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HELLO=FIRE

Tahiti 80

Hello Hello

    Since their formation in Rouen in the 90s, Tahiti 80 have built a substantial discography, collaborating with artists such as Cornelius, Tore Johansson, Adam Schlesinger and Richard Swift. The indie pop quintet offers us today twelve irresistible and captivating songs on a solar tenth album. With its welcoming title, Hello Hello presents itself as a desire to merge the spontaneity of live performances with the chemistry of a band working in the studio. Xavier Boyer, lead singer and songwriter, explains: “We felt a slight frustration with our previous album, Here With You, released in 2022. The pandemic had forced us to record separately at home. When we realized our new demos were going in this live direction, we looked for the perfect place to capture that spirit."

    It is at the Paraphernalia studio, located in the French countryside, that the members of Tahiti 80, including in addition to the singer, Pedro Resende, Médéric Gontier, Raphaël Léger and Hadrien Grange, perfected their musical interactions for ten days during the summer 2023. Integrated very early in the process, Stéphane Laporte, aka Domotic, brought his distinctive experimental touch to the arrangements and production. The vocals and additional synthesizers were then finalized between Paris, Rouen and Montpellier in the fall

    The twelve songs that make up Hello Hello form a homogeneous suite, highlighting the creativity, diversity and maturity of a group which has just celebrated twenty-five years of career. Opening the album, “Every Little Thing” subtly mixes shoegaze guitars and synth pop. It’s also one of the rare Tahiti 80 tracks that keeps the same chords from start to finish. The singer confides: “It was an exercise in minimalism, with the constraint of finding varied vocal melodies revolving around the same chords. Singing the line ‘I Love Every Little Thing About Us’ made me realize that it could also be about us as a group.” The title song also plays the simplicity card with Boyer’s unique timbre, complemented by a drum machine passed through a tape echo and a catchy recorder theme – proof that years of practice of this instrument in French schools was not in vain!

    The other distinctive trend is Brazilian: “Lose My Head”, “Soft Echo” or “Poison Flower” each display tropicalist attributes: swaying rhythms, rounded bass, soft guitars, all enhanced by a reverberated sound treatment. “From Caetano Veloso to Tim Bernardes, there is a unique way,” notes the vocalist, “of linking rhythm and melody that has always inspired us.”

    However, the Tahiti 80 touch is not being put aside. “About Us”, sung by guitarist Médéric Gontier who can also be heard on “1+1” and “Anyway”, marks a return to the roots of indie pop. An impression confirmed by the hit “Vertigo” and its signature all in major sevenths supported by the elastic groove of bassist Pedro Resende. The song which sounds like a quick return trip between late 70s California and Tokyo City Pop, will find its place after “Crush!” and “Heartbeat” in the Rouennais’ songbook. Xavier Boyer concludes: “ if we manage to surprise ourselves, it will also work for the listener. but when you reach the tenth album, you must also manage to renew ourselves without denying ourselves what we did previously.”

    With their innovative and unique approach to indie pop, their timeless melodies and their sophisticated productions, Tahiti 80 has never ceased to resonate with fans around the world. Their latest collection, Hello Hello, should easily consolidate their status as a singular group and esteemed personalities on the international music scene.

    TRACK LISTING

    A1 Every Little Thing
    A2 Soft Echo
    A3 Poison Flower
    A4 Lose My Head
    A5 1+1
    A6 Insomnia
    B1 Hello Hello
    B2 Lives Of A Cat
    B3 About Us
    B4 Our Lives
    B5 Anyway
    B6 Vertigo

    Hello Mary

    Emita Ox

      Sophomore album from Hello Mary. Produced by Alex Farrar (Wednesday). On it, the New York City trio of Helena Straight, Stella Wave, and Mikaela Oppenheimer unleash their emotions through their alt-rock anthems like flaming weapons and wield them like proud trophies of their collective tenacity. Since forming in 2019, Hello Mary have ripped into prominence with their fuzzed-out anthems, establishing a darkly playful edge all their own. Possessing a sound that pushes harder into heavy distortion and psychedelic dreamscapes, Emita Ox sees Hello Mary building out their singular universe of gutsy, virtuosic alt-rock. The band co-produced the album alongside Alex Farrar (MJ Lenderman, Indigo De Souza, Wednesday, Snail Mail) in Asheville, NC.

