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WEEK STARTING 10 May

Youbet

Way To Be

    Hardly Art debut by Brooklyn-based artist Nick Llobet, aka youbet, follows their 2020 debut album on Ba Da Bing! Records.

    A lovely album of layered melodic pop-rock arrangements fusing rock and electronic instrumentation with Nick Llobet’s poignant, witty, and vulnerable lyrics.

    Nick Llobet (they/them) was ready to throw in the towel. Llobet, who grew up in South Florida, learned to play guitar at a very young age, dabbling in everything from classical, blues, classic rock, and flamenco. They’d spent much of their early 20s searching for their voice as an artist and as an individual, as well as for a musical community. Llobet would eventually move to Brooklyn, but after three years of looking for a hopeful artistic breakthrough, they spent much of their time in seclusion, consumed by social anxiety and imposter syndrome—and they were considering abandoning songwriting completely.

    One day, while commuting through Penn Station en route to their partner’s family home in Virginia (that would also lead to the crucial purchase of a secondhand Tascam cassette recorder), they noticed Patti Smith sitting alone, waiting for a train. The typically shy Llobet decided to approach the icon, who was, in turn, delighted to see that Llobet was carrying a guitar. At the end of their interaction, Smith offered some parting wisdom: “She wished me luck and said, ‘Practice hard, Nick.’” Llobet took her advice to heart, and this chance encounter kicked off a personal and artistic rebirth.

    They started performing as youbet, a play on their last name, and began “changing [their] vision for what a song could be.” youbet’s debut, Compare & Despair, a delightful gem of a record that showcases Llobet’s propensity for freewheeling whimsy and emotional intensity. In May 2019, inspired by a song-a-week writing group that produced Compare & Despair, Llobet started a second club in which contributors would upload that week’s song to a private Bandcamp. Invigorated by this small musical collaboration, the feedback, and the accountability, Llobet wrote 18 songs throughout the duration of the club, twelve of which became Way To Be.

    After this songwriting marathon, Llobet spent 2020 focusing on instrumental guitar work and political engagement. By the summer of 2021, they were ready to revisit the Way To Be tracks. Over the next year-and-a-half, Llobet worked on the record relentlessly, refining the lyrics, recording, and arrangements from their apartment. Llobet self-produced Way To Be and describes the process as an enormous, labor-intensive undertaking that felt akin to “making a whole film.” Along the way, Llobet was joined by collaborators, including Julian Fader (Ava Luna), Adam Brisbin (Buck Meek), and Daniel Siles.

    Across Way To Be’s 12 delightfully off-kilter tunes, Llobet uses wordplay and tongue-in-cheek humor to obliquely explore dysfunctional relationships, regret, self-confidence or the lack thereof, queerness, and self-discovery. Fuzzy at the edges and filled with playful, kinetic arrangements, Way To Be is a bridge into the entrancing world of youbet. You won’t want to leave.

    TRACK LISTING

    1. Carsick
    2. Way To Be
    3. Nurture
    4. Seeds Of Evil
    5. Alive To You
    6. Do
    7. Deserve
    8. Lost
    9. Peel
    10. Trauma
    11. Vacancy
    12. Still

    Various Artists

    ALFA/YEN Records 1980-1987: Techno Pop And Other Electronic Adventures In Tokyo (LITA Exclusive)

      Recording technology was completely revolutionized in the 80s by the multitrack recorder, with the popularity of 24-channel SSL consoles sweeping the world. Japanese pop music created during this wave of digital improvement is now recognized worldwide as ""City Pop."" Techno Pop was another offshoot born of the same revolution.

      Precise, computer-controlled beats produced by groups like Yellow Magic Orchestra (YMO) introduced a different type of sound to the masses. By now, these works have been brought into the international limelight and continue to be a major influence on today's music.

      At the center of Tokyo’s Techno Pop scene was ALFA/YEN Records. The label left behind an impressive body of work, but much of it wasn't made widely available... until now!

      This new, definitive compilation focuses on the music archives of the YEN Records catalog, available for the first time exclusively at Light in the Attic. This is a true celebration of Japan's Techno Pop scene of the 80s, reissued with the intent that future generations, internationally, will be able to discover, enjoy, and appreciate ALFA/YEN and its significant contributions to the sonic landscape of the 80s and beyond.


