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WHY?

The Chameleons

Why Call It Anything - Special Edition

    The Chameleons fourth and final studio album receives its first ever outing on vinyl, with the initial pressing on 2 x heavyweight coloured discs presented in a gatefold sleeve.

    Why Call It Anything was produced by David M Allen (Strange Times) and was the band’s first full studio recordings after a fifteen-year break.

    Re-mastered for vinyl, the album was cut at Abbey Road by engineer Geoff Pesche whose impressive CV includes cutting the lacquer for the best selling 12” of all time, New Order’s Blue Monday.

    FORMAT INFORMATION

    2xColoured LP Info: Orange and blue coloured vinyl.

    F/i

    Why Not Now? ... Alan!

      After many delays, Sorcerer is please as punch to finally reissue the debut LP from 1987 by Milwaukee space-rock gods, F/i: Why Not Now?… Alan! Available for the first time on the format since its initial release, it remains a Holy Grail item for lovers of cosmic rock & roll sounds from Underground Amerika in the 1980s. F/i had been churning out tape upon tape of experimental electronics since the early ‘80s. Influenced by Krautrock (particularly Cluster, Tangerine Dream, Ash Ra Tempel) and the harsh noise of Industrialists Throbbing Gristle and early SPK, by the mid ‘80s they morphed into a fully-fledged “rock” band, albeit one incorporating all of the above. This LP is the perfect synthesis of these sounds: grimy, lo-fi ‘rock’ with elements of industrial clang and extended, Hawkwind-ish space-rock jams; from the two-step cosmic churn of “Electric Waltz” to the ‘Neubauten-style bang & bash of “Zombie Theme”. Remastered by Mikey Young, the sleeve perfectly replicating the original, our edition is a limited edition of 500 copies.

      Liam Gallagher

      Why Me? Why Not.

        This month has seen Liam Gallagher make a typically full-throttle return. Super intimate sold-out show at Hackney Round Chapel? Biblical. Premiere and release of the long-awaited ‘As It Was’ documentary? Completed. Featured on the cover of Q, who described him as “rock’s finest frontman”? Naturally.

        Liam wrote lead single ‘Shockwave’ with two of the key collaborators behind the all-conquering ‘As You Were’ album: Andrew Wyatt, who won the Academy Award for Best Original Song as co-writer of ‘Shallow’ from the film ‘A Star Is Born’, and the multiple Grammy-winner Greg Kurstin who also produced the track. It was recorded in Los Angeles.

        Liam Gallagher’s debut solo album ‘As You Were’ was a critical and commercial smash. It debuted at #1, out-selling the rest of the Top 10 in the process, and was soon certified Platinum. Liam was back where he belonged, selling out huge outdoor shows and earning major awards from Q, NME and GQ.

        More details regarding ‘Why Me? Why Not.’ will be revealed imminently. “It’s a better record than As You Were,” promises Liam. “Which is saying something, as that was epic, wasn’t it?”


        STAFF COMMENTS

        Barry says: He's back! Liam's newest album sees him co-writing with a duo of talented musician pals, and retains all the charm and momentum of his previous outing, but with more OOMPH. Why not indeed.

        FORMAT INFORMATION

        LP Info: 140 gram black vinyl housed in a gatefold sleeve.

        Deluxe CD Info: Deluxe CD with 3 bonus tracks (14 in total).

        Why?

        Aokohio

          Yoni Wolf has spent the last two decades traveling the remote sonic terrain where underground hip hop, avant-pop, and psych-rock meet. On AOKOHIO, Yoni Wolf condenses the essential elements of WHY? into a stunningly potent musical vision. Co-produced by Wolf and his brother Josiah, the record presents a rich palette of musical voices that emerge and disappear into a constantly shifting kaleidoscope of sound. And while AOKOHIO features many notable guest contributors, from Lala Lala's Lillie West, to Nick Sanborn and Amelia Meath of Sylvan Esso, the listener's attention remains squarely directed on Yoni's voice and vision. AOKOHIO finds Yoni rethinking fundamental aspects of his approach to creating and delivering his music. The album is presented as six movements comprised of two to four songs each, with some segments appearing as brief fragments that dissolve within seconds.

