Don't You Want Me
FASCINATION - Side A
(Keep Feeling) Fascination (Extended Version)
Mirror Man
Hard Times
FASCINATION - Side B
I Love You Too Much
You Remind Me Of Gold
(Keep Feeling) Fascination (Improvisation)
HYSTERIA - Side A
I'm Coming Back
I Love You Too Much
Rock Me Again And Again And Again And Again And Again And Again (Six Times)
Louise
The Lebanon
HYSTERIA - Side B
Betrayed
The Sign
So, Hurt
Life On Your Own
Don't You Know I Want You?
CRASH – Side A
Money
Swang
Human
Jam
Are You Ever Coming Back?
CRASH – Side B
I Need Your Loving
Party
Love On The Run
The Real Thing
Love Is All That Matters
ROMANTIC? - Side A
Kiss The Future
A Doorway?
Heart Like A Wheel
Men Are Dreamers
Mister Moon And Mister Sun
ROMANTIC? - Side B
Soundtrack To A Generation
Rebound
The Stars Are Going Out
Let's Get Together Again
Get It Right This Time
In hugo, there’s a central question that Loyle Carner keeps coming back to: “I’m young, Black, successful and have a platform - but where do I go next?” The answer is explored in this epic scream of a third album. With urgent delivery and gloriously widescreen production, Carner confronts both the deeply personal (“You can’t hate the roots of a tree, and not hate the tree. So how can I hate my father without hating me?) and the highly political (“I told the black man he didn’t understand I reached the white man he wouldn’t take my hand”).
Cinematic in scale and scope, hugo is both a rallying war cry for a generation forged in fire and a study of the personal internal conflict that drives the rest of the album - as a mixed-race Black man, as an artist, as a father and as a son. With Mercury and Brits nominations, NME Awards and appearances in global brand campaigns (Nike, YSL, Timberland), Carner has undoubtedly had a meteoric rise to the top, culminating with his second album Not Waving, But Drowning charting at number 3 in the UK albums chart in 2019. However, hugo sees Carner taking a sharp detour from his previous work, putting it down to lockdown and the “hedonistic side of career being stripped away. There were no shows, no backstage, no festivals, no photoshoots”. By continuing to write in these tumultuous times with a renewed clarity and sense of artistic freedom, Carner reached deeper beneath the surface than he ever had before. The result is his most cathartic and ambitious record yet, a coruscating journey into the heart of what it means to be alive in these tumultuous times, and one which looks set to neatly cement his position as one of the most potent and vital young talents around today. Working alongside renowned producer kwes. (Solange, Kelela, Nao), Carner leaves no stone unturned on this album, in both its sound and its stories.
In a 10-track album that moves from gorgeous neo-soul moments to thundering hip hop, with immediate, infectious bangers and sampled interludes from non musicians (mixed-race Guyanese poet John Agard and youth activist and politician Athian Akec) Carner shifts seamlessly from micro to macro, confronting everything from strained relationships with family to the societal tears caused by class stratification. It also lays bare bruises in his personal life that he has never revealed before – often in painful, deeply uncomfortable ways, focusing on Carner's experience of becoming a father in the context of growing up without contact with his biological father. With the song “Polyfilla”, against the backdrop of a warm melodic beat, Carner explores his desire to “break the chains in the cycle” of dysfunctional Black fatherhood, commenting on the narrative of fatherhood in the genre, and saying a key part of the process was realising that his father “grew up in a world where nobody showed him how to love or nurture”. The follow up track “A Lasting Place” is an exploration of the MC’s failure and inability to be perfect in this mission. The album closer is a powerful statement of love and forgiveness; with his signature lyrical dexterity, Carner declares his relentless commitment to his son and sees forgiving his father as a key part of this. The song closes with an emotional ending of Carner telling his dad “still I’m lucky yo that we talk”. There’s a striking duality of hugo’s bold, multilayered tracks and its often starkly intimate and tender lyricism, and that dichotomy is deliberate - it is a message for young Black men, but really, anyone, who is listening. Cognizant of the immense pain and fear and confusion that we are faced with everyday, Carner has thrown down the gauntlet, defying us not to rise above the fray, wake up each day and be ambitious. Ambitious in building strong personal relationships. Ambitious in our pursuit of our goals. Ambitious in never refusing to back down against injustice. Rejecting the title of leader, Loyle Carner sees himself “as holding up a mirror”, and that clearly translates into the album's universal messages.
Cinematic in scale and scope, hugo is both a rallying war cry for a generation forged in fire and a study of the personal internal conflict that drives the rest of the album - as a mixed-race Black man, as an artist, as a father and as a son. With Mercury and Brits nominations, NME Awards and appearances in global brand campaigns (Nike, YSL, Timberland), Carner has undoubtedly had a meteoric rise to the top, culminating with his second album Not Waving, But Drowning charting at number 3 in the UK albums chart in 2019. However, hugo sees Carner taking a sharp detour from his previous work, putting it down to lockdown and the “hedonistic side of career being stripped away. There were no shows, no backstage, no festivals, no photoshoots”. By continuing to write in these tumultuous times with a renewed clarity and sense of artistic freedom, Carner reached deeper beneath the surface than he ever had before. The result is his most cathartic and ambitious record yet, a coruscating journey into the heart of what it means to be alive in these tumultuous times, and one which looks set to neatly cement his position as one of the most potent and vital young talents around today. Working alongside renowned producer kwes. (Solange, Kelela, Nao), Carner leaves no stone unturned on this album, in both its sound and its stories.
In a 10-track album that moves from gorgeous neo-soul moments to thundering hip hop, with immediate, infectious bangers and sampled interludes from non musicians (mixed-race Guyanese poet John Agard and youth activist and politician Athian Akec) Carner shifts seamlessly from micro to macro, confronting everything from strained relationships with family to the societal tears caused by class stratification. It also lays bare bruises in his personal life that he has never revealed before – often in painful, deeply uncomfortable ways, focusing on Carner's experience of becoming a father in the context of growing up without contact with his biological father. With the song “Polyfilla”, against the backdrop of a warm melodic beat, Carner explores his desire to “break the chains in the cycle” of dysfunctional Black fatherhood, commenting on the narrative of fatherhood in the genre, and saying a key part of the process was realising that his father “grew up in a world where nobody showed him how to love or nurture”. The follow up track “A Lasting Place” is an exploration of the MC’s failure and inability to be perfect in this mission. The album closer is a powerful statement of love and forgiveness; with his signature lyrical dexterity, Carner declares his relentless commitment to his son and sees forgiving his father as a key part of this. The song closes with an emotional ending of Carner telling his dad “still I’m lucky yo that we talk”. There’s a striking duality of hugo’s bold, multilayered tracks and its often starkly intimate and tender lyricism, and that dichotomy is deliberate - it is a message for young Black men, but really, anyone, who is listening. Cognizant of the immense pain and fear and confusion that we are faced with everyday, Carner has thrown down the gauntlet, defying us not to rise above the fray, wake up each day and be ambitious. Ambitious in building strong personal relationships. Ambitious in our pursuit of our goals. Ambitious in never refusing to back down against injustice. Rejecting the title of leader, Loyle Carner sees himself “as holding up a mirror”, and that clearly translates into the album's universal messages.
STAFF COMMENTS
Millie says: It’s been three long years since his last album, ‘Hugo’ takes a moment for self reflection for Loyle Carner. There’s some incredible tracks and I’ve only dipped in briefly (so it’s only going to get better) ‘Nobody Knows’ has a killer beat while paired with personal subject matter alongside a gospel choir sample which sets it alive. Another highlight is ‘Hate’ doing what Carner does best, within every bar is just fierce. Cue listening on repeat.TRACK LISTING
Hate
Nobody Knows
Georgetown
Speed Of Plight
Homerton
Blood On My Nikes
Plastic
A Lasting Place
Polyfilla
HGU
Taylor Swift’s new studio album Midnights is available everywhere on October 21st. It’s a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life.
Vinyl albums include:
Unique marbled color vinyl disc.
13 Songs.
Collectible album jacket with unique front and back cover art.
Unique marbled color vinyl disc.
Collectible album sleeve (each side features a different full-size photo of Taylor).
Full-size gatefold photo.
A collectible 8-page lyric booklet with never-before-seen photos.
Vinyl albums include:
Unique marbled color vinyl disc.
13 Songs.
Collectible album jacket with unique front and back cover art.
Unique marbled color vinyl disc.
Collectible album sleeve (each side features a different full-size photo of Taylor).
Full-size gatefold photo.
A collectible 8-page lyric booklet with never-before-seen photos.
To tie in with the 40th anniversary of the multi-platinum selling album, we present ‘Too-Rye-Ay, as it should have sounded’.
Kevin Rowland was never happy with the final mix of the album, despite its huge commercial success. So with Helen O’Hara, and Pete Schwier they decided to mix it again. In recent interviews Kevin has stated…
“The songs and performances are great, but I always felt the mixes could be better. It’s my most successful album, but it doesn’t sound as good as the others”
“This is the director’s cut and it’s how it should have sounded…”
The album’s cover has also been re-modelled, using the preferred image from the Come On Eileen single sleeve.
Kevin Rowland was never happy with the final mix of the album, despite its huge commercial success. So with Helen O’Hara, and Pete Schwier they decided to mix it again. In recent interviews Kevin has stated…
“The songs and performances are great, but I always felt the mixes could be better. It’s my most successful album, but it doesn’t sound as good as the others”
“This is the director’s cut and it’s how it should have sounded…”
The album’s cover has also been re-modelled, using the preferred image from the Come On Eileen single sleeve.
TRACK LISTING
1LP
Side A
The Celtic Soul Brothers
Let's Make This Precious
All In All (This One Last Wild Waltz)
Jackie Wilson Said (I'm In Heaven When You Smile)
Old
Side B
Plan B
I'll Show You
Liars A To E
Until I Believe In My Soul
Come On Eileen
3CD
CD1 (The 1982 Album – ‘as It Should Have Sounded’)
The Celtic Soul Brothers
Let's Make This Precious
All In All (This One Last Wild Waltz)
Jackie Wilson Said (I'm In Heaven When You Smile)
Old
Plan B
I'll Show You
Liars A To E
Until I Believe In My Soul
Come On Eileen
CD2 (Bonus Tracks - B-Sides / Out-Takes)
Show Me (Single A-side – 1981)
Soon (B-side Of Show Me Single - 1981)
...And Yes We Must Remain The Wildhearted Outsiders (B-side Of Liars A To E Single - 1981)
Love Part 2 (B-side Of The Celtic Soul Brothers Single - 1982)
Let's Make This Precious (‘Original Version’ – From Too-Rye-Ay (2CD Deluxe))
Come On Eileen (Single Edit - 1982)
Dubious (B-side Of Come On Eileen Single - 1982)
T.S.O.P. (B-side Of Jackie Wilson Said.. 12” Single - 1982)
Let's Get This Straight From The Start (Non-album Single - 1982)
Reminisce (Part 1)(B-side Of The Celtic Soul Brothers 12" Single - 1983)
Let's Make This Precious (Out-Take - Previously Unreleased)
‘Smoke Your Own’ (AKA Liars A To E, 1981) (Out-Take - Previously Unreleased)
Until I Believe In My Soul (Out-Take - Previously Unreleased)
CD3 (Live At The Shaftesbury Theatre – October 1982)
Old
Geno
Let's Get This Straight From The Start
All In All (This One Last Wild Waltz)
Tell Me When My Light Turns Green
Plan B
Let's Make This Precious
I Couldn't Help If I Tried
Until I Believe In My Soul
Jackie Wilson Said (I'm In Heaven When You Smile)
Respect
There, There, My Dear
Come On Eileen
Seven Days Too Long
The Celtic Soul Brothers
I'm Just Looking
4LP Super Deluxe Edition
LP1 (The 1982 Album – ‘as It Should Have Sounded’) - Side A
The Celtic Soul Brothers
Let's Make This Precious
All In All (This One Last Wild Waltz)
Jackie Wilson Said (I'm In Heaven When You Smile)
Old
LP1 (The 1982 Album – ‘as It Should Have Sounded’) - Side B
Plan B
I'll Show You
Liars A To E
Until I Believe In My Soul
Come On Eileen
LP2 (Bonus Tracks - B-Sides / Out-Takes) - Side A
Show Me (Single A-side – 1981)
Soon (B-side Of Show Me Single)
...And Yes We Must Remain The Wildhearted Outsiders (B-side Of Liars A To E Single)
Love Part 2 (B-side Of The Celtic Soul Brothers Single)
Let's Make This Precious (‘Original Version’)
Come On Eileen (Single Edit)
Dubious (B-side Of Come On Eileen Single)
T.S.O.P. (B-side Of Jackie Wilson Said.. 12” Single)
LP2 (Bonus Tracks - B-Sides / Out-Takes) - Side B
Let's Get This Straight From The Start (Single)
Reminisce (Part 1)(B-side Of The Celtic Soul Brothers 12" Single)
Let's Make This Precious (Out-Take - Previously Unreleased)
‘Smoke Your Own’ (AKA Liars A To E, 1981) (Out-Take - Previously Unreleased)
Until I Believe In My Soul (Out-Take - Previously Unreleased)
LP3 (Live At The Shaftesbury Theatre – October 1982 - Part 1) - Side A
Old
Geno
Let's Get This Straight From The Start
All In All (This One Last Wild Waltz)
Tell Me When My Light Turns Green
LP3 (Live At The Shaftesbury Theatre – October 1982 - Part 1) - Side B
Plan B
Let's Make This Precious
I Couldn't Help If I Tried
Until I Believe In My Soul
LP4 (Live At The Shaftesbury Theatre – October 1982 - Part 2) - Side A
Jackie Wilson Said (I'm In Heaven When You Smile)
Respect
There, There, My Dear
LP4 (Live At The Shaftesbury Theatre – October 1982 - Part 2) - Side B
Come On Eileen
Seven Days Too Long
The Celtic Soul Brothers
I'm Just Looking
Glamorous, prolific and hugely influential Roxy Music has exceeded the sum of its considerable parts, defying definition, leaving a lasting impression on British Pop culture.
Released for the first time on vinyl The Best Of Roxy Music amalgamates no less than eight studio albums spanning a decade of innovative style and enduring substance.
Released on double 180g black vinyl, The Best Of Roxy Music has been re-issued with a fresh half-speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio the artwork has also been revised, complete with a gloss laminate gatefold finish.
To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s classic career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of the classic singles including ‘More Than This’, ‘Jealous Guy’, ‘Love Is The Drug’ and ‘Virginia Plain’, and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogues of all time. This beautifully presented album includes enhanced artwork and full song lyrics.
Released for the first time on vinyl The Best Of Roxy Music amalgamates no less than eight studio albums spanning a decade of innovative style and enduring substance.
Released on double 180g black vinyl, The Best Of Roxy Music has been re-issued with a fresh half-speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio the artwork has also been revised, complete with a gloss laminate gatefold finish.
To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s classic career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of the classic singles including ‘More Than This’, ‘Jealous Guy’, ‘Love Is The Drug’ and ‘Virginia Plain’, and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogues of all time. This beautifully presented album includes enhanced artwork and full song lyrics.
