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David Hepworth

Hope I Get Old Before I Die : Why Rock Stars Never Retire

    From the author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever changing music game. When Paul McCartney closed Live Aid in July 1985 we thought he was rock's Grand Old Man. He was forty-three years old.

    As the forty years since have shown he - and many others of his generation - were just getting started. This was the time when live performance took over from records. The big names of the 60s and 70s exploited the age of spectacle that Live Aid had ushered in to enjoy the longest lap of honour in the history of humanity, continuing to go strong long after everyone else had retired.

    Hence this is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas for ever.


    The Well I Fell Into

      RIYL: Anticon, TV on the Radio, Animal Collective, Dirty Projectors, Modest Mouse. First album in 5 years, following AOKOHIO (Joyful Noise Recordings). Self released on Waterlines, the new record label from Anticon co-founder, Yoni Wolf.

      For nearly three decades, WHY? have thrived in subverting expectations. Across seven unpredictable and adventurous studio albums, the band led by Cincinnati songwriter Yoni Wolf has stretched the fringes of psychedelic pop, hip-hop, and electronic music. No matter the genre experiments and thematic departures, their discography is remarkably consistent, anchored by Wolf's disarming lyrical transparency. His writing is provocative, self-lacerating, and always considered, coming from a place of blunt emotional openness.

      The Well I Fell Into, the eighth full-length from WHY?, is Wolf at his most cohesive and poignant. An autopsy of heartbreak, the album charts the ups and downs of a devastating breakup while trading bitterness for healing. Self-released on Waterlines, Wolf's new label that follows in the footsteps of Anticon, the trailblazing artist-run collective he co-founded, its 14 tracks stand as the band's prettiest and most immediate work yet.


      1. Lauderdale Detour
      2. Marigold
      3. Brand New
      4. G-dzillah G’dolah
      5. When We Do The Dance
      6. Jump
      7. Later At The Loon
      8. Nis(s)an Dreams, Pt. 1
      9. The Letters, Etc.
      10. What’s Me?
      11. Sin Imperial
      12. Atreyu
      13. Versa Go!
      14. Sending Out A Pamphlet. 


      Why Lawd?

        The long-awaited second album from NxWorries – the iconic duo of superstar vocalist Anderson .Paak and GRAMMY Award-winning beatmaker and producer Knxwledge.

        8 years after their breakthrough debut Yes Lawd!, NxWorries return with Why Lawd? – a winning combination of Knx’s unmistakeable beats and .Paak’s instantly recognizable vocals.

        This time, special guests are invited along for the ride. Featured artists include H.E.R., Snoop Dogg, Thundercat, Earl Sweatshirt, Rae Khalil and more.


        Liam says: New joint from Anderson .Paak and Knxwledge, 'Why Lawd?' sees the pair once again fusing their unmistakable brand of hip-hop and neo-soul for another batch of stone-cold bangers. With guests spots from the likes of Earl Sweatshirt, Thundercat and Snoop Dogg, we sure hope we don't have to wait another 8 years for their next instalment!


        ThankU (feat. Dave Chappelle)
        KeepHer (feat. Thundercat)
        Where I Go (feat. H.E.R.)
        FromHere (feat. Snoop Dogg & October London)
        OutTheWay (feat. Rae Khalil)
        NVR.RMX (feat. Charlie Wilson)
        WalkOnBy (feat. Earl Sweatshirt & Rae Khalil)

        Big Country

        Why The Long Face (RSD24 EDITION)



          From 1995, the 8th studio album by Big Country featuring the original line-up of Stuart Adamson, Bruce Watson, Tony Butler and Mark Brzezicki. Combining new wave and even new romantic elements with Celtic slanted pop-rock, the album features live favourites ëIím Not Ashamedí and ëYou Dreamerí. Only 3,000 copies were pressed initially and it has never been re-pressed. Now available for Record Store Day on limited edition tourquiose vinyl.

          Maximum Joy

          Why Can't We Live Together (RSD24 EDITION)




            RE: This Is Why (Remix Album) (RSD24 EDITION)



              RSD 2024. Re: This Is Why is a new version of the record which includes 12 tracks


              This Is Why + RE: This Is Why (Remix Album) (RSD24 EDITION)



                Re: This Is Why is a new version of the record which includes 12 tracks ñ 11 tracks are reimagined versions of songs from the original This Is Why record, created by influences and collaborators of Paramore The reimagined record features collaborations from: Foals Remi Wolf Romy Wet Leg Zane Lowe The Linda Lindas Panda Bear DOMi & JD BECK Claud Julien Baker Bartees Strange It also includes a previously unreleased demo from Paramore

                Fela Kuti

                Why Black Man Dey Suffer - 2024 Reissue

                  ‘Why Black Man Dey Suffer’, recorded in 1971, was originally deemed too controversial for release by EMI, his label at the time. Having recently been schooled in the American black power movement and having taken on a new Pan-African worldview, this album served as one of Fela’s first musical soapboxes on which he challenged the colonial injustices and corruption of the ruling elites of his time. The title track, also featuring Ginger Baker, is a history lesson on the oppression of the African man. It details the litany of abuses the black man has suffered - from being taken as slaves, to having an alien people impose a new culture upon them, taking their land, fighting them, and setting them against one another. ‘Ikoyi Mentality’ firmly expresses Fela’s identification with the downtrodden masses and his rejection of the ways of the ruling class inhabitants of the Ikoyi neighbourhood in Lagos.