      On Emita Ox, Hello Mary push harder into heavy distortion and psychedelic dreamscapes, as they build out their singular universe of gutsy strain of rock. The LP’s labyrinthine production reflects how the band’s musical tastes have expanded from Elliott Smith and Radiohead to encompass experimental post-rock acts like Black Midi and Swans.

      The members’ contributions to the songwriting and production bleed into each other, but the album is a showcase of their individual strengths: Straight’s ethereal vocal melodies and gritty guitar riffs, Wave’s emotive vocals and knotty drum patterns, and Oppenheimer’s diabolical basslines and experimentation with electronic production

      TRACK LISTING

      1. Float
      2. 0%
      3. Three
      4. Down My Life
      5. Knowing You
      6. Heavy Sleeper
      7. Footstep Misstep
      8. Courtesy
      9. Hiyeahi
      10. Bubble
      11. Everything We Do

      µ-Ziq

      Hello

        Planet Mu owner Mike Paradinas (a.k.a. µ-Ziq) wraps up 2022 with his 3rd release of new material this year. ‘Hello’ is the mirror image of the ‘Goodbye EP’. The intensity is heightened, the breaks more manic and melodies inhabit every corner. The material is the final chapter of the ‘Magic Pony Ride’ material and even includes another version of that track. 'Iggy’s Song’ has a slowed down sample of Mike’s son screaming, ‘Ávila’ is an ode to his father’s hometown in Spain and ‘Green Chaos’ even includes a nod to RP Boo. On Side B things get more interesting. ‘Pyramidal Mind Dispersion’ slows things down while amping up the tension, Modulating Angel is at drum & bass tempo but with a choir of angels from hell in the background, while the final two tracks recall the experimentation and melodies of Lunatic Harness.

        TRACK LISTING

        LP:
        A:
        1. Hello
        2. Iggy's Song
        3. Magic Pony Ride (Pt.3)
        4. Green Chaos
        5. Ávila
        B:
        1. Pyramidal Mind Dispersion
        2. Modulating Angel
        3. Pentagonal Antiprism
        4. Metabidiminished Icosahedron

        CD:
        01. Hello
        02. Iggy's Song
        03. Magic Pony Ride (Pt.3)
        04. Green Chaos
        05. Ávila
        06. Pyramidal Mind Dispersion
        07. Modulating Angel 08 Pentagonal Antiprism
        09. Metabidiminished Icosahedron
        10. Goodbye VIP
        11. Giddy All Over
        12. Moise
        13. Rave Whistle
        14. Rave Whistle (Darkside Mix)
        15. Rave Whistle (Jungle Tekno Mix)

        Ty Segall

        "Hello, Hi"

          The man in the tree has a guitar, he’s gonna sing. But the sun shining through the branches— are those rays yellow or hazy gray? What day is today? When are you not going to feel this way again? “Hello, Hi”: welcome in to a new room to play the styles and feels that lie under Ty Segall’s fingers, easing fresh air into acoustic space with an assortment of love songs flowering in righteous unconsciousness. Plaintive and wistful, but unafraid. Like rain washing away yesterday, “Hello, Hi” pushes open the door, inviting the new to pass through all the old shades and degrees of hot and cold. Dark paths turn off abruptly into absurd darkness, then wind back through the broken rocks, ecstatic again.

          Absurdity again. It happens everyday. “Hello, Hi” is expansively rendered by Ty, mostly by himself, at home. The isolation suits the songs: you’re only ever as “at home” as you are with yourself in the mirror. Ty’s acoustic and electric guitars and vocal harmonies layer self upon self, forming a spiny backbone for the album. Textures at once gentle and dissonant root the songs as they make their move: melodic arcs convulsing in doubt and bliss and rage. Busting out of the endless gridlock into open space, these spirits pass on through. “Hello, Hi”’s flickering awakening to this trip: the opening three tracks’ train of sweet and salty reflections, before the abrupt crunch of the title track electrifies the senses. Good morning’s turned to good mourning in nothing flat, but there’s still a way up from the doldrums, to try again. Why can’t it be just as simple as “Hello, Hi”? What to do with yourself when love triggers loathing? How many more times do you have to go back there again?

