It's the one all the massive have been waiting for! Part 2 of the Salford sage - DJ Absolutely Shit's 'Memoirs Of A Crust Monster'. More hyped up tear outs, soundsystem ruffage, and bass 'n breaks love songs from our Hell's Angel-dodging beat freak.

Kicking things off with glowing neons and super-charged subs is 'Higher', a modern jungle monster decorated with classic hip-hop samples and a well known diva vox squealing through the melee.
A serious 'watch your bassbins' track - RL HQ have safety tested this on the most robust car stereo systems and so far have yet to avoid any cabinet damage - proceed with caution!

'Lost In Space' rolls outta the speaker stacks with a b-boy swagger and loose breaks. A tribute to classic breakdance electro galvanized with Ab Shit's intricate trademark production chops. You'll want to crack out your finest red Puma classics and a slick tracksuit for this one.

Onto 'Out On Love' and between you and me, someone needs to call the social service for samples - as it's unlikely you'll ever witness a more blatant case of sample molestation. Squeezing every last drop out of a catchy piano lick, TV snippet and drum break; the track really does highlight the unrivaled programming prowess of our Irlam renegade who's taken SP1000 trickery to its absolute zenith.

'Money Talks' sees our cheeky ragamuffin dictate a life affirming sunrise over Pomona - pre-gentrification of course; a thousand smiles and memories of old Mancunia shimmering in the early morning industrial haze. And an abject slight at those who put profits above people - another poignant ode to our changing cityscape driven by the most addictive boogie-based groove and clattering Linn drums.

Spine-tingles and fanny flutters guaranteed ALL DAY on this one cru!
Look out for the full 16 track album due on C90 cassette and digi download coming very soon...

RL x

TRACK LISTING

A. Higher
A2. Lost In Space
B. Out On Luvvv
B2. Money Talks

This is the 20th Anniversary re-issue on CD & LTD 2LP Gatefold Set - This is the original album plus three new singles and the acoustic version of Daydream in Blue (which has featured in ads for various brands including a worldwide year-long Magnum Ice Cream and many TV shows around the globe) - all new to physical.

The re-issue follows a massive TikTok moment in 2023 resulting in 120M Spotify
streams on one song (Who Is She?). 

TRACK LISTING

1. Some Thing's Coming
2. Daydream In Blue
3. Hey Mrs (Glamour Puss Mix)
4. Everyone's A Loser
5. Heaven
6. Who Is She?
7. A Scarecrow's Tale
8. Stobart's Blues
9. The Backseat Of My Car (Sticky Black Vinyl Mix)
10. These Are Our Children
11. Sunny Delights
12. The Blue Wrath (Extended Mix)
13. The Weather
14. The Desert
15. Won't Give Your Love
16. Daydream In Blue (Acoustic)

40th anniversary vinyl edition of Southern Californian punk pioneers Social Distortion’s debut album Mommy’s Little Monster. Newly mastered from the original analogue tapes and pressed on 180-gram vinyl, the album contains the nine original songs, including title track “Mommy’s Little Monster” and single “Another State of Mind”, and is newly packaged in a gatefold jacket to match the original release.

TRACK LISTING

1. The Creeps
2. Another State Of Mind
3. It Wasn't A Pretty Picture
4. Telling Them
5. Hour Of Darkness
6. Mommy's Little Monster
7. Anti-Fashion
8. All The Answers
9. Moral Threat 

Born from the Red Bank of New Jersey, the early days of Monster Magnet were a cosmos away from the major-label, alternative rock boom that would suck the band into the shiny MTV world of the early to middle 90s. Originally formed by Dave Wyndorf, John McBain and Tim Cronin, Monster Magnet lysergic oozed into the world in 1989 with two demo tapes – ‘Forget About Life, I’m High On Dope’ and ‘I’m Stoned, What Ya Gonna Do About It?’ – making it perfectly clear from the start where they were coming from. This was a band revelling in bad trips and the death of the hippy dream with a Manson Family stare, playing squelchy lo-fi psychedelic music with a rabid punk rock sneer, like The Stooges terrorising Hawkwind at the most unpleasant free festival imaginable. There were tales of entire audiences at their gigs being spiked with LSD. It didn’t matter if this was true or not, it all added to the mystique. This was indeed a satanic drug thing, you wouldn’t understand.