                  TRACK LISTING

                  Why Black Man Dey Suffer
                  Ikoyi Mentality Vs Mushin Mentality

                  Andy Crown & Magic Touch

                  Why Do I Love You B/w Why Do I Love You

                    Chicago’s Magic Touch label gets the Numero treatment. Legendary rare groove selector & DJ Red Greg’s edit of Disco Holy-Grail “Why Do I Love You” is now available on 7” for the first time and housed in official Magic Touch Double Disco Smash 7” Company Sleeve. This tune has been making waves in the DJ community for years only after Red Greg introduced his crucial edit eliminating the studio fluff and dialing in the raw disco meat. Certified Floor Filler with a groove guaranteed to answer all questions on love.

                    TRACK LISTING

                    A. Why Do I Love You (Red Greg Edit)

                    B. Why Do I Love You (Instrumental)

                    Lance Ferguson

                    Voo Sobre O Horizonte / Why

                    We're back with another Lance Ferguson 7" single pressed in collaboration with seminal Japanese record store Jet Set, following up on last summer's killer Brazilian Rhyme/Sweet Power Your Embrace 45!

                    This time getting the it's two selections from the second volume of Lance's Rare Groove Spectrum series, the stellar take on Azymyth's Voo Sobre O Horizonte (Fly Over the Horizon) and Ferguson's instrumental take on an all-time Balearic classic, Carly Simon's Why.

                    Cut loud to 7" wax and served in a polybag with Japanese insert. We won't have many of these so get in quick!

                    TRACK LISTING

                    1. Voo Sobre O Horizonte
                    2. Why


                    Why Not Now

                      RIYL: Sarah Records, Galaxie 500, Algebra Suicide, Mazzy Star, early Low.

                      “Everyone’s hoping that nobody sees/all our little efforts at dignity”

                      This last line of the title track from Cindy’s fourth LP Why Not Now? works as a slogan for Karina Gill's evolving musical vision. Her music is simple out of necessity and introverted in delivery, but the songs contain vivid worlds and are quietly ambitious. With this latest batch, Gill pulled the process of making Cindy music even more inward. “Some of these songs were first recorded as demos alone in my basement. I think that process set the tone for the record…Maybe it set up a kind of starkness,” she says.

                      Moving on from the fixed quartet that performed the first three albums, Gill worked alongside original keyboardist Aaron Diko to develop the songs and they enlisted players from the ever-blossoming SF pop scene to realise her minimalist vision -- members of Flowertown, Telephone Numbers, April Magazine, Famous Mammals, and Sad Eyed Beatniks to name a few. The collective sounds fill out the record perfectly with John Cale-esque viola on ‘August’, lo-fi fairground organs, and a tasteful full-band sound that crops up throughout. ‘A Trumpet on a Hillside’ is the most triumphant Cindy has ever sounded, all ascending chords and a wedding march melody tumbling out of an old synth. Still, some of the best moments are Gill alone, as on ‘Playboy’, just naked guitar and voice, and when the forlorn whistling solo kicks in, it feels like the loneliest star is imploding in a distant galaxy.

                      While the dream-pop tag is probably still relevant, this isn’t algorithm-fed genre ambience. Gill’s vocal/lyrical presence can be as gently momentous as Leonard Cohen or as intellectually potent as any ’79-’80 Rough Trade post-punk. “In writing a song”, Gill says, ”all the disparate parts of being me momentarily correspond, like car alarms and party music momentarily matching beats.” Cindy’s Why Not Now? is that muffled street symphony inside a passing daydream.

                      STAFF COMMENTS

                      Martin says: In possibly their most stark, minimalistic statement to date, Cindy present 'Why Not Now?'. Swimming with slow psychedelic guitar and haunting echoic vocals, it's both heartfelt and deep while not eschewing the keen sense of melody they've become known for.

                      TRACK LISTING

                      1. Why Not Now (02:33)
                      2. Standard Candle #3 (03:02)
                      3. Earthly Belonging (01:27)
                      4. August (02:48)
                      5. Wednesday (02:13)
                      6. A Trumpet On The Hillside (04:19)
                      7. The Price Is Right (02:54)
                      8. Playboy (03:26)
                      9. Et Surtout (01:55)
                      10. Standard Candle #4 (01:49)

                      Kara Jackson

                      Why Does The Earth Give Us People To Love?

                        'Why Does the Earth Give Us People to Love?' is the debut album by Chicago-based Poet Laureate & singer-songwriter Kara Jackson.

                        'Why Does the Earth Give Us People to Love?', is a sonic invitation to process our grief. The title is a question the author is always answering. How do we give ourselves permission to yearn for the people we miss? How do we find the courage to let go of what begs to be released? How do we have the audacity to love in spite of everything invented to deter us from it?