          Pulling at the scratchy wool threads of an old sweater favored for warmth, comfort, protection, rejection, denial, blindness etc, Ty Segall dives from a clear, open sky, down through the marine layer and the shimmering waves of all the years. Radiating from the same mind fields as Goodbye Bread and Sleeper, mixed with shard edges of contrast and contradiction from things like Freedom’s Goblin, Manipulator, and First Taste, “Hello, Hi” is Ty’s most relaxed and complete production to date, an ebb-and flow fusion of words and music offering abstraction and acceptance as it wrestles itself through a fucked-up time. Your life and what you make of it — throughout “Hello, Hi,” Ty Segall charts a passage through its enduring tangles honestly, with clarity and confusion.

          STAFF COMMENTS

          Barry says: It's clear that Ty Segall have always been, and always will be one of the most propulsive and groundbreaking forces in modern music. 'Hello, Hi' looks to continue this streak of excellence, both wildly inventive and highly intricate, it's a riff-lovers dream.

          TRACK LISTING

          1. Good Morning
          2. Cement
          3. Over
          4. Hello, Hi
          5. Blue
          6. Looking At You
          7. Don't Lie
          8. Saturday Pt.1
          9. Saturday Pt.2
          10. Distraction

          Hello Forever

          Whatever It Is

            Rough Trade Records are excited to release the debut album by Californian group Hello Forever. Based in Topanga, California, the band live together in a pastoral setting high above the Pacific Ocean – not far from where Neil Young recorded After the Gold Rush or Captain Beefheart laid down the tracks for Trout Mask Replica, the group forever expanding and contracting, with members coming and going as they please.

            They fuse elements of the 60s West Coast sound with a DIY approach to music and creativity which has spawned their remarkable debut album, the aptly titled Whatever It Is. Samuel Joseph and company have created a contemporary throwback to a vibrant era with a set of songs that establish the collective’s exquisite harmonies and colourful instrumentation.

            TRACK LISTING

            1. Some Faith
            2. Anywhere Is Everywhere
            3. Farm On The Mountaintop
            4. Colors In The Sky
            5. Created For Your Love
            6. Rise
            7. Natural
            8. Get It Right
            9. Yeah Like Whatever
            10. I Want To Marry You
            11. Her Everything
            12. Happening

            Additional New Singles On CD / LP
            Everything Is So Hard (included On 7” With LP, Download With CD)
            I’m Feeling It (included On 7” With LP, Download With CD)

            Gabe Knox

            Hello World / Taking A Break

            Two fabulously infectious synth pop gems that contain Gabe’s uncanny knack for killer hooks and unerring ear for playfulness within his amazingly melodic electronica.

            These two tunes precede a 10” mini LP with PY later in the year and contain an interesting back story which we’ll allow Gabe to explain: “In 1982 at the height of the first Personal Computer boom, I was commissioned by a company called Automated Micro-Systems to compose and record some demonstration music on a prototype of what was going to be a home computer/music studio aimed at musicians called "MusiComputer". The system was a combination of analog synth, drum machine, and 4-track cassette recorder all housed in and controlled by an 8-bit computer. From what I understand, certain world events and a recession disrupted the supply chain, and it became unfeasible to bring the product to market, so the project was scrapped. I was recently sent the master tapes by someone involved with the project and have done my best to duplicate the concept artwork for the cover”.

            STAFF COMMENTS

            Barry says: Another absolute classic from Polytechnic Youth, with this rich synthesis retropspective from the ever excellent Gabe Knox. Soaring krautroctaves and swirling oscillators work their way around blipping melodic hooks and a driven, CR-78-y backline. 'Talking A Break' is a particular favourite.

            TRACK LISTING

            A. Hello World
            B. Taking A Break

            After a 5 year hiatus that has seen him delve into a range of diverse musical projects, Squarepusher returns with a long awaited album, "Be Up A Hello".

