Just before recording their epic disasterpiece, You Are There in late 2005, Mono began collaborating with fellow Tokyo native and modern electronic composer, world’s end girlfriend. The result was a five-part suite of neoclassical grace and luminescence that defies easy categorization. As dark as the bottom of the ocean, and nearly as otherworldly, Palmless Prayer / Mass Murder Refrain finds ,ono inhabiting an illuminated world previously only hinted at in their most orchestral compositions. Recorded in multiple studios in Japan last year, Palmless Prayer highlighted Mono’s increasing obsession with classical music with world’s end girlfriend’s mastery of subtle dynamic shifts. Forgoing their tendency to erupt into hellish bursts of speaker-destroying noise, Mono instead exhibited remarkable restraint, stretching song lengths up to and beyond the 15-minute mark and turning barely-there crescendoes into earth-shaking events. Less an epiphany and more a reminder of the beauty that already exists all around us, Palmless Prayer was a miniature panoramic view of the sea on an eerily still day, the current swaying at an impossibly laconic pace and the sound of a thousand tiny waves crashing in the distance all at once.

TRACK LISTING

1. Part One
2. Part Two
3. Part Three
4. Part Four
5. Part Five

Originally released in 2001 on respected Japanese punk label H.G. Fact, All the Footprints You’ve Ever Left and the Fear Expecting Ahead introduced envy to Americans when it was licensed for limited release in 2003 on Dim Mak Records. Their original pressing sold out almost immediately, and the album fell to the fate of fetching increasingly obscene prices on eBay and Discogs. Temporary Residence Ltd. reissued envy’s back catalog in 2008, which sparked an even larger and broader interest in the band. At the heart of that historic back catalog is All the Footprints You’ve Ever Left and the Fear Expecting Ahead – widely regarded as an innovative high-water mark for hardcore. Along with its follow-up, A Dead Sinking Story, it is justifiably viewed as an essential post-hardcore classic whose monumental footsteps created unending ripples.

TRACK LISTING

1. Zero (2:04)
2. Farewell To Words (2:45)
3. Lies, And Release From Silence (4:47)
4. Left Hand (3:01)
5. A Cradle Of Arguments And Anxiousness (5:24)
6. Mystery And Peace (6:48)
7. Invisible Thread (2:43)
8. The Spiral Manipulation (3:28)
9. A Cage It Falls Into (6:10)
10. The Light Of My Footprints (4:12)
11. Your Shoes And The World To Come (8:04)

Young Widows have inspired scores of underground artists across the globe with their unique collage of noise-rock, hardcore, and post-punk and pioneering presentation. The Young Widows sound or more accurately, the Young Widows feel is in full battering ram motion on their fifth studio album.

The heaviness of 'Power Sucker' isn’t mysterious. The Louisville, Kentucky power trio play their individual parts with such recognizable precision and style that once entwined together each completed piece becomes an integral part of the puzzle. The sizzling guitars, growling bass, and lock-tight drums rip through the pavement that Young Widows had previously laid to allow the most forward-moving vocal arrangements of their now two-decade career.

Historical accomplishments aside, 'Power Sucker' has the shock and wonder of a new band’s debut album. After all, this is the regrouping of three passionate lifers once again sharing their undying love for the art of sound. No one and no thing can take those powers away.

TRACK LISTING

1. The Darkest Side
2. Every Bone
3. Call Bullshit
4. Exit Slowly
5. Power Sucker
6. Turned Out Alright
7. Balloon
8. The Holy Net
9. Total Fucking Clarity
10. Take Get Lost
11. Falling Bullet
12. A Life In Tow
13. Hotel Of Crows

Originally released in 2010, Pyramid of the Sun was Maserati’s landmark album. It was the band’s final recording with drummer Jerry Fuchs, completed and released one year after his tragic passing. It became their defining album, and remains the keystone of Maserati’s storied catalog.

