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J COLE

J. Cole

2014 Forest Hills Drive

    The idea for this album is centred around Cole's childhood. 2014 Forest Hills Drive is the address of his childhood home in Fayetteville, NC - which he bought back this year - coincidentally also in 2014. The record title celebrates this; and the album tracks centre around various times in his life: growing up, chasing his dreams and fame, and coming full circle to realize none of that matters - and rather family / friends and being able to come home is what counts.

    TRACK LISTING

    "Intro"
    "January 28th"
    €�"Wet Dreamz"
    "03' Adolescence"
    "A Tale Of 2 Citiez"
    "Fire Squad"
    "St. Tropez"
    "G.O.M.D."
    "No Role Modelz"
    "Hello"
    "Apparently"
    "Love Yourz"
    "Note To Self"

    Louis Cole / Metropole Orkest / Jules Buckley

    Nothing

      Louis Cole, Jules Buckley and the Metropole Orkest team up on “nothing” for a raucous musical trip that veers from funk-fuelled mayhem to sombre balladry with the orchestra dialling up the emotional power to 11. Louis Cole is an LA-based singer-songwriter and sickeningly talented multi-instrumentalist with a strong DIY aesthetic. Thundercat describes him as “one of Los Angeles's greatest musicians”. He composed a suite of brand new music for this project – bigger, bolder, and more expansive than ever – plus there are nods to his GRAMMY-nominated 2022 album “Quality Over Opinion”. Based in Netherlands, Metropole Orkest is the world’s leading pop and jazz orchestra, having shared the stage with the likes of Herbie Hancock, Snarky Puppy, Jacob Collier and Robert Glasper. Conductor, arranger, curator and composer, Jules Buckley is a unique and rare breed of artist. The GRAMMY winner has redefined the rulebook of orchestral music and the role of a conductor. 

      TRACK LISTING

      A1. Ludovici Cole Est Frigus
      A2. Things Will Fall Apart
      A3. Life
      A4. It All Passes

      B1. Cruisin’ For P
      B2. A Pill In The Sea
      B3. Nothing
      B4. Who Cares 1
      B5. Who Cares 2

      C1. Wizard Funk
      C2. Weird Moments
      C3. High Five
      C4. These Dreams Are Killing Me
      C5. Shallow Laughter : Bitches (orchestral Version)

      D1. Let It Happen (orchestral Version)
      D2. Doesn’t Matter
      D3. You Belonged

      Cole Bleu

      Crushed!

        CRUSHED! is the culmination of a year’s worth of work, and builds on Cole’s streak of instantly catchy and meticulously crafted pop songs that are destined to be scream-along anthems. Incorporating threads of pop, emo and indie, CRUSHED! is a mark of Cole’s continued growth as a songwriter and producer, and is a brilliant and bold offering from an artist who continues to go from strength to strength as one of the most exciting young popstars in the UK. “I think of CRUSHED like it’s my diary. I took relationships and experiences I’ve had in the past and literally felt crushed every time I’d think about each scenario. Each song helped me get through unresolved trauma over sour relationships. As I wrote these songs in early 2022, each step of making these songs come to life has helped me overcome each unwanted memory in a different way. We recorded them in September, and having to revisit them so confidently knowing they would be out for the world to see was a whole other obstacle needing facing. But I know that I don't ever want to put music out unless it feels like you’re reading my diary. It’s where I am most authentic and vulnerable, and I wouldn't want you to see me any other way”. 

        TRACK LISTING

        1. HEARTBREAKERS
        2. SAD GUY GEMINI
        3. IS IT COOL 2 B FRIENDS?
        4. YOUAREYOUAREYOUARE
        5. HOMEWRECKER

        Lloyd Cole And The Commotions

        Mainstream - 2023 Reissue

          Lloyd Cole & The Commotions – Cole, Blair Cowan, Lawrence Donegan, Neil Clark and Stephen Irvine – were formed in Glasgow in 1982, where Buxton-born singer-songwriter Cole was studying Philosophy and English at the University of Glasgow -Their sound swam against the tide of shiny 80s synthesisers, offering intense, melodic, guitar-based pop, topped with droll words packed with literary references.