TRACK LISTING
2LP
Side A
Avalon
More Than This
Jealous Guy
Over You
Side B
Same Old Scene
Oh Yeah
Angel Eyes
Dance Away
Both Ends Burning
Side C
Love Is The Drug
Out Of The Blue
All I Want Is You
Mother Of Pearl
Side D
Street Life
Do The Strand
Pyjamarama
Virginia Plain
Re-Make/Re-Model
There’s a certain un-assuming barn just outside Woodstock, New York. It’s easy to picture; the deep mythology of pop music history assures that much. For nearly two decades, the bulk of Blondie’s audio and visual archive sat inside.
One hundred reel-to-reel tapes, half a dozen cassettes, a few storage tubs crammed with records, bits of promotional flotsam, flyers, a stray Warhol print, and mirrored dressing room signage from four sold-out January 1980 nights at London’s Hammersmith Odeon. All of it lay silent through twenty humid summers, twenty frigid winters, and 20,000 rodents.
There were knives collected in Asia and sex worker advertisements pilfered from the UK’s red telephone boxes of the late 1970s. In a corner, a dust-caked RIAA-certified gold record for Eat To The Beat reclined against a wall, its protective glass scarred by a bullet hole.“Iggy and I were shooting guns at a wall in my basement one night,” guitarist Chris Stein told us. “This was a casualty.”
From this chaotic hoard of ephemera, this long-gestating project was born.
Over the years, Blondie’s many partner record companies have done an exemplary job archiving the band’s recorded legacy, given the miles it’s logged and the oceans it’s had to cross. From Larry Uttal’s Private Stock Records to Terry Ellis and Chris Wright’s Chrysalis, which was absorbed by Capitol and then Universal, the band’s reels have been moved, transferred, baked, re-boxed, remixed, and barcoded more than a few times. We pored over every foot of magnetic tape and, thanks to our brand new 24-bit, 192KHz transfers, have expanded the dynamic range of Blondie’s six LPs.
We’ve scoured the earth for era-appropriate photos, pic sleeves, lyrics sheets, fan club newsletters, postcards, jukebox strips, and even eight-track tapes. There will always be more to find. Whether it’s a mislabeled cassette tape squirrelled away in a New Jersey garage, a previously unknown Thai 45 variant, or a roll of film excavated at the Long Beach flea market, slivers of Blondie will continue to poke into our collective unconscious until there ceases to be any consciousness to poke.
What the seven members of Blondie set to tape over those first eight years remains among the most timeless music of its era, or any era. This is not hyperbole. Walk into a grocery store and Rapture fills the air. Spend an hour with any classic rock, ’80s throwback, LITE FM easy listening, or rockin’ oldies station and you will rediscover Heart of Glass.
Watch any given documentary on the birth of punk or hip hop, read any “Best Albums of All Time” list, and the stark three-color imagery of Parallel Lines will undoubtedly flash by. Visit any sports arena in the world and count the moments before you hear Call Me.
Blondie has transcended the realms of mere bands, evolving out of pop and punk to become a vital strand of American music’s core DNA.
Let this box set serve as a map of the genome.
One hundred reel-to-reel tapes, half a dozen cassettes, a few storage tubs crammed with records, bits of promotional flotsam, flyers, a stray Warhol print, and mirrored dressing room signage from four sold-out January 1980 nights at London’s Hammersmith Odeon. All of it lay silent through twenty humid summers, twenty frigid winters, and 20,000 rodents.
There were knives collected in Asia and sex worker advertisements pilfered from the UK’s red telephone boxes of the late 1970s. In a corner, a dust-caked RIAA-certified gold record for Eat To The Beat reclined against a wall, its protective glass scarred by a bullet hole.“Iggy and I were shooting guns at a wall in my basement one night,” guitarist Chris Stein told us. “This was a casualty.”
From this chaotic hoard of ephemera, this long-gestating project was born.
Over the years, Blondie’s many partner record companies have done an exemplary job archiving the band’s recorded legacy, given the miles it’s logged and the oceans it’s had to cross. From Larry Uttal’s Private Stock Records to Terry Ellis and Chris Wright’s Chrysalis, which was absorbed by Capitol and then Universal, the band’s reels have been moved, transferred, baked, re-boxed, remixed, and barcoded more than a few times. We pored over every foot of magnetic tape and, thanks to our brand new 24-bit, 192KHz transfers, have expanded the dynamic range of Blondie’s six LPs.
We’ve scoured the earth for era-appropriate photos, pic sleeves, lyrics sheets, fan club newsletters, postcards, jukebox strips, and even eight-track tapes. There will always be more to find. Whether it’s a mislabeled cassette tape squirrelled away in a New Jersey garage, a previously unknown Thai 45 variant, or a roll of film excavated at the Long Beach flea market, slivers of Blondie will continue to poke into our collective unconscious until there ceases to be any consciousness to poke.
What the seven members of Blondie set to tape over those first eight years remains among the most timeless music of its era, or any era. This is not hyperbole. Walk into a grocery store and Rapture fills the air. Spend an hour with any classic rock, ’80s throwback, LITE FM easy listening, or rockin’ oldies station and you will rediscover Heart of Glass.
Watch any given documentary on the birth of punk or hip hop, read any “Best Albums of All Time” list, and the stark three-color imagery of Parallel Lines will undoubtedly flash by. Visit any sports arena in the world and count the moments before you hear Call Me.
Blondie has transcended the realms of mere bands, evolving out of pop and punk to become a vital strand of American music’s core DNA.
Let this box set serve as a map of the genome.
Bobbie is notable as one of the first female country artists to compose and produce her own material. During her five-year tenure at Capitol, she penned at least two songs that have become certified classics, ‘Ode to Billie Joe’ and ‘Fancy’, among dozens of original compositions.
Bobbie released eight Capitol albums in total, heralded by the smash hit debut ‘Ode to Billie Joe’ (Which displaced Sgt. Pepper’s Lonely-Hearts Club Band from the top of the charts in the US). Delta Sweete, her third, is another highlight. MOJO magazine listed it in their top 500 greatest albums of all time and memorably described her as the ‘JD Salinger of rock n roll.’
Bobbie also teamed up with Glen Campbell later that year (1968) for album of duets that earned her another gold record and spawned three hit singles, including a cover of the Everly Brothers’ hit ‘All I Have to Do Is Dream’, which rose to No. 3 on the U.K. and No. 27 on the Billboard Hot 100. The pair also toured briefly together and performed on a number of American and British television programs and specials.
Bobbie enjoyed four UK hits, with ‘I’ll Never Fall in Love Again’ topping the charts in 1969. In the USA, she notched 11 hits and was nominated for a Grammy for album Fancy, which was largely produced by Rick Hall in Muscle Shoals
Bobbie had her own BBC show for 3 seasons, hosting the programmes, performing her own material and introducing guests such as Elton John, James Taylor and, Donovan. She also headlined her nightclub in Vegas.
She quit the scene over 40 years ago (1978), and unlike everyone who returns, she has stayed out of sight. She remains one of the few genuine mysteries of popular music. Because she was so popular (No.1 singles/Albums, BBC TV series, Vegas residency) her abilities as a writer, producer and arranger were too often overlooked, she paved the way for Joni Mitchell and Carly Simon. Bobbie’s songs continue to influence a new generation of artists like Cheryl Crow, Beth Orton, Lucinda Williams and Roseanne Cash all of whom have cited her as an influence and covered her songs.
In 2018 UMC released Capitol years boxset consisted of 8CDs, this is the first ever large-scale retrospective containing the first UK reissues of her albums in their entirety – supplemented by 76 previously unreleased demos, outtakes and alternate takes from all Bobbie’s Capitol albums. Included are beautiful acoustic demos of songs like Refractions, Courtyard and Seasons Come Seasons Go, alternate takes of Sunday Best, Sweet Peony and Benjamin, and previously unheard originals like Morning to Midnight, and Joanne. In addition, Bobbie recorded some great cover versions that never saw the light of day including Conspiracy of Homer Jones by Dallas Frazier, Spinning Wheel by Blood Sweat and Tears, Salome Smith and her amazing dancing bear by Randy Newman, and blues songs like Seventh Son by Willie Dixon. One of the selling points of the set is a previously unreleased album of jazz cover versions including intimate mostly acoustic interpretations of songs including Irving Berlin’s Suppertime, Billie Holidays God Bless the Child (play from start) and Since I Fell for You by Buddy Johnson. This change of direction was abandoned in favour of the blue-eyed soul of the Touch em With Love LP, making these recordings a unique document of Bobbie as we have never heard her before. Also included are selections from Bobbie’s three BBC tv series including live versions of her well-known tracks Ode to Billie Joe and Mississippi Delta as well as songs Bobbie never recorded in the studio like The Beatles’ Mother Nature’s Son and Harry Nilsson’ Open your Window. All the audio has been mastered from the original tapes. These to include many rare and never before seen images of Bobbie, images from photo shoots, out takes, performing and touring. These releases will feature an exclusive illustration provided by fashion illustrator David Downton.
These new formats (2CD / 2LP) are cut down versions of the boxset and feature a selection of the unreleased bonus material from the 8CD package, including an alternate take of Sunday Best, demo of Hurry, Tuesday Child, Mississippi Delta alternate version and many more. The CD will have a 38 page book, the LP will have a 12”12” insert with a selection of images used in the boxset and sleeve notes.
Bobbie released eight Capitol albums in total, heralded by the smash hit debut ‘Ode to Billie Joe’ (Which displaced Sgt. Pepper’s Lonely-Hearts Club Band from the top of the charts in the US). Delta Sweete, her third, is another highlight. MOJO magazine listed it in their top 500 greatest albums of all time and memorably described her as the ‘JD Salinger of rock n roll.’
Bobbie also teamed up with Glen Campbell later that year (1968) for album of duets that earned her another gold record and spawned three hit singles, including a cover of the Everly Brothers’ hit ‘All I Have to Do Is Dream’, which rose to No. 3 on the U.K. and No. 27 on the Billboard Hot 100. The pair also toured briefly together and performed on a number of American and British television programs and specials.
Bobbie enjoyed four UK hits, with ‘I’ll Never Fall in Love Again’ topping the charts in 1969. In the USA, she notched 11 hits and was nominated for a Grammy for album Fancy, which was largely produced by Rick Hall in Muscle Shoals
Bobbie had her own BBC show for 3 seasons, hosting the programmes, performing her own material and introducing guests such as Elton John, James Taylor and, Donovan. She also headlined her nightclub in Vegas.
She quit the scene over 40 years ago (1978), and unlike everyone who returns, she has stayed out of sight. She remains one of the few genuine mysteries of popular music. Because she was so popular (No.1 singles/Albums, BBC TV series, Vegas residency) her abilities as a writer, producer and arranger were too often overlooked, she paved the way for Joni Mitchell and Carly Simon. Bobbie’s songs continue to influence a new generation of artists like Cheryl Crow, Beth Orton, Lucinda Williams and Roseanne Cash all of whom have cited her as an influence and covered her songs.
In 2018 UMC released Capitol years boxset consisted of 8CDs, this is the first ever large-scale retrospective containing the first UK reissues of her albums in their entirety – supplemented by 76 previously unreleased demos, outtakes and alternate takes from all Bobbie’s Capitol albums. Included are beautiful acoustic demos of songs like Refractions, Courtyard and Seasons Come Seasons Go, alternate takes of Sunday Best, Sweet Peony and Benjamin, and previously unheard originals like Morning to Midnight, and Joanne. In addition, Bobbie recorded some great cover versions that never saw the light of day including Conspiracy of Homer Jones by Dallas Frazier, Spinning Wheel by Blood Sweat and Tears, Salome Smith and her amazing dancing bear by Randy Newman, and blues songs like Seventh Son by Willie Dixon. One of the selling points of the set is a previously unreleased album of jazz cover versions including intimate mostly acoustic interpretations of songs including Irving Berlin’s Suppertime, Billie Holidays God Bless the Child (play from start) and Since I Fell for You by Buddy Johnson. This change of direction was abandoned in favour of the blue-eyed soul of the Touch em With Love LP, making these recordings a unique document of Bobbie as we have never heard her before. Also included are selections from Bobbie’s three BBC tv series including live versions of her well-known tracks Ode to Billie Joe and Mississippi Delta as well as songs Bobbie never recorded in the studio like The Beatles’ Mother Nature’s Son and Harry Nilsson’ Open your Window. All the audio has been mastered from the original tapes. These to include many rare and never before seen images of Bobbie, images from photo shoots, out takes, performing and touring. These releases will feature an exclusive illustration provided by fashion illustrator David Downton.
These new formats (2CD / 2LP) are cut down versions of the boxset and feature a selection of the unreleased bonus material from the 8CD package, including an alternate take of Sunday Best, demo of Hurry, Tuesday Child, Mississippi Delta alternate version and many more. The CD will have a 38 page book, the LP will have a 12”12” insert with a selection of images used in the boxset and sleeve notes.
TRACK LISTING
2CD
CD 1
Ode To Billie Joe
I Saw An Angel Die
Chickasaw County Child
Sunday Best [alternate Take]
Hurry, Tuesday Child [demo]
Niki Hokey / Barefootin’ [Live On The BBC]
Mississippi Delta [alternate Version]
The Seventh Son [Band Version]
Okolona River Bottom Band
Mornin' Glory
Jessye' Lisabeth
Refractions
Courtyard
Feelin’ Good [demo]
Sweete Peony [alternate Version]
Casket Vignette
Recollection
Eleanor Rigby
Sittin’ Pretty
Hushabye Mountain
The Conspiracy Of Homer Jones
Sunday Mornin' [alternate Version]
Let It Be Me (duet With Glen Campbell) [without Strings]
CD 2
Suppertime
God Bless The Child
This Girl’s In Love With You
Touch 'Em With Love [stereo Version]
Greyhound Goin' Somewhere
Seasons Come, Seasons Go [demo]
Glory Hallelujah, How They'll Sing [alternate Take]
Fancy
Find 'Em, Fool 'Em And Forget 'Em
He Made A Woman Out Of Me
Rainmaker
Circle ‘Round The Sun
Apartment 21 [Stereo 7” Version]
Billy The Kid [Live On The BBC]
Benjamin
But I Can't Get Back
Belinda [acoustic Version]
Mean Stepmama Blues
Lookin' In
Smoke
Joanne
You And Me Together
The Girl From Cincinnati
2LP
LP 1 - SIDE A
Ode To Billie Joe
Chickasaw County Child
Hurry, Tuesday Child [demo]
Sunday Best [alternate Take]
Mississippi Delta [alternate Version]
Okolona River Bottom Band
Refractions
Courtyard
LP 1 - SIDE B
Mornin' Glory
Sweete Peony [alternate Version]
Casket Vignette
Recollection
Sittin’ Pretty
Hushabye Mountain
Conspiracy Of Homer Jones
Sunday Mornin' [alternate Version]
Let It Be Me (duet With Glen Campbell) [without Strings]
LP 2 - SIDE C
God Bless The Child
This Girl’s In Love With You
Touch 'Em With Love [stereo Version]
Seasons Come, Seasons Go [demo]
Glory Hallelujah, How They'll Sing [alternate Take]
Fancy
He Made A Woman Out Of Me
Rainmaker
Circle ‘Round The Sun
LP 2 - SIDE D
Apartment 21 [Stereo Version]
Benjamin
But I Can't Get Back
Lookin' In
Smoke
Joanne
The Girl From Cincinnati
The Chemical Brothers have announced details of a 25th anniversary reissue of their visionary breakthrough second album.