As the final piece in the celebration of Maserati’s 20th anniversary, Pyramid of the Sun – Anniversary Edition has been repackaged, remastered from the original master tapes by Josh Bonati, and augmented with a scorching live set from the 2009 SXSW Music Conference. Also included are the side-long bonus tracks, “Pyramid of the Moon” and “Pyramid of the Moon (The Field Remix).”

TRACK LISTING

DISC ONE
1. Who Can Find The Beast? (2:32)
2. Pyramid Of The Sun (4:35)
3. We Got The System To Fight The System (4:13) 4. They'll No More Suffer From Thirst (4:52)
5. Ruins (2:54)
6. They'll No More Suffer From Hunger (6:26)
7. Oaxaca (8:12)
8. Bye M'Friend, Goodbye (6:40)

DISC TWO
1. Pyramid Of The Moon (8:44)
2. Pyramid Of The Moon (The Field Remix) (8:25)
3. No More Sages (Live At Radio K, SXSW Music Conference, 3/19/2009) (5:45)
4. We Got The System To Fight The System (Live At Radio K, SXSW Music Conference, 3/19/2009) (4:11)
5. Pyramid Of The Moon (Live At Radio K, SXSW Music Conference, 3/19/2009) (7:23)
6. Monoliths (Live At Radio K, SXSW Music Conference, 3/19/2009) (7:11)

What does the Earth sound like? In Stations, the 10th volume in the Field Works series, producer Stuart Hyatt approaches that question with a team of scientists working on the EarthScope experiment. Using sophisticated ground recording devices, Field Works has created a new type of music in which human voices sing along with the actual voice of the Earth. Stations features an all-star ensemble of vocalists and instrumentalists, including Hanna Benn, Janie Cowan, Masayoshi Fujita, Stuart Hyatt, Laraaji, Qasim Naqvi, and Brad Weber. The deluxe vinyl edition includes a bonus digital album of peer reviews by Deantoni Parks, Green-House, Olga Wojciechowska, Afrodeutsche, Nathan Fake, Ben Chatwin, Sophia Loizou, Amulets, Penelope Trappes, and Alva Noto. Stations was commissioned by The Anchorage Museum and The National Geographic Society.

“For those interested in the intersection between field recordings and music, this is a must-have.” A Closer Listen

“A beguiling and quietly astonishing piece of work.” Folk Radio

TRACK LISTING

1. Station 1 (2:28)
2. Station 2 (2:57)
3. Station 3 (3:02)
4. Station 4 (3:04)
5. Station 5 (3:02)
6. Station 6 (2:42)
7. Station 7 (3:04)
8. Station 8 (2:13)
9. Station 9 (2:58)
10. Station 10 (3:29)

Brand new recordings of some classic early MONO songs that have become fan favorites and live staples. MONO formed in Tokyo, Japan in the closing winter weeks of December, 1999. They played their first live shows at the top of the new millennium, and released their first album, Under The Pipal Tree, in 2001. Recorded live in one day on a razor-thin budget, Pipal Tree was an earnest introduction to the curious magic of a band that would eventually become synonymous with monstrously dynamic, contemporary classical rock music. To commemorate those austere beginnings - and celebrate their remarkable longevity - MONO revisit three of their earliest songs, and retrofit them with speaker-destroying upgrades.

Anchored by the towering 16-minute noise opus, "Com(?)", Before The Past - Live From Electrical Audio shows the evolution of MONO's execution, stripping away the strings and layers of guitar overdubs to show just how massive this band can be at their most instrumentally austere. Newly recorded in one day in 2019 with longtime collaborator, Steve Albini - and mixed by Albini with Temporary Residence founder, Jeremy deVine - Before The Past is as much a declaration of the present as it is a document of the past. These songs, which are now 20 years old, feel more powerful and profound than ever; a testament to MONO's enduring dedication to their craft, and their dogged exploration of maximum minimalism

STAFF COMMENTS

Barry says: One of the most legendary post-rock bands return with a stunning set of all-encompassing fuzz and tentative instrumental guitar play from those early years, recorded anew with Albini at the helm. Superb.