                        Kara wrote and recorded the original demos in her childhood bedroom during the early days of the pandemic, drafting lyrics in bed and singing into a mic propped up on her dresser. From there she brought in Nnamdi, Kaina and Sen Morimoto to re-record the demos and help shape the production.

                        Wielding her voice like a honey-coated blade, Kara Jackson crafts a blend of emotional folk music and poetic alt-country. With the radical honesty of Nina Simone, the intricate lyricism of Fiona Apple and Joanna Newsom, and the straightforward, no-frills delivery of artists like Kimya Dawson, Kara’s writing blurs the line between poetry and song, demanding an attentive ear and a repeat listen.

                        STAFF COMMENTS

                        Barry says: Jackson's music is both intensely powerful and wildly understated, often relying upon an unadorned guitar and single vocal, before flourishing into orchestral swells and beautifully harmonised melodies. An arresting, cohesive debut LP with a singular sound.


                        This Is Why

                          “This Is Why was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics but Taylor convinced Zac and I both that we should work on this last idea. What came out of it was the title track for the whole album. It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last 3 or 4 years. You’d think after a global pandemic of fucking biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.

                          The public sphere we find ourselves re-entering after 4 years at home, in our comfort zones, is an entirely different thing than the one we knew. The restlessness, the anxiety, and the compulsion to take action— it all feels like a contradiction. On one hand, we have a legitimate platform to use which makes me want to march at every protest for social justice and devote every waking second to every single cause I believe in. On the other, I just want to go home, plant a garden, and become a distant memory to the outside world.”

                          STAFF COMMENTS

                          Liam says: Ditching their pop-punk and synth-pop sound of previous records in favour of 2000s math-infused indie, 'This Is Why' certainly represents a new chapter for Paramore. The title track takes things to 'Total Life Forever' era Foals, whilst elsewhere there is shades of early Bloc Party and 90s emo. Not gonna lie, really liking a Paramore record in 2023 certainly wasn't on my bingo card this year.

                          Robocop Kraus

                          Why Robocop Kraus Became The Love Of My Life

                            EPs, 7"s, Compilation Tracks and some other Songs 1998-2022. Long time no hear: after an extended hiatus and just the occasional gig, Robocop Kraus have rewired and reunited. They’re back in the game. Almost a quarter of a century has passed since the band was formed, a period which saw them release on labels like L’Age D’Or, Epitaph, and Anti. Now they have put together a compilation featuring all of the tracks which, for one reason or another, were not available on their regular albums, with an intriguing number of rarities and previously unreleased material.

                            Why Bonnie

                            90 In November

                              New-York-by-way-of-Texas transplants Why Bonnie announce their debut album, 90 in November, on their new label Keeled Scales. “90 in November” is a sunny guitar pop song about lead singer and songwriter Blair Howerton’s hometown of Houston, packed full of sparkling snapshots—”a technicolor sun” and “a cardboard cutout cowboy waving me goodbye.” “I wanted to capture the bittersweet feeling of saying goodbye to the landscape that shaped you while still dealing with the anxieties of what lies ahead,” says Howerton. “Nostalgia always hits with a flash of disjointed memories - like speeding down the highway or sweating in the Texas heat.” 

                              Following their 2020 “Voice Box” EP, 90 in November crashes into existence with a squeal of feedback and a burst of distorted guitar. Inspired by fellow Texans Townes Van Zandt, Blaze Foley, alt-rock like the Lemonheads and the Replacements, the eccentric pop of Sparklehorse, and Sheryl Crow, the album is a dynamic introduction to an evolutionized Why Bonnie. 90 in November is a meditation on the pains and pleasures of nostalgia and a lesson in learning how to look back at the people, places, and experiences that have shaped us, with room for both unvarnished honesty and rose-tinted melancholy.

                              The songs for 90 in November were mostly written in Brooklyn, where Howerton moved from Austin in 2019. Already in the midst of a major life change, her feeling of being between worlds was compounded when quarantine hit and she found herself, like so many others, stuck in her apartment—about as far away from the wide-open spaces of Texas as one can possibly get. It was in this environment that she began to write songs parsing out the complicated, mixed emotions associated with building a new home while attempting to make sense of the one she had left behind.

                              There’s a deep sense of place across 90 in November. The band—Howerton, keyboardist Kendall Powell, guitarist Sam Houdek, bassist Chance Williams, and drummer Josh Malett—considered making the record in New York or California, but ultimately decided that it had to be done in Texas. In early 2020, Why Bonnie headed down to the town of Silsbee (population: 6,634) to spend two weeks recording with Tommy Read (Lomelda, alexalone) at Lazybones Audio. Howerton describes it as an idyllic period of time where days were spent walking around with cows and evenings drinking Lone Star beer and looking at the stars.

                              90 in November is a trip through Howerton’s inner world, but it’s also a road trip through Texas. Often it is both at once. The songs are full of poetic, cinematic lyrics that flash like colorful scenes glimpsed from the window of a car as it barrels along an interstate highway cutting through the Lone Star State, each one a road stop revealing a different facet of Howerton’s experience. The album is a dynamic introduction to a more raw-edged indie sound from a band who have matured from bedroom dream pop into a sophisticated rock act, their evolving sound a reflection of the journey undertaken by Howerton on this vividly rendered collection of songs.