          By the time of Mainstream in October 1987, the group had taken a break and had spent time trying to find the right producer for their new material. Working with Ian Stanley, then fresh from the success of Tears For Fears' Songs From The Big Chair, the album allegedly cost ten times the budget of Rattlesnakes. Despite its 80s opulence – for example, guest appearances from Jon Hassell on trumpet, Tracey Thorn on vocals – it sounds untouched by the decade's excess. Its singles, My Bag, Jennifer She Said and From The Hip were all well received.

          TRACK LISTING

          My Bag
          From The Hip
          29
          Mainstream
          Jennifer She Said
          Mister Malcontent
          Sean Penn Blues
          Big Snake
          Hey Rusty
          These Days

          Lloyd Cole And The Commotions

          Easy Pieces - 2023 Reissue

            Lloyd Cole & The Commotions – Cole, Blair Cowan, Lawrence Donegan, Neil Clark and Stephen Irvine – were formed in Glasgow in 1982, where Buxton-born singer-songwriter Cole was studying Philosophy and English at the University of Glasgow -Their sound swam against the tide of shiny 80s synthesisers, offering intense, melodic, guitar-based pop, topped with droll words packed with literary references.

            Given just how loved debut album Rattlesnakes was, it would have been hard for whatever followed to be received as warmly – yet Easy Pieces made a good first of it. It was to sell twice as many copies in its first two weeks as Rattlesnakes had to date, giving the group a Top 5 chart placing on its release in November 1985. Recorded with 80s super- producers Clive Langer and Alan Winstanley, its first two singles, the brooding, gospel influenced Brand New Friend and the forever-jaunty Lost Weekend reached the UK Top 20.

            TRACK LISTING

            Rich
            Why I Love Country Music
            Pretty Gone
            Grace
            Cut Me Down
            Brand New Friend
            Lost Weekend
            James
            Minor Character
            Perfect Blue

            Lloyd Cole And The Commotions

            Rattlesnakes - 2023 Reissue

              Lloyd Cole & The Commotions – Cole, Blair Cowan, Lawrence Donegan, Neil Clark and Stephen Irvine – were formed in Glasgow in 1982, where Buxton-born singer-songwriter Cole was studying Philosophy and English at the University of Glasgow -Their sound swam against the tide of shiny 80s synthesisers, offering intense, melodic, guitar-based pop, topped with droll words packed with literary references.

              Signing to Polydor Records, the group's debut single, Perfect Skin, was released in early 1984 followed in October of that year by their debut album, Rattlesnakes. Produced by Paul Hardiman with strings arranged by Anne Dudley, it became one of the most cherished albums of the 80s. Including further singles Forest Fire and the title track, the group found themselves as the darlings of the music press, at a time when a university education was still a relative rarity. Cole wasted little time in cramming cultural allusions in his material – listeners were introduced to a world of Norman Mailer, Eva Marie Saint and Truman Capote, all wrapped in delightfully written pop music.

              TRACK LISTING

              Perfect Skin
              Speedboat
              Rattlesnakes
              Down On Mission Street
              Forest Fire
              Charlotte Street
              2CV
              Four Flights Up
              Patience
              Are You Ready To Be Heartbroken?

              Louis Cole

              Quality Over Opinion

                Louis Cole is a singer-songwriter and sickeningly talented multi-instrumentalist with a strong DIY aesthetic from Los Angeles, California. He is on a mission to create deep feelings through music and is the figurehead of an LA jazz-adjacent scene that includes Genevieve Artadi (with whom Cole co-founded the alt pop / electrofunk band Knower in 2009), Sam Gendel, Sam Wilkes, Jacob Mann, Dennis Hamm, Pedro Martins and more.

                His new album “Quality Over Opinion” is 20 tracks deep, it was written, performed and produced on his own in his modest home studio, but Louis did invite a handful of close friends to contribute, namely Genevieve Artadi (“my no.1 music collaborator”); saxophonist Sam Gendel – Cole’s friend for 17 years; pianist Chris Fishman; Nate Wood from the band Kneebody; Marlon Mackey (“a pillar of the Bakersfield music scene”); and guitarist Kurt Rosenwinkel. “This album is a representation of me trying to make the best, most powerful and listenable music I can. For myself and also others,” he says.