TRACK LISTING

1. Com(?) (Live From Electrical Audio) (16:11)
2. L’America (Live From Electrical Audio) (4:55)
3. Halo (Live From Electrical Audio) (8:23)

Floating Spectrum is the moniker for Taiwan-born, Berlin-based composer and audio technologist, Mei-Fang Liau. Her debut album as Floating Spectrum, A Point Between - crafted from a combination of synthesizers, everyday household objects, and unique software synthesizers made by Liau herself - is truly a sound and vision unlike any other. To complete the album, Liau relied heavily on a self-made, fractal-inspired software synthesizer called Polyphylla, which simulates the way in which nature creates very complex and organic forms just by repeating slight variations of a simple form.

It allowed Liau to create slowly evolving textures and sounds with complex dynamics, and thus the driving influence for the whole of A Point Between. The lone outlier is "Eruption," for which Liau built a generative sound system that turns visual data into sound. In this hybrid system, sensitively fluctuating analog signals, fine-tuned data analysis, and human intuition perform together as one coherent living being. The technological marvels of Floating Spectrum are, of course, uniquely impressive. But the more astonishing and intangible triumph of A Point Between is its singular ability to collect and shape such abstract sonic organisms into richly textured, immersive works of art. It's that profound resonance that makes A Point Between such an uncanny work of emotional and structural depth

TRACK LISTING

1. The Early Green Outburst (3:43)
2. Rising Tide, Nourishing Soil (5:11)
3. Inner Island (5:06)
4. Falling Apart On The Dreary Field (4:29)
5. Obscured Moon (4:57)
6. Eruption (7:07)
7. Descent To The Hadal Zone (3:56)

Beloved Exile is the new studio full-length by Steve Moore, his first non-soundtrack album in over five years, and his first for Temporary Residence Ltd. A prevalent figure of the modern synth era, Moore cofounded the influential synth-prog duo, Zombi, and has scored more than a dozen feature films and TV shows, including The Guest, Crunch Time, and Mayhem. Composed and produced by Steve Moore in his home studio in upstate New York, Beloved Exile is a collaboration with internationally-renowned Tunisian singer-songwriter Emel Mathlouthi, visionary harpist Mary Lattimore, and veteran percussionist Jeff Gretz. Drawing influences from vintage ambient synth libraries, New Age/spiritual music, and menacing horror film canon, Beloved Exile proves to be simultaneously exquisite and deceptively unsettling. It is appropriate, then, that a literary treasure like John Darnielle (The Mountain Goats), would provide the song and album titles – his masterful mind most fitting to put moniker to this mercurial triumph. 

TRACK LISTING

1. Your Sentries Will Be Met With Force (5:27)
2. In The Shelter Of The Dunes (5:15)
3. Beloved Exile (5:26)
4. Throne Lane (5:09)
5. My Time Among The Snake Lords (15:36)

The limited edition super-deluxe vinyl format is pressed onto 100% virgin vinyl in a custom Yellow-White-Clear March-Up color mix. The records is packaged in a full-color gatefold jacket, and includes a full-sized 28-page full-color diary, and an original hand-numbered animation print cell from the We The Animals film production. The soundtrack to the massively acclaimed, aware-winning motion picture, We The Animals. We The Animals has received near-unanimous acclaim (91% on Rotten Tomatoes), and the soundrack has been praised as an integral part of the film’s profound resonance. We The Animals is the award-winning new film from Jeremiah Zagar (In A Dream). Based on the best-selling novel by Justin Torres, We The Animals is Zagar’s first narrative feature.

