In October 2017, ex-Hurricane Ophelia and Storm Brian hit the British Isles. These weather systems had formed separately over the Atlantic before moving north-east and converging. In addition to 100mph winds and widespread damage and disruption, the storms brought dust from the Sahara Desert that turned the skies orange over much of the UK. This otherworldly meteorological phenomenon serves as a fitting backdrop to Chimet.
Chimet charts the progress of the two storms over the course of a week, utilising data from Chichester West Pole Beacon a weather station in the Solent which stands in some of the most treacherous waters in the UK.
The album was created using 2,016 sampled data streams, translating seven days of information into 67 minutes and 12 seconds of detailed and evolving music. With mother nature orchestrating the piece, she is joined by intuitive and powerful improvisations on piano, cello and synthesiser. The recording captures the sense of building expectation and tension, the dropping air pressure, the rising winds, the interlocking storm systems and the serene aftermath. The shifts are seamless, monumental and open to the elements.
Chimet is a record to lose yourself in. Like the sea itself, it doesn’t give up its secrets easily. The listening experience seems to change depending on your state of mind, and resonates on a primal level which belies its data led compositional approach. For generations, artists and musicians have been drawn to the sea for their inspiration. That emotional response to the vastness of the ocean is a powerful force. While the origins of Chimet lie in the numbers, the resultant record sits proudly in that artistic tradition. Music to watch the horizon to.
Craig Kirkpatrick-Whitby: project concept, artistic direction, data sourcing, analytics & programming PJ Davy: sound design & programming Matthew Bourne: piano, cello & Lintronics Advanced Memorymoog (LAMM) synthesiser
Chimet charts the progress of the two storms over the course of a week, utilising data from Chichester West Pole Beacon a weather station in the Solent which stands in some of the most treacherous waters in the UK.
The album was created using 2,016 sampled data streams, translating seven days of information into 67 minutes and 12 seconds of detailed and evolving music. With mother nature orchestrating the piece, she is joined by intuitive and powerful improvisations on piano, cello and synthesiser. The recording captures the sense of building expectation and tension, the dropping air pressure, the rising winds, the interlocking storm systems and the serene aftermath. The shifts are seamless, monumental and open to the elements.
Chimet is a record to lose yourself in. Like the sea itself, it doesn’t give up its secrets easily. The listening experience seems to change depending on your state of mind, and resonates on a primal level which belies its data led compositional approach. For generations, artists and musicians have been drawn to the sea for their inspiration. That emotional response to the vastness of the ocean is a powerful force. While the origins of Chimet lie in the numbers, the resultant record sits proudly in that artistic tradition. Music to watch the horizon to.
Craig Kirkpatrick-Whitby: project concept, artistic direction, data sourcing, analytics & programming PJ Davy: sound design & programming Matthew Bourne: piano, cello & Lintronics Advanced Memorymoog (LAMM) synthesiser
TRACK LISTING
A1. Ophelia (14:40)
A2. Petrichor (5:58)
B1. Latent (4:40)
B2. Chimet 50º 45’.45 N, 00º 56'.59 W (7:59)
C1. Arise (12:20)
C2. Force 10 Pt. 1 (2:19)
D1. Force 10 Pt. 2 (15:00)
D2. Debris (6.29)