Dig Your Own Hole was recorded and road tested in the underground. On its release on 7th April 1997, the duo’s second album immediately redrew the boundaries of the mainstream. What had been created as a relentless, rapturous soundtrack to basements and backrooms entered the UK album charts at No 1 on the back of two No 1 singles (Setting Sun and Block Rockin’ Beats), and the US Billboard charts at No 14. The first British electronic record to crack the US rock charts, it would go on to sell half a million copies in the States in six months.
Dig Your Own Hole always was, and always will be, a total trip. Painstakingly constructed like a mixtape, Dig… is an hour spent travelling through a kaleidoscopic tunnel; a tumble into a rabbit hole, destination unknown and light source not always visible. Once on the journey, gear changes shift the music’s speed without warning; bass and drums lock into a metronomic union, vocal samples fly in and out of the darkness. And it all builds, and builds, towards a giant, deeply psychedelic crescendo, a chaos cascade of woodwind and distorted noise.
There are myriad voices and musical contributors woven into the sonic fabric of the record - Oasis’ Noel Gallagher on Setting Sun, regular guest Beth Orton on Where Do I Begin, fellow astral travellers Mercury Rev on The Private Psychedelic Reel, samples of rapper Schooly D and DJ Kool Herc, liquid bass from Seggs and Ali Friend - yet each individual melds into the artistic greater good. No one reroutes the Chemical Brothers’ distinctive direction of travel. How could one even begin to try to?
The 25th Anniversary edition of Dig Your Own Hole features five previously unreleased tracks and alternate versions from the recording sessions. The first of these - a frenetic demo version of Elektrobank - is digitally everywhere today; the other four tracks (previously unreleased recordings Cylinders and I Love Tekno and alternate mixes of It Doesn’t Matter and Where Do I Begin) will follow in the coming weeks,
The album will be available as a CD with the 5 new tracks. The bonus tracks will each be released digitally over the coming weeks.
Dig Your Own Hole was recorded and road tested in the underground. On its release on 7th April 1997, the duo’s second album immediately redrew the boundaries of the mainstream. What had been created as a relentless, rapturous soundtrack to basements and backrooms entered the UK album charts at No 1 on the back of two No 1 singles (Setting Sun and Block Rockin’ Beats), and the US Billboard charts at No 14. The first British electronic record to crack the US rock charts, it would go on to sell half a million copies in the States in six months.
Dig Your Own Hole always was, and always will be, a total trip. Painstakingly constructed like a mixtape, Dig… is an hour spent travelling through a kaleidoscopic tunnel; a tumble into a rabbit hole, destination unknown and light source not always visible. Once on the journey, gear changes shift the music’s speed without warning; bass and drums lock into a metronomic union, vocal samples fly in and out of the darkness. And it all builds, and builds, towards a giant, deeply psychedelic crescendo, a chaos cascade of woodwind and distorted noise.
There are myriad voices and musical contributors woven into the sonic fabric of the record - Oasis’ Noel Gallagher on Setting Sun, regular guest Beth Orton on Where Do I Begin, fellow astral travellers Mercury Rev on The Private Psychedelic Reel, samples of rapper Schooly D and DJ Kool Herc, liquid bass from Seggs and Ali Friend - yet each individual melds into the artistic greater good. No one reroutes the Chemical Brothers’ distinctive direction of travel. How could one even begin to try to?
The 25th Anniversary edition of Dig Your Own Hole features five previously unreleased tracks and alternate versions from the recording sessions. The first of these - a frenetic demo version of Elektrobank - is digitally everywhere today; the other four tracks (previously unreleased recordings Cylinders and I Love Tekno and alternate mixes of It Doesn’t Matter and Where Do I Begin) will follow in the coming weeks,
The album will be available as a CD with the 5 new tracks. The bonus tracks will each be released digitally over the coming weeks.
TRACK LISTING
1. Block Rockin’ Beats
2. Dig Your Own Hole
3. Elektrobank
4. Piku
5. Setting Sun
6. It Doesn’t Matter
7. Don’t Stop The Rock
8. Get Up On It Like This
9. Lost In The K‐Hole
10. Where Do I Begin
11. The Private Psychedelic Reel
Bonus Tracks:
12. It Doesn’t Matter (Alt Mix) 28/9/96
13. I Love Tekno (Alt Mix) 4/10/96
14. Elektrobank (Demo) 3/6/96
15. Cylinders 25/9/96
16. Where Do I Begin (Alt Mix) 15/6/96
Avalon the final studio offering from Roxy Music would draw upon a smoother, more adult orientated sound giving us the now iconic single ‘More Than This’. Avalon would be yet another UK no’1 album staying there for more than three weeks and in the album charts for over a year. Consistently praised by critics Avalon Rolling Stone magazine wrote “Bryan Ferry stars as a remarkably expressive keyboard player and singer whose familiar mannerisms are subsumed in a rich, benevolent self-assurance. And reed man Andy Mackay shines in a series of cameos (his oboe meditation on Ferry’s “Tara” is particularly lovely). Ten years after its debut, Roxy Music has mellowed: the occasional stark piano chords in “While My Heart Is Still Beating,” for example, recall the stately mood of “A Song for Europe,” but the sound is softer, dreamier and less determinedly dramatic now. Ferry’s songwriting, however, has seldom seemed stronger.” Each Roxy Music album has been Re-Issued with a fresh Half-Speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio, all eight of the Roxy Music studio albums have had their artwork revised and with a gloss laminated finish so that each album is not just a record it’s a piece of art.
Jessie Buckley and Bernard Butler have joined forces on For All Our Days That Tear The Heart, a collection of twelve mesmerising new songs. The meeting of an Academy Award-nominated actress and singer, and a Brit Award-winning producer and musician, feels like the tale of two distant stars coming together and forming their own constellation.
It all started with a FaceTime call from Butler’s North London kitchen to Buckley’s mountaintop residence in County Kerry, with their friendship growing from an unlikely shared love of Killarney and the small island of Valentia where Butler would go on holiday as a boy. A mutual friend had a feeling they might spark. Buckley had been listening to Old Wow by Sam Lee, produced by Bernard, in the downtime between rehearsals for the National Theatre’s televised production of Romeo and Juliet. Butler had seen Jessie perform a song on an American chat show in promotion of 2018’s Wild Rose. “I remember clocking just how much character there was in her voice and how freely she expressed it,” recalls Bernard.
If the project grew from a shared love and deep ancestral attachment to Ireland - Butler’s parents come from Dun Laoghaire, one of the coastal towns of Dublin Bay - then these songs swoop out from the Emerald Isle’s west coast, taking home Appalachian blues and delicate modal jazz from across the Atlantic, and taking in the bullfighting arenas of Andalusia along the way. The first song the pair wrote together, ‘The Eagle and the Dove’ - named after a book by the interwar proto-feminist writer Vita Sackville-West - set the tone for the project, and also set in motion a sense of adventure that permeates For All Our Days That Tear The Heart. Invoking the passionate theatre of flamenco, augmented by Jessie’s sumptuous, soaring vocals, the pair recorded the intuitive dance moves of Juana Jimenez with a microphone placed on the floor of the Birchanger Village Hall in Essex of all places.
There’s a physicality and a flow to the songs that somehow bear testament to the manner in which Jessie and Bernard threw themselves into making the album. Amid the constant exchange of ideas, songs fomented at speed. The sublime ‘20 Years A Growing’ takes its title from Maurice O’Sullivan’s celebrated 1933 account of life in Great Blasket Island off the coast of County Kerry. The more personal, piano-led ‘Seven Red Rose Tattoos’, captures the essence of loss and longing, with Jessie’s vocal lines a counterpoint to Byron Wallen’s doleful, muted trumpet: “I wanted it to be like a conversation with the ghosts of my thoughts,” says Buckley.
The dynamic title track is built around words that Jessie had written during a low period whilst in Chicago filming Fargo, with her extraordinary vocal blazing an emotional vapour trail through Bernard’s chamber-folk arrangement. And the pair draw inspiration from the ensemble work of seminal jazz-folk innovators Pentangle on songs like ‘I’ve Got A Feeling’ and ‘Sweet Child’, as the rhythm section of Misha Mullov-Abbado and Chris Vatalaro effectively converse with Jessie’s bewitching vocals. “Right now, I feel like I’ll never make another album again,” says Jessie, “because I can’t imagine another album happening the way this one did. It’s amazing that it even happened once. This obscure, organic, odd little thing that just found us.”
For All Our Days That Tear The Heart is a remarkable work of windswept beauty and catharsis, and given that it seemed to come out of nowhere, it also feels like a gift. “More than anything, I wanted it to be joyous – properly joyous – because there is such joy in Jessie, there really is,” says Bernard. “In spite of the darkness and the intensity in these songs, I’m just flying when I listen back to them.”
It all started with a FaceTime call from Butler’s North London kitchen to Buckley’s mountaintop residence in County Kerry, with their friendship growing from an unlikely shared love of Killarney and the small island of Valentia where Butler would go on holiday as a boy. A mutual friend had a feeling they might spark. Buckley had been listening to Old Wow by Sam Lee, produced by Bernard, in the downtime between rehearsals for the National Theatre’s televised production of Romeo and Juliet. Butler had seen Jessie perform a song on an American chat show in promotion of 2018’s Wild Rose. “I remember clocking just how much character there was in her voice and how freely she expressed it,” recalls Bernard.
If the project grew from a shared love and deep ancestral attachment to Ireland - Butler’s parents come from Dun Laoghaire, one of the coastal towns of Dublin Bay - then these songs swoop out from the Emerald Isle’s west coast, taking home Appalachian blues and delicate modal jazz from across the Atlantic, and taking in the bullfighting arenas of Andalusia along the way. The first song the pair wrote together, ‘The Eagle and the Dove’ - named after a book by the interwar proto-feminist writer Vita Sackville-West - set the tone for the project, and also set in motion a sense of adventure that permeates For All Our Days That Tear The Heart. Invoking the passionate theatre of flamenco, augmented by Jessie’s sumptuous, soaring vocals, the pair recorded the intuitive dance moves of Juana Jimenez with a microphone placed on the floor of the Birchanger Village Hall in Essex of all places.
There’s a physicality and a flow to the songs that somehow bear testament to the manner in which Jessie and Bernard threw themselves into making the album. Amid the constant exchange of ideas, songs fomented at speed. The sublime ‘20 Years A Growing’ takes its title from Maurice O’Sullivan’s celebrated 1933 account of life in Great Blasket Island off the coast of County Kerry. The more personal, piano-led ‘Seven Red Rose Tattoos’, captures the essence of loss and longing, with Jessie’s vocal lines a counterpoint to Byron Wallen’s doleful, muted trumpet: “I wanted it to be like a conversation with the ghosts of my thoughts,” says Buckley.
The dynamic title track is built around words that Jessie had written during a low period whilst in Chicago filming Fargo, with her extraordinary vocal blazing an emotional vapour trail through Bernard’s chamber-folk arrangement. And the pair draw inspiration from the ensemble work of seminal jazz-folk innovators Pentangle on songs like ‘I’ve Got A Feeling’ and ‘Sweet Child’, as the rhythm section of Misha Mullov-Abbado and Chris Vatalaro effectively converse with Jessie’s bewitching vocals. “Right now, I feel like I’ll never make another album again,” says Jessie, “because I can’t imagine another album happening the way this one did. It’s amazing that it even happened once. This obscure, organic, odd little thing that just found us.”
For All Our Days That Tear The Heart is a remarkable work of windswept beauty and catharsis, and given that it seemed to come out of nowhere, it also feels like a gift. “More than anything, I wanted it to be joyous – properly joyous – because there is such joy in Jessie, there really is,” says Bernard. “In spite of the darkness and the intensity in these songs, I’m just flying when I listen back to them.”
STAFF COMMENTS
Barry says: Buckley and Butler combine their considerable talents into a grand, emotive swell of folky guitars and orchestral instrumentation. Beautifully swinging between folky minimalism with hushed vocals to grand, gothic strings and bold cinematic intensity. Really lovely stuff.TRACK LISTING
01 - The Eagle & The Dove
02 - For All Our Days That Tear The Heart
03 - 20 Years A-Growing
04 - Babylon Days
05 - Seven Red Rose Tattoos
06 - Footnotes On The Map
07 - We’ve Run The Distance
08 - We Haven’t Spoke About The Weather
09 - Beautiful Regret
10 - I Cried Your Tears
11 - Shallow The Water
12 - Catch The Dust
Reissue of the first Dire Straits greatest hits collection, originally released in October 1988 and featuring songs from their first five albums.
Fully remastered by Bob Ludwig, and cut by Bernie Grundman, this vinyl reissue includes ‘Telegraph Road (Live Remix)’ which was previously only available on the original CD format, and a brand new mix of ‘Portobello Belle (Live)’. It is cut over four sides of vinyl for the first time.
Fully remastered by Bob Ludwig, and cut by Bernie Grundman, this vinyl reissue includes ‘Telegraph Road (Live Remix)’ which was previously only available on the original CD format, and a brand new mix of ‘Portobello Belle (Live)’. It is cut over four sides of vinyl for the first time.
STAFF COMMENTS
Barry says: I remember having a copy of this on CD when I was younger, and thoroughly believed it to be a proper album. Imagine my surprise then when it turned out it's just a really good compilation. Andy and I were talking about just this the other week. I love Dire Straits, and this is the best 'album' that never was.TRACK LISTING
LP1 - Side A
Sultans Of Swing (5:46)
Down To The Waterline (4:01)
Portobello Belle (Live: Alternative Out-take) (4:33) – Previously Unreleased Version
LP1 - Side B
Twisting By The Pool (Remix) (3:30)
Tunnel Of Love (8:10)
Romeo And Juliet (5:56)
LP2 - Side C
Where Do You Think You're Going (3:30)
Walk Of Life (4:08)
Private Investigations (5:50)
LP2 - Side D
Telegraph Road (Live Remix) (11:59) – Previously Unreleased On Vinyl
Money For Nothing (Single Edit) (4:06)
Brothers In Arms (Edit) (4:49)
Neneh Cherry announces a new project titled The Versions, a collaboration album of covers from her expansive catalogue by an all female lineup of some of the most exciting and revered artists of our time.
The Versions is a 10-track album featuring Neneh Cherry reworks from artists that have a personal connection to the artist and her music. Sia expresses her love for Neneh and her family saying, “Neneh was my favorite artist when she hit the scene. I saved my pocket money for red filas and dreamt one day we would meet. When I was struggling with my mental health in my early twenties, I somehow ended up in their house being taken care of as if I was one of their own children. I called her husband during a suicide attempt, who had been mentoring me as an incredible music producer, and they gave me all the love I could have dreamt of. I owe them a huge thanks and would sing ‘a-b-c’ for them if they asked.
Neneh, my very first queen, Cameron my bonus dad, I love you forever amen!
Other artists involved include long-time friend, one of pop's treasured musical geniuses and woman behind some of the most memorable songs of recent decade, Robyn who teamed up with Mapei to re-imagine the seminal track “Buffalo Stance” into a slinky, scandipop song with the help of Dev Hynes on production. Pop provocateur, ANOHNI lends her haunting vocals to “Woman”, delivering an arresting remake of the empowering track and south London nomad Greentea Peng transforms “Buddy X” into a garage infused number. Singer-songwriter and poet Jamila Woods adds her soulful touch on “Kootchi” with artist and violinist Sudan Archives completely reconstructing “Heart” into a sparse and delicate offering. Seinabo Sey adds Scandinavian soul to “Kisses On The Wind”, Kelsey Lu’s ethereal vocals on her version of “Manchild” transports the track into unworldly heights with Neneh’s daughter TYSON bringing her own sensual attitude to “Sassy” before Honey Dijon wraps things up and taking things to the dancefloor with her house remix of “Buddy X”.