It reunites Zagar with Nick Zammuto, the renowned composer and co-founder of beloved collage-pop pioneers, the Books. Inspired by the film’s setting in rural upstate New York – and influenced by the early ambient electronic music that galvanized the Books two decades ago – Zammuto pairs that earthen, wooded isolation with dynamic pulses of customized electronics and sparse, crystalline layers of melodic soft synths. The juxtaposition is arresting, and gives the soundtrack a unique heft befitting of its subject matter – and betraying of its minimal instrumentation. Beautifully edited and sequenced to act as both a companion to the film and a standalone album, We The Animals: An Original Motion Picture Soundtrack is as subtle as it is startling, and succeeds in making even the heaviest emotions feel momentarily weightless

TRACK LISTING

1. I’ll Fly Away (1:04)
2. We Wanted More (00:49)
3. We Wanted Less (01:11)
4. Just This (00:52)
5. Look At Me (01:17)
6. You Went So Far (00:26)
7. Under The Bed (01:48)
8. Paps Leaves (01:09)
9. The Kitchen (02:20)
10. Like A Bomb (00:31)
11. Stealing (02:01)
12. Dream Of Paps (01:44)
13. Haircut (02:04)
14. Tonight We’ll Go For A Ride (02:14)
15. You Were Supposed To Find Us (00:22)
16. Bad Bad Bad (00:56)
17. Wet Dream (00:45)
18. No More Crying (02:20)
19. Paps Dig A Grave (00:15)
20. It Was My Grave (03:36)
21. Bad Nightmare (00:48)
22. Winter (01:52)
23. Can I Come? (01:00)
24. Fly Away (05:29)
25. I’m Nobody’s Baby (01:15)
26. We The Animals (02:21)

The new studio album from one of the world’s most celebrated sound artists. Vinyl format features exclusive mixes that differ from the CD and Digital formats. “At its best, William Basinski’s music inspires the sort of rapturous testimony usually reserved for peak experiences, cult leaders and the dead.” 

On Time Out of Time is a suite of works originally commissioned for the 2017 installations ‘ER=EPR’ and 'Orbihedron' by artists Evelina Domnitch and Dmitry Gelfand (in collaboration with Jean-Marc Chomaz and LIGO) for the exhibition, ‘Limits of Knowing’ at Martin-Gropius-Bau, Berlin by curator, Isabel de Sena. These works utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes, 1.3 billion years ago. The CD and Digital formats feature two tracks: The 40-minute title track, “On Time Out of Time,” as well as “4(E+D)4(ER+EPR)”, a live track recorded during the aforementioned installation. 

TRACK LISTING

1. On Time Out Of Time (39:33)
2. 4(E+D)4(ER+EPR) (9:46)

The first new album in nearly a decade from Italian-American post-punk stalwarts. Recorded, mixed, and sequenced by longtime collaborator, Steve Albini. A decade is literally a lifetime for most bands. For Italian-American post-punk stalwarts, Bellini, a decade is simply the time it took to make their new album.

Separated by an ocean, the members of Bellini lived their lives, mourned several close friends who lost theirs, and occasionally converged in Italy or Chicago to write and record what would become Before The Day Has Gone. Recorded as always by longtime collaborator and companion, Steve Albini, Before The Day Has Gone’s roots are in tracks that were originally laid to tape at Albini’s Electrical Audio Studios way back in 2012, where they sat unfinished until fall of 2017, when vocalist/lyricist Giovanna Cacciola recorded her vocals with the help of Sacha Tilotta, her son with Bellini guitarist,
Agostino Tilotta.

Once received, Albini mixed and sequenced the album independently, as Bellini has preferred with all of their albums since 2005’s Small Stones. Bellini’s gift for marrying melody and dissonance is as sharp as ever on Before The Day Has Gone – the band’s veteran rhythm section of Matthew Taylor and Alexis Fleisig anchoring Tilotta’s sinewy anti-riffs and Cacciola’s primal punk poetry. Bellini deliver passion and pain with the kind of pride and prowess one would expect from a band of their pedigree, and Before The Day Has Gone is their most dramatic and dizzying display of their two-decade career. 