      TRACK LISTING

      1. SEOUL MUSIC - YELLOW MAGIC ORCHESTRA
      2. ZOOT KOOK - SANDII
      3. Sakisaka To Momonai No Gokigen Ikaga One Two Three - You An’ Me Orgasmus Orchestra
      4. Drip Dry Eyes - Yukihiro Takahashi
      5. SUKI-SUKI-DAISUKI - Jun Togawa
      6. Parallelisme - Miharu Koshi
      7. Bikkuri Party No Theme - Haruomi Hosono & Yukihiro Takahashi
      8. Sakasa Kenjin Eagas - Apogee & Perigee
      9. Yumemiru Yakusoku - Haruomi Hosono
      10. ROCK - Hajime Tachibana
      11. Riot In Lagos - Ryuichi Sakamoto
      12. Radarman - Jun Togawa
      13. Platonic - Haruomi Hosono
      14. BEAT THE RAP- Super Eccentric Theater
      15. Rap Phenomena - YELLOW MAGIC ORCHESTRA
      16. LEXINGTON QUEEN - Ryuichi Sakamoto
      17. Chanel No #5 No On The Rock - Sheena
      18. Beach Girl - TESTPATTERN
      19. FLASHBACK - Yukihiro Takahashi
      20. Automne Dans Un Miroir - Tamao Koike
      21. Ascending - INTERIOR

      Various Artists

      Cumbia Cumbia Cumbia!!! Vol. 2

        A selection of 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983.

        “Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns.

        Various Artists

        Ghana Special (Volume 2): Electronic Highlife & Afro Sounds In The Diaspora 1980​-​93

          Highlighting a time when the burgeoning Ghanaian diaspora across Europe and North America was utilising new music technology and recording techniques. A period of movement, emigration and innovation.

          The dawn of the 80s saw an increase in emigration following a period of political upheaval at home, with many Ghanaians moving to Europe - especially Germany - to find work. Musicians recording both at home and abroad began to blend highlife with outside influences, taking inspiration from US disco and boogie, European new wave and Caribbean zouk and soca, reflecting new surroundings and cementing musical connections forged in London, Hamburg, Toronto and New York.

          Ghana Special celebrates this key period of musical innovation and cultural
          exchange that redefined the parameters of Ghanaian music and accelerated the cultural exchange between West Africa and Europe.

          TRACK LISTING

          1. The Godfathers - Ebe Ye Yie Ni
          2. Pat Thomas - Gye Wani
          3. Pepper, Onion, Ginger & Salt - M.C. Mambo
          4. Andy Vans - Adjoa Amisa
          5. George Darko - Kaakyire Nua
          6. Rex Gyamfi - Obiara Bewu
          7. Starlite - Anoma Koro
          8. Abdul Raheem - Alaiye
          9. Jon K - Asafo
          10. Kwasi Afari Minta - Barima Nsu
          11. Marijata (feat. Ata Kak) - Otanhunu
          12. Gyedu Blay Ambolley - Apple
          13. Dadadi - Jigi Jigi
          14. Charles Amoah - Fre Me (Call Me)
          15. Ernest Honny - New Dance
          16. Bessa Simons - Sii Nana
          17. Nan Mayen - Mumude
          18. Nana Budjei - Asobrachie

          Various Artists

          Someone Like Me

            Efficient Space continue with their very highly regarded compilations. And this looks like another classic..

            A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

            Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

            Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

            Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

            Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.


            TRACK LISTING

            1. Sharkey - Someone Like Me
            2. Lynne Ann Kingan - If You Love Me - Hate Me
            3. James Thornbury - So Tan
            4. Jim Huxley - Only A Song
            5. Charlie Webster - Snodland
            6. The Bob Hughes Band - You Broke My Heart
            7. Goldrust - Going Yesterday
            8. Jim Kennedy - You Are The Reason
            9. Jon Betmead - Marie Elene
            10. Charles Murphy - The Foot That's Holding Me Down
            11. Remnant - I Will Set You Free
            12. Fred Potts - Following Rainbows
            13. The Superwomen - Lowlands
            14. Robison Kaplan Ltd. - Don't Say Goodbye
            15. Gary Ramey - You Are His
            16. John Agostino - Loss Of Love
            17. Ritchie Tierney - Please Stop Breaking Me Down

            Various Artists

            Soul Jazz Records Presents: In The Beginning There Was Rhythm - 2024 Reissue

              Unavailable for over 20 years, ‘In The Beginning There Was Rhythm’ was Soul Jazz Records’ first foray into post-punk and punk-funk in the UK, capturing the groundbreaking, seminal groups that crossed the divide of punk and dance music for the first time.

              First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.

              This album comes as a CD and as a double black vinyl edition with download code complete with two bespoke inner bags containing extensive sleevenotes and original photography.