                              TRACK LISTING

                              1. Sailor Mouth
                              2. Galveston
                              3. Nowhere LA
                              4. Hot Car
                              5. Silsbee
                              6. 90 In November
                              7. Healthy
                              8. Sharp Turn
                              9. Lot’s Wife
                              10. Superhero


                              Why You Lacking Energy?

                                Cassia find escapism in bright, blissful melodies, but beneath the surface is a deep well of introspection. 2022 brings ‘Why You Lacking Energy?’, the trio's vivid follow up to the 2019 album ‘Replica’.

                                From lush, spacious piano ballads to crisp, synth-driven anthems, the self-produced record digs into the tension in Cassia's music: these are songs that feel like living in the moment, but are caught up in thoughts of the past and anxieties for the future.

                                The soaring new single Motions "feels like sand slipping through your fingers," they say, "and that wave of relief when you realise you're not alone." Empowering for the band as much as their listeners, Cassia make songs that turn fears into fuel.

                                TRACK LISTING

                                1. Morning's Coming
                                2. Similar
                                3. 16-18 (Why You Lacking Energy?)
                                4. Motions
                                5. Colossal Happiness
                                6. Seasons
                                7. Boundless
                                8. Dreams Of My Past
                                9. Drifting
                                10. Not Enough Time To Think
                                11. Right There
                                12. See Myself

                                Violent Femmes

                                Why Do Birds Sing?

                                  The textbook American cult band of the ‘80s, Violent Femmes captured the essence of teen angst with remarkable precision; raw and jittery, the trio’s music found little commercial success but nonetheless emerged as the soundtrack for the lives of troubled adolescents the world over. Their self-titled 1983 debut was a blueprint for legions of sardonic alternative rockers that would follow, and they continued their blend of searing, darkly humorous lyrics and sharp-edged folk-rock on other standout albums like 1991’s Why Do Birds Sing.

                                  Violent Femmes formed in Milwaukee, Wisconsin, in the early ‘80s, made up of singer/guitarist Gordon Gano, bassist Brian Ritchie, and percussionist Victor DeLorenzo. After being discovered by the Pretenders’ James Honeyman-Scott while they were busking on the street, the band signed to Slash and issued their self-titled debut, a melodic folk-punk collection which struck an obvious chord with young listeners who felt a strong connection to bitter, frustrated songs like “Blister in the Sun,” “Kiss Off” and “Add It Up.” Though never a chart hit, the album remained a rite of passage for succeeding generations of teen outsiders, and after close to a decade after release, it finally achieved platinum status.

                                  40 years on, Violent Femmes’ legacy remains strong, while their influence can be heard across multiple genres—from the anti-folk movement of the early 2000s to the chart-topping hits of Barenaked Ladies, and the indie-pop of Clap Your Hands Say Yeah. In 2014, Popmatters declared that the folk-punk pioneers “may have very quietly been one of the most important rock bands of the 1980s, if not the past quarter-century…[They] celebrated the simplicity of pop music from the fringes, attacking convention with a mix of humour and violence.” Pitchfork argued that “The Femmes don’t signify an era so much as a time of life,” adding that “for young people growing up in the internet age” their music “is part of a shared language.”

                                  Why Do Birds Sing? is the fifth studio album and their last studio album with original drummer, Victor DeLorenzo. Featuring the fan favourite “American Music,” which reached No. 2 in the Billboard Modern Rock Chart, as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.”

                                  TRACK LISTING

                                  Side A
                                  American Music
                                  Out The Window
                                  Look Like That
                                  Do You Really Want To Hurt Me
                                  Hey Nonny Nonny
                                  Used To Be
                                  Side B
                                  Girl Trouble
                                  He Likes Me
                                  Life Is A Scream
                                  Flamingo Baby
                                  Lack Of Knowledge
                                  More Money Tonight
                                  I'm Free

                                  Disc 1
                                  1. American Music
                                  2. Out The Window
                                  3. Look Like That
                                  4. Do You Really Want To Hurt Me
                                  5. Hey Nonny Nonny
                                  6. Used To Be
                                  7. Girl Trouble
                                  8. He Likes Me
                                  9. Life Is A Scream
                                  10. Flamingo Baby
                                  11. Lack Of Knowledge
                                  12. More Money Tonight
                                  13. I'm Free
                                  14. Me And You*
                                  15. Color Me Once (Early Version)*
                                  16. 4 Seasons (Early Version)*
                                  17. Breaking Up (Early Version)*
                                  18. American Music (Alternate Mix)*
                                  19. Dance, M.F., Dance!