TRACK LISTING

1. Greek Fire (4:28)
2. Right Before (3:03)
3. Two Ears One Mouth (4:10)
4. Clementine Peels (4:23)
5. Plumber’s Foxtrot (2:47)
6. Il Maestro/If I Could Say (7:01)
7. Being Married (2:18)
8. Slow Talker (4:15)
9. Promises (6:17)
10. Whales In Space (2:45)

RIYL: The Microphones, Will Oldham, Bon Iver, Jim O’rourke. Features members of Pinback, Tarentel, Sleeping People, Rumah Sakit, Dilute, and more. After more than ten years apart, multi-instrumentalist songwriters Marty Anderson (Dilute, Okay) and Kenseth Thibideau (Tarentel, Sleeping People) have reconnected to resurrect Howard Hello. Originally founded to craft music inspired by the American Zeitgeist, Election Year finds Howard Hello returning to familiar themes: The dichotomies of reality and illusion; organic and synthetic; sincerity and irony; faith and fact.

These themes, however familiar, are perhaps no more confusing and confounding than right now in present-day United States (hence the album's title). Musically Anderson and Thibideau use music as an analogy, fusing abstract and traditional instrumental textures with angelic, distorted layers of vocal accompaniment. Their collaborative connection is extraordinary and rare, symbiotic craftsmen of profound meditations that are as fascinatingly weird as they are irrefutably wonderful. 

TRACK LISTING

1. The Split (1:04)
2. Achilles Heel (3:52)
3. Simon Say (3:55)
4. Greenhouse (5:13)
5. Witness (4:45)
6. Vote (2:38)
7. MCD (4:43)
8. Out (4:41)
9. Money Mouth (3:20)
10. Sunny (4:37)
11. MAD (3:01)

Lasso Yo is the third full-length from Canon Blue, the alter ego of Nashville producer-songwriter, Daniel James. It's been over a half-decade since Canon Blue's previous album, the Efterklang and Amiina-augmented orchestral pop opus, Rumspringa. Six years can feel like a lifetime, and James knows that all too well, and he tells the whole story on Lasso Yo. Conceived during increasingly long periods of isolation caused by increasingly intense bouts of anxiety and depression.

Lasso Yo weaves those difficult personal struggles into a lyrically earnest and musically rich collection of songs. Produced, performed, and recorded by James at Taylor York's (Paramore) house, and mixed by John McEntire (Broken Social Scene, Yo La Tengo, The Sea and Cake), this is not only Canon Blue's most personal record, but also his most profound. For what was undoubtedly a challenging, cathartic record to make, Lasso Yo achieves a kind of weightlessness that betrays the heavy load it carries. It' s this dichotomy that gives the album a curious magic, an unlikely transcendence spawned by an uncomfortable confrontation between James' past and present, and the new shape it gives his future.

TRACK LISTING

1 Beholden (3:52)
2. Tame Birds (4:22)
3. Dedicate (3:32)
4. Take 6 (3:23)
5. Onyx (3:34)
6. Plea Rel (4:01)
7. Carry My Weight (3:44)
8. Back In Town (4:55)
9. Germanium (4:55) 

The first new album by GRAILS in six years. Features members of OM, HOLY SONS, LILACS & CHAMPAGNE, and WATTER. RIYL: Pink Floyd, Earth, OM, The Flaming Lips, Clams Casino. Rather than pick up where they left off, Grails take the sky-high riff-based heaviness of their earlier albums and distill it into a nuanced, widescreen opus. The perennial influences of mid-20th century Western film scores, obscure library music, and psychedelic krautrock are indelibly imprinted, but Chalice Hymnal exudes an eerie patience in unfurling the many layers of its subtle details.