                Louis’s main instrument is the drums and he has a background in jazz although the music he writes bears little resemblance to jazz in any pure or classical sense. His connection to the movement is more conceptual: “The root of jazz is pure freedom… no limits… just what you’re thinking right at that moment… a pure blast of limitlessness”. Accordingly Cole’s touchstones for “Quality Over Opinion” include boundary-pushing composers such as Gustav Mahler and György Ligeti alongside jazz icons like Miles Davis, the Swedish extreme metal band Meshuggah, Morten Lauridsen (distinguished professor of music and American Choral Master) and Super Mario Kart. “There is no continuous thread of a story on this album, each song expresses its own moment in my life and time,” explains Louis. “I was inspired by joy, pain and the constant mission to pull something out of life around me”.

                New single ‘I’m Tight’ arrives hot on the heels of ‘Let it Happen’ – “a timeless modern power ballad classic” released earlier this month. In contrast, ‘I’m Tight’ is a sleek, laser-focused Funk rocket, based on an utterly irresistible bassline. “It comes from me recording about 100 different cells of funk, choosing my favorite ones and quilting them together into a song,” says Louis. “I had to practice the bass part a lot for this one,” he adds, smiling.

                Cole’s insane musicianship is no secret – he’s been sharing performance videos on YouTube for a decade – growing a dedicated fanbase who appreciate both his craft and off-the-wall style. Drums, bass, keys… he has a monk-like attitude to practice and perfecting his art. Thundercat describes him as “one of Los Angeles's greatest musicians” and earlier this year invited him to play drums on his recent tour of Japan. The pair have frequently written together including on the aptly titled ‘I Love Louis Cole’ from Thundercat’s Grammy-winning album “It Is What It Is”, ‘Bus in the Streets’ and ‘Jameel’s Space Ride’ (from Thundercat’s 2017 opus “Drunk”) and ‘Tunnels in the Air’ for Louis’ 2018 album “Time”. Flying Lotus has also expressed admiration for Louis, calling him “super inspirational” during the writing of his 2019 album “Flamagra”.

                TRACK LISTING

                A1. Quality Over Opinion
                A2. Dead Inside Shuffle
                A3. Not Needed Anymore
                A4. Shallow Laughter
                A5. Bitches (feat. Sam Gendel)
                A6. Message (feat. Chris Fishman & Nate Wood)
                B1. Failing In A Cool Way
                B2. Disappear
                B3. I’m Tight
                B4. True Love
                C1. Planet X
                C2. Let Me Snack (feat. Marlon Mackey)
                C3. Forgetting
                C4. Park Your Car On My Face
                C5. Don’t Care (feat. Genevieve Artadi)
                D1. Laughing In Her Sleep
                D2. Outer Moat Behavior
                D3. When (feat. Kurt Rosenwinkel)
                D4. Let It Happen
                D5. Little Piano Thing

                J Cole

                The Off Season

                  The Off-Season is the sixth studio album by American rapper J. Cole. The album was executive produced by Cole, Ibrahim Hamad, and T-Minus. It features guest vocals from Morray, 21 Savage, Lil Baby, Bas, and 6lack. 

                  This time sees Cole relaxing a little from the incendiary fire of 'KOD', with things getting a little looser in the production front too. It's a fine line between sloppy and laid-back, and though 'Laid-back' was never something Cole could come close to, on 'The Off Season', we get a little more of the unhurried production that could easily veer into the more loose side of the hip-hop spectrum. 
                   
                  There are moments of Cole's trademark drive though, with both 'My Life' and 'Applying Pressure' acting as superb grit ofsetting the more languid offerings. It's yet another wonderful outing from Cole, and one that will surely go down as a turning point in his already considerable skillset.  