Neneh Cherry has continued to define and redefine culture, style and music, releasing five studio albums, including 2018’s Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The Guardian, Rolling Stone, The Times, Q and Pitchfork. 2020 saw her reissue her radically influential debut album Raw Like Sushi to celebrate its 30th anniversary and recently received the honorary Icon Award at the NME Awards 2022.
The Versions is a 10-track album featuring Neneh Cherry reworks from artists that have a personal connection to the artist and her music. Sia expresses her love for Neneh and her family saying, “Neneh was my favorite artist when she hit the scene. I saved my pocket money for red filas and dreamt one day we would meet. When I was struggling with my mental health in my early twenties, I somehow ended up in their house being taken care of as if I was one of their own children. I called her husband during a suicide attempt, who had been mentoring me as an incredible music producer, and they gave me all the love I could have dreamt of. I owe them a huge thanks and would sing ‘a-b-c’ for them if they asked.
Neneh, my very first queen, Cameron my bonus dad, I love you forever amen!
Other artists involved include long-time friend, one of pop's treasured musical geniuses and woman behind some of the most memorable songs of recent decade, Robyn who teamed up with Mapei to re-imagine the seminal track “Buffalo Stance” into a slinky, scandipop song with the help of Dev Hynes on production. Pop provocateur, ANOHNI lends her haunting vocals to “Woman”, delivering an arresting remake of the empowering track and south London nomad Greentea Peng transforms “Buddy X” into a garage infused number. Singer-songwriter and poet Jamila Woods adds her soulful touch on “Kootchi” with artist and violinist Sudan Archives completely reconstructing “Heart” into a sparse and delicate offering. Seinabo Sey adds Scandinavian soul to “Kisses On The Wind”, Kelsey Lu’s ethereal vocals on her version of “Manchild” transports the track into unworldly heights with Neneh’s daughter TYSON bringing her own sensual attitude to “Sassy” before Honey Dijon wraps things up and taking things to the dancefloor with her house remix of “Buddy X”.
Neneh Cherry has continued to define and redefine culture, style and music, releasing five studio albums, including 2018’s Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The Guardian, Rolling Stone, The Times, Q and Pitchfork. 2020 saw her reissue her radically influential debut album Raw Like Sushi to celebrate its 30th anniversary and recently received the honorary Icon Award at the NME Awards 2022.
TRACK LISTING
01_Robyn Feat Mapei - Buffalo Stance
02_Sia - Manchild
03_Anohni - Woman
04_Greentea Peng - Buddy X
05_Jamilia Woods - Kootchi
06_TYSON - Sassy
07_Sudan Archives - Hearts
08_Seinabo Sey - Kisses On The Wind
09_Kelsey Lu – Manchild
10_Honey Dijon – Buddy X Rework
In 1979 Roxy Music released Manifesto, almost four years since the last album and with it brought one of the bands biggest hits the second single and disco tinged ‘Dance Away’ and was a Top 10 selling single of 1979. The album also peaked in the UK chart at No’7 and was positively received by critics. Each Roxy Music album has been Re-Issued with a fresh Half-Speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio, all eight of the Roxy Music studio albums have had their artwork revised and with a gloss laminated finish so that each album is not just a record it’s a piece of art.
Siren released in 1975 produced the singles “Love Is the Drug” and “Both Ends Burning”, which peaked at numbers two and 25 respectively on the UK Singles Chart. “Love Is the Drug” became Roxy Music’s highest-charting single in the US, reaching number 30 on the Billboard Hot 100. Siren a captivating offering from Roxy Music draws you in ever closer on each listen. Each Roxy Music album has been Re-Issued with a fresh Half-Speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio, all eight of the Roxy Music studio albums have had their artwork revised and with a gloss laminated finish so that each album is not just a record it’s a piece of art.
Ribbon Around The Bomb is the first new music from Blossoms since their ‘vibrant single’ (NME) Care For, which was released in 2021.
Speaking about the new album and single, Blossoms’ Tom Ogden says:
‘While on tour in 2019 in Mexico, I visited Frida Kahlo’s house. Looking at her paintings on show, someone had described one of them as being like a ‘ribbon around a bomb’. I immediately thought that it was a great title for a song and album because of the imagery that it evoked in my mind. I thought about how lots of things in life could be described as being a ribbon around a bomb in the sense that as people we often dress things up which have a darkness lying beneath them’.
The band’s new album is produced by their consistent and renowned collaborators James Skelly and Rich Turvey and revolves around a central character ‘The Writer’.
Tom Ogden explains:
"The more songs I wrote, the more I realised that the writer referenced in the songs was in fact me. Having been so busy for the past eight years I and the band have never really had the chance to step back and reflect on what we’ve achieved. You’re so focused on the future; write the next album then tour. Your life is usually mapped out at least two years in advance".
Standout tracks on the record include Ode To NYC, described by Tom as ‘a love letter to my favourite city, as well as my wife’, The Writer which deals with the fear of and frustration associated with writers block and Everything About You, one of the album’s only love songs, which Tom says is ‘as honest as they come’. Visions meanwhile contains one of the album’s key lyrics ‘Was I complete at 23’, as Tom explains. ’At 23 I had just had a number 1 album and begun my relationship with my now wife Katie. Reflecting on what I’d achieved at such a young age left me wondering, what now?’
Speaking about the new album and single, Blossoms’ Tom Ogden says:
‘While on tour in 2019 in Mexico, I visited Frida Kahlo’s house. Looking at her paintings on show, someone had described one of them as being like a ‘ribbon around a bomb’. I immediately thought that it was a great title for a song and album because of the imagery that it evoked in my mind. I thought about how lots of things in life could be described as being a ribbon around a bomb in the sense that as people we often dress things up which have a darkness lying beneath them’.
The band’s new album is produced by their consistent and renowned collaborators James Skelly and Rich Turvey and revolves around a central character ‘The Writer’.
Tom Ogden explains:
"The more songs I wrote, the more I realised that the writer referenced in the songs was in fact me. Having been so busy for the past eight years I and the band have never really had the chance to step back and reflect on what we’ve achieved. You’re so focused on the future; write the next album then tour. Your life is usually mapped out at least two years in advance".
Standout tracks on the record include Ode To NYC, described by Tom as ‘a love letter to my favourite city, as well as my wife’, The Writer which deals with the fear of and frustration associated with writers block and Everything About You, one of the album’s only love songs, which Tom says is ‘as honest as they come’. Visions meanwhile contains one of the album’s key lyrics ‘Was I complete at 23’, as Tom explains. ’At 23 I had just had a number 1 album and begun my relationship with my now wife Katie. Reflecting on what I’d achieved at such a young age left me wondering, what now?’
STAFF COMMENTS
Barry says: Blossoms are back! Stockport's favourite export bring with them all the vim of their 2020 hit, 'Foolish Loving Spaces' and expand into even more neon-tinged electronic realms. It's as bold as anything they've done, but perfectly in keeping with their keen grasp of melodicism and pop progressions.TRACK LISTING
1. The Writer’s Theme
2. Ode To NYC
3. Ribbon Around The Bomb
4. The Sulking Poet
5. Born Wild
6. The Writer
7. Everything About You
8. Care For
9. Cinerama Holy Days
10. Edith Machinist
11. Visions
12. The Last Chapter
Live At Sefton Park - Deluxe CD Bonus Disc:
1. Intro Live At Sefton Park
2. Your Girlfriend Live At Sefton Park
3. There’s A Reason Why (I Never Returned Your Calls) Live At Sefton Park
4. I Can’t Stand It Live At Sefton Park
5. Getaway Live At Sefton Park
6. My Swimming Brain Live At Sefton Park
7. Paperback Writer Live At Sefton Park
8. Blown Rose Live At Sefton Park
9. Honey Sweet Live At Sefton Park
10. Sunday Was A Friend Of Mine Live At Sefton Park
11. If You Think This Is Real Life Live At Sefton Park
12. Oh No (I Think I’m In Love) Live At Sefton Park
13. At Most A Kiss Live At Sefton Park
14. Charlemagne Live At Sefton Park
Following the eclectic charm and intimacy of 1970's solo McCartney and 1971's homespun lo-fi indie-pop progenitor RAM credited to Paul and Linda McCartney, Wild Life found Paul once again redefining his post-Beatles creative identity, this time beginning his tenure as a founding member of Wings. A rollicking left turn from its predecessors, Wild Life was recorded in barely more than a week, with more than half of the songs captured in a single take. The end result would be eight songs running the gamut from joyous freewheeling jams to proto-chamber pop to spare introspective musings — all bristling with a raw, jagged energy akin to the grungiest of garage bands—whether on the careening blues-rock rave-up of opener "Mumbo," a reggae-tinged reimagining of Mickey & Sylvia's "Love Is Strange," or the plaintive and heart wrenching ballad "Dear Friend."
Cracking the top 10 and going gold in the US, Wild Life faced an admittedly uphill battle as the debut of Paul's first post-Beatles band. In a recent reassessment, Billboard noted that modern-day Wild Life listeners "can throw out all this cultural baggage and just enjoy the tunes… by not reaching for any obvious Beatles tropes, Wings achieved something fresh and inviting…" And in fact, Wild Life would prove to be the first spark of the Wings phenomenon that would develop and flourish into one of the defining sounds of '70s rock n roll. The streak of #1 albums from Red Rose Speedway, Band On The Run, Venus And Mars, At The Speed Of Sound through the 3LP live opus Wings Over America, and the sold-out shows that provided the blueprint for the '70s arena rock experience—can all be traced back to the big bang of those first eight months during which Wings would form, release Wild Life in December 1971 and play their first-ever live shows in February 1972.
Cracking the top 10 and going gold in the US, Wild Life faced an admittedly uphill battle as the debut of Paul's first post-Beatles band. In a recent reassessment, Billboard noted that modern-day Wild Life listeners "can throw out all this cultural baggage and just enjoy the tunes… by not reaching for any obvious Beatles tropes, Wings achieved something fresh and inviting…" And in fact, Wild Life would prove to be the first spark of the Wings phenomenon that would develop and flourish into one of the defining sounds of '70s rock n roll. The streak of #1 albums from Red Rose Speedway, Band On The Run, Venus And Mars, At The Speed Of Sound through the 3LP live opus Wings Over America, and the sold-out shows that provided the blueprint for the '70s arena rock experience—can all be traced back to the big bang of those first eight months during which Wings would form, release Wild Life in December 1971 and play their first-ever live shows in February 1972.
TRACK LISTING
Side A
Mumbo
Bip Bop
Love Is Strange
Wild Life
Side B
Some People Never Know
I Am Your Singer
Tomorrow
Dear Friend
Elvis Costello and The Imposters release, ‘The Boy Named If,’ a new album of urgent, immediate songs with bright melodies, guitar solos that sting and a quick step to the rhythm.
Costello tell us, ”The full title of this record is 'The Boy Named If (And Other Children’s Stories).’ ‘IF,’ is a nickname for your imaginary friend; your secret self, the one who knows everything you deny, the one you blame for the shattered crockery and the hearts you break, even your own."
Produced by Sebastian Krys & Elvis Costello - the album is a collection of thirteen snapshots, “That take us from the last days of a bewildered boyhood to that mortifying moment when you are told to stop acting like a child - which for most men (and perhaps a few gals too) can be any time in the next fifty years," as Costello put it.
Costello tell us, ”The full title of this record is 'The Boy Named If (And Other Children’s Stories).’ ‘IF,’ is a nickname for your imaginary friend; your secret self, the one who knows everything you deny, the one you blame for the shattered crockery and the hearts you break, even your own."
Produced by Sebastian Krys & Elvis Costello - the album is a collection of thirteen snapshots, “That take us from the last days of a bewildered boyhood to that mortifying moment when you are told to stop acting like a child - which for most men (and perhaps a few gals too) can be any time in the next fifty years," as Costello put it.
TRACK LISTING
1. Farewell
2. The Boy If Named
3. Penelope Halfpenny
4. The Difference
5. What If I Can’t Give You Anything But Love
6. Paint The Red Rose Blue
7. Mistook Me For A Fool
8. My Most Beautiful Mistake
9. Magnificent Hurt
10. The Man You Love To Hate
11. Death Of Magic Thinking
12. Trick Out The Truth
13. Mr Crescent
Feeling is at the core of jennylee’s music. Having spent the past decade defining the grove that allows Warpaint the luxury to drift between genres and eras, jennylee’s solo record proved more loose, open, and driven by the rhythm of the heart. Critically acclaimed LA quartet Warpaint have been confounding expectation since the band’s inception in 2004. Releasing their third album ‘Heads Up’ to rave reviews in 2016, Warpaint remain on top of their game; cementing themselves as one of the bands of a generation.
AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.
LIMITED TO ONE PER PERSON.
Happy to announce my 2021 mini-album 'Storm Shelter' is out on limited vinyl and for Record Store Day Black Friday, Nov 26, #RSDBF. Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream. All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham.
LIMITED TO ONE PER PERSON.
Happy to announce my 2021 mini-album 'Storm Shelter' is out on limited vinyl and for Record Store Day Black Friday, Nov 26, #RSDBF. Originally released earlier this year as stream and download, it is a stripped-back companion piece to Storm Damage; a 6-song piano-vocal set that features covers of Ten City’s That’s The Way Love Is and Sharon Van Etten’s Comeback Kid plus new versions of three songs from Storm Damage, and one from my 2016 album, Fever Dream. All the songs were recorded in one day at RAK Studios in London a couple of months before the pandemic and are engineered and mixed by Bruno Ellingham.
Continuing the Taylors Version of releases, here we have 'Red'.
TRACK LISTING
1. State Of Grace (Taylor’s Version)
2. Red (Taylor’s Version)
3. Treacherous (Taylor’s Version)
4. I Knew You Were Trouble (Taylor’s Version)
5. All Too Well (Taylor’s Version)
6. 22 (Taylor’s Version)
7. I Almost Do (Taylor’s Version)
8. We Are Never Ever Getting Back Together (Taylor’s Version)
9. Stay Stay Stay (Taylor’s Version)
10. The Last Time (feat. Gary Lightbody Of Snow Patrol) (Taylor’s Version)
11. Holy Ground (Taylor’s Version)
12. Sad Beautiful Tragic (Taylor’s Version)
13. The Lucky One (Taylor’s Version)
14. Everything Has Changed (feat. Ed Sheeran) (Taylor’s Version)
15. Starlight (Taylor’s Version)
16. Begin Again (Taylor’s Version)
17. The Moment I Knew (Taylor’s Version)
18. Come Back..Be Here (Taylor’s Version)
19. Girl At Home (Taylor’s Version)
20. State Of Grace (Acoustic Version) (Taylor’s Version)
21. Ronan (Taylor’s Version)
22. Better Man (Taylor’s Version) (From The Vault)
23. Nothing New (feat.Phoebe Bridgers) (Taylor’s Version) (From The Vault)
24. Babe (Taylor’s Version) (From The Vault)
25. Message In A Bottle (Taylor’s Version) (From The Vault)
26. I Bet You Think About Me (feat. Chris Stapleton) (Taylor’s Version) (From The Vault)
27. Forever Winter (Taylor’s Version) (From The Vault)
28. Run (feat. Ed Sheeran) (Taylor’s Version) (From The Vault)
29. The Very First Night (Taylor’s Version) (From The Vault)
30. All Too Well Ten Minute Version (Taylor’s Version) (From The Vault)
Metallica’s eponymous album, better known as The Black Album is remastered.