                                  Disc 2
                                  1. Look Like That (Live At The Boathouse, Norfolk, VA / 1991)
                                  2. Out The Window (Live At The Boathouse, Norfolk, VA / 1991)
                                  3. Fat (Live At The Boathouse, Norfolk, VA / 1991)
                                  4. Blister In The Sun (Live At The Boathouse, Norfolk, VA / 1991)
                                  5. Prove My Love (Live At The Boathouse, Norfolk, VA / 1991)
                                  6. Country Death Song (Live At The Boathouse, Norfolk, VA / 1991)
                                  7. Old Mother Reagan (Live At The Boathouse, Norfolk, VA / 1991)
                                  8. Confessions (Live At The Boathouse, Norfolk, VA / 1991)
                                  9. Girl Trouble (Live At The Boathouse, Norfolk, VA / 1991)
                                  10. Add It Up (Live At The Boathouse, Norfolk, VA / 1991)
                                  11. Good Feeling (Live At The Boathouse, Norfolk, VA / 1991)
                                  12. More Money Tonight (Live At The Boathouse, Norfolk, VA / 1991)


                                  Why Foot? - Love Record Stores 2021 Edition

                                    Love Record Stores Edition available instore from 10am on Saturday September 4th, any remaining copies will be available on online from 9pm on the same day.
                                    Limited to one per person.

                                    Foot are: Don Fleming, Jim Dunbar and Thurston Moore – vintage analogue synthesizers. This album has been Remodelled by Tim Newman and his associates from the Track ‘Early Foot’, which originally appeared on the God Bless Records CD ‘foot’ in 1998, recorded as part of the Canal Street Series at Jimbo’s Pad, NYC in the early days of Nemocore, winter 1996. Liberated from the traditional constraints of time signature and key signature and fixed changes. Where sound responds to music. 

                                    Stephanie Phillips

                                    Why Solange Matters

                                      The dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name.

                                      Growing up in the shadow of her superstar sister, Beyonce, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice of the Black Lives Matter generation.

                                      A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. With this record and, then, When I Get Home (2019), Phillips describes how Solange has embraced activism, anger, Black womanhood and intergenerational trauma to inform her remarkable art.

                                      'Why Solange Matters is a significant and sober treatist on popular music . . . This book is more than necessary.' - THURSTON MOORE

                                      Why Bonnie

                                      Voice Box

                                        Blair Howerton started songwriting as a coping mechanism during her formative years. Her vivid lyricism has bloomed into the dazzling, full-band emotional release known as Why Bonnie. The band's Fat Possum Records debut EP Voice Box celebrates unhindered expression via beguiling, propulsive guitar pop. In a decisive step to start performing her backlogged material, Howerton moved back home to Texas after graduating college in 2015. In Austin, Howerton joined lifelong best friend Kendall Powell, who she met in preschool. Powells classical piano chops swapped to synth for the new project. Both active in the Austin scene, guitarist Sam Houdek and bassist Chance Williams later joined to complete the lineup. In 2018, the band emerged on petite indie outlet Sports Day Records with In Water. The EP eulogized Howertons older brother, who passed away years prior. Intimately bristling tracks explored the grieving process, introducing the groups uncanny ability to stir up huge catharsis in a seamless rise. Follow-up Nightgown expanded the effort, pulling lush Mazzy Star and Cranberries influences.

                                        Embarking on their first DIY tour the same year, Why Bonnie quickly landed opening runs for the like-minded sounds of Snail Mail and Beach Fossils. The sum of those experiences culminates in the sweeping, layered rock sound of third EP Voice Box. Fuzzed-out guitars and crystalline vocals drive a tough-edged struggle in the space between suppression and artistic liberty. Howerton explains: It encapsulates a disconnect between my inner and outer world, and not being able to express myself authentically because of that. But, ultimately knowing I will crash and burn if I dont The intense effort isnt always pretty. The title track fumes with quiet wisdom, urging: I know it's easier to bury your uncertainties in a cloud of masculinity / Guess is the curse you bear to talk over me. Breeders-inspired Athlete endeavors self-doubt in a blistering metaphor of failed sportsmanship. Fiery No Caves rises to a forceful album finale, unleashing the full windswept power of Howertons vocals, padded by Houdek. Of the ending ascent, the lead singer decides about the freedom of realizing that you can't hide anymore. You have to put yourself out there.

                                        TRACK LISTING

                                        1. Jetplane
                                        2. Bury Me
                                        3. Voice Box
                                        4. No Caves
                                        5. Athlete


                                        Why Not Now? ... Alan!

                                          After many delays, Sorcerer is please as punch to finally reissue the debut LP from 1987 by Milwaukee space-rock gods, F/i: Why Not Now?… Alan! Available for the first time on the format since its initial release, it remains a Holy Grail item for lovers of cosmic rock & roll sounds from Underground Amerika in the 1980s. F/i had been churning out tape upon tape of experimental electronics since the early ‘80s. Influenced by Krautrock (particularly Cluster, Tangerine Dream, Ash Ra Tempel) and the harsh noise of Industrialists Throbbing Gristle and early SPK, by the mid ‘80s they morphed into a fully-fledged “rock” band, albeit one incorporating all of the above. This LP is the perfect synthesis of these sounds: grimy, lo-fi ‘rock’ with elements of industrial clang and extended, Hawkwind-ish space-rock jams; from the two-step cosmic churn of “Electric Waltz” to the ‘Neubauten-style bang & bash of “Zombie Theme”. Remastered by Mikey Young, the sleeve perfectly replicating the original, our edition is a limited edition of 500 copies.

                                          Liam Gallagher

                                          Why Me? Why Not.

