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COW PIE RECORDS

Morton Valence

Black Angel Drifter

    The purveyors of 'Urban Country", Morton Valence release their dark 7th album on legendary UK label Cow Pie, established in 1978 by BJ Cole. ’Black Angel Drifter’ is an album of unorthodox ’country’ music and unlike anything you’ve heard before. This, the seventh studio offering from Urban Country duo Morton Valence (Anne Gilpin and Robert ‘Hacker’ Jessett), started life as their experimental side-project back in 2016. Notwithstanding more recent events, 2016 was quite a year, and whilst the band were preoccupied with other ventures Black Angel Drifter would bide its time. Fast forward to 2020 - a year that will unquestionably go down in the annals of history - and ‘Black Angel Drifter’s extraordinary sentiment could not resonate louder.

    Legendary UK country label Cow Pie Ltd’s - established in 1978 by BJ Cole and Hank Wangford - sensibilities were especially tweaked and they were convinced it was time this spectacular album finally got the airing it has always deserved, remastered and repackaged for a new era. The album features ten tracks. From the explosive intro of ‘Skylines Change / Genders Blur’, coming at you like the illegitimate lovechild of The Jesus and Mary Chain and Ennio Morricone, to the down-at-heel ‘Black-Eyed Susan’, replete with sweaty priest and bullwhips, Morton Valence also flirt with the blues on ‘Sister Pain’, deliver sorrowful, divine love songs like ‘The Visit’ & ’Hymn Four’ and breathe fresh discordant life into the late 80s Bob Dylan classic, ‘The Man with the Long Black Coat’. As antithesis to a no regrets-type torch song, ‘If I Could Start Again’, where a man recounts his misspent life from a prison cell, could have been penned by Merle Haggard. The unrelenting ‘Trail of Tears’ is more akin to late-70’s Martin Rev robotics than anything ever created on a guitar. Alongside Gilpin and Hacker, Alan Cook’s sublime pedal steel guitar is omnipresent throughout the album. ‘Black Angel Drifter’ is an alt-country album that puts the rulebook through the shredder and starts again, set to put Urban Country on the map and give UK Alt-country an authentic new voice of its own, a voice that is genuinely original, new and exciting

    TRACK LISTING

    01 Skylines Change
    02 Black Eyed Susan
    03 Sister Pain 04 The Visit
    05 The Man In The Long Black Coat
    06 If I Could Start Again
    07 Trail Of Tears
    08 Lead On
    09 Hymn
    10 Crickets 8am

    BJ Cole And Dave Eastoe

    Daydream Smile

      BJ Cole is back with first original music in years....and it is HAWAII'AN! Featuring guitarist Dave Eastoe and special guests this one is special. So after over 50 years in music, what has B.J. Cole left to achieve? Award winning multi-instrumentalist B.J. Cole, began his career gigging with Irish Country bands on the US Airforce bases around the UK in the ’60’s. He went on to be a founder member of the psychedelic Country Rock band COCHISE, who recorded three albums for United Artists and shared stages with Hawkwind and a demo studio with Elton John. After working with EJ on ’Tiny Dancer’, BJ became established on the British recording session scene and went on to record with most of the greats of popular music, including: Steve Marriott, Scott Walker, Dave Gilmour, Dave Edmunds, Albert Lee, Gerry Rafferty, Sting, Bjork and on and on: and continues to do so to this day. As a recording artist, BJ has covered most of the stylistic territories, beginning with the psychedelic prog of 1972s ’The New Hovering Dog’ for United Artists, and then a hiatus due to the demands of his busy session career. Until 1989 and his breakthrough ambient album for Joe Boyd’s Hannibal Records, ’Transparent Music’, that combined Enoesque soundscapes with lush arrangements of Debussy, Satie and Ravel.


      Not content with dragging his Pedal Steel into the Concert Hall; BJ then sought out new territory in the world of Electronica, BJ worked with such leading lights of that genre as Aphex Twin, Squarepusher and Luke Vibert, which resulted in his groundbreaking 2000 album for Astralwerks / Cooking Vinyl, ’Stop The Panic’. Since then, BJ’s records have been largely experimental, and designed to expand the musical remit for the Pedal Steel, boldly going ever more deeply into the territories of Jazz and Classical Music; and then ...Where? Well, back to his roots of course. To his passion for the lyricism of Hank Marvin’s guitar, Santo & Johnny’s ’Sleepwalk’ and the music of the Hawaiian Islands, the sounds that ignited his musical flame. So who is Dave Eastoe? Dave is a great musician, a magician, a dabbler in essences, most which he found in his frequent sojourns in the Hawaiian Islands; a place and culture that he deeply loves. But to BJ’s great good fortune, he is the right person at the right time.


      BJ and Dave write intuitively together and Dave can play the Hawaiian Slack Key guitar style like a native. The musical chemistry between BJ and Dave is what makes this record possible. So what’s the big deal about Hawaiian Music? Without going into too much historical detail, the music of Hawaii was a smash around the World from its introduction into mainland United States at the beginning of the 20th Century, until it was eclipsed by rock ’n’ roll in the late 1950s. Hawaiian musicians brought steel string guitar madness to the United States and helped to lay down the musical culture that influenced the evolving styles of American popular music, the blues, western, cowboy and country music. And of course, without Hawaiian music, crooning would never have happened. Above all, ‘Daydream Smile’ is a statement by two friends who have a love for the music and culture of the Hawaiian Islands. It may not be particularly authentic, but it is passionate. It’s about time that the music of Hawaii was properly recognised for the vital role it played in the development of Americana and in the history of American popular music. Dave Eastoe: A lifelong musician / composer, Dave turned his skills to sounds and music that influence consciousness and states of being. During the 1980s he created 16 albums of music for this purpose, sold in the UK and Europe, then travelled widely with Tibetan singing bowls and Sonic therapy workshops, featuring on BBC Radio 4’s ‘Afternoon Shift’, then ending up in Hawaii where over 12 lengthy visits he found the local Slack Key guitar styles and the spirit of that music infused itself into his playing. Whilst developing a deep love for this musical form, Dave began making recordings, only too aware perhaps of their cultural and geographical displacement in the UK, and was very happy to find his old friend BJ interested in creating a project based on Hawaiian themes. 

      TRACK LISTING

      01 Slinky Hula Heaven
      02 Down In Old Hawaii
      03 Tipsy Doodle
      04 Daydream Smile
      05 Little Gem Waltz
      06 Waltz Of The Dolphins
      07 Paniolo Song
      08 Muscle Beach
      09 Blue Aloha 


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