Those two demos formed the base of what would become their pivotal ‘Spine Of God’ album from 1991 and the ’25…Tab’ EP, which featured the mesmerising 32-minute opus itself, ‘Tab’.

Long considered to be the true essence of Magnet’s early psychedelic voyages, ‘Tab’ is finally returning to earth’s stratosphere with the release of ‘Test Patterns: Vol.1’,

‘Test Patterns: Vol. 1’ features a 2021 remix of ‘Tab’ by John McBain, alongside the original demo, recorded in 1988 and then released on the aforementioned ‘Forget About Life, I’m High On Dope’ in 1989.

“When Magnet started, John and I worked in record stores in Red Bank and Dave worked in the comic bookstore and we made a lot of tapes for each other,” recalls Tim Cronin. “A lot of ‘check this shit out’ kind of stuff…Hawkwind, early UFO, Amon Duul, Can, Skullflower, Morgen, Loop, Crystalized Movements, early Alice Cooper, Walking Seeds, Butthole Surfers, Spacemen 3. When we recorded the first demo and got to TAB, we just beat the shit out of it until it became heavy, noisy, weird, mean and either too long or not long enough, depending on your mood. Everything we wanted in a song (at least everything I wanted in a song), punishingly psychedelic. Jersey Shore krautrock.”

TRACK LISTING

Tab (2021 Remix)
Tab (original Demo, Recorded In 1988 & Released On 1989's ‘forget About Life, I’m High On Dope’)

2004 saw the release of Monster Magnet’s sixth studio album Monolithic Baby, the follow-up to 2000’s “God Says No”, which cemented the Red Bank, NJ rockers in the world of space rock and roll. This 14-track journey of masterful hard rock features 11 ripping originals and three cover songs recorded in true classic Magnet style, including covers of The Velvet Underground, David Gilmour and Robert Calvert. Monolithic Baby is being reissued on August 19th via Napalm Records on orange vinyl with white and black splatter, as well as in a limited glow in the dark vinyl variant! Don’t miss the album Ultimate Classic Rock calls “a revitalized, fire-breathing Monster Magnet” and All Music calls “another collection of undeniably Wyndorfian tunes.”

TRACK LISTING

1. Slut Machine
2. Supercruel
3. On The Verge
4. Unbroken (Hotel Baby)
5. Radiation Day
6. Monolithic
7. The Right Stuff
8. There's No Way Out Of Here
9. Master Of Light
10. Too Bad
11. Ultimate Everything
12. CNN War Theme

Recorded in four different studios (Sound City Studios, American Studios, The Sunset Lodge and Hydeaway Studios) throughout 2006-2007, 4-Way Diablo is the seventh offering from legendary riff masters Monster Magnet. Featuring rippers such as “Wall of Fire,” “You’re Alive,” and a cover of an obscure Rolling Stones song “2000 Lightyears From Home,” 4-Way Diablo is a true gem in the Monster Magnet catalog. The album is being reissued on August 19th via Napalm Records on white vinyl with gold and black splatter, as well in a limited, special glow in the dark vinyl variant! Don’t sleep on an album Blabbermouth called: “A mix of MAGNET styles old and new, it still bears the unmistakable stamp of one of stoner rock’s most identifiable and unique voices.”

The improbable missing link between ABBA and Daniel Johnston - RIYL Sparks, Electric Light Orchestra, Orange Juice.

Their music has been variously referred to as "garage rock" (Austin Town Hall), "no bullshit pop" (Tiny Mix Tapes)
"jangle-thrash" (My Old Kentucky Blog) 
" lo-fi-tropicalsurf-pop" (Nialler9) 
" b e d r o o m indie" (Impose Magazine)
"sugary artpop" (Gimme Tinnitus)
"new wave-y indie rock" (Brooklyn Vegan)
"like a stripped-down, sugar high Pet Sounds" (NYLON Magazine) 
"a bit like Girl Talk" (Vice Magazine)

TRACK LISTING

1. Waterfight
2. Save The Circus
3. Black And White
4. Spaceman's Gold
5. Telly Worldwide
6. MacGuyver
7. The Trundling Path
8. Ctrl-Alt-Delete
9. A Bugle Call
10. Case By Case Basis
11. Ticker Tape Parade
12. Walk The Plank 

Following the release of the first two parts of CAN’s live series, Mute and Spoon Records reissue a limited edition run of Monster Movie on blue vinyl.