Produced by the band over the past five years, Chalice Hymnal bears some of the European psych and experimental hip-hop production techniques of founding members Alex Hall and Emil Amos' other group, Lilacs & Champagne. Amos' meditative metal band, Om, and longtime singer-songwriter project, Holy Sons, also naturally find their way into the Chalice cauldron. Rounding out their leaner line-up, cofounder Zak Riles (also of experimental kraut-psych trio, Watter) layers finger-picked acoustic guitars into a prog-folk hybrid that pushes Grails further into the deep end, displaying a profound resonance, both musically and emotionally. No one else sounds like Grails, and on Chalice Hymnal they sound more like themselves than ever before. 

STAFF COMMENTS

Barry says: One of my favourites for a long time, these lot. Add to that Amos's other projects Holy Sons and Lilacs & Champagne, and you have a whole wealth of musical musings to consider. It's obvious that influence has seeped into Grails itself, with the eastern influence much more pronounced and the patchwork found-sound collage vibes segued into their sound like it was there all along. A great return for Grails, and a cementing of their importance in experimental music.

TRACK LISTING

1. Chalice Hymnal (4:22)
2. Pelham (2:49)
3. Empty Chamber (2:33)
4. New Prague (4:50)
5. Deeper Politics (3:49)
6. Tough Guy (3:57)
7. Rebecca (3:47)
8. Deep Snow II (5:48)
9. The Moth & The Flame (4:07)
10. Thorns II (3:59)
11. After The Funeral (10:19)

And so it began. When multi-instrumentalists and sound enthusiasts Paul de Jong and Nick Zammuto first came together, they surely could not have foreseen their debut album, Thought For Food, becoming such a beloved genre-defying masterpiece, an album that rests firmly in countless Top 100 Albums of the Decade lists. Filled with endearing and enduring songs, the Books revisit their wide-eyed beginnings with this remastered Thought For Food, repackaged with all-new artwork and expanded to include lyrics for every song for the first time ever. Carefully and thoughtfully remastered from the original mixes by Zammuto at his new studio outside his home in Vermont, TFF now boasts a warmth and clarity that surprisingly reveals an increased harmonic depth. Having combined and refined their compositional and recording processes over the course of four albums, addressing the technical limitations of these earlier recordings offers the chance to marry the technical, musical and emotional aspects of these songs in a way like never before. To be sure, the differences are subtle, but for a band who have transformed minutiae into modern art, that subtlety is downright sublime. 

TRACK LISTING

1. Enjoy Your Worries, You May Never Have Them Again (4:06)
2. Read, Eat, Sleep (3:49)
3. All Bad Ends All (2:42)
4. Contempt (3:22)
5. All Our Base Are Belong To Them (4:18)
6. Thankyoubranch (5:05)
7. Motherless Bastard (4:11)
8. Mikey Bass (2:56)
9. Excess Straussess (2:08)
10. Getting The Done Job (3:49)
11. A Dead Fish Gains The Power Of Observation (1:08)
12. Deafkids (1:09)

Emerging from a decade-long hiatus, East Coast electronic producer and multi-instrumentalist, Sybarite, returns with Waver The Absolute. The long break from Hawkins’ Sybarite project seems to have done him some good, as this is unquestionably his strongest and most cohesive work to date. The aesthetic shifts from Sybarite's early ‘00s work to Waver The Absolute are immediately apparent with the opening track – an in-your-face wall of harsh static and fuzz that evolves into a distant, almost blissful transmission. From there Hawkins slips effortlessly into dancefloor mode with a pair of tracks that stretch the limits and lengths of what we used to expect from Sybarite. Waver The Absolute defies genre and expectation, and the eclecticism serves it well. The marriage of the electronic and the organic has been one that Hawkins has expertly manipulated since his days in the legendary Silver Apples in the late 1990s. Both CD and LP formats are packaged in full-color jackets with metallic silver overprints.The vinyl format includes an MP3 download coupon featuring two digital bonus tracks. 