                                            This month has seen Liam Gallagher make a typically full-throttle return. Super intimate sold-out show at Hackney Round Chapel? Biblical. Premiere and release of the long-awaited ‘As It Was’ documentary? Completed. Featured on the cover of Q, who described him as “rock’s finest frontman”? Naturally.

                                            Liam wrote lead single ‘Shockwave’ with two of the key collaborators behind the all-conquering ‘As You Were’ album: Andrew Wyatt, who won the Academy Award for Best Original Song as co-writer of ‘Shallow’ from the film ‘A Star Is Born’, and the multiple Grammy-winner Greg Kurstin who also produced the track. It was recorded in Los Angeles.

                                            Liam Gallagher’s debut solo album ‘As You Were’ was a critical and commercial smash. It debuted at #1, out-selling the rest of the Top 10 in the process, and was soon certified Platinum. Liam was back where he belonged, selling out huge outdoor shows and earning major awards from Q, NME and GQ.

                                            More details regarding ‘Why Me? Why Not.’ will be revealed imminently. “It’s a better record than As You Were,” promises Liam. “Which is saying something, as that was epic, wasn’t it?”

                                            STAFF COMMENTS

                                            Barry says: He's back! Liam's newest album sees him co-writing with a duo of talented musician pals, and retains all the charm and momentum of his previous outing, but with more OOMPH. Why not indeed.



                                              Yoni Wolf has spent the last two decades traveling the remote sonic terrain where underground hip hop, avant-pop, and psych-rock meet. On AOKOHIO, Yoni Wolf condenses the essential elements of WHY? into a stunningly potent musical vision. Co-produced by Wolf and his brother Josiah, the record presents a rich palette of musical voices that emerge and disappear into a constantly shifting kaleidoscope of sound. And while AOKOHIO features many notable guest contributors, from Lala Lala's Lillie West, to Nick Sanborn and Amelia Meath of Sylvan Esso, the listener's attention remains squarely directed on Yoni's voice and vision. AOKOHIO finds Yoni rethinking fundamental aspects of his approach to creating and delivering his music. The album is presented as six movements comprised of two to four songs each, with some segments appearing as brief fragments that dissolve within seconds.

                                              The concept of sharing AOKOHIO in segments over time has been preserved with the release of an accompanying visual album-with the first three segments directed by Sundance award-winner Miles Joris-Peyrafitte, who is also the mastermind of the overarching video project. AOKOHIO feels like a consequential addition to the WHY? catalog, possibly even an artistic turning point. But its creator remains circumspect when asked to comment on the album's significance within his discography, instead preferring to characterize the work as the latest iteration of his deep commitment to his artistic practice. "I have no idea if this record is good or not," Yoni says. "But I never really know. I know that I've never written a song that's indispensable to the American songbook. But in terms of what it is, it's a piece of art. I put blood, sweat, and tears into this album, and struggled through the creative process as I always do. As far as where this sits with the rest of my albums? I can't answer that. I just know that my career is a lifelong career, and I'm working it. Every time it feels right, it makes me feel good." 

                                              TRACK LISTING

                                              1. Apogee
                                              2. The Rash
                                              3. Peel Free II: I’ve Been Carving My Elbows, I Might Just Take Flight.
                                              4. Reason
                                              5. Deleterio Motilis
                                              6. Stained Glass Slipper III: Please Take Me Home, I Don’t Belong Here.
                                              7. The Launch
                                              8. High Dive
                                              9. Mr. Fifths’ Plea
                                              10. Good Fire IV: The Surgeon Nervously Goes On, He Never Claimed To Be God.
                                              11. Narcissistic Lamentation
                                              12. Krevin’
                                              13. The Crippled Physician
                                              14. Ustekinumab V: I Want To Live With Conviction, In Silence And Diction.
                                              15. My Original
                                              16. Rock Candy
                                              17. Once Shy VI: Though I’m Tired, I’m Still Trying.
                                              18. The Shame
                                              19. Bloom Wither Bloom (for Mom) 


                                              Why Hasn't Everything Already Disappeared?

                                              As thrilling and unpredictable as anything in Deerhunter’s near 15-year career, Why Hasn’t Everything Already Disappeared? was recorded in several strategic geographic points across North America, and produced by the band, Cate LeBon, Ben H. Allen III, and Ben Etter. Forgetting the questions and making up unrelated answers, Deerhunter’s eighth LP is a science fiction album about the present. Exhausted with the toxic concept of nostalgia, they reinvent their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth.