With the sounds of Jimi Hendrix, Captain Beefheart and The Velvet Underground ringing in their ears, Holger Czukay and Irmin Schmidt left behind their careers in academia to form the influential group in the late 60s. Together with Michael Karoli, Jaki Liebezeit and American singer Malcolm Mooney, they recorded their debut album Monster Movie in a castle near Cologne in 1968. The record was then remastered in 2004 from the original master tape for a CD release. It was overseen by Holger, Irmin and Jono Podmore to refine it to how it was always intended to be heard.

“Monster Movie is an amazing debut” Pitchfork

“Monster Movie, sounds like nothing else released in 1969 - and still acts as a template for the future” Sound Affects

“Had Can’s debut album, Monster Movie, been their only one, it would have assured their place in the history of German music and of rock as a whole” Shindig Magazine

TRACK LISTING

A1 Father Cannot Yell
A2 Mary, Mary So Contrary
A3 Outside My Door
B1 You Doo Right

Monster Magnet's A Better Dystopia dominates with a psychotic selection of proto-metal and psych-rock obscurities! "Take a trip inside the mind of psychedelic rock legend Dave Wyndorf with Monster Magnet's A Better Dystopia – a delightfully psychotic selection of proto-metal and late-era psych songs that fit the band like a glove! With wonderfully obscure song choices and excellent sequencing, the mighty Magnet pay homage to some of their favorite songs of all time, crafting another exciting and unique listening experience alike what they’ve become famous for. While the album marks a new frontier for Monster Magnet as their first covers record, this is not your typical set of standards released to pass time. Wyndorf is at the top of his game on A Better Dystopia – howling, crooning, speaking… whatever it takes to get the emotional message of these very special tunes across, delivering each lyric in his own inimitable style. Musicians Phil Caivano, Bob Pantela, Garrett Sweeney and Alec Morton own the sound on A Better Dystopia – vintage and old school, dense and heavy, with searing fuzz leads and pounding bass and drums all played in a deft style that's almost been lost in modern music..

TRACK LISTING

1. The Diamond Mine
2. Born To Go
3. Epitaph For A Head
4. Solid Gold Hell
5. Be Forewarned
6. Mr. Destroyer
7. When The Wolf Sits
8. Death
9. Situation
10. It’s Trash
11. Motorcycle
12. Learning To Die
13. Welcome To The Void

When Claud Mintz’s mother finally heard the 13 songs on her kid’s magnetic first album, Super Monster, she asked a concerned question: Just how many people had her 21-year-old dated? From beginning to end, these sparkling pop tunes capture the assorted stages of a relationship’s delight and dejection—the giddy sensation of a first kiss during the beaming “Overnight,” the heartsick longing of a pending rejection during the yearning “Jordan,” the reluctant call for a requisite breakup during the smoldering “Ana.” Claud, though, replied that these songs detailed the phases of only two or three relationships, simply written during them or at various points after they were over.

The debut release on Phoebe Bridgers’ Saddest Factory Records, Super Monster is a vertiginous but joyous coming-of-age reckoning with such young love. Claud sees relationships as games of endless wonder, intrigue, and second-guesses, a roller-coaster thrilling you even when it’s terrifying. If “Gold” turns the tension and indecision of a bad match into an undeniable bit of lithe disco, “That’s Mr. Bitch To You” uses a spurt of righteous indignation to fuse a little soul and emo into one breathless hook. Super Monster is like a compulsive compilation that Claud culled from a lifetime of musical enthusiasms—the arcing alt-rock of ’90s airwaves, the rapturous pop of ’00s chart-toppers, the diligent genre-hopping of modern online life. Claud emerges as the chameleonic mastermind of this mélange, channeling all of love’s emotions into songs so sharp they make even the hardest times feel fun.