            With this new album, Tom Jenkinson has returned to using a bewildering array of vintage analogue and digital hardware, the same equipment that first helped him develop his sound in the early '90s. Something of a 180 degree turn, these synths, effects units and even a Commodore Vic20 are in complete contrast to the tools he used to create 2015’s "Damogen Furies" - cutting edge software that Tom developed over the course of 15 years. The result is "Be Up A Hello", an album that is celebratory with rinsing breakbeat tracks such as "Nervelevers" and "Terminal Slam" - classic floor fillers - as well pieces loaded with visceral atmosphere and melody in Squarepusher’s inimitable style. Darker moments such as "Vortrack" and "Mekrev Bass" illustrate Tom's continuing fascination with finely balanced psychological overload. As such, "Be Up A Hello" gives a nod to the mayhem, joyousness and abandon of the DIY Essex rave scene that was a strong determinant in Tom's work. 


            TRACK LISTING

            01. Oberlove
            02. Hitsonu
            03. Nervelevers
            04. Speedcrank
            05. Detroit People Mover
            06. Vortrack
            07. Terminal Slam
            08. Mekrev Bass
            09. 80 Ondula 

            Howard Hello

            Election Year

              RIYL: The Microphones, Will Oldham, Bon Iver, Jim O’rourke. Features members of Pinback, Tarentel, Sleeping People, Rumah Sakit, Dilute, and more. After more than ten years apart, multi-instrumentalist songwriters Marty Anderson (Dilute, Okay) and Kenseth Thibideau (Tarentel, Sleeping People) have reconnected to resurrect Howard Hello. Originally founded to craft music inspired by the American Zeitgeist, Election Year finds Howard Hello returning to familiar themes: The dichotomies of reality and illusion; organic and synthetic; sincerity and irony; faith and fact.

              These themes, however familiar, are perhaps no more confusing and confounding than right now in present-day United States (hence the album's title). Musically Anderson and Thibideau use music as an analogy, fusing abstract and traditional instrumental textures with angelic, distorted layers of vocal accompaniment. Their collaborative connection is extraordinary and rare, symbiotic craftsmen of profound meditations that are as fascinatingly weird as they are irrefutably wonderful. 

              TRACK LISTING

              1. The Split (1:04)
              2. Achilles Heel (3:52)
              3. Simon Say (3:55)
              4. Greenhouse (5:13)
              5. Witness (4:45)
              6. Vote (2:38)
              7. MCD (4:43)
              8. Out (4:41)
              9. Money Mouth (3:20)
              10. Sunny (4:37)
              11. MAD (3:01)

              Dag Rosenqvist + Matthew Collings

              Hello Darkness

                After his highly acclaimed „A Requiem For Edward Snowden“ LP, Matthew Collings returns with a collaboration with sound virtuoso Dag Rosenqvist. Hello Darkness is dark and it is bleak and it’s fragmented. It feels like those days when you want to just annihilate everything, and then stare at a river. It demands your attention. It sounds like it’s breaking from the inside. It’s serious. And not. Rosenqvist & Collings started their work on Hello Darkness already back in 2012, right after they had released the Wonderland EP (on Hibernate Recordings). This turned out to be one of those collabs that are kind of off and on.

                Rosenqvist & Collings worked destructively from processed stereo tracks with botched fade-ins, scrapping entire sessions and adding new layers and sounds of all kinds, letting it go in any directing it needed to, adding different time signatures on top of each other, turning sounds and entire tracks inside out and upside down. They found a freedom to go in any direction they wanted to, free from what they’ve done before, free from any expectations on both each other and from anyone else. Despite all of this, there is a humour to the album. There’s something tongue-in-cheek about the whole thing. This was also one of the reasons they choose to go with the title of the album, which is – in all honesty – slightly over the top. This was also the commission when creating the cover design. No holds barred, no restrictions. The title is of course “borrowed” from the Simon & Garfunkel track The Sound of Silence, a fact that probably doesn’t make them any cooler.

                TRACK LISTING

                1 It Was Digital, And It Was Beautiful 8:32 
                2 You Don't Have To Tell Me About Hell 4:12 
                3 Renaissance 4:52
                4 Hours And Days 1:48 
                5 Grey 5:21, 6 Streets 6:02
                7 In My Muscles 3:10
                8 The Age Of Wire And String 5:32

                Hello Sailor 001

                Muko Wapi - Inc. Joakim Remix

                Hello Sailor is a party and record label based in Brooklyn, NY founded by Brazilian-born, New York based Renata Do Valle. Since 2012, the label has been staging events with an array of local and international artists.
                Hello Sailor Recordings debuts with the focus on releasing only 7" records and building its collection of significant disco, funk, afro, and Balearic music.