                                              STAFF COMMENTS

                                              Javi says: Is it a guitar? Is it a synth? Is it some old-time harpsichord-y thing plugged through a sh*t-ton of reverb? Your guess is as good as mine. The only thing for sure is that indie darlings Deerhunter have created their most consistent and nuanced album since 2010’s ‘Halcyon Digest’ in their seventh LP, ‘Why Hasn’t Everything Already Disappeared?’.
                                              With fellow Top 20 maverick Cate Le Bon at the production helm, there’s nothing the band can’t do—whimsical groove-laced indie and atmospheric expansiveness are married perfectly on songs like the opener “What Happens to People?” and penultimate bop “Plains”, and just as the voice of God bids us good morning on “Detournement”, guitarist Lockett Pundt’s sole offering “Tarnung” is already preparing to tuck us into bed.
                                              Every song is a stutter-funk gem, a space-age exploration of pastoral life, a strutting jaunt into the end of days. Every song is a grower, and boy, how big they grow…

                                              TRACK LISTING

                                              1. Death In Midsummer
                                              2. No One’s Sleeping
                                              3. Greenpoint Gothic
                                              4. Element
                                              5. What Happens To People?
                                              6. Détournement
                                              7. Futurism
                                              8. Tarnung
                                              9. Plains
                                              10. Nocturne

                                              Half Japanese

                                              Why Not?

                                                Half Japanese have returned to peel further layers from their onion. They have a new album that's a square further on in their unpredictable musical snakes and ladders board. ‘Why Not?’ is a magical thing – it’s Springsteen’s ‘Born To Run’ recorded in a cupboard, it’s an ode to love, it’s a Wire song with two duelling guitarists being Zappa on helium, it’s Parquet Courts in a tantrum, it’s The Crickets contorted into? and The Mysterians, it’s everywhere and nowhere, baby, it’s where it’s at. On ‘Why Not?’ nuances are mused, situations explained, questions asked.

                                                Outside, zombies and demons roam and everyday aliens emerge from spaceships: it’s a technicolor film transcribed by Jad Fair and friends John Sluggett, Gilles-Vincent Rieder, Mick Hobbs and Jason Willett, their faces at the cracked window of their subterranean habitat looking out at the real world. They’re on a high from their last release: “After all these years, his wiry voice still hits every song with a shock that’s equal parts joy buzzer and defibrillator, each barely in-key bleat alternating between laughable and life-affirming,” said Pitchfork of their last opus ‘Hear The Lion Roar’.

                                                To which All Music added that “after nearly 40 years of music-making, they're still creating some of the most engaging recordings of their lives, and that's truly something to believe in.” ‘Why Not?’ goes further. It’s an even more intense concoction, it’s further out there. It contains pieces of fluffy thought-provoking music, a bag of sentiments delivered with a real sense of wonderment at how the normal world revolves; all powered with heart and soul, some crunchy guitars, a cello and reverb set-to-kill infiltrating their storytelling. ‘Why’d They Do It?’ quizzes track 11. Because they can. 

                                                STAFF COMMENTS

                                                Barry says: Why not indeed?

                                                TRACK LISTING

                                                1. The Future Is Ours
                                                2. The Face
                                                3. Why Not?
                                                4. Amazing
                                                5. Demons Of Doom
                                                6. A Word To The Wise
                                                7. Bring On The Night
                                                8. Zombie Island Massacre
                                                9. Better Days
                                                10. Spaceship To Mars
                                                11. Why'd They Do It?
                                                12. Magic
                                                13. Falling

                                                • Second ever vinyl pressing from Her Records
                                                • Hand-Stamped edition of 400 copies.
                                                • Mastered and cut by Matt Colton

                                                Essential club pressure from Her Records, courtesy of label co-capo, MM (fka Miss Modular), including a dancehall flip of CYPHR’s Brace and arriving hard on the heels of Kid Antoine’s Bodypaint killer. Uptown, with Why You All In MY Face, he essentially picks up where their last white label, Fraxinus’ flip of DJ Diamond’s B-More classic Hey You Knuckle Heads left us; warping a bouncing B-more chassis with eye-quivering FX, handbrake turns, and the kind of sustained subbass tremors that make your clem fandango. Downtown, he performs dancehall voodoo on CYPHR’s Brace, screwing the ting to a slower tempo meshed with I-Octane & Bounty Killer’s vocal to Double Trouble for maximum danger. Trust these are tried and tested for all DJ and dancer...

                                                TRACK LISTING

                                                1. MM - Why You All In My Face
                                                2. CYPHR - Brace (MM Trouble With I-Octane & Bounty Killer)

                                                Hot Chip

                                                Why Make Sense?

                                                  And just like that, with the sleazy sound of a robotic vocal, Hot Chip are back to defend their crown as undisputed electro-pop lotharios. Now onto their sixth album, the oddball outfit are in vintage form, hitting us with this energetic LP, which reflects all that's come before it without simply treading water. Opening track "Huarache Lights" is as well formed a pop song as you're likely to hear all year, combining breakbeats and disco samples with loose white funk, miami freestyle elements and classic Hot Chip shimmer. For those who've been down since day one, the quirky synth-funk of "Love Is The Future" and "Started Right" offer a more mature take on the sounds first heard on "Coming On Strong", while "White Wine And Fried Chicken" and "So Much Further To Go" are classic Hot Chip ballads in the same vein as "In The Privacy Of Our Love". At the top of the B-side, "Dark Night" sees the group heading into new territories, adding sweeping symphonic strings and distorted guitar to a sublime 80s styled pop groove. If you come to the record looking for the dancefloor stylings of "One Life Stand" and "In Our Heads", the synth heavy lilt of "Easy To Get" and the housed up magic of "Need You Now" should do you nicely, softening you up for the big psychedelic finish of "Why Make Sense?". And coming from one of the world's most unconventional pop acts, why indeed? 