              As Muzik magazine noted on its initial release, ‘In The Beginning There Was Rhythm’ is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.

              Most of the bands featured come from the then bleak postindustrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London - and yet all show a fascination with Black American rhythms and an experimentation in sound that was completely unique at the time.

              TRACK LISTING

              1. A Certain Ratio - Shack Up
              2. 23 Skidoo - Coup
              3. Gang Of Four - To Hell With Poverty
              4. The Human League - Being Boiled
              5. The Slits - In The Beginning There Was Rhythm (Early Version)
              6. This Heat - 24 Track Loop
              7. Throbbing Gristle - 20 Jazz Funk Greats
              8. The Pop Group - She Is Beyond Good And Evil
              9. Cabaret Voltaire - Sluggin' Fer Jesus
              10. 23 Skidoo - Vegas El Bandito
              11. A Certain Ratio - Knife Slits Water

              Various Artists

              The Power Of The Heart: A Tribute To Lou Reed

                It goes without saying that the legendary Lou Reed was a true rock ’n’ roll pioneer. From The Velvet Underground’s debut in 1967 all the way through the end of his days, Reed sang truth from his heart. He lived life to the limit—and then some. The Power of the Heart is a tribute to Reed’s freedom of expression with covers spanning his groundbreaking years with the Velvets into his majestic solo career. Each track is a glorious extension of the Rock ’n’ Roll Animal’s soul, ever adventurous and avant-garde. The Power of the Heart: A Tribute to Lou Reed kicks off with a legend in his own right, Keith Richards, reimagining the Velvets’ classic, “I’m Waiting for the Man.” Richards’ rendition instantly invites you on board this unforgettable ride.

                In stark contrast, “Perfect Day” is somehow even more melancholy than the original given the Rufus Wainwright treatment, featuring sparse fingerpicking and gentle harmonies. Joan Jett and the Blackhearts deliver a version of “I’m So Free” that would have even Lou rockin’ in his grave. It’s thrilling to hear these songs reinterpreted and sung by such heavyweights; you can even hear as Lucinda Williams channels the spirit of Lou with her take on “Legendary Hearts.”

                Other tracks include a punk-drunk, loved-up duet by real-life lovers Angel Olsen & Maxim Ludwig with “I Can’t Stand It,” and Rickie Lee Jones’ reimagining of “Walk on the Wild Side,” both whimsical and enticing with her whispery vocals, stripped-down percussion, and a piano fit for a late-night lounge. This tribute album truly defies genre, but its throughline, in the end, is its heart: a deeply thoughtful collection of songs that shaped a generation, each paying homage to a man whose body of work still sings.

                “To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog.” – Keith Richards.

                “Lou seemed fearless to me, like he’d rather die than be a people-pleaser. I took inspiration from that.” – Rosanne Cash.

                “Lou Reed is my earliest influence, my introduction to punk rock, and the soundtrack to the beginning of my romance with Maxim.” – Angel Olsen.

                “Lou Reed has been gone now for many years. He’s one of the few people whom I miss as much now as when he left. There are so many instances where I wonder what he would say or what he would think. His general aura would always lend something really unique to the room. Thank God he left his great music and recordings. His personality is sorely missed. Love you, Lou.” – Rufus Wainwright.


                TRACK LISTING

                I'm Waiting For The Man - Keith Richards
                I Can't Stand It - Maxim Ludwig & Angel Olsen
                Perfect Day - Rufus Wainwright
                I'm So Free - Joan Jett And The Blackhearts
                Sally Can't Dance - Bobby Rush
                Walk On The Wild Side - Rickie Lee Jones
                I Love You, Suzanne - The Afghan Whigs
                Coney Island Baby - Mary Gauthier
                Legendary Hearts - Lucinda Williams
                New Sensations - Automatic
                Magician - Rosanne Cash
                The Power Of The Heart (bonus Track Cd Only) - Brogan Bentley

                Various Artists

                Voodoo Mambosis & Other Tropical Diseases Vol. 2

                  This is the 2nd volume in the new Voodoo Mambosis And Other Tropical Diseases series on Stag-O-Lee. What does a friend of the obscure 7"s do when he already has everything in the field of Rhythm & Blues etc.? He is looking for other fields of activity.

                  He made a little trip around the world here, let his new love of cumbia flow in, mixed in a pinch of voodoo, reactivated some old blues heroes, plus some exotica - it never hurts.

                  The cover, also designed by Jens-O-Matic, is a homage to the groundbreaking "84 compilation Rockabilly Psychosis and the Garage Disease!


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