The Black album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, “Enter Sandman,” “The Unforgiven, “Nothing Else Matters, “Wherever I May Roam,” and “Sad But True.” Remastered by Bob Ludwig at Gateway Mastering and overseen by executive producer Greg Fidelman.
The Black album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, “Enter Sandman,” “The Unforgiven, “Nothing Else Matters, “Wherever I May Roam,” and “Sad But True.” Remastered by Bob Ludwig at Gateway Mastering and overseen by executive producer Greg Fidelman.
Screen Violence is the upcoming fourth studio album by Scottish synth-pop band Chvrches.
The album began in 2020 during the COVID-19 pandemic as ideas shared over video calls and audio-sharing programs. It was produced by the band and recorded between Glasgow and Los Angeles. Frontwoman Lauren Mayberry said it felt "freeing initially" for the album to start out as something "escapist" but that the lyrics ended up being "definitely still personal"
The album title came from an idea for the name of the band, but was then adapted for the title of the album due to the theme of violence "on screen, by screens and through screens – with songs addressing feelings of loneliness, disillusionment and fear, among other emotions".
Martin Doherty called the album title "a bit more literal [than just a concept]. When we were making the record, it was like half of our lives were lived through screens.
The album began in 2020 during the COVID-19 pandemic as ideas shared over video calls and audio-sharing programs. It was produced by the band and recorded between Glasgow and Los Angeles. Frontwoman Lauren Mayberry said it felt "freeing initially" for the album to start out as something "escapist" but that the lyrics ended up being "definitely still personal"
The album title came from an idea for the name of the band, but was then adapted for the title of the album due to the theme of violence "on screen, by screens and through screens – with songs addressing feelings of loneliness, disillusionment and fear, among other emotions".
Martin Doherty called the album title "a bit more literal [than just a concept]. When we were making the record, it was like half of our lives were lived through screens.
When the Covid-19 pandemic shut down the promotional run and worldwide tour for The Killers’ majestic, critically-acclaimed 2020 album Imploding the Mirage, “everything came to this grinding halt,” says frontman Brandon Flowers. “And it was the first time in a long time for me that I was faced with silence. And out of that silence this record began to bloom, full of songs that would have otherwise been too quiet and drowned out by the noise of typical Killers records.” Indeed, for the first time since 2004, the relentless momentum and pressures of being in a globally-renowned, stadium-shaking band stopped. Enter Pressure Machine: a view into the everyday realities of a small American town with a stark, tough beauty, and The Killers’ most restrained and resonant album yet.
A quieter, character-study-driven album, Pressure Machine lives squarely in Flowers’ hometown of Nephi, Utah, a close-knit community of 5300 people with no traffic lights, a rubber plant, wheat fields, and the West Hills. Nephi is the place Flowers spent his formative years (10-16), saying “had it not been for advancements in the automotive industry, Nephi in the 90s could have been the 1950s.” The album’s songs are based on the memories and stories of people that impacted him growing up, interspersed with commentary from current Nephi locals about their town. “We were discussing [Brandon] moving to Nephi as a kid and being stuck in the middle of nowhere,” says the band’s drummer Ronnie Vannucci Jr. “And during Covid-19, it started to feel like we were all in the middle of nowhere.” Concurs Flowers, “I discovered this grief that I hadn’t dealt with,” he says, “many memories of my time in Nephi are tender. But the ones tied to fear or great sadness were emotionally charged. I’ve got more understanding now than when we started the band, and hopefully I was able to do justice to these stories and these lives in this little town that I grew up in.”
The resulting record is an aural document of growing up - and living - in the American Southwest, told from a myriad of perspectives. For the first time in his life, Flowers had complete lyrics before a note of music was put to tape. No stranger to inhabiting different characters in songs, on Pressure Machine he steps into the shoes of some of the people whose lives he watched unfold as a teen. The album weaves the threads of Flowers’ signature lyricism throughout his career into a perfect whole culminating in the most elegant album The Killers have ever made.
Through its characters and also its title, the album squares up to the unbending pressure of the American dream compounded by religious disenchantment. A born optimist, moments of beauty inevitably shine out of the grief of Flowers's songs: the healing arrival of summer, the first crop of hay, sweeter skies. Pressure Machine’s stories detail the real life personal battles, overwhelming regrets, local tragedies, and the opioid epidemic that hit Flowers’ hometown, as well as every hometown in America. Flowers sings about the choices people make, for better and for worse, and the consequences of those choices; the ones who were left behind, and the ones that can’t be forgotten.
Pressure Machine’s album cover image was shot on the highway just outside Nephi, taken as photographer Wes Johnson passed a roadside inspirational display set up by a local Baptist church. Johnson took dozens of incredible images of Flowers’ hometown throughout the early part of 2021, many of which are featured in the album’s packaging for the physical edition.
A quieter, character-study-driven album, Pressure Machine lives squarely in Flowers’ hometown of Nephi, Utah, a close-knit community of 5300 people with no traffic lights, a rubber plant, wheat fields, and the West Hills. Nephi is the place Flowers spent his formative years (10-16), saying “had it not been for advancements in the automotive industry, Nephi in the 90s could have been the 1950s.” The album’s songs are based on the memories and stories of people that impacted him growing up, interspersed with commentary from current Nephi locals about their town. “We were discussing [Brandon] moving to Nephi as a kid and being stuck in the middle of nowhere,” says the band’s drummer Ronnie Vannucci Jr. “And during Covid-19, it started to feel like we were all in the middle of nowhere.” Concurs Flowers, “I discovered this grief that I hadn’t dealt with,” he says, “many memories of my time in Nephi are tender. But the ones tied to fear or great sadness were emotionally charged. I’ve got more understanding now than when we started the band, and hopefully I was able to do justice to these stories and these lives in this little town that I grew up in.”
The resulting record is an aural document of growing up - and living - in the American Southwest, told from a myriad of perspectives. For the first time in his life, Flowers had complete lyrics before a note of music was put to tape. No stranger to inhabiting different characters in songs, on Pressure Machine he steps into the shoes of some of the people whose lives he watched unfold as a teen. The album weaves the threads of Flowers’ signature lyricism throughout his career into a perfect whole culminating in the most elegant album The Killers have ever made.
Through its characters and also its title, the album squares up to the unbending pressure of the American dream compounded by religious disenchantment. A born optimist, moments of beauty inevitably shine out of the grief of Flowers's songs: the healing arrival of summer, the first crop of hay, sweeter skies. Pressure Machine’s stories detail the real life personal battles, overwhelming regrets, local tragedies, and the opioid epidemic that hit Flowers’ hometown, as well as every hometown in America. Flowers sings about the choices people make, for better and for worse, and the consequences of those choices; the ones who were left behind, and the ones that can’t be forgotten.
Pressure Machine’s album cover image was shot on the highway just outside Nephi, taken as photographer Wes Johnson passed a roadside inspirational display set up by a local Baptist church. Johnson took dozens of incredible images of Flowers’ hometown throughout the early part of 2021, many of which are featured in the album’s packaging for the physical edition.
TRACK LISTING
1. West Hills
2. Quiet Town
3. Cody
4. Terrible Thing
5. Sleepwalker
6. Runaway Horses Featuring Phoebe Bridgers **
7. In The Car Outside
8. In Another Life
9. Desperate Things
10. Pressure Machine
11. The Getting By
2021 has been an incredible year so far for Jessie Ware. ‘What’s Your Pleasure?’ re-entered the Top 10 following a brilliant Graham Norton performance of ‘Remember Where You Are’ which has proved itself to be one of Jessie’s most connective singles to date. In addition, Jessie has two BRITs nominations, one for Female Solo artist and one for Album Of The Year – the category with a historic four women up for the award.
Her newest track, ‘Please’ sees Jessie continue the energy of ‘What’s Your Pleasure’ in the form of a throwback to 70s and 80s dance music, and pulls it together in a wonderfully anachronistic style, all packaged with Ware’s outstanding vocals. The track fits perfectly into ‘What’s Your Pleasure - The Platinum Pleasure Edition’, Ware’s deluxe offering of her sensational 2020 record. This edition still bears the cohesive, complementary songwriting, the killer grooves and flawless production of the original version. The Platinum Pleasure Edition only serves to heighten the rich and powerful soul of last year’s release with tracks like Please, 0208 featuring synthpop visionary Kindness, the Endless Remix of ‘Adore You’ and a whole host more.
Talking about the deluxe and new single Jessie said: ”I had such an amazing response to the ‘What’s Your Pleasure?’ record that I didn’t want the lights to go up and the party to be over just yet! ‘Please’ is full of optimism and ready to be played in a place where we can all be together and flirt, dance, touch and kiss. A wonderful excuse not to stop the party from ending.”
It’s safe to say that the last twelve months have been pretty stellar for Jessie Ware. June 2020 saw Jessie release ‘What’s Your Pleasure?’ and gain not only her fourth UK Top 10 album of her career, but also her highest charting record when it entered straight into the UK Official Album Charts at No.3. As if this wasn’t amazing enough, she went on to release her first cookbook and continued her immensely popular podcast Table Manners and recently hit a massive milestone of 21 million individual listens, oftentimes featuring household names such as Dua Lipa, Kylie Minogue, Yungblud, Robbie Williams, Alanis Morissette., Dawn French and Dolly Parton to name a few.
Last year saw the album continue to receive widespread critical acclaim, with ‘What’s Your Pleasure?’ featuring heavily amongst ‘album of the year’ lists including for music critic Anthony Fantano, also known as The Needle Drop, who gave What’s Your Pleasure?’ the coveted no. 1 spot on his ‘Best Albums of 2020’ list, declaring it to be “a religious experience”. The record garnered praise from The Guardian who say it’s“Ware’s finest record yet"; Rolling Stone laude it as a “fantastic dance-pop record”; Pitchfork say “Jessie reminds us why we listen to dance music in the first place.”, GQ proclaim it as “the perfect album” and NME stated it was“pure escapism.”
Her newest track, ‘Please’ sees Jessie continue the energy of ‘What’s Your Pleasure’ in the form of a throwback to 70s and 80s dance music, and pulls it together in a wonderfully anachronistic style, all packaged with Ware’s outstanding vocals. The track fits perfectly into ‘What’s Your Pleasure - The Platinum Pleasure Edition’, Ware’s deluxe offering of her sensational 2020 record. This edition still bears the cohesive, complementary songwriting, the killer grooves and flawless production of the original version. The Platinum Pleasure Edition only serves to heighten the rich and powerful soul of last year’s release with tracks like Please, 0208 featuring synthpop visionary Kindness, the Endless Remix of ‘Adore You’ and a whole host more.
Talking about the deluxe and new single Jessie said: ”I had such an amazing response to the ‘What’s Your Pleasure?’ record that I didn’t want the lights to go up and the party to be over just yet! ‘Please’ is full of optimism and ready to be played in a place where we can all be together and flirt, dance, touch and kiss. A wonderful excuse not to stop the party from ending.”
It’s safe to say that the last twelve months have been pretty stellar for Jessie Ware. June 2020 saw Jessie release ‘What’s Your Pleasure?’ and gain not only her fourth UK Top 10 album of her career, but also her highest charting record when it entered straight into the UK Official Album Charts at No.3. As if this wasn’t amazing enough, she went on to release her first cookbook and continued her immensely popular podcast Table Manners and recently hit a massive milestone of 21 million individual listens, oftentimes featuring household names such as Dua Lipa, Kylie Minogue, Yungblud, Robbie Williams, Alanis Morissette., Dawn French and Dolly Parton to name a few.
Last year saw the album continue to receive widespread critical acclaim, with ‘What’s Your Pleasure?’ featuring heavily amongst ‘album of the year’ lists including for music critic Anthony Fantano, also known as The Needle Drop, who gave What’s Your Pleasure?’ the coveted no. 1 spot on his ‘Best Albums of 2020’ list, declaring it to be “a religious experience”. The record garnered praise from The Guardian who say it’s“Ware’s finest record yet"; Rolling Stone laude it as a “fantastic dance-pop record”; Pitchfork say “Jessie reminds us why we listen to dance music in the first place.”, GQ proclaim it as “the perfect album” and NME stated it was“pure escapism.”
TRACK LISTING
1. Spotlight
2. What’s Your Pleasure?
3. Ooh La La
4. Soul Control
5. Save A Kiss
6. Adore You
7. In Your Eyes
8. Step Into My Life
9. Read My Lips
10. Mirage (Don’t Stop)
11 .The Kill
12. Remember Where You Are
13. Please
14. Impossible
15. Eyes Closed
16. Overtime
17. Hot N Heavy
18. Pale Blue Light
19. 0208 (feat. Kindness)
20. Adore You (Endless Remix)
“Man Made” feels like the perfect statement of intent and presentation of Greentea’s world - meditative, experimental, political, medicinal, trippy, humorous, and brimming with rich and varied influences.
Set against the backdrop of one of the most turbulent years in recent memory, Greentea and her band The Seng Seng Family retreated to the country last summer where the alchemy of “Man Made” took place, bringing a live element to the album, and chose to record the record in 432 Hz frequency, a pitch that falls a semitone below music industry standard, which is thought to vibrate healing energy. Executive-produced by long time collaborator Earbuds, Greentea worked with an incredible roll-call of producers; the likes of Swindle, long-standing collaborators Samo & Kiko, and Mala (part of the legendary dubstep production duo Digital Mystikz and the founder of the iconic DMZ dubstep label). The album was then mixed by the legendary Commissioner Gordon. The record seamlessly weaves genres from hip-hop to jazz, neo-soul, trip-hop, ragga, rock, dub and drum & bass, all anchored by signature sage vocals. At 18 tracks, “Man Made” is a true opus, a fluid and transportive listening experience, channelling deepest inner-thoughts and exploring different states of being, segued to be enjoyed in full. It encourages repeated revisits to fully explore the magic at work.
Greentea shares her manifesto:
"Man Made” an exploration of self and sound. A product of shifting paradigms both inner and outer.
An ultra sonic trip. This album is an offering of healing, a provocation of Hu Man spirit soul.
Out of tune with the industry and in tune with the universe, this is a 432hrz production.
Deliberately detuned out of any Babylon standard! It is to be felt…like a buzzing bee, in one's chest. A vibration. A jambalaya of expression, this project fits no genre, not to be digested easily by everyone.
However for those occupying the same space right now, upholding the frequency at such a transformative and challenging moment in time…I trust THIS SOUND will find you.
Dedicated and inspired by the late Jimtastic, join me and my boys as we travel the Sonicsphere on the way back to centre, through the depths of apathy and the heights of interconnection through surrender…
I offer you Man Made.”
Set against the backdrop of one of the most turbulent years in recent memory, Greentea and her band The Seng Seng Family retreated to the country last summer where the alchemy of “Man Made” took place, bringing a live element to the album, and chose to record the record in 432 Hz frequency, a pitch that falls a semitone below music industry standard, which is thought to vibrate healing energy. Executive-produced by long time collaborator Earbuds, Greentea worked with an incredible roll-call of producers; the likes of Swindle, long-standing collaborators Samo & Kiko, and Mala (part of the legendary dubstep production duo Digital Mystikz and the founder of the iconic DMZ dubstep label). The album was then mixed by the legendary Commissioner Gordon. The record seamlessly weaves genres from hip-hop to jazz, neo-soul, trip-hop, ragga, rock, dub and drum & bass, all anchored by signature sage vocals. At 18 tracks, “Man Made” is a true opus, a fluid and transportive listening experience, channelling deepest inner-thoughts and exploring different states of being, segued to be enjoyed in full. It encourages repeated revisits to fully explore the magic at work.