                  STAFF COMMENTS

                  Matt says: Hydraulic subs, rapid-fire trap beats, that guttural east coast drawl; the busiest (and richest) rapper in the business returns with masterpiece no. 6

                  TRACK LISTING

                  Side 1
                  1. 95 South (3:17)
                  2. Amari (2:30)
                  3. My Life (3:31)
                  4. Applying Pressure (2:59)
                  5. Punchin' The Clock (1:54)
                  6. 100 Mil' (2:45)

                  Side 2
                  1. Pride Is The Devil (3:40)
                  2. Let Go My Hand (4:26)
                  3. Interlude (2:14)
                  4. The Climb Back (5:00)
                  5. Close (2:33)
                  6. Hunger On Hillside (4:04)

                  BJ Cole And Dave Eastoe

                  Daydream Smile

                    BJ Cole is back with first original music in years....and it is HAWAII'AN! Featuring guitarist Dave Eastoe and special guests this one is special. So after over 50 years in music, what has B.J. Cole left to achieve? Award winning multi-instrumentalist B.J. Cole, began his career gigging with Irish Country bands on the US Airforce bases around the UK in the ’60’s. He went on to be a founder member of the psychedelic Country Rock band COCHISE, who recorded three albums for United Artists and shared stages with Hawkwind and a demo studio with Elton John. After working with EJ on ’Tiny Dancer’, BJ became established on the British recording session scene and went on to record with most of the greats of popular music, including: Steve Marriott, Scott Walker, Dave Gilmour, Dave Edmunds, Albert Lee, Gerry Rafferty, Sting, Bjork and on and on: and continues to do so to this day. As a recording artist, BJ has covered most of the stylistic territories, beginning with the psychedelic prog of 1972s ’The New Hovering Dog’ for United Artists, and then a hiatus due to the demands of his busy session career. Until 1989 and his breakthrough ambient album for Joe Boyd’s Hannibal Records, ’Transparent Music’, that combined Enoesque soundscapes with lush arrangements of Debussy, Satie and Ravel.


                    Not content with dragging his Pedal Steel into the Concert Hall; BJ then sought out new territory in the world of Electronica, BJ worked with such leading lights of that genre as Aphex Twin, Squarepusher and Luke Vibert, which resulted in his groundbreaking 2000 album for Astralwerks / Cooking Vinyl, ’Stop The Panic’. Since then, BJ’s records have been largely experimental, and designed to expand the musical remit for the Pedal Steel, boldly going ever more deeply into the territories of Jazz and Classical Music; and then ...Where? Well, back to his roots of course. To his passion for the lyricism of Hank Marvin’s guitar, Santo & Johnny’s ’Sleepwalk’ and the music of the Hawaiian Islands, the sounds that ignited his musical flame. So who is Dave Eastoe? Dave is a great musician, a magician, a dabbler in essences, most which he found in his frequent sojourns in the Hawaiian Islands; a place and culture that he deeply loves. But to BJ’s great good fortune, he is the right person at the right time.


                    BJ and Dave write intuitively together and Dave can play the Hawaiian Slack Key guitar style like a native. The musical chemistry between BJ and Dave is what makes this record possible. So what’s the big deal about Hawaiian Music? Without going into too much historical detail, the music of Hawaii was a smash around the World from its introduction into mainland United States at the beginning of the 20th Century, until it was eclipsed by rock ’n’ roll in the late 1950s. Hawaiian musicians brought steel string guitar madness to the United States and helped to lay down the musical culture that influenced the evolving styles of American popular music, the blues, western, cowboy and country music. And of course, without Hawaiian music, crooning would never have happened. Above all, ‘Daydream Smile’ is a statement by two friends who have a love for the music and culture of the Hawaiian Islands. It may not be particularly authentic, but it is passionate. It’s about time that the music of Hawaii was properly recognised for the vital role it played in the development of Americana and in the history of American popular music. Dave Eastoe: A lifelong musician / composer, Dave turned his skills to sounds and music that influence consciousness and states of being. During the 1980s he created 16 albums of music for this purpose, sold in the UK and Europe, then travelled widely with Tibetan singing bowls and Sonic therapy workshops, featuring on BBC Radio 4’s ‘Afternoon Shift’, then ending up in Hawaii where over 12 lengthy visits he found the local Slack Key guitar styles and the spirit of that music infused itself into his playing. Whilst developing a deep love for this musical form, Dave began making recordings, only too aware perhaps of their cultural and geographical displacement in the UK, and was very happy to find his old friend BJ interested in creating a project based on Hawaiian themes. 