                                                  Due to a unique and bespoke printing technique which has never been used before, the album will come in one of 501 different colours. Combined with subtle variations of the design, this means that EVERY copy of the album, on both CD and LP, will feature completely unique artwork. Visually and sonically adventurous and innovative, this is a giant leap forward for a band with plenty more to give.

                                                  The Soft Pink Truth is the solo alter ego of Drew Daniel, one half of celebrated Baltimore-based electronic duo Matmos.

                                                  After a decade of silence in which Daniel concentrated on Matmos and becoming a Shakespeare professor, The Soft Pink Truth is set to release ‘Why Do The Heathen Rage?’, whose subtitle ‘Electronic Profanations Of Black Metal Classics’ reveals its bizarre agenda as an unrequited love letter to a justly divisive genre.

                                                  A gleeful queer travesty of black metal’s undying obsession with kvlt authenticity, ‘Why Do The Heathen Rage?’ is also a formally precise homage executed with a scholar’s obsession. With the guitar chord transcription assistance of Owen Gardner (Teeth Mountain, Horse Lords) and a coven of guest vocalists including Antony Hegarty (Antony And The Johnsons), Terence Hannum (Locrian), Jenn Wasner (Wye Oak) and M.C. Schmidt (Matmos), Daniel meticulously transposes the riffs, structures and patterns of black metal chestnuts and deep cuts by Darkthrone, Venom, Mayhem, Sarcofago, Beherit and more into oddly hybrid new forms. Cruising camp absurdity by forcing a sticky tryst between the two mutually incongruous early 90s subcultures of rave and black metal, the results are bracingly strange on first listen but curiously addictive as the album sinks in.

                                                  TRACK LISTING

                                                  Invocation For Strength
                                                  Black Metal
                                                  Sadomatic Rites
                                                  Ready To Fuck
                                                  Satanic Black Devotion
                                                  Beholding The Throne Of Might
                                                  Let There Be Ebola Frost
                                                  Buried By Time And Dust
                                                  Grim And Frostbitten Gay Bar

                                                  Announcing 'Golden Tickets' - the latest mini album from WHY? The Wolf brothers' pop-inflected psychedelic folk-hop was nominally referred to as hip-hop at the beginning of their career. At this point - certainly on 'Golden Tickets' - the project has outgrown any easy genre-categorization. With the musical eclecticism, pop-twist, and experimental bent of artists like the Flaming Lips or Beck. WHY? shimmers on this album in vibraphone stippled, sweetly riffed songs with characteristically gut-wrenching subtext.

                                                  TRACK LISTING

                                                  1. Hunter Van Brocklin
                                                  2. Banana Mae
                                                  3. Fogg
                                                  4. GM Hearts AB
                                                  5. Murmurer
                                                  6. Dropjaw
                                                  7. Peta Godfrey

                                                  Fela Kuti

                                                  Alagbon Close / Why Black Man Dey Suffer

                                                    Though preceded by the more-than-promising Gentleman and Afrodisiac in 1973, 'Alagbon Close', with the benefit of hindsight, marks a quantum leap for Kuti, Allen and Afro-beat. Most of the elements which make the disc so compelling can be heard on earlier albums, but on 'Alagbon Close' Kuti and Tony Allen pull them all together to devastating effect, in the process creating the definitive Afrobeat paradigm.

                                                    Africa 70 plays with unprecedented fire: the four-piece horn section was never more majestic; the nagging riffs and ostinatos of the tenor and rhythm guitars never more insistent. Allen is a lithe-limbed colossus, his soon-to-be signature rhythms at times pushing the band forward with extraordinary percussive power, at others drawing it back like a coiled spring, only to unleash it again. Three conga drummers support him. Kuti's screaming multi-octave glissandos on the organ climax an incantatory solo, and the track's concluding drums and horns passage is Africa 70 at its most epic.

                                                    'Why Black Man Dey Suffer' is a more formative affair. It's one of a series of early 1970s' albums which made the transition between the highlife and jazz blend of Kuti and Allen's first band, Koola Lobitos, and the turbulent magnificence of mature Afrobeat. Trumpeter Tunde Williams, baritone saxophonist Lekan Animashaun and first conga player Henry Kofi, from later line-ups including that on Alagbon Close, are also in place.

                                                    Hot Club De Paris

                                                    With Days Like This As Cheap As Chewing Gum, Why Would Anyone Want To Work?

                                                      Hot Club de Paris mark their eagerly-awaited return in 2010 with a brand-new 6 song EP entitled “With Days Like This As Cheap As Chewing Gum, Why Would Anyone Want To Work?” (A phrase generously loaned by acclaimed British poet Matthew Welton). Still operating with their usual punk-rock ethic and still proudly flying the flag for British DIY, Hot Club are now self producing and recording themselves in their Liverpool rehearsal space.

                                                      STAFF COMMENTS

                                                      Laura says: Scouse three piece Hot Club De Paris return with this superb collection of acrobatic, articulate pop songs, neatly packaged into a limited edition 10" in a hand numbered sleeve.

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