          The concept of sharing AOKOHIO in segments over time has been preserved with the release of an accompanying visual album-with the first three segments directed by Sundance award-winner Miles Joris-Peyrafitte, who is also the mastermind of the overarching video project. AOKOHIO feels like a consequential addition to the WHY? catalog, possibly even an artistic turning point. But its creator remains circumspect when asked to comment on the album's significance within his discography, instead preferring to characterize the work as the latest iteration of his deep commitment to his artistic practice. "I have no idea if this record is good or not," Yoni says. "But I never really know. I know that I've never written a song that's indispensable to the American songbook. But in terms of what it is, it's a piece of art. I put blood, sweat, and tears into this album, and struggled through the creative process as I always do. As far as where this sits with the rest of my albums? I can't answer that. I just know that my career is a lifelong career, and I'm working it. Every time it feels right, it makes me feel good." 

          FORMAT INFORMATION

          Coloured LP Info: Indies-only red LP edition.

          Coloured LP 2 Info: Indies-only yellow LP edition.

          Nichelle Nichols

          Know What I Mean / Why Don't You Do Right?

          Star Trek to soulstress - Lieutenant Uhura aka Nichelle Nichols was a groundbreaking actor, singer and trailblazer and these two standout tracks sound as sweet as they did over 50 years ago. A valuable collectable must for Soul, Northern fans & well as any true Trekkie...original copies are changing hands for £250+.

          Originally released in South Africa in 1994 on the Mighty Good Sounds imprint, Sea Bee’s debut album was a hit in the earliest days of kwaito, epitomising the house-infused soundtrack of a newly democratic nation.

          While it may have been Sea Bee’s release, the key to the album’s success was the magic touch of Spokes H, who composed, produced and arranged all the tracks. Sea Bee would soon disappear off the radar, while Spokes remained an influential and popular figure in SA until his untimely death in 2013.

          The latest release on DJ Okapi’s Afrosynth Records removes two tracks from the original six-track album, keeping four of the choicest downtempo dancefloor bombs – "Home Boy", "I Wanda Why", "Thiba" and "Stoppa" - all heavy on the bass, with uplifting vocals and unique lyrics guaranteed to increase the energy on any dancefloor, in any country at any time.

          STAFF COMMENTS

          Patrick says: DJ Okapi flicks through his record box, picks out a total Kwaito classic and trims off the excess fat, offering us the solid sounds of Sea Bea as a DJ friendly 12". Chunky and funky with all the African flavour you could ask for!

          Why You So Crazy is The Dandy Warhol’s 10th studio album arriving on the 25th anniversary of the band. Brimming with catchy melodies and that trademark Dandy's drawl, they run through a sturdy and reliably brilliant distillation of country, psych and anthemic indie to great effect, swinging effortlessly through genres like a knife through butter. A wry look at life through a lens only the Dandy Warhols could provide. 


          STAFF COMMENTS

          Barry says: Perfectly epitomising the Dandy's warmingly obtuse creative output, 'Why You So Crazy' swings easily from shadowy synth-pop ('Terraform') through classic angular Dandies pop ('Thee Elegant Bum') and hazy west-coast pop ('Small Town Girls') with grace and skill. Lovely stuff.

          Deerhunter

          Why Hasn't Everything Already Disappeared?

          As thrilling and unpredictable as anything in Deerhunter’s near 15-year career, Why Hasn’t Everything Already Disappeared? was recorded in several strategic geographic points across North America, and produced by the band, Cate LeBon, Ben H. Allen III, and Ben Etter. Forgetting the questions and making up unrelated answers, Deerhunter’s eighth LP is a science fiction album about the present. Exhausted with the toxic concept of nostalgia, they reinvent their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth.

          STAFF COMMENTS

          Javi says: Is it a guitar? Is it a synth? Is it some old-time harpsichord-y thing plugged through a sh*t-ton of reverb? Your guess is as good as mine. The only thing for sure is that indie darlings Deerhunter have created their most consistent and nuanced album since 2010’s ‘Halcyon Digest’ in their seventh LP, ‘Why Hasn’t Everything Already Disappeared?’.
          With fellow Top 20 maverick Cate Le Bon at the production helm, there’s nothing the band can’t do—whimsical groove-laced indie and atmospheric expansiveness are married perfectly on songs like the opener “What Happens to People?” and penultimate bop “Plains”, and just as the voice of God bids us good morning on “Detournement”, guitarist Lockett Pundt’s sole offering “Tarnung” is already preparing to tuck us into bed.
          Every song is a stutter-funk gem, a space-age exploration of pastoral life, a strutting jaunt into the end of days. Every song is a grower, and boy, how big they grow…

          FORMAT INFORMATION

          Coloured LP Info: Grey coloured vinyl.