Greentea shares her manifesto:
"Man Made” an exploration of self and sound. A product of shifting paradigms both inner and outer.
An ultra sonic trip. This album is an offering of healing, a provocation of Hu Man spirit soul.
Out of tune with the industry and in tune with the universe, this is a 432hrz production.
Deliberately detuned out of any Babylon standard! It is to be felt…like a buzzing bee, in one's chest. A vibration. A jambalaya of expression, this project fits no genre, not to be digested easily by everyone.
However for those occupying the same space right now, upholding the frequency at such a transformative and challenging moment in time…I trust THIS SOUND will find you.
Dedicated and inspired by the late Jimtastic, join me and my boys as we travel the Sonicsphere on the way back to centre, through the depths of apathy and the heights of interconnection through surrender…
I offer you Man Made.”
STAFF COMMENTS
Barry says: Greentea Peng has a sound all of her own, happily sitting between the super-smooth soul of the 70's and modern hip-hop, stopping at every stop along the way. An eminently listenable and hugely enjoyable journey, enriched with crystal clean production and perfectly penned songs. A delight all round.TRACK LISTING
1) Man Made
2) This Sound
3) Free My People Featuring Simmy And Kid Cruise
4) Be Careful
5) Nah It Ain’t The Same”
6) Earnest
7) Suffer
8) Mataji Freestyle
9) Kali V2
10) Satta
11) Party Hard
12) Dingaling
13) Maya
14) Man Made
15) Meditation
16) Poor Man Skit
17) Sinner
18) Jimtastic Blues
Released less than five months after her critically acclaimed eighth studio album, 'Folklore' (2020), 'Evermore' is a product of Swift's extended collaboration with her 'Folklore' co-writer and producer Aaron Dessner. 'Evermore' is a conceptual sequel to its predecessor, both being surprise albums announced hours before release. Swift described 'Evermore' as a 'sister record' to 'Folklore'.
TRACK LISTING
01. Willow
02. Champagne Problems
03. Gold Rush
04. ‘tis The Damn Season
05. Tolerate It
06. No Body, No Crime (feat. Haim)
07. Happiness
08. Dorothea
09. Coney Island (feat. The National)
10. Ivy
11. Cowboy Like Me
12. Long Story Short
13. Marjorie
14. Closure
15. Evermore (feat. Bon Iver)
**bonus Tracks For Physical
01. Right Where You Left Me
02. It’s Time To Go
‘When I think back on the fearless album and all that you turned it into, a completely involuntary smile creeps across my face. This was the musical era in which so many inside jokes were created between us, so many hugs exchanged and hands touched, so many unbreakable bonds formed, so before I say anything else, let me just say that is was a real honor to get to be a teenager alongside you. And for those of you I’ve come to know more recently than 2008, I am ecstatic that I’ll get to experience a bit of that feeling with you in the very near future. Now that I can fully appreciate it in its whimsical, effervescent, chaotic entirety.
Recorded and released as Taylor Swift assumes control of her own discography, in the artists own words: ‘only I know which songs I wrote that almost made the fearless album. Songs I absolutely adore, but were held back for different reasons (don’t want too many breakup songs, don’t want too many down tempo songs, can’t fit that many songs on a physical cd).‘
So expect an almost purer distillation of the multi-award winning, platinum selling album. With lots, LOTS more to get stuck into, (‘the entire vivid picture, the entire dreamscape’), there’s six never before released song on her version of this album.
Apparently Taylor’s going to re-record all of her music that’s previously been published. Opening it up as more intimate, person, and heartfelt.
Recorded and released as Taylor Swift assumes control of her own discography, in the artists own words: ‘only I know which songs I wrote that almost made the fearless album. Songs I absolutely adore, but were held back for different reasons (don’t want too many breakup songs, don’t want too many down tempo songs, can’t fit that many songs on a physical cd).‘
So expect an almost purer distillation of the multi-award winning, platinum selling album. With lots, LOTS more to get stuck into, (‘the entire vivid picture, the entire dreamscape’), there’s six never before released song on her version of this album.
Apparently Taylor’s going to re-record all of her music that’s previously been published. Opening it up as more intimate, person, and heartfelt.
TRACK LISTING
1. Fearless (Taylor’s Version)
2. Fifteen (Taylor’s Version)
3. Love Story (Taylor’s Version)
4. Hey Stephen (Taylor’s Version)
5. White Horse (Taylor’s Version)
6. You Belong With Me (Taylor’s Version)
7. Breathe (feat. Colbie Caillat) (Taylor’s Version)
8. Tell Me Why (Taylor’s Version)
9. You’re Not Sorry (Taylor’s Version)
10. The Way I Loved You (Taylor’s Version)
11. Forever & Always (Taylor’s Version)
12. The Best Day (Taylor’s Version)
13. Change (Taylor’s Version)
14. Jump Then Fall (Taylor’s Version)
15. Untouchable (Taylor’s Version)
16. Forever & Always (Piano Version) (Taylor’s Version)
17. Come In With The Rain (Taylor’s Version)
18. Superstar (Taylor’s Version)
19. The Other Side Of The Door (Taylor’s Version)
20. Today Was A Fairytale (Taylor’s Version)
21. Bonus Track 1 (From The Vault)
22. Bonus Track 2 (From The Vault)
23. Bonus Track 3 (From The Vault)
24. Bonus Track 4 (From The Vault)
25. Bonus Track 5 (From The Vault)
26. Bonus Track 6 (From The Vault)
Features 2 unreleased songs ‘Dark Places (Soundscape)’ and ‘I Am The Cosmos (42420)’. Brand new 2020 mixes of ‘Star’, ‘Hyperspace’, ‘See Through’ and ‘Die Waiting’, plus the St Vincent Remix of ‘Uneventful Days’ and ‘Saw Lightning’ (Freestyle Live).
STAFF COMMENTS
Barry says: A brilliant new issue of Beck's 2019 outing, hyperspace. With exclusive tracks and new mixes of the long-gone original, this is a superb document of one of the greatest musicians in the game.
Eighth studio album by the American singer-songwriter. The album was created in isolation during the COVID-19 pandemic, with production from Aaron Dessner (The National), Jack Antonoff (Bleachers) and Swift herself. Departing from the mainstream pop sound of Swift's previous releases, 'Folklore' is an indie folk, alternative rock, electro-folk and chamber pop album driven by pianos and guitars.
TRACK LISTING
1. The 1
2. Cardigan
3. The Last Great American Dynasty
4. Exile (featuring Bon Iver)
5. My Tears Ricochet
6. Mirrorball
7. Seven
8. August
9. This Is Me Trying
10. Illicit Affairs
11. Invisible String
12. Mad Woman
13. Epiphany
14. Betty
15. Peace
16. Hoax
17. Lakes
In a tumultuous 2020, the re-emergence of Doves with new music has provided a shaft of light in an otherwise brooding sky, finally landing their fifth album, The Universal Want, after an eleven-year artistic break.
The equally ecstatic and relieved response from fans and critics to the first track to emerge, Carousels, during the final, confusing throws of the UK and Europe’s strict COVID-19 lockdown in June, proved how desperately their idiosyncratic sense of euphoric melancholy was, and is, needed. Catching many off-guard, Doves unleashed a track of unfathomable depth, unfurling rich and unpredictable pockets of sound, twisted round a sample of the great Tony Allen at his very best.
“This place is wild at heart and weird on top, you just couldn’t make it up,” said Jimi Goodwin, surveying the world through his window while a global pandemic was taking root in late-March 2020. Paraphrasing Laura Dern’s character, Lula Pace Fortune in the 1990, David Lynch film Wild At Heart, Goodwin hits on the Lynchian-obsessions shared by all three Doves. Himself, Andy (drums/vocals) and Jez Williams (guitars/programming/vocals) would often find themselves hosting impromptu post-rave, home screenings in the early 1990s.
By quoting the film, the lead singer and bassist of the twice Mercury-nominated band also, accidentally, expresses what everyone else was feeling at the time of disorientation, fear and hope. Doves have a longstanding habit of doing just that.
First emerging in 1998 with the release of their debut, vinyl-only Cedar EP, Doves’ first album, Lost Souls (2000), received both press and award-panel praise, before Number One follow-up, The Last Broadcast (2002) provided the trio with a major breakthrough, offering with the hit singles, There Goes The Fear and Pounding. Straight-to-Number One follow up, Some Cities (2005) and the difficult birth of the much-loved Kingdom of Rust (2009) appeared to complete a perfect legacy if the hiatus the band called in 2010 lasted longer than anyone hoped. It certainly lasted longer than the band had expected. “It’s bizarre how quickly life just passes,” says Goodwin, reflecting on the years that turned into a decade.
The story of The Universal Want, the title itself and other tracks such as Prisoners giving an impression of the band’s disdain towards the consumerist illusion, starts in a rented house in England’s Peak District during secret, unintended writing sessions in 2017. Joining the dots, band historians note that it came a full year before announcing their live return and 18 months before they appeared together publicly. That they were a creative force once more was a near impossible secret to keep, as they worked between studios in the North West and the Midlands.
Andy Williams describes the excitement of the sessions, saying: “There were times when we felt an indescribable buzz. It was a breeze compared to ‘Kingdom Of Rust’, with one of the nicest things being just hanging out. We were never that far apart; I’d call Jimi every month. We’re too closely tied to have lost contact; I’d miss them.”
Refusing once more to fall into predictable, guitar-bass-drums, ‘plug in and play’ dynamics, The Universal Want’s overwhelming sense of intrigue owes everything to Doves’ three decades experience at the wheel of their band (a lifespan going back to their time as dance band, Sub Sub), and an autobiographical trip through the sounds of their own lives. From seaside amusements (Carousels) and the remembered heat of acid house (Universal Want) to the aimless summer days of youth (Forest House), each song sets a new reel running to show fragments of their lives and, in turn, those of their listeners. Shadows of Bowie, rare 70’s soul, Detroit House and Afrobeat are cast subtly across the shapeshifting album.
Cycle Of Hurt’s, disembodied mantra of ‘it’s a trap’, finds the band once more concerned with finding freedom in a cynical, aspirational age. A band that respects creativity itself, allowing the process to meander, it wasn’t, and isn’t their intention to write a manifesto rallying against vapid consumer culture. “When it comes to themes,” says Jez “we always find a very collaborative way forward. It’s all quite subconscious. It’s only when you look back that you can see the threads linking the songs.”
The equally ecstatic and relieved response from fans and critics to the first track to emerge, Carousels, during the final, confusing throws of the UK and Europe’s strict COVID-19 lockdown in June, proved how desperately their idiosyncratic sense of euphoric melancholy was, and is, needed. Catching many off-guard, Doves unleashed a track of unfathomable depth, unfurling rich and unpredictable pockets of sound, twisted round a sample of the great Tony Allen at his very best.
“This place is wild at heart and weird on top, you just couldn’t make it up,” said Jimi Goodwin, surveying the world through his window while a global pandemic was taking root in late-March 2020. Paraphrasing Laura Dern’s character, Lula Pace Fortune in the 1990, David Lynch film Wild At Heart, Goodwin hits on the Lynchian-obsessions shared by all three Doves. Himself, Andy (drums/vocals) and Jez Williams (guitars/programming/vocals) would often find themselves hosting impromptu post-rave, home screenings in the early 1990s.
By quoting the film, the lead singer and bassist of the twice Mercury-nominated band also, accidentally, expresses what everyone else was feeling at the time of disorientation, fear and hope. Doves have a longstanding habit of doing just that.
First emerging in 1998 with the release of their debut, vinyl-only Cedar EP, Doves’ first album, Lost Souls (2000), received both press and award-panel praise, before Number One follow-up, The Last Broadcast (2002) provided the trio with a major breakthrough, offering with the hit singles, There Goes The Fear and Pounding. Straight-to-Number One follow up, Some Cities (2005) and the difficult birth of the much-loved Kingdom of Rust (2009) appeared to complete a perfect legacy if the hiatus the band called in 2010 lasted longer than anyone hoped. It certainly lasted longer than the band had expected. “It’s bizarre how quickly life just passes,” says Goodwin, reflecting on the years that turned into a decade.
The story of The Universal Want, the title itself and other tracks such as Prisoners giving an impression of the band’s disdain towards the consumerist illusion, starts in a rented house in England’s Peak District during secret, unintended writing sessions in 2017. Joining the dots, band historians note that it came a full year before announcing their live return and 18 months before they appeared together publicly. That they were a creative force once more was a near impossible secret to keep, as they worked between studios in the North West and the Midlands.
Andy Williams describes the excitement of the sessions, saying: “There were times when we felt an indescribable buzz. It was a breeze compared to ‘Kingdom Of Rust’, with one of the nicest things being just hanging out. We were never that far apart; I’d call Jimi every month. We’re too closely tied to have lost contact; I’d miss them.”
Refusing once more to fall into predictable, guitar-bass-drums, ‘plug in and play’ dynamics, The Universal Want’s overwhelming sense of intrigue owes everything to Doves’ three decades experience at the wheel of their band (a lifespan going back to their time as dance band, Sub Sub), and an autobiographical trip through the sounds of their own lives. From seaside amusements (Carousels) and the remembered heat of acid house (Universal Want) to the aimless summer days of youth (Forest House), each song sets a new reel running to show fragments of their lives and, in turn, those of their listeners. Shadows of Bowie, rare 70’s soul, Detroit House and Afrobeat are cast subtly across the shapeshifting album.
Cycle Of Hurt’s, disembodied mantra of ‘it’s a trap’, finds the band once more concerned with finding freedom in a cynical, aspirational age. A band that respects creativity itself, allowing the process to meander, it wasn’t, and isn’t their intention to write a manifesto rallying against vapid consumer culture. “When it comes to themes,” says Jez “we always find a very collaborative way forward. It’s all quite subconscious. It’s only when you look back that you can see the threads linking the songs.”
STAFF COMMENTS
Barry says: It's been plenty long enough since a new Doves album, and this one hits all of the high notes we'd expect. Superb melodies, brilliant songwriting and a crystal clear narrative throughout. It's a brilliant return after eleven years, and one we've been sorely needing.TRACK LISTING
1. Carousels
2. I Will Not Hide
3. Broken Eyes
4. For Tomorrow
5. Cathedrals Of The Mind
6. Prisoners
7. Cycle Of Hurt
8. Mother Silver Lake
9. Universal Want
10. Forest House
‘Manchester Calling’ boasts all the hallmarks of Heaton’s beautifully bittersweet songwriting – effortlessly catchy melodies allied with an everyman’s biting exasperation at the modern world alongside some truly heartfelt love songs. Produced by long time collaborator John Williams who produced both Housemartins albums and the previous three Paul Heaton & Jacqui Abbott albums - ‘What Have We Become’ (’14), ‘Wisdom, Laughter & Lines’ (’15), and ‘Crooked Calypso’ (’17) - the record was recorded at Blueprint Studios in Salford, Manchester. As is Paul Heaton’s habit the lyrics were written in various locations in North Holland and Belgium while the music was composed in a hotel in Puerto Rico, Gran Canaria and in Limburg An Der Lahn in Germany.