Perhaps you are in the throes of one of these romantic moments yourself right now, resentful of a frustrating paramour like Claud during “Pepsi” or indulging in lust like “In or In Between.” Or maybe these songs recall those wild days and tough situations. Incisive, instant, and addictive Super Monster works on either level—to remind us of love’s wild ups and downs or to help us deal with them in real time. In that way, Mom, these songs are about dating, well, everyone.

STAFF COMMENTS

Barry says: Beautifully melodic bedroom pop, thumping percussion and shimmering hooks bring the stories of Claud to life. It's no surprise that the first signing on Phoebe Bridgers' Saddest Factory is brilliant, but this is a clever and nuanced indie pop LP, brought with the vitality of youth. Top stuff.

TRACK LISTING

Side A
1. Overnight
2. Gold
3. Soft Spot
4. In Or In-Between
5. Cuff Your Jeans
6. Ana (ft. Nick Hakim)

Side B
1. Guard Down
2. This Town
3. Jordan
4. That’s Mr Bitch To You (ft. Melanie Faye)
5. Pepsi
6. Rocks At Your Window
7. Falling With The Rain (ft. Shelly)

R.E.M.’s ninth album, Monster, was released at a time when the band were coming off the peak of their mainstream success, following Out of Time (1991) and Automatic For The People (1992). Coming from a long break in touring (the band famously didn’t tour with the two previous records), Monster represented an intentional shift in R.E.M.’s sound, a “return to rock” with guitar laden, simple arrangements.

It was released to strong reviews and significant global success – reaching #1 on Billboard, and least 7 other countries. The album includes the singles; “What’s The Frequency, Kenneth?,” “Crush with Eyeliner,” “Bang and Blame,” and “Strange Currencies.” In 1995 the band promoted that album with their first concert tour since 1989 (although several band members suffered health problems).

TRACK LISTING

EXPANDED 2-CD
MONSTER 25 2CD EDITION INCLUDES A COMPLETE ALBUM REMIX FROM PRODUCER SCOTT LITT AND NEW LINER NOTES. 

Disc 1 – Monster (Remaster)
What’s TheFrequency, Kenneth?
Crush WithEyeliner
King OfComedy
I Don’t Sleep, I Dream
Star 69
Strange Currencies
Tongue
Bang AndBlame
I Took Your Name
Let Me In
Circus Envy
You

Disc 2 – Monster (Remixed)
What’s TheFrequency, Kenneth? (Remix)
Crush WithEyeliner (Remix)
King OfComedy (Remix)
I Don’t Sleep, I Dream (Remix)
Star 69 (Remix)
Strange Currencies (Remix)
Tongue (Remix)
Bang AndBlame (Remix)
I Took Your Name (Remix)
Let Me In (Remix)
Circus Envy (Remix)
You (Remix)

EXPANDED 2-LP
MONSTER 25 2LP EDITION INCLUDES A COMPLETE ALBUM REMIX FROM PRODUCER SCOTT LITT AND NEW LINER NOTES. 

Side A – Monster (Remastered)
What’s TheFrequency, Kenneth?
Crush WithEyeliner
King OfComedy
I Don’t Sleep, I Dream
Star 69
Strange Currencies

Side B – Monster (Remastered)
Tongue
Bang AndBlame
I Took Your Name
Let Me In
Circus Envy
You

Side C – Monster (Remixed)
What’s TheFrequency, Kenneth? (Remix)
Crush WithEyeliner (Remix)
King OfComedy (Remix)
I Don’t Sleep, I Dream (Remix)
Star 69 (Remix)
Strange Currencies (Remix)

Side D – Monster (Remixed)
Tongue (Remix)
Bang AndBlame (Remix)
I Took Your Name (Remix)
Let Me In (Remix)
Circus Envy (Remix)
You (Remix)


STANDARD 1-LP

Side A – Monster (Remastered)
What’s TheFrequency, Kenneth?
Crush WithEyeliner
King OfComedy
I Don’t Sleep, I Dream
Star 69
Strange Currencies

Side B – Monster (Remastered)
Tongue
Bang AndBlame
I Took Your Name
Let Me In
Circus Envy
You

Far Out Monster Disco Orchestra returns with "Black Sun", its second full-length album of 100% original, unadulterated disco sophistication, featuring all three original members of pioneering Brazilian jazz-funk trio Azymuth, a full orchestra with arrangements split between Arthur Verocai and Azymuth’s late maestro Jose Roberto Bertrami; plus members of the legendary Rio funk group Banda Black Rio.