          Half Japanese

          Why Not?

            Half Japanese have returned to peel further layers from their onion. They have a new album that's a square further on in their unpredictable musical snakes and ladders board. ‘Why Not?’ is a magical thing – it’s Springsteen’s ‘Born To Run’ recorded in a cupboard, it’s an ode to love, it’s a Wire song with two duelling guitarists being Zappa on helium, it’s Parquet Courts in a tantrum, it’s The Crickets contorted into? and The Mysterians, it’s everywhere and nowhere, baby, it’s where it’s at. On ‘Why Not?’ nuances are mused, situations explained, questions asked.

            Outside, zombies and demons roam and everyday aliens emerge from spaceships: it’s a technicolor film transcribed by Jad Fair and friends John Sluggett, Gilles-Vincent Rieder, Mick Hobbs and Jason Willett, their faces at the cracked window of their subterranean habitat looking out at the real world. They’re on a high from their last release: “After all these years, his wiry voice still hits every song with a shock that’s equal parts joy buzzer and defibrillator, each barely in-key bleat alternating between laughable and life-affirming,” said Pitchfork of their last opus ‘Hear The Lion Roar’.

            To which All Music added that “after nearly 40 years of music-making, they're still creating some of the most engaging recordings of their lives, and that's truly something to believe in.” ‘Why Not?’ goes further. It’s an even more intense concoction, it’s further out there. It contains pieces of fluffy thought-provoking music, a bag of sentiments delivered with a real sense of wonderment at how the normal world revolves; all powered with heart and soul, some crunchy guitars, a cello and reverb set-to-kill infiltrating their storytelling. ‘Why’d They Do It?’ quizzes track 11. Because they can. 

            STAFF COMMENTS

            Barry says: Why not indeed?

            Cross out the all seeing eye and ears will open onto questions tracing the lithic grooves of an anachronic industrial. Why the Eye's paleo-futurism suggests a mode of Rock in Opposition displaced into alternative timelines. It is as if the Leg End of Henry Cow has escaped its retro-avant 'chamber music' fetters, toward the hypnotic patterns of dance floor exuberance. These rituals exhume unidentified audio relics from a future yet to be within a deep past that will have been. Each track on Why the Eye's debut leads into an exploration of an entranced dreamscape that would be mislabeled as an 'interlude'. Instead, Why the Eye weave numerological significance into their myth: the energetic, odd-numbered tracks are counterbalanced by the mesmeric reveries of the even-numbered tracks. Using ? for their titles, these unpronounceable names express the unconscious catacombs of their invisible sonic worlds. Why the Eye uses an array of handmade instruments, each featured on the album's insert: hurgy, papillon, radiocaphone, castabignettes, drumkit, and the various sizes of lamellos. These hybrid tools give an elemental presence to their lithic grooves and a uniqueness to their spectral techno. The album's opener, 'Dombo', could equally be heard as the audio parallel to the 'pataphysical Museum of Jurassic Technology as much as the reopening of the Bay-area's Sleepytime Gorilla Museum. The heavy hypnosis of 'Plastique' sets the machine churning, with its ?? breakbeat skit closing side A. The nouveau post-rock of 'Free Gluten' continues the meditation to side B, as 'Papillon' Afro-punk invites us back to dance. 'Bragitto' lightens up the energetic weight and its ????? dream closes the album with murmurs suitable for any ambience. If music will have been made to announce the retrieval of lost futures, the initiation of Why the Eye might be said to have incepted some of its timbres. 

            STAFF COMMENTS

            Patrick says: A-grade weirdshit for the backwards dancers and eyeball lickers of the world. Paleo-futurism? Anachro-techno? Alternate industrial? It sounds like bio-mechanical ants eating their way through high rises and discotheques in the year 3000.