                    TRACK LISTING

                    01 Slinky Hula Heaven
                    02 Down In Old Hawaii
                    03 Tipsy Doodle
                    04 Daydream Smile
                    05 Little Gem Waltz
                    06 Waltz Of The Dolphins
                    07 Paniolo Song
                    08 Muscle Beach
                    09 Blue Aloha 

                    This week's Ronseal award goes to Cole Odin for the lush and perfectly titled "Warmth" EP, a much needed dose of mid afternoon sun in the week my boiler broke down. On A-side cut "This Kitchen Is For Dancing", Cole is in full Claremont 56 mode, combining sunkissed arps and nuanced drum programming beneath a chiming, chorus soaked guitar, recalling the horiztonal magic of the finest moments from Messers Smith & Mudd. "The Warmth Of Your Sun" switches the style but retains the vibe, dropping the tempo for a dubby downbeat jam absolutely dripping with hallucinogenic agents. Remixes come from Jack Priest and Adam Warped who strip back and speed up the cuts respectively for some full blooded Balearic house heat. 

                    STAFF COMMENTS

                    Patrick says: Lovely stuff from Cole Odin on Eclectics here, ensuring we all stay toasty throughout the imminent winter. Dreamy guitars, bubbling electronics and unchecked optimism wait within.

                    TRACK LISTING

                    A1. This Kitchen Is For Dancing
                    A2. This Kitchen Is For Dancing (Jack Priest Remix)
                    B1. The Warmth Of Your Sun
                    B2. The Warmth Of Your Sun (Adam Warped Remix)

                    MJ Cole

                    Madrugada Remixes

                      THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
                      LIMITED TO ONE PER PERSON.


                      On clear single 12 inch, clear sleeve, MJ Cole releases the 4 remixes of his forthcoming album 'Madrugada'.Current heavyweights across global dance genres, Shanti Celeste, Max Cooper, Model Man and MJ Cole himself lend their identities to the neo classical ambient originals bringing a new dimension to the mystical Madrugada.

                      MJ Cole

                      Madrugada

                        Madrugada is the Spanish word for those strange, seductive hours before sunrise. A familiar stretch of time for the seasoned raver – and for MJ Cole, an artist who’s spent much of his career exploring those magical moments. Yet despite so many nights in the clubs, some of his most powerful memories of the madrugada hours have nothing to do with dancefloor euphoria.

                        “I've experienced a lot of early mornings, but having been up from the night before,” he says, remembering one special morning on the Severn Bridge, driving home from a solo gig and watching the sun come up. “For me, the early morning is a significant period.” With MJ Cole presents Madrugada, he sets out to capture that special feeling with an album unlike anything he’s done before.

                        TRACK LISTING

                        1. A Visit To Lolita
                        2. Far Closer
                        3. Cathedral
                        4. Knocking
                        5. Sonoran
                        6. 90 Miles
                        7. Solo Waltzer
                        8. Strings For Jodie
                        9. Reimagination
                        10. Psalm 892
                        11. Dizzy New Heights
                        12. Resolution

                        Lloyd Cole

                        Guesswork

                          “Guesswork”, as the title suggests, is a record about the uncertainty of the world as one enters their third act. In terms of song count, it is Lloyd Cole's shortest, however, it is the longest in terms of minutes but the shortest in terms of word count. This is symbolistic for the authorial confidence that comes with the passing of time.

                          Going beyond Cole's latest “songs” album, the critically acclaimed “Standards” in 2013, “Guesswork's” musical style is mostly comprised of electronic sounds. Once Lloyd Cole had formulated a sonic picture of the record he wanted to make, the arrival of each new song gradually brought that picture into focus. His distinguishable voice and sophisticated lyricism invite the listener into the mindset of someone who has reached old age and is coming to terms with this.

                          As Cole puts it: “Because really what have we got to lose?”. At times, the experience of listening to Guesswork is akin to sitting in a sleek, state-of-the-art departure lounge, unsure of quite where you're waiting to go.

                          J Cole

                          KOD

                            Inspired by the frenzied energy of Kendrick's "DAMN" tour, J. Cole set about cooking up a new LP, "KOD" ,while he was out on the road himself. Musically inspired by Soundcloud rap, the beats (mostly produced by Cole himself) combine the bass weight and skipping hats of trap with his favoured jazz samples. Lyrically, the album deals with America's enthusiasm to medicate, Cole's own battles with addiction as a means of escape and the ultimate goal of living free from fear and anxiety. As ever, Cole manages to explore complex themes without losing his voice, the smooth beats and technical flow keeping things accessible despite the subject matter. Alongside K. Dot and Childish Gambino, Cole is one of the most important voices in rap today, and his latest LP is another classic.  

