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ASHER WHITE

Asher White

8 Tips For Catastrophe Living

    On the cover of '8 Tips for Full Catastrophe Living', the new album by Asher White, The Statue of Liberty is in pieces but not destroyed-- in progress, being built, not yet complete. Her torch is on the ground, her head somewhere out of frame. Before she was a symbol, she was metal, and living, sweating people riveted her together.

    The spirit of de/construction characterizes '8 Tips...', White’s 16th LP overall and first since signing to Joyful Noise. Like White's previous albums, '8 Tips for Full Catastrophe Living' darts boldly among varied musical styles. Doom metal splits open into bossa nova; psychedelic rock and power pop flip into industrial techno. Each song emerges from its composite parts in the studio: White doesn't draft or demo before recording, but builds out her pieces sculpturally, sound by sound. "It’s forever collage, forever assemblage," she says of her music. "To me, it has more to do with J Dilla, L.A. beat, and musique concrète than pop songwriting." The record's quick turns and vivid contrasts reflect White's cultural voraciousness. A writer, painter, and sculptor as well as a musician, she gathers materials constantly, always digging for new ideas in every possible form. The films of Claire Denis, the novels of Clarice Lispector, and the memoirs of Eve Babitz all funnel into White's reflection of 21st century disaster capitalism.

    '8 Tips...' is also White’s first album to have been mixed outside her Providence studio; after recording it herself, she brought tracks to Seth Manchester (Lightning Bolt, Battles, The Body) who gave the album its brawny, unruly charge. "I was interested in making something that serves dually as a self-help book and a chronicle of self-destruction," says White. Overlaying autobiography onto character vignettes, '8 Tips for Full Catastrophe Living' wrenches open the idea of apocalypse -- an abrupt disaster rained down on uncomplicated innocents -- and peers inside at its bursting, devastated particulars. Apocalypse is slow and uneven. Nations falter as do individual people, clinging fast to their old, dilapidated self-preservation strategies. What saved you in the past might destroy you in the future. Flip it around, shake yourself loose, ruin the person you've known yourself to be, and you might get the chance to become something else.

    TRACK LISTING

    1. The Sink Thank You
    2. Beers With My Name On Them
    3. Why I Bought The House
    4. Travel Safe
    5. Cobalt Room: Good Work / Silver Saab
    6. Voice Memo
    7. Like Another Planet Instrumental
    8. Country Girls
    9. Falls

    Asher White

    New Excellent Woman

      Kaleidoscopic pop songs in the vein of Devendra Banhardt, Dirty Projectors and The Kinks.

      Guest appearance on "Garden" by guitarist Eli Winter.

      Asher White’s music is a complex and heartfelt reaction to the churn of our modern world. With tender intimacy and resounding anxiety, White takes a wide view through the lens of her own queer sexual politics and transgender identity; what does it mean to renew, to progress, to transform? What is lost, gained, or irreversibly altered?

      At 22 years old, White has developed a massive self-released discography: over a dozen albums since 2015, each one started the moment the last one was finished. New Excellent Woman is a distillation of these experiments and discoveries, a new achievement in songwriting that stands astride the cracks in the earth and lopsided ground. Songs jump between styles like a pubescent sex drive, all locked together by White’s ability to pull melody out of chaos.

      New Excellent Woman wanders a meticulous cut-and-pasted path paved by forebears like The Books and Animal Collective. It sounds like a live band, bursting with kinetic energy, but the album was constructed alone in her Providence, RI studio, where she arranged, performed, recorded, and mixed the record herself. The ingenuity of Dirty Projectors is laced with the catchiness and warmth of The Kinks, and maybe a dash of Elephant 6. It’s like an ADHD party and you’re the first to arrive.

      New Excellent Woman is built from detritus, often quite literally: from the thrift store amplifiers and scavenged keyboards she uses to her penchant for discovering and sampling obscure YouTube videos into her songs. The thick fog of “Bedsong” is made up of little more than a Hammond organ found on craigslist and a few muffled drums piled with rags; opener “Ptolemy” uses a seemingly random video of teenage boredom as its textural and rhythmic backdrop.

      The ceaseless march of our modern world can feel both awe-inspiring and abysmal. New highways and condominiums are erected in a matter of weeks as historic burial grounds are demolished. Even short TikToks seem to expire in real time. Asher White won’t change things, but New Excellent Woman gives us a fresh and poignant perspective of the shifting world around us through her eyes—and maybe a connection is the best we can hope for.

      TRACK LISTING

      1. Ptolemy
      2. Skate Park Anthem
      3. Saturday Morning
      4. Mare
      5. Tresemme Instrumental
      6. Modern Guilt
      7. Garden
      8. Bedsong
      9. New Excellent World


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