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GATE

Garden Gate

Magic Lantern

    After her time with Brown Recluse, a bittersweet psych-pop sextet, and White Candles, a Radiophonic Workshop-inspired electronic duo, Meskers merged the qualities of both groups into a new project and the first Garden Gate single, Houses, appeared in 2016 on Good Behavior Records. Following this, came a clutch of acclaimed releases on labels such as Sunstone and Library of the Occult, notably The Dark Harvest LP (which received a 5-star review in Shindig) and the sought-after 2021 LP, Blood Mansion, an original score for a conceptual horror film.

    Magic Lantern is a collection of melancholy yet hopeful neoclassical library pieces with analogue electronic elements that originally soundtracked Audible Originals’ Strange Company audiobook.

    Here, Timmi explains how the project came about:

    “The first glimmer of Magic Lantern flickered over the kitchen sink, if memory serves. I was cleaning up with a dear friend, author Roan Parrish, and we were discussing how we could collaborate creatively. Our first idea was that she would share prose to inspire my themes, and inversely, I would share a few original themes to inspire her writing. Before we knew it, what started as a handful of stories and songs, damp with soap suds, ended up becoming a fully scored audiobook anthology for Audible Originals called Strange Company.

    As a long-time fan of soundtracks and library music, I was thrilled by the opportunity to see just how much emotion I could compress into the brief connecting links that would augment a furtive kiss, a painful psychic vision, or a breeze across the bones of a scorched landscape.

    Midway through the recording process, my long-term relationship broke down, and Roan let me set up a field studio in her home. I found myself grasping at any beauty I could find in the hope that it would spill into the music. Several themes from an unrealised Garden Gate album about the life of Dion Fortune also found their way in (notably, the title track), and the score became a bit more personal than initially charted. In the doomed outsiders of Roan’s gorgeously creeping prose, it was hard not to see aspects of my own life, and I found catharsis and healing in the creation of the music that soundtracked her characters' lives.”

    John Coltrane

    Evenings At The Village Gate: John Coltrane With Eric Dolphy

      In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Coltrane’s Classic Quartet was not as fully established as it would soon become and there was a meteoric fifth member of Coltrane’s group those nights— visionary multi-instrumentalist Eric Dolphy. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library for the Performing Arts, offering a glimpse into a powerful musical partnership that ended much too soon.

      In addition to some well-known Coltrane material (“My Favorite Things”, “Impressions”, “Greensleeves”), there is a breathtaking feature for Dolphy’s bass clarinet on “When Lights Are Low” and the only known non-studio recording of Coltrane’s composition “Africa”, from the Africa/Brass album. This recording represents a very special moment in John Coltrane's journey—the summer of 1961—when his signature, ecstatic live sound, commonly associated his Classic Quartet of '62 to '65, was first maturing and when he was drawing inspiration from deep, African sources— and experimenting with the two-bass idea both in the studio (Olé) and on stage. This truly rare recording of "Africa" captures his expansive vision at the time.

      TRACK LISTING

      My Favorite Things
      When Lights Are Low
      Impressions
      Greensleeves
      Africa

      Gate

      The Numbers - 2023 Reissue

        In the 1980s, Michael Morley helped to push the jangly New Zealand music scene towards rougher, more exploratory realms, as a member of Wreck Small Speakers on Expensive Stereos, The Weeds, and the almighty Dead C. His gnarled, distorted guitar tone and aggressively moan-based vocal style are both as distinctive as they are secretly beautiful.

        Morley has released dozens of solo recordings—starting in the late 1980s as Gate, then more recently under his own name, and as the Righteous Yeah. He’s also unafraid to tackle entirely new genres and sounds, and to move into interactive installation-based music as well. Birdman is beyond excited to present the first vinyl release of this archival Gate release.

        “...I think it is classic Gate material. The idea of the palette is fascinating as I think I did approach it with a set of limited instrumentation and the desire to make something again that could sound like rock music. There is certainly a direct line from Wreck Small Speakers On Expensive Stereos, through the Dead C, and to Gate. I think I was also inspired by listening to [infamous and tragically short-lived early 1980s band] the Double Happys, and remembering their performances as a duo with the drum machine. There was such utter chaos and anarchy during their sets, with a desire to represent punk rock at its nascent truth, I wanted to see if it was possible to re- imagine that feeling. I was possibly also listening to the Stooges and MC5." - Michael Morley.

        TRACK LISTING

        1. All Of My Family
        2. Mountains
        3. Stars Keep
        4. Land
        5. Clouds Again
        6. Film Envy

        Gilroy Mere

        Gilden Gate

          Oliver Cherer is back with a new Gilroy Mere record which follows on from his other much lauded Clay Pipe releases (The Green Line, Adlestrop and last year’s D Rothon collaboration, Estuary English).

          Over the last two decades Ollie has released numerous collections of music in an ever shifting array of modes, from folktronic, singer-songwriter styles through psychogeographic electronica to jazz-tinged, confessional ghost-pop and most recently, the “guitar tainted machine rock disco” of Aircooled.

          Gilden Gate is an album of two halves. Side 1 ‘Rising’ celebrates the sun-drenched beaches, pastures and heaths of rural Suffolk, whereas Side 2 ‘Falling’ explores the underwater world of the lost city of Dunwich and its five church spires.

          Oliver says:-

          “A few years ago I discovered the lost city of Dunwich. I’d made a trip to Suffolk to shoot a short film about Sizewell Nuclear Power Stations and stayed in the old Coastguard’s Cottage on Dunwich Beach within sight of Minsmere Nature Reserve and the power plants. It’s a wild, sleepy place of pines and heath and North Sea winds and a strangely mysterious air – Sutton Hoo is nearby and Eno’s reference to the very beach that I was staying on made perfect sense. In the small museum at Dunwich I learned that this tiny hamlet had once been a major medieval city of international trade. It seemed unlikely and even now, knowing Dunwich as a small village, I find putting what I know about the place into perspective as a city a certain kind of impossible.