            FORMAT INFORMATION

            LP Info: LP + insert + download voucher.

            LP includes MP3 Download Code.

            • Second ever vinyl pressing from Her Records
            • Hand-Stamped edition of 400 copies.
            • Mastered and cut by Matt Colton

            Essential club pressure from Her Records, courtesy of label co-capo, MM (fka Miss Modular), including a dancehall flip of CYPHR’s Brace and arriving hard on the heels of Kid Antoine’s Bodypaint killer. Uptown, with Why You All In MY Face, he essentially picks up where their last white label, Fraxinus’ flip of DJ Diamond’s B-More classic Hey You Knuckle Heads left us; warping a bouncing B-more chassis with eye-quivering FX, handbrake turns, and the kind of sustained subbass tremors that make your clem fandango. Downtown, he performs dancehall voodoo on CYPHR’s Brace, screwing the ting to a slower tempo meshed with I-Octane & Bounty Killer’s vocal to Double Trouble for maximum danger. Trust these are tried and tested for all DJ and dancer...

            The Soft Pink Truth is the solo alter ego of Drew Daniel, one half of celebrated Baltimore-based electronic duo Matmos.

            After a decade of silence in which Daniel concentrated on Matmos and becoming a Shakespeare professor, The Soft Pink Truth is set to release ‘Why Do The Heathen Rage?’, whose subtitle ‘Electronic Profanations Of Black Metal Classics’ reveals its bizarre agenda as an unrequited love letter to a justly divisive genre.

            A gleeful queer travesty of black metal’s undying obsession with kvlt authenticity, ‘Why Do The Heathen Rage?’ is also a formally precise homage executed with a scholar’s obsession. With the guitar chord transcription assistance of Owen Gardner (Teeth Mountain, Horse Lords) and a coven of guest vocalists including Antony Hegarty (Antony And The Johnsons), Terence Hannum (Locrian), Jenn Wasner (Wye Oak) and M.C. Schmidt (Matmos), Daniel meticulously transposes the riffs, structures and patterns of black metal chestnuts and deep cuts by Darkthrone, Venom, Mayhem, Sarcofago, Beherit and more into oddly hybrid new forms. Cruising camp absurdity by forcing a sticky tryst between the two mutually incongruous early 90s subcultures of rave and black metal, the results are bracingly strange on first listen but curiously addictive as the album sinks in.

            FORMAT INFORMATION

            CD Info: CD version in 4 panel mini-LP style gatefold package.

            Announcing 'Golden Tickets' - the latest mini album from WHY? The Wolf brothers' pop-inflected psychedelic folk-hop was nominally referred to as hip-hop at the beginning of their career. At this point - certainly on 'Golden Tickets' - the project has outgrown any easy genre-categorization. With the musical eclecticism, pop-twist, and experimental bent of artists like the Flaming Lips or Beck. WHY? shimmers on this album in vibraphone stippled, sweetly riffed songs with characteristically gut-wrenching subtext.

            Hot Club De Paris

            With Days Like This As Cheap As Chewing Gum, Why Would Anyone Want To Work?

            Hot Club de Paris mark their eagerly-awaited return in 2010 with a brand-new 6 song EP entitled “With Days Like This As Cheap As Chewing Gum, Why Would Anyone Want To Work?” (A phrase generously loaned by acclaimed British poet Matthew Welton). Still operating with their usual punk-rock ethic and still proudly flying the flag for British DIY, Hot Club are now self producing and recording themselves in their Liverpool rehearsal space.

            STAFF COMMENTS

            Laura says: Scouse three piece Hot Club De Paris return with this superb collection of acrobatic, articulate pop songs, neatly packaged into a limited edition 10" in a hand numbered sleeve.

            FORMAT INFORMATION

            Ltd 10" Info: 1 copy found!

            22-20s

            Why Don't You Do It For Me?

            Tribal thumping, taut guitars, it's a high octane MC5 style pure rock 'n' roll assault on the senses. This is the first new stuff from this lot since their incredible debut mini-album last summer, and like The White Stripes it's bringing the blues up to date; it's young, exciting, explosive stuff. Shake it like a bowl of soup!


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