                The energy of the tropics, sunset, and the beach informs the feel of this music.

                Hello Sailor Recording's first 7" release is a remastered African jam called Muko Wapi and an edit by French musician Joakim. 'Brazil meets Africa via France'!

                TRACK LISTING

                A. Muko Wapi
                B. Muko Wapi (Joakim Edit)

                Beastie Boys

                Hello Nasty - Remastered Vinyl Edition

                  "Hello Nasty", the Beastie Boys' fifth album, is a head-spinning listen loaded with analogue synthesizers, old drum machines, call-and-response vocals, freestyle rhyming, futuristic sound effects, and virtuoso turntable scratching. The Beasties had long been notorious for their dense, multi-layered explosions, but "Hello Nasty" was their first record to build on the multi-ethnic junk-culture breakthrough of "Check Your Head", instead of merely replicating it. Hiring DJ Mix Master Mike (one of the Invisibl Skratch Piklz) turned out to be a masterstroke; he and the Beasties created a sound that strongly recalls the spare electronic funk of the early 80s, but spiked with the samples and postmodern absurdist wit that have become their trademarks.

                  The Visitors

                  Hello Moon / Hi

                  The Visitors are a four piece from Manchester. Hooked on a 70s rock groove, watching you through Bowie's eyes and fuelled by a Muse injection. They are smooth, racy, melodic and spacey.

                  Hello Thor Records presents the debut single from their favourite band, Fists. The band have a tantalising and beguiling set of influences. From mid-50s skiffle and rockabilly, through lo-fi pioneers like Daniel Johnston and Simon Joyner, to proto-punks the Monks. Throw in the likes of Link Wray, Woodie Guthrie, Les Savy Fav, The Breeders, Jonathan Richman & The Modern Lovers, The Fall and Scott Walker and you might be nearing a place where Fists are coming from. It is DIY, lo-fi; both wildly experimental and toe-tappingly pop.
                  Steve Lamacq is a fan, here's what he said about this single "I love this record...utterly defiant and like it doesn't have a care in the world."

                  Hello, Blue Roses

                  The Portrait Is Finished And I Have Failed To Capture Your Beauty

                    The sweetheart duo of Dan Bejar (Destroyer, Swan Lake, New Pornographers) and Sydney Vermont (visual artist, former Toronto Children's Choir kid singer) have tied the knot around an infectious readymade classic with their 14 track self titled debut. "The Portrait Is Finished..." was written and recorded over a period when Dan and Sydney took time out of regular life to hang out together, write and read and think about life differently... and be in Spain. From Málaga, Spain's balmy Mediterranean Winter - where the songs first started getting demoed - to the rainy Vancouver climes where the album was recorded at Bejar fave JC/DC studios, the 14 songs - all penned by Sydney (except Kevin Ayer's "Hymn") and arranged by Dan, maintain the unencumbered, free and easy spirit in which they first took root resulting in a sparsely populated, timeless pop sound.

                    Squarepusher

                    Hello Everything

                      The title of Squarepusher's latest opus itself prepares us for the playful palette of sounds brilliantly assembled on this stunning record. There's drum'n'bass, electronica, jazzy breakbeats, ambient soundscapes, speed-freak slapped jazz-rock basslines, climactic prog synth playing and even a smattering of Spanish guitar. As Tom Jenkinson says himself, 'the album's full of tunes'.

                      Tim Buckley

                      Tim Buckley & Goodbye And Hello

                        Tim Buckley died on June 29th 1975 less than a decade after these, the first, of his albums were issued. In that period the 'tenderest of troubadour' image was replaced by the vulnerable, emotionally complex and damaged tortured artist of his later work. Drugs and inner demons played a bitter part in his story but there is a freshness and joy on these early recordings that have no echo of the pain to come. Remastered and reissued as part of Elektra Records 50th Anniversary these are gifted and insightful delights.


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