                            TRACK LISTING

                            A1. Intro
                            A2. KOD
                            A3. Photograph
                            A4. The Cut Off (feat Kill Edward)
                            A5. ATM
                            A6. Motiv8
                            A7. Kevin's Heart
                            B1. BRACKETS
                            B2. Once An Addict (interlude)
                            B3. FRIENDS (feat Kill Edward)
                            B4. Window Pain (outro)
                            B5. 1985 (intro To The Fall Off)

                            Lloyd Cole

                            1D Electronics 2012-2014

                              Lloyd Cole is mostly know for his outstanding pop music, but he certainly has a taste for electronic music. In 2013 he released an highly acclaimed album together with electronic music legend Hans-Joachim Roedelius (BB124 "Selected Studies Vol. 1") for whom he also curated a compilation of his electronic music recordings (BB187 "Kollektion 2. Roedelius - Electronic Music. Compiled by Lloyd Cole"). Finally we are happy to announce the release of a solo album with lloyd's electronic music on September 4th: "1D Electronics 2012-2014". Some pieces were originally created with overdubs by another in mind. Some were simply experiments. One or two may have had loftier ambitions…. None of the pieces involves the use of a piano keyboard or a computer, except to record it. Some modulations were executed by hand. Most were generated by programmed sequencers and logic. Each piece is a self contained electronic circuit.

                              Lloyd Cole

                              Standards

                                Lloyd Cole's new album 'Standards' on Tapete Records was recorded in late 2012 /early 2013 in Los Angeles, New York and at his home in Easthampton, Massachusetts, 'Standards' is produced by Lloyd and mixed by maverick German producer Olaf Opal. All songs are by Lloyd Cole apart from 'California Earthquake', which was written by American folk artist John Hartford.

                                Inspired in part by the vitality he found in septuagenarian Dylan's acclaimed 2012 album 'Tempest' - says Cole, 52: "I took it as a kick up the backside" - 'Standards' is a gloriously electric rock'n'roll record and arguably the best thing he has made since his groundbreaking debut with the Commotions, 1984's 'Rattlesnakes'.

                                The band Lloyd assembled for 'Standards' comprises Fred Maher (Material, Scritti Politti, Lou Reed) on drums and Matthew Sweet on bass reforming the rhythm section from Lloyd's debut solo album 1990's 'Lloyd Cole' and its follow up '91's 'Don't Get Weird On Me Babe'. With Joan (As Police Woman) Wasser on piano/backing vocals, and Lloyd not only singing but playing synths amidst some of the crispest, stormiest, most stinging electric guitar, it's a tight ship with a tight sound which tautens and relaxes according to the temper of the song. Augmenting the basic band are Mark Schwaber, Matt Cullen and Lloyd's son Will on guitars, Commotions keyboardist Blair Cowan, percussionist Michael Wyzik and backing vocalist and Negative Dave Derby.

                                Says Lloyd: "I wanted to make an album with a small fixed palette of sounds, like a Van Gogh, like 'Highway 61'. The format is supposedly dead, but I still want to make albums. Not bunches of songs - albums. For the last 10 years I've been primarily an acoustic musician but this is an album for electric guitars, electric bass and loud drums, with piano and a synthesizer for measure. Not quite monochrome, then, but not ever-changing either: it has a sound."

                                Lloyd Cole / Hans-Joachim Roedelius

                                Selected Studies Volume 1

                                  How curious it is that this collaboration should come about so late in the day and how marvellous that it transpired at all. Lloyd Cole, this most ingenious of British singer-songwriters, and Hans-Joachim Roedelius, a patriarch of German electronic music, did not actually meet in the studio, choosing instead a mode of material exchange more in keeping with the age, sending files across the ether for the other to complement.