Says Paul: “I've lived in Manchester for 17 years now and recording an album here for the first time, was looking forward to cycling to work. That was never possible as Manchester is now being turned into a business centre for the rich, which I can't stand. If there's a theme to the record, it's anti growth, anti greed, against the continuous tearing down of old buildings and sticking up soulless offices, and the disappearance of local accents on TV, along with the creeping spread of Americanese. So, some curmudgeonly moans, plus some hopefully uplifting love songs. Originally it was set up to be a double LP like 'London Calling' but alas the double album has also become a victim of time."
Says Jacqui: “I’m so pleased and excited about the new album, it was wonderful to work on new songs and even more so that we did double what we have done for the last few records. It’ll be a joy to see others react to something we took such pleasure out of making.”
Says Paul: “I've lived in Manchester for 17 years now and recording an album here for the first time, was looking forward to cycling to work. That was never possible as Manchester is now being turned into a business centre for the rich, which I can't stand. If there's a theme to the record, it's anti growth, anti greed, against the continuous tearing down of old buildings and sticking up soulless offices, and the disappearance of local accents on TV, along with the creeping spread of Americanese. So, some curmudgeonly moans, plus some hopefully uplifting love songs. Originally it was set up to be a double LP like 'London Calling' but alas the double album has also become a victim of time."
Says Jacqui: “I’m so pleased and excited about the new album, it was wonderful to work on new songs and even more so that we did double what we have done for the last few records. It’ll be a joy to see others react to something we took such pleasure out of making.”
Foolish Loving Spaces is the follow up to the Blossoms' 2018, top 5 album Cool Like You and features recent single Your Girlfriend, released earlier this year.
Foolish Loving Spaces was produced by the band’s consistent and talented team of James Skelly and Rich Turvey at Parr Street Studios in Liverpool. Tom Ogden’s increasingly direct lyrical range turns album three into a romantic page-turner of light and shade, while its divergent moods are supplied by Myles Kellock’s piano and keyboard lines, careering from urgent stabs of TV game show-theme synth to more classic, rolling notes. The record’s multi-instrumental colour and widescreen sound is provided by pedal steel / lead guitarist Josh Dewhurst, while Joe Donovan on drums and Charlie Salt on bass bring fluidly danceable grooves throughout, complemented on occasion, by a wall of gospel harmony.
Speaking about the inspiration for the album, the band explain:
'It’s just a pure celebration of love in all of its splendid and baffling guises, toying with the so-called sins of lust and forbidden infatuation … inspired, in ways, by a summer spent listening to Stop Making Sense, The Joshua Tree & Screamadelica’.
Foolish Loving Spaces was produced by the band’s consistent and talented team of James Skelly and Rich Turvey at Parr Street Studios in Liverpool. Tom Ogden’s increasingly direct lyrical range turns album three into a romantic page-turner of light and shade, while its divergent moods are supplied by Myles Kellock’s piano and keyboard lines, careering from urgent stabs of TV game show-theme synth to more classic, rolling notes. The record’s multi-instrumental colour and widescreen sound is provided by pedal steel / lead guitarist Josh Dewhurst, while Joe Donovan on drums and Charlie Salt on bass bring fluidly danceable grooves throughout, complemented on occasion, by a wall of gospel harmony.
Speaking about the inspiration for the album, the band explain:
'It’s just a pure celebration of love in all of its splendid and baffling guises, toying with the so-called sins of lust and forbidden infatuation … inspired, in ways, by a summer spent listening to Stop Making Sense, The Joshua Tree & Screamadelica’.
STAFF COMMENTS
Barry says: Blossoms return once again for the second time in as many years, refining their sound into a more progressive, forward facing mix of their trademark jangle with a more beat-driven percussive backline thrown in there for good measure.TRACK LISTING
If You Think This Is Real Life
Your Girlfriend
The Keeper
My Swimming Brain
Sunday Was A Friend Of Mine
Oh No (I Think I’m In Love)
Romance, Eh?
My Vacant Days
Falling For Someone
Like Gravity
Beck's 14th album feels like an amalgamation of previous albums, given a light dusting of pop sheen, thanks to the production of Pharrell Williams amongst others.
It's largely set at a fairly slow pace, with nods to the folk tinged melancholy of ‘Sea Change’ or ‘Morning Phase’, some lovely slo-mo synth-soaked pop and occasional upbeat moments: "Saw Lightning" harks back to his "Loser" days and is as upbeat and catchy as anything he's ever done.
On ‘Hyperspace’, he's hit the sweet spot between his adventurous, experimental past and the more accessible 'pop' leanings of his recent releases.
It's largely set at a fairly slow pace, with nods to the folk tinged melancholy of ‘Sea Change’ or ‘Morning Phase’, some lovely slo-mo synth-soaked pop and occasional upbeat moments: "Saw Lightning" harks back to his "Loser" days and is as upbeat and catchy as anything he's ever done.
On ‘Hyperspace’, he's hit the sweet spot between his adventurous, experimental past and the more accessible 'pop' leanings of his recent releases.
STAFF COMMENTS
Barry says: As ever, a brilliantly produced and impeccably conceived outing from the ever-reliable Beck. This one has a little more reliance on big rock choruses contrasting to Morning Phase's hazy atmospheres and languid curves. It's as brilliant as anything he's done for a long while, and shows clearly that there's no end to this man's talents, at least not yet!TRACK LISTING
Hyperlife
Uneventful Days
Saw Lightning
Die Waiting
Chemical
See Through
Hyperspace
Stratosphere
Dark Places
Star
Everlasting Nothing
Despite almost three decades of active audio duty, Common remains at the cutting edge, and his 12th solo LP, "Let Love" is yet another example of his golden age brilliance. This brand new album includes the new single "Hercules”, as well as recent JAM! “HER Love” featuring Daniel Caesar, special guest Dwele, and an unreleased beat from J mother fucking DILLA. The likes of Jill Scott, Swizz Beats and A-Trak offer assistance on the lovestruck affair, while Common updates his conscious style with shout outs to Cardi B, ASAP Rocky, and Tyler The Creator. This is an album of pure positivity, a place of light in these dark times, and another winner from this legendary artist.
TRACK LISTING
1. Good Morning Love (feat Samora Pinderhuges)
2. HER Love (feat Daniel Caesa)
3. Dwele's Interlude
4. Hercules (feat Swizz Beatz)
5. Fifth Story (feat Leikeli47)
6. Forever Your Love (feat BJ The Chicago Kid)
7. Leaders (Crib Love) (feat A-Trak)
8. Memories Of Home (feat BJ The Chicago Kid & Samora Pinderhuges)
9. Show Me That You Love (feat Jill Scott & Samora Pinderhuges)
10 My Fancy Free Future Love
11 God Is Love (feat Leon Bridges & Jonathan McReynolds)
Rock provocateur Marika Hackman will release her highly anticipated new album ‘Any Human Friend’ via AMF Records and on Sub Pop in North and South America'.
Any Human Friend’ has been co-produced by David Wrench (Frank Ocean, The xx, Let’s Eat Grandma) and Marika herself, and shows off a sharper and more liberated sound than ever before.
Marika is a ‘Rid of Me’-era PJ Harvey for the inclusive generation: unbounded by musical genre, a preternatural lyricist and tunesmith who isn’t afraid to go there.
Any Human Friend’ has been co-produced by David Wrench (Frank Ocean, The xx, Let’s Eat Grandma) and Marika herself, and shows off a sharper and more liberated sound than ever before.
Marika is a ‘Rid of Me’-era PJ Harvey for the inclusive generation: unbounded by musical genre, a preternatural lyricist and tunesmith who isn’t afraid to go there.
STAFF COMMENTS
Barry says: A brilliant outing here from Marika Hackman, beautifully marrying the synths and rhythmic drive of 80's pop music with her notoriously superb songwriting prowess, immediately rewarding but develops with every listen. A wonderful change of pace.
Doom Days, Bastille’s grippingly confident third album, is a record of hope for turbulent times. Made by Dan Smith with bandmates Kyle Simmons, Will Farquarson and Chris ‘Woody’ Wood, and producer Mark Crew, it sees the Grammy nominated, Brit winning four-piece stretch out and open-up like never before.
Doom Days marks something of a shift in perception from its widely acclaimed No.1 predecessor ‘Wild World’, which confronted the world and the actions of those in power. Recorded throughout 2018 at the band’s South London studio, “One Eyed Jacks”, the new album captures the need to temporarily switch off and escape whilst taking the listener on a big night out in search of distraction from the surrounding apocalypse; be that screaming along to the radio in the back of an Uber careering through the city (the electric Quarter Past Midnight), getting loved up in the company of good friends (future classic 4AM), a casual hook-up (Another Place) or the end-of-night longing to be with somebody (the captivating Those Nights). It revels in the bad decisions we make both personally in our relationships and collectively on a macro scale (Bad Decisions), tells a relatable tale of being cornered into a deep discussion about the world’s problems when all you want to do is have a good time (Million Pieces), and wryly confronts modern anxieties, taking side-swipes at phone addiction, porn addiction, fake news and climate change denial (the uncompromising Doom Days).
Doom Days finds Bastille at their most lyrically provocative, most accomplished, and most vital. It taps into globally felt worries whilst also working on a much more intimate level. Setting the album over the course of one night allows the band to hold a mirror up to the world using personal, relatable situations.
Doom Days marks something of a shift in perception from its widely acclaimed No.1 predecessor ‘Wild World’, which confronted the world and the actions of those in power. Recorded throughout 2018 at the band’s South London studio, “One Eyed Jacks”, the new album captures the need to temporarily switch off and escape whilst taking the listener on a big night out in search of distraction from the surrounding apocalypse; be that screaming along to the radio in the back of an Uber careering through the city (the electric Quarter Past Midnight), getting loved up in the company of good friends (future classic 4AM), a casual hook-up (Another Place) or the end-of-night longing to be with somebody (the captivating Those Nights). It revels in the bad decisions we make both personally in our relationships and collectively on a macro scale (Bad Decisions), tells a relatable tale of being cornered into a deep discussion about the world’s problems when all you want to do is have a good time (Million Pieces), and wryly confronts modern anxieties, taking side-swipes at phone addiction, porn addiction, fake news and climate change denial (the uncompromising Doom Days).
Doom Days finds Bastille at their most lyrically provocative, most accomplished, and most vital. It taps into globally felt worries whilst also working on a much more intimate level. Setting the album over the course of one night allows the band to hold a mirror up to the world using personal, relatable situations.
TRACK LISTING
Quarter Past Midnight
Bad Decisions
The Waves
Divide
Million Pieces
Doom Days
Nocturnal Creatures
4am
Another Place
Those Nights
Joy
London’s (via Limerick) premiere indie songsmiths, whenyoung have announced theywill be releasing their highly anticipated debut album, ‘Reasons to Dream’. The culmination of years of playing and writing together, ‘Reasons to Dream’ showcases their ability to craft spikey yet melodic songs which delve lyrically into everything from love and insecurities to pacifisms and the gap between the haves and have-nots in Britain today.
THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.
Exclusive limited edition vinyl release of the 4th instalment of Bastille’s Other People’s Heartache mixtape series. The mixtapes are huge amongst the Bastille fans and have even thrown up a Top 3 single (Bastille’s No.2 single Of The Night started life as an illegal bootleg on OPH Pt.1) The mixtape features covers of hits by: Cat Stevens, SFA and Charles and Eddie. Guests include: Craig David, Jacob Banks, Moss Kenna, Lily Moore and many others. Available as a 12” clear vinyl in a PVC sleeve.
Exclusive limited edition vinyl release of the 4th instalment of Bastille’s Other People’s Heartache mixtape series. The mixtapes are huge amongst the Bastille fans and have even thrown up a Top 3 single (Bastille’s No.2 single Of The Night started life as an illegal bootleg on OPH Pt.1) The mixtape features covers of hits by: Cat Stevens, SFA and Charles and Eddie. Guests include: Craig David, Jacob Banks, Moss Kenna, Lily Moore and many others. Available as a 12” clear vinyl in a PVC sleeve.
THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.
In support of Record Store Day 2019, Blossoms release new track ‘I’ve Seen The Future’ alongside their critically acclaimed second album ‘Cool Like You’. The second LP on this limited edition exclusive double vinyl features a range of live covers taking straight from Blossoms’ BBC Sessions, including a cover of The Stone Roses – ‘She Bangs The Drums’, and John Lennon’s classic ‘Woman’
In support of Record Store Day 2019, Blossoms release new track ‘I’ve Seen The Future’ alongside their critically acclaimed second album ‘Cool Like You’. The second LP on this limited edition exclusive double vinyl features a range of live covers taking straight from Blossoms’ BBC Sessions, including a cover of The Stone Roses – ‘She Bangs The Drums’, and John Lennon’s classic ‘Woman’
THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.
In celebration and support of Record Store Day 2019, KT Tunstall releases an exclusive 7” titled EXTRA WAX. The grey coloured and numbered 7” featuring tracks John The Conqueror and Throw Down Boy, which initially appeared on deluxe physical release of latest album WAX, in addition to cover of Violent Femmes – Blister In The Sun released for the first time! Grey 7”, numbered outer sleeve
In celebration and support of Record Store Day 2019, KT Tunstall releases an exclusive 7” titled EXTRA WAX. The grey coloured and numbered 7” featuring tracks John The Conqueror and Throw Down Boy, which initially appeared on deluxe physical release of latest album WAX, in addition to cover of Violent Femmes – Blister In The Sun released for the first time! Grey 7”, numbered outer sleeve
"No Geography", the Chemical Brothers tenth studio album since 1995, features singles "Free Yourself" and "MAH" ('a short & bloody ride into our modern media psychosis' - The Guardian) and the forthcoming single "Got To Keep On". Many tracks feature vocals by Norwegian singer / songwriter Aurora while Japanese rapper Nene features on "Eve of Destruction".
It's quintessentially a Chemical experience from start to finish - combining the duo's uncanny knack at sound design and break manipulation with their usual playful, stadium-slaying production. Like contemporaries Modeselektor, Tom & Ed never take themselves too seriously, yet ably compete with the world's best producers. They combine the myriad and often fractured, disparate influences and styles across the dance music spectrum into something that they can confidently declair their own. 25 years in the game and you still know when it's a Chemical Brothers beat! Unmissable stuff from two of Northern England's greatest dance music exponents.
It's quintessentially a Chemical experience from start to finish - combining the duo's uncanny knack at sound design and break manipulation with their usual playful, stadium-slaying production. Like contemporaries Modeselektor, Tom & Ed never take themselves too seriously, yet ably compete with the world's best producers. They combine the myriad and often fractured, disparate influences and styles across the dance music spectrum into something that they can confidently declair their own. 25 years in the game and you still know when it's a Chemical Brothers beat! Unmissable stuff from two of Northern England's greatest dance music exponents.
STAFF COMMENTS
Matt says: Brothers Chem return ahead of another world tour. Have they lost their magic? Definitely not. Like good wine, they get better as time goes on. Effortlessly turning their hand to whatever trend dance music throws at them; Tom and Ed ride again!TRACK LISTING
1. Eve Of Destruction
2. Bango
3. No Geography
4. Got To Keep On
5. Gravity Drops
6. The Universe Sent Me
7. We’ve Got To Try
8. Free Yourself
9. MAH
10. Catch Me I’m Falling
Ian Brown's comeback record is everything you'd want from the funky monkey. Care-free, breezy, uplifting vibes with words that mix the cosmic with a conscience, this record was made almost totally independently. Just Ian, his sons and his old engineer provide that unique blend of the groovy, quirky, and endlessly catchy that we've all come to love and expect.