TRACK LISTING

1. The Letter (2:04)
2. Valence (6:35)
3. Waver The Absolute (5:41)
4. Look Ahead See Behind (5:45)
5. Mosquito Theme (2:18)
6. Open Secret (4:16)
7. The Children (4:06)
8. Hold The Phone (3:59)
9. Daft Shaft (4:53)
10. Ornamental Hermit (5:06)

"Ceiling Sky" collects these previously rare, vinyl-only tracks onto CD for the first time. This includes the limited edition 12" singles "Streets" / "Nozomi" and (rmxs) - featuring remixes by Four Tet and Sybarite - as well as the two bonus tracks from the 2xLP vinyl edition of the "Noumena" album. In total this is an hour's worth of enchanting, haunting music that only a handful of people have had the pleasure to hear until now.

The debut album from this band that's made up of four soft spoken Texas lads. Steeped in sentimental melodies and dreamy soundscapes, each song lifts you in the air and carries you away, layers of chiming guitars become layers of metallic annihilation in the blink of an eye. Total silence to total violence, enjoy the ride!!!!

The stories that make up Tarentel's existence are almost as dramatic and hard to follow as their musical trajectory. The San Francisco group started in the mid-90s as an outlet for guitarists Jefre Cantu-Ledesma and Danny Grody to make left-of-centre instrumental guitar suites. Their sound and vision proved very infectious, drawing in more collaborators and full-fledged members than anyone has time to count. Over the course of nearly a decade, the band has become a bit of a legend in independent music. The songs themselves, average over 10 minutes each – with some stretching past the half-hour. Perhaps then, it comes as a bit of a surprise that their first album in nearly four years bears more songs in less time than ever before. Though hardly a pop record, "We Move Through Weather" is Tarentel's most focused album. Now stripped to a trio (Sonna's Jim Redd completes the line-up on drums), the sound is almost entirely intuitive. Virtually every song is built from expansive improvisations of sweeping drones and walls of discordant feedback. Where taught, meticulous guitar melodies once drove their songs to conclusion, thunderous drumming now navigates the group through an uncertain abyss of layered noise, horn bursts (courtesy of musician Steve Dye's arsenal of homemade instruments) and the occasional lonely piano.

To truly understand the color and shape of Nice Nice, you must really see them live. Only then will you realize that every sound heard on this record, every intricate polyrhythmic layer is live. There are no overdubs, and there are only two people in the band. Born in Olympia, Wa and now calling Portland their home, guitarist Jason Buehler and percussionist Mark Shirazi meticulously warp hard funk, psyche, soul, dub, angular rock and no-wave noise into a mechanical beast that can take you from dream to dance in 30 seconds flat. The instrumentation is relatively simple: guitar and drums. But it's the endless tap-dancing of effects pedals and rock solid dub beats that make every moment more magical than the last. Recommended to fans of the Load label, Leaf label, the new weird Americana scene and old school New York punk funk ala ESG and James Chance.

Cex's initial rise to fame came from a series of warm, skittery instrumental albums showcasing a dark mix of hard dance production and atmospheric ebb and flow. Recorded for a couple of highly respected electronic labels (Tigerbeat6 and 555). Hence the natural decision to release an instrumental version of his "Being Ridden" album. As an added bonus, there are three exclusive instrumental tracks on this disc that are not included on the vocal version!

Jazz-infected structures, funky rhythms and beautifully frenzied guitar interplay, steeped in progressive rock influences and destructive improv.

Recorded by Steve Albini at his electrical audio studios, this dark and addictive music that will appeal to fans of Low, Tortoise, Papa M, Codeine and Yo La Tengo.

Complex polyrhythmic insrumentals for the acoustic guitar, accordian, upright bass and drum kit. The instrumentation lends itself to be a quieter album, but the subtle dynamic shifts and loud drumming makes for an incredible rock-out. Will appeal to fans of Papa M, Rex, Directions In Music etc.