                                  How did they come to work together? Lloyd Cole released "Plastic Wood" in 2001, an instrumental, electronic album, most unusual by his standards. Listening to "Plastic Wood", one can clearly hear that Cluster's "Sowieso" album (1976) is one of Cole's all-time favourites. A friend of Cole's who also knew Roedelius, sent the latter a copy of the Englishman's album. Roedelius liked it so much that he immediately set about remixing the whole LP, or rather he added overdubs to the existing tracks - without asking and without having been asked! On receiving the results, Cole was not only flattered, he was also very impressed with the Roedelius remixes.
                                  "Plastic Wood" had already been released and Cole felt that the project had run its course, so the Roedelius reworks were consigned to the archives. Nevertheless, the idea of collaborating appealed to the pair of them, and they did write to one another from time to time.

                                  A good ten years later, the two finally met in person, when Lloyd-Cole passed through Vienna on tour. Now things could begin in earnest. The first results of their endeavours, now released, are modestly entitled "Selected Studies Vol. 1". Studies, strictly speaking, represent incomplete explorations of compositional and tonal possibilities. And yet this album reveals mature, carefully composed music, as if Cole and Roedelius had been working together for years already. Both artists focus on electronic sounds in a selection of succinct, direct pieces, free of musical garrulousness. Cole neither sings nor plays guitar and Roedelius rarely touches the keys of his grand piano. Instead, both musicians have developed a subtle soundscape which only drifts towards pure noise on one track, "Wandelbar". All of the other "studies" on the album move within a vast spectrum of harmonic wonder and rhythmic stepping stones.

                                  However paradoxical it may sound, "Selected Studies Vol. 1" is reminiscent of the music of Claude Debussy, if electronic instrumentation had been available to him 120 years earlier. Highly impressionistic images flicker around the listener, airy, transparent, lost in time, each its own window on a bright, yet mysterious world. Far removed from kitsch, ambient and feel-good music, "Selected Studies Vol. 1" demands to be listened to attentively if the serious artistic expression of these two musicians / composers is to be appreciated fully. This opens up the album's beauty and depth. Cole and Roedelius seek to present fantastic, aural topographies in opposition to the dullness of the real world, inviting us to enter a friendly labyrinth of constant surprise, a place one can still leave at any time, without fear of getting hopelessly lost.

                                  Rick Jones / Michael Cole / Michael Jessett

                                  Fingerbobs - Original Television Music

                                    At last! The classic music from this important TV series is now available! Yes, to many people who grew up near a television in the 1970s and 1980s, Fingerbobs was a curious, formative and hugely inspiring series. Only 13 episode were made but were often repeated. It starred the audacious Fingermouse, a host of his paper friends (Scampi, Gulliver, Flash), and was fronted by folk musician, actor and former Play School presenter Rick Jones as “Yoffy”. Each episode involved simple craft, music and a story or fable based on that week’s theme (such as sound, wood, shapes and shadows). The whole series was conceived, created and modelled in a briliant home made style by the legendary husband and wife team Joanne and Michael Cole, the minds behind much of Playschool, the books and TV series Bod, and Ragtime.

                                    The Fingerbobs album has been quite hard to put together; there are no masters and very little paper based archive to speak of, so no set stills, no paper puppets. All that really remains are a few scraps of paper in the Cole’s very small archive and the Fingerbobs annual, which contains nothing but pecualir drawings, none that really relate to the show. But, as the album was going to print Lo Cole found an exceptionally rare promotional flyer for the series in 1973 when it was first aired, and this wonderful little gem is what has been used to make the fabulous artwork.

                                    In order to produce a musical album worthy of release, Jonny Trunk entrusted the ears and musical abilities of Jon Brooks (AKA The Advisory Circle) to pull together a musical collage of the whole series. So, we have all the themes, all the songs, all the instrumentals, a scattering of stories too. The music is a touch folky, a little whimsical, classically nostalgic, humble, hip, witty and occasionally camp (Gulliver’s song). Fingerbobs was possibly the last remaining unreleased score from TVs golden era, and finally, thanks to this first ever release, we can now enjoy it whenever or wherever we want. Like in the car with the kids. Which is a very good thing indeed.

                                    Lloyd Cole

                                    Etc

                                      A collection of 14 songs recorded between 1996 and 2000. Includes a cover of Bob Dylan's "You're A Big Girl Now".


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