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SPHERE

U2

Atomic City - Live From Sphere (RSD24 EDITION)

    THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.


    A 2-track, Record Store Day exclusive commemorating U2ís globally-acclaimed 40-date run of their pioneering show 'U2:UV Achtung Baby Live At Sphereí in Las Vegas. Featuring a brand new live performance recording of ëAtomic Cityí captured at the worldís most cutting-edge venue, alongside a remix by Mike WiLL Made-It, available for the first time physically. Pressed on transparent limited edition red vinyl and includes a poster. Side A ñ ëAtomic Cityí Live -Side B ñ ëAtomic Cityí - Mike WiLL Made-It Remix

    Sphere

    Inside Ourselves

      As part of its continuing exploration of Detroit’s Strata label with DJ Amir’s 180 Proof Records, BBE Music reissues the 1974 rare jazz classic ‘Inside Ourselves’ by Sphere. Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself. Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, 'What’s Going On', the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings. Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military. A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier-Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster. While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.

      TRACK LISTING

      Disc: 1
      1. Lonely Girl
      2. Inside Ourselves
      3. Alicia

      Disc: 2
      1. Where
      2. Unknown Track
      3. Spitfire

      Josephine Foster

      Domestic Sphere

        For her austere new solo album, Domestic Sphere, Josephine Foster performs solely with her electric guitar and then subverts the usual range of her voice to embody other frequencies and sounds beyond the surface layer of the songs. She communes so completely with every sound on the record, with the past and the future, animals and insects and birds, those so tenderly dead, and those of us who are alive. Listening to the record is a transcendent experience. It's an exorcism, one that exorcises you.

        Domestic Sphere, produced by Foster and collaborator Daniel Blumberg, is an altar cloth of songs stitched together as liturgical music for a restless homestead, whose values insist simply that everything is music and that our daily life is a sacred, innately creative practice. In such a world creaking door reveal natural orchestras with wailing cats in service of melodic collaborations with Tennessee songbirds, Foster's world is an extra-sensory radio play in two acts, where songs overlay structures like creeping vines.

        A seance by song, Josephine channels sounds from her interior and exterior landscapes, whether integrating field recordings reflecting daily life in a Spanish village and other moments in her life as a nomadic musician, or, as in one tender cameo, the voice of her great-grandmother comes from the other side. These songs are vigils, melodies sung intently, to be set aflame and sung off with the wind.

        TRACK LISTING

        A1 Entrance
        A2 Pendulum
        A3 Dawn Of Time
        A4 Burnt Offering
        A5 Entr'acte
        B1 Gentlemen & Ladies
        B2 Shrine Excerpt
        B3 Birthday Song For The Dead
        B4 Reminiscence
        B5 Haunted House
        B6 Sanctuary

        Illum Sphere

        Glass

          Producer, DJ and NTS resident Illum Sphere (Ryan Hunn) returns to Ninja Tune with his second full length ‘Glass’. An album stretching nine dynamic but focused tracks reminiscent of Helena Hauff and Kassem Mosse.

          Hunn replaces the sharp turns and drastic shifts in altitude of 2014’s ‘Ghosts Of Then And Now’ with mechanical depth and a beating cohesiveness hinted at on his ‘Second Sight’ and ‘Spectre Vex’ 12”s. It’s a shift that’s bled into his acclaimed DJ sets and recent mixes for fabriclive and Dekmantel, previously drawing support from Benji B, Thom Yorke, Ben UFO and NTS.

          STAFF COMMENTS

          Patrick says: On this striking sophomore offering Illum Sphere fuses regimented drum machines and spectral techno with late night ambience and icy coldwave to create an audio snapshot of a lonely winter in Berlin.

          Illum Sphere

          Second Sight / Ritual

            UK DJ / producer and co-founder of the Manchester institution Hoya:Hoya (club night / label), Illum Sphere releases his new 12" via Ninja Tune. His first output since mid 2014's 'Spectre Vex' double pack, the two tracks "Second Sight" and 'Ritual' are reflective of a shift to a more machine-sounding approach to his productions. Lead track "Second Sight" is a stark, paranoid banger lurking in menacing cold wave / minimal wave / industrial territory, whilst on the flip "Ritual" layers minimal, mechanical percussion with gently arpeggiating synth lines. Two expertly crafted cuts from a producer at the top of his game, with more new music on the horizon.



            Various Artists

            Fabriclive 78 - Illum Sphere

            It's easy to trace Ryan Hunn (aka Illum Sphere)'s impact on the Manchester music scene. Hoya:Hoya, the night he started with Jonny Dub back in 2008, quickly became noted for its eclecticism and open-minded booking approach, with artists ranging from The Gaslamp Killer to Ikonika and James T. Cotton. Soon spotted by the keen eyes at fabric, the collective were invited to host Room Three in 2011, and following its immediate success they moved to Room Two, where they now hold their quarterly residency. Illum Sphere's skill at bringing together disparate sounds as a DJ is bolstered by a formidable production talent, which has seen him release on a series of respected labels, including Ninja Tune, Young Turks, 3024, Fat City and Tectonic, whilst his remix credits include Radiohead, Martyn, Kuedo and Zed Bias. Constructed in the comfort of his own home, his FABRICLIVE mix is inspired by the sounds one might hear during his DJ sets in Room Two.

            "I decided to stick to more electronic-based music, from new wave, dub, techno, acid, etc. In terms of range I think the oldest thing is probably late 70s and the newest thing came out this year." - llum Sphere

            Kicking off in the 80bpm range, EMAK’s spaced out ‘Sein Und Schein’ (a segment of which appears later as an interlude) makes way for dub echo drenched tracks from Soul Syndicate and Carl Meeks. From there the mix explores the many subtle (and not so subtle) facets of electronic music, from the lo-fi experimentalism of Tapes and Powell to analogue synth-driven jams from Musumeci, Streetwalker and Grauzone. Illum Sphere is effortlessly flexible on tempo to the point where the shifts are barely noticeable, with the mix midway pace subtly ramping up into Das Ding’s technicolour ‘HSTA’. From there, spaced out synth textures of Legowelt and Demdike Stare are contrasted with machine-like grooves from Charles Manier and Propaganda. The exceptional ‘Gershwin’ by Actress shifts into Illum Sphere’s own ‘Bullet’, before Nine Circles’ 1982 track ‘What's There Left’ signs off a mix that is engaging as much as it is unexpected.

            TRACK LISTING

            01. E.M.A.K. - Sein Und Schein
            02. Soul Syndicate - Now You’re Gone (Version)
            03. Tapes - Dungeness
            04. Powell - Fizz
            05. Carl Meeks - Danger (Version)
            06. (Interlude) E.M.A.K. - Sein Und Schein
            07. Musumeci - Harry Batasuna
            08. Streetwalker - Ooze
            09. Grauzone - Film 2 (33 RPM)
            10. Das Ding - HSTA
            11. NGLY - Speechless Tape
            12. Osborne - Bout Ready To Jak (TNT’s Acid Mix)
            13. Charles Manier - Who Raised These People
            14. Legowelt - On The Tiger Train
            15. Kassem Mosse - B3 (Workshop 19)
            16. Demdike Stare - Repository Of Light
            17. James T. Cotton - Oochie Coo
            18. E-Dancer - Pump The Move (Kenny Larkin Mix)
            19. 2AM/FM - Desolate Cities
            20. Propaganda - Thought Part 1
            21. Actress - Gershwin
            22. Illum Sphere - Bullet
            23. Vazz - Cast Reflections
            24. Nine Circles - What’s There Left


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