There's mellow, soulful, bluesy funkers, a rock reggae cover, a reggae reggae cover, a couple of slinky, bouncy, elastic shufflers, some massive, psych-tinged slowies (Syd meets Lennon!) and his most Roses sounding tune so far: evidently a ballad ABOUT The Roses (insert broken-hearted emoji here!?)
Soundwise this is Ian's most beautifully produced record by a mile. Warm, fat and analogue, with killer basslines and a big bottom end, there's a sparseness in the textures but a depth and width in the mix that's more akin to late 70's reggae than any old 'indie' rock. Ripples is all about the SPACE. Ian's voice and words, as charismatic and enigmatic as ever, are central to it all. And he's never sounded better. Self produced, self written (bar 3 co-writes with his sons. What could be more natural?) and with zero session musicians in sight, this feels like Unfinished Monkey Business, the Second Chapter. But with way better songs, way lusher production; a glorious combo of Tunes, space and sound. The dream belongs to the dreamers!
There's mellow, soulful, bluesy funkers, a rock reggae cover, a reggae reggae cover, a couple of slinky, bouncy, elastic shufflers, some massive, psych-tinged slowies (Syd meets Lennon!) and his most Roses sounding tune so far: evidently a ballad ABOUT The Roses (insert broken-hearted emoji here!?)
Soundwise this is Ian's most beautifully produced record by a mile. Warm, fat and analogue, with killer basslines and a big bottom end, there's a sparseness in the textures but a depth and width in the mix that's more akin to late 70's reggae than any old 'indie' rock. Ripples is all about the SPACE. Ian's voice and words, as charismatic and enigmatic as ever, are central to it all. And he's never sounded better. Self produced, self written (bar 3 co-writes with his sons. What could be more natural?) and with zero session musicians in sight, this feels like Unfinished Monkey Business, the Second Chapter. But with way better songs, way lusher production; a glorious combo of Tunes, space and sound. The dream belongs to the dreamers!
TRACK LISTING
First World Problems
Black Roses
Breathe And Breathe Easy (the Everness Of Now)
The Dream And The Dreamer
From Chaos To Harmony
It’s Raining Diamonds
Ripples
Blue Sky Day
Soul Satisfaction
Break Down The Walls (warm Up Jam)
Even by his own exceptional and unconventional standards, 2018's been a big year for Yeezy. Fresh from a derailed world tour, free of addiction to prescription painkillers and mostly on top of his mental health, the man responsible for some of the greatest hip hop and pop records (and best selling trainers) of the last twenty years got himself back in studio and slammed out a flawless string of killer releases on his G.O.O.D. music imprint. Sure, he still found time to stand beside Trump, shout out Candace Owens, offer some poorly thought out views on slavery and impersonate a highly conceptual Joseph Beuys piece, but music was his main focus this year - and all those incidents and accidents, hints and allegations make there way into the lyrical content of the mighty "Ye".
His production work for Pusha T, Teyana Taylor, Nas and the Kids See Ghosts LP was fire by anyone's standards, but Kanye always saves the best beats for himself, and "Ye" finds Kanye fusing autotuned soul, trap and the post Dilla sampling of his early years into an unpredictable soundbed, perfectly suited to his confessional lyricism.
His production work for Pusha T, Teyana Taylor, Nas and the Kids See Ghosts LP was fire by anyone's standards, but Kanye always saves the best beats for himself, and "Ye" finds Kanye fusing autotuned soul, trap and the post Dilla sampling of his early years into an unpredictable soundbed, perfectly suited to his confessional lyricism.
TRACK LISTING
A1. I Thought About Killing You
A2. Yikes
A3. All Mine
B1. Wouldn't Leave (feat PARTYNEXTDOOR)
B2. No Mistakes
B3. Ghost Town (feat PARTYNEXTDOOR)
B4. Violent Crimes
‘A Foot In The Door - The Best Of Pink Floyd’, is a collection of classic Pink Floyd tracks. This specially remastered compilation also features newly created artwork from Storm Thorgerson. This is the perfect Pink Floyd album for both devoted fans and those discovering Pink Floyd for the very first time. Now available on vinyl for the first time, this career-spanning compilation features some of the bands best-known album tracks spanning 1967 – 1994, as well as the UK Top 10 single ‘See Emily Play’. Newly mastered for vinyl in 2018 by longstanding Pink Floyd associate James Guthrie, with Joel Plante, and with lacquers cut by Bernie Grundman, the 2-LP version features a re-edit of ‘Time’ from the CD, with the ringing alarm clocks at the start of the track reinstated. The original artwork, art directed by the late Storm Thorgerson, has been amended by Pink Floyd Creative Director Aubrey Powell of Hipgnosis with Peter Curzon, to include alternate versions of the photographs used in the CD version.
TRACK LISTING
Side A
Hey You
See Emily Play
The Happiest Days Of Our Lives
Another Brick In The Wall, Part 2
Have A Cigar
Side B
Wish You Were Here
Time/Breathe (Reprise)
The Great Gig In The Sky
Money
Side C
Comfortably Numb
High Hopes
Learning To Fly
Side D
The Fletcher Memorial Home
Shine On You Crazy Diamond, Parts 1-5 (edit)
Brain Damage
Eclipse
'Blossoms second album sees them return with 11 tracks of 80s inspired synth-layered pop bliss. On lead single 'I Can't Stand It', the band bring the tempo up and combine it with cascading synth riffs, while 'There's A Reason Why (I Never Returned Your Calls)' brings a previously unheard anthemic rock quality to the bands sound'...
Furthering their domination of the northern music scene, they take the rawkous sound of their debut and bolster it with the experience learnt from their time touring, absorbing influence from all corners of the musical spectrum. This is a confident and mature follow-up and one sure to cement their reputation and productivity for years to come.
Furthering their domination of the northern music scene, they take the rawkous sound of their debut and bolster it with the experience learnt from their time touring, absorbing influence from all corners of the musical spectrum. This is a confident and mature follow-up and one sure to cement their reputation and productivity for years to come.
TRACK LISTING
Standard CD/LP
1) There’s A Reason Why (I Never Returned Your Calls)
2) I Can’t Stand It
3) Cool Like You
4) Unfaithful
5) Stranger Still
6) How Long Will This Last
7) Between The Eyes
8) I Just Imagined You
9) Giving Up The Ghost
10) Lying Again
11) Love Talk
Deluxe Edition:
1) There’s A Reason Why (I Never Returned Your Calls)
2) I Can’t Stand It
3) Cool Like You
4) Unfaithful
5) Stranger Still
6) How Long Will This Last
7) Between The Eyes
8) I Just Imagined You
9) Giving Up The Ghost
10) Lying Again
11) Love Talk
CD 2
1) There’s A Reason Why (I Never Returned Your Calls) (Acoustic)
2) I Can’t Stand It (Acoustic)
3) Cool Like You (Acoustic)
4) Unfaithful (Acoustic)
5) Stranger Still (Acoustic)
6) How Long Will This Last (Acoustic)
7) Between The Eyes (Acoustic)
8) I Just Imagined You (Acoustic)
9) Giving Up The Ghost (Acoustic)
10) Lying Again (Acoustic)
11) Love Talk (Acoustic)
Talk Talk's musical journey took them from early 80s synth-pop to early 90s post-rock resulting in a diverse and stimulating legacy. This 1982 release showcases the synth-pop/new wave side to the band. After supporting Duran Duran on their 1981 tour, they released the single Mirror Man, as well as their two UK Top 40 hits Today and Talk Talk – all of which are included amongst other great songs on the album.
Their debut album, The Party's Over was released in 1982 and produced by Colin Thurston, who was a former engineer for David Bowie but was better known for producing Duran Duran's first two albums.
A product of its time, the album is classic synth-pop teamed with lyrical depth that went on to be synonymous with lead singer, Mark Hollis.
Their debut album, The Party's Over was released in 1982 and produced by Colin Thurston, who was a former engineer for David Bowie but was better known for producing Duran Duran's first two albums.
A product of its time, the album is classic synth-pop teamed with lyrical depth that went on to be synonymous with lead singer, Mark Hollis.
TRACK LISTING
Side 1
1) Talk Talk
2) It’s So Serious
3) Today
4) The Party’s Over
Side 2
1) Hate
2) Have You Heard The News
3) Mirror Man
4) Another Word
5) Candy
The band’s breakthrough record It’s My Life saw the arrival of producer and multi-instrumentalist Tim Friese-Greene, who became a significant creative force in the band and an unofficial fourth member for the remainder of its existence.
It’s My Life saw the band seek a less synthesized sound and less New Romantic image, which included keyboardist Simon Brenner leaving the band. The new sound gave the band commercial success, with the title track becoming a hit on both sides of the Atlantic. It went on to be covered by No Doubt in 2003 reaching number 10 on the US Billboard Hot 100 and remaining on the chart for 28 weeks.
The album also contained the single "Such a Shame" (a song inspired by the book The Dice Man) which became a Top 10 hit across Europe. A third single, "Dum Dum Girl", was also a success in Europe and NZ in particular.
It’s My Life saw the band seek a less synthesized sound and less New Romantic image, which included keyboardist Simon Brenner leaving the band. The new sound gave the band commercial success, with the title track becoming a hit on both sides of the Atlantic. It went on to be covered by No Doubt in 2003 reaching number 10 on the US Billboard Hot 100 and remaining on the chart for 28 weeks.
The album also contained the single "Such a Shame" (a song inspired by the book The Dice Man) which became a Top 10 hit across Europe. A third single, "Dum Dum Girl", was also a success in Europe and NZ in particular.
TRACK LISTING
Side 1:
1) Dum Dum Girl
2) Such A Shame
3) Renée
4) It’s My Life
Side 2:
1) Tomorrow Started
2) The Last Time
3) Call In The Night Boys
4) Does Caroline Know
5) It’s You
Mercury Prize winner Benjamin Clementine has announced plans for his much-anticipated second album, ‘I Tell A Fly’, Having recently collaborated with Damon Albarn for the latest Gorillaz album, Clementine’s debut album, ‘At Least For Now’, looked inwards and backwards, follow-up ‘I Tell A Fly’ looks forwards and outwards; to a changing world, ancient struggles, and the individual response. The results render 'I Tell A Fly' as compassionate and empathetic as it is angry, satirical, and critical.
GRAMMY® Award-nominated multiplatinum artist, fashion disruptor, “King of Teens” Teenage Emotions merges Lil Yachty’s signature gleeful sing-rap and auto-tuned transmissions with hip hop bombast, pop and eighties cultural touchstones. The 19-year-old Atlanta native is proudly genre-defying, mining hip-hop, alternative, indie sounds as well as his hometown Atlanta trap DNA to solidify his mosaic approach. The 21-track album includes features from Migos, Diplo, YG and UK rapper Stefflon Don. As the title indicates, the set is a reflection of young lives right now, from happiness to social media-saturated heartbreak to the dancefloor, caught in a sound that effortlessly, constantly bounces from rap to pop to something entirely its own. Personally the nineteen-year-old strives to promote positivity and good vibes. “It caters to a teenager’s everyday lifestyle-heartbreak, happiness, that vibe when you waking up in the morning getting dressed and you just wanna dance,” says Lil Yachty.
STAFF COMMENTS
Matt says: It makes me feel like i'm 19 man, you know, like Instagram and Snapchat and all that, when I was a lad you used payphones [cue talk about using payphones between staff].TRACK LISTING
1 Like A Star [Explicit]
2 DN Freestyle [Explicit]
3 Peek A Boo [feat. Migos] [Explicit]
4 Dirty Mouth [Explicit]
5 Harley [Explicit]
6 All Around Me [feat. YG & Kamaiyah] [Explicit]
7 Say My Name [Explicit]
8 All You Had To Say [Explicit]
9 Better [feat. Stefflon Don]
10 Forever Young [feat. Diplo] [Explicit]
11 Lady In Yellow [Explicit]
12 Moments In Time [Explicit]
13 Otha Shit [Explicit]
14 X Men [feat. Evander Griiim] [Explicit]
15 Bring It Back [Explicit]
16 Running With A Ghost [feat. Grace] [Explicit]
17 FYI (Know Now) [Explicit]
18 Priorities [Explicit]
19 No More [Explicit]
20 Made Of Glass
21 Momma [feat. Sonyae Elise] [Explicit]
Fake Sugar’ is the debut album from the critically acclaimed vocalist Beth Ditto. The former lead singer of Indie Rock mainstay’s the ‘Gossip’, Ditto’s first solo album encompasses 12 tracks of driving blues, malt-shop pop, swooning rock and countrified soul, including the single ‘Fire’. In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie, disco legend Cerrone and drumstep DJ Netsky, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs and appeared in Tom Ford's Oscar-nominated film, Nocturnal Animals. She’s also a newlywed, which has given her a fresh perspective on romance that informs several songs on Fake Sugar. "This is adulthood, baby," she quips. "You fought for marriage equality, now you gotta live in it."
The Strypes are pleased to announce their third album – ‘Spitting Image’ – due for release on June 16th on Virgin EMI. The news comes alongside the announcement of a UK headline tour in the summer. A fabulously diverse record that effortlessly transcends the bands roots in adrenalized R&B, which has been produced by Ethan Johns (Tom Jones, Paul McCartney, The Vaccines, Laura Marling) and son of the legendary Rolling Stones / Beatles studio giant Glyn Johns.
The follow-up to 2014’s Hold My Home marks the band’s sixth to date and first for major label Capitol Records. According to a press release, it was inspired by the SoCal indie rockers’ hometown of Los Angeles.
In anticipation, Cold War Kids have unboxed “Love Is Mystical”, an upbeat lead single punctuated by stomping piano. “It’s about supernatural love — looking for inspiration and meaning, surrendering to feeling, love calling out your name and that journey we must go on to find it,” said frontman Nathan Willett in a statement.
In anticipation, Cold War Kids have unboxed “Love Is Mystical”, an upbeat lead single punctuated by stomping piano. “It’s about supernatural love — looking for inspiration and meaning, surrendering to feeling, love calling out your name and that journey we must go on to find it,” said frontman Nathan Willett in a statement.
TRACK LISTING
01 Love Is Mystical
02 Can We Hang On?
03 So Tied Up
04 Restless
05 LA River
06 No Reason To Run
07 Open Up The Heavens
08 Invincible
09 Wilshire Protest
10 Luck Down
11 Ordinary Idols
12 Cameras Always On
13 Part Of The Night
14 Free To Breathe
A new EXTENDED CD version with 10 additional tracks, making it 22 tracks in total.
TRACK LISTING
1 Charlemagne
2 At Most A Kiss
3 Getaway
4 Honey Sweet
5 Onto Her Bed
6 Texia
7 Blown Rose
8 Smashed Pianos
9 Cut Me And I’ll Bleed
10 My Favourite Room
11 Blow
12 Deep Grass
13 Winter Kiss
14 Madeleine
15 Smoke
16 Stormy
17 Across The Moor
18 Polka Dot Bones
19 For Evelyn
20 Wretched Fate
21 Fourteen
22 Misery
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