          It seems that over a period under the influence of the weather, natural erosion and market rivalry the thriving harbour port was inundated by the North Sea and eventually slipped into and under it. The city of churches was lost and all the spires engulfed and toppled. What remains are the few houses, and the ruin of Greyfriars crumbling inexorably down the cliff and exposing the bones of buried monks as the graveyard follows the building’s stones into the sea.

          There are local legends surrounding the site including stories of fishermen hearing the bells of lost churches and seeing the ghostly, lighted city beneath their boats as they return to the shore.
          Gilden Gate is named for one of the entrances to the old city and is a musical meditation on Dunwich past and present. Frances Castle’s beautiful sleeve art depicts the surface and the sub-marine, the warm and the cold, the past and the present. The glass rises and the glass falls and in the background there are sirens, fog horns, church bells and Eno, and on the sea bed there are the scattered remains of a once great city.”

          Gilden Gate is named for one of the entrances to the old city and is a musical meditation on Dunwich past and present. Frances Castle’s beautiful sleeve art depicts the surface and the sub-marine, the warm and the cold, the past and the present. The glass rises and the glass falls and in the background there are sirens, fog horns, church bells and Eno, and on the sea bed there are the scattered remains of a once great city.”

          Leonard Cohen

          A Ballet Of Lepers : A Novel And Stories

            An unprecedented glimpse into the formation of the legendary talent of Leonard Cohen. Before the celebrated late-career world tours, before the Grammy awards, before the chart-topping albums, before 'Hallelujah' and 'So Long, Marianne' and 'Famous Blue Raincoat', the young Leonard Cohen wrote poetry and fiction and yearned for literary stardom. In A Ballet of Lepers, readers will discover that the magic that animated Cohen's unforgettable body of work was present from the very beginning.

            Written between 1956 in Montreal, just as Cohen was publishing his first poetry collection, and 1961, when he'd settled on Greece's Hydra island, the pieces in this collection offer startling insight into Cohen's imagination and creative process, and explore themes that would permeate his later work, from shame and unworthiness to sexual desire to longing, whether for love, family, freedom or transcendence. The titular novel, A Ballet of Lepers - one he later remarked was 'probably a better novel' than his celebrated book The Favourite Game - is a haunting examination of these elements, while the fifteen stories, as well as the playscript, probe the inner demons of his characters, many of whom could function as stand-ins for the author himself. Meditative, surprising, playful and provocative, A Ballet of Lepers is vivid in its detail, unsparing in its gaze, and reveals the great artist and visceral genius like never before.

            Nick Cave And Seán O'Hagan

            Faith, Hope And Carnage

              Faith, Hope and Carnage is a book about Nick Cave's inner life. Created from more than forty hours of intimate conversations with the journalist Sean O'Hagan, this is a profoundly thoughtful exploration, in Cave's own words, of what really drives his life and creativity. The book examines questions of belief, art, music, freedom, grief and love.

              It draws candidly on Cave's life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years. Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.

              Nina Simone

              At Village Gate

                Contains new specially prepared liner notes by Penguin Guide To Jazz writer Brian Morton, and by Paris’ prestigious Jazz Magazine.

                “The breath-taking originality of the second half of the show is what makes this album great. Opening with Oscar Brown, Jr.’s “Brown Baby” and then Michael Olatunji’s “Zungo” and delivering a long version of another traditional song “Children, Go Where I Send You”, Simone makes a profound stand on the black musical tradition, drawing on her deep reading in Frantz Fanon’s auto-theory and Leopold Senghor’s ideas on n gritude to create a body of work that transcends jazz styles and critical pigeonholes. She was unique, but only because she drew on multitudes.” Brian Morton

                TRACK LISTING

                Just In Time
                He Was Too Good To Me
                House Of The Rising Sun
                Bye Bye Blackbird
                Black Is The Color Of My True Love’s Hair
                Brown Baby
                Zungo
                If He Changed My Name
                Children Go Where I Send You
                Summertime [parts 1 & 2]

                Various Artists

                Golden Gate Groove: The Sound Of Philadelphia In San Francisco (RSD21 EDITION)

                  THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JUNE 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                  IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JUNE 12TH).


                  On a x14 trk double LP Vinyl for the first time, Golden Gate Groove: The Sound Of Philadelphia Live 1973 captures the first and only time the stars of Philadelphia International Records (P.I.R.) including The OíJays, Harold Melvin & The Blue Notes, The Three Degrees, and Billy Paul performed in concert with the label's house band, MFSB (Mother, Father, Sister, Brother), showcasing what would become the Sound of Philadelphia -- affectionately known as T.S.O.P. The concert took place in San Francisco during the annual CBS Records convention at the Fairmont Hotel in September 1973.

                  These United States

                  A Picture Of The Three Of Us At The Gate Of The Garden Of Eden

                    Recommended if you like: Beck, Andrew Bird, Paul Simon, Postal Service, Iron & Wine. These United States is the new Washington, DC – a wide-eyed amalgamation of psyche-folk and the punk rock ethic, a band of merry pranksters spinning something fiercely, unapologetically positive out of the sinking reality of an empire gone Titanic. At the helm of the lifeboat rides gonzo-journalist-turned-troubadour Jesse Elliott. Touring tirelessly from Glasgow to San Francisco, New York to Paris to London, El Paso to Amsterdam – and taking their cues as much from Walt Whitman as from Wilco – These United States have always seemed determined to prove that worldwide American manifestations can't be all wrong all the time.


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