Since its critically acclaimed self-titled debut album in 2014, the FOMDO imprint has released a string of remixes by some all-time greats of dance music, including John Morales, Theo Parrish, Mark Pritchard, Marcellus Pittman, Andres, Dego, Volcov, Kirk Degiorgio and Al Kent. To huge effect in clubs and festivals around the globe, some of the more recent remixes teased the new album material, which for the first time, is presented in its original, soul-heavy incarnation, alongside instrumental versions highlighting the album’s stunning arrangements and compositional brilliance.

Far from a throw-back - with disco music firmly entrenched in the modern club vernacular - Black Sun is ecstatic dance music at its finest.

TRACK LISTING

Step Into My Life
Black Sun
Flying High
Give It To Me
The Two Of Us
Walking Bass (In The Street)
Where Do We Go From Here
Step Into My Life (Instrumental)
Black Sun (Instrumental) 
Flying High (Instrumental)
Give It To Me (Instrumental)
Where Do We Go From Here (Instrumental)

The Far Out Monster Disco Orchestra is Far Out’s in house Brazilian disco super group. The band features the arrangements of Azymuth’s late Maestro José Roberto Bertrami and the legendary Arthur Verocai alongside a host of other Brazilian musical icons. Having graced the most recent FOMDO 12” release with his signature touch, Detroit veteran Andrés (La Vida / Mahogani) returns on the imprint with an alternate take on the same track. Taking the classy disco cut ‘Where Do We Go From Here?’ into moodier, deeper territories, with freshly chopped vocals and a hazy hip-house bounce, it’s a warm late-night stepper, laced with classic OG Detroit funk. With a world renowned disco collection and over thirty years’ in the DJ and production game, Italy’s Luca Trevisi, aka LTJ Xperience (Irma), proves yet again just what a dab hand he is with an edit. Bringing out yet more colours and textures from the FOMDO original, his rework is pure sunshine-hedonism inducing disco magic, with just the touch of dubby hypnotics that might well cast some minds out to the Balearic Islands.

Billie Lindahl, the woman behind the name Promise & The Monster, brings a vivid landscape to life on ‘Feed The Fire’, her first album for Bella Union.

‘Feed The Fire’ was recorded in Stockholm, where Lindahl lives, at Labyrint, a small basement studio run by her friend Love Martinsen who produced the ‘Feed The Fire’ album and shares most of the instrumentation with Lindahl. “We aimed at combining the elegance of old Sixties recordings with something darker and more mechanical,” she recalls. “Like you would play a Lee Hazlewood song on top of Nico’s late Eighties records.”

Duality sits at the core of ‘Feed The Fire’, likewise the name Promise & The Monster. “To feed the fire can be seen as both constructive and destructive,” Lindahl concludes. “You keep the fire burning, the spark alive. But fire can kill you. To see, listen and feel is quite a violent and confusing experience, and I think my lyrics often evolve around that, blurring boundaries between dream and reality, and between sanity and insanity.”

TRACK LISTING

Feed The Fire
Hunter
Time Of The Season
Slow And Quiet
Apartments Song
Julingvallen
Hammering The Nails
The Weight Of It All
Machines
Fine Horseman

Following the release of the Can Vinyl Box – the limited edition box set that consisted of 17 LPs housed in a linen wrapped box, Mute are now proud to release the CAN studio albums individually on vinyl.

Released in batches, the first albums in the series to be released are Monster Movie, Soundtracks, Tago Mago and Ege Bamyasi.

The albums were mastered and cut to vinyl by Kevin Metcalfe at The Soundmasters, London. Remasters and vinyl processing was coordinated by long time collaborator, Jono Podmore.

Monster Movie is the debut album of Can, recorded and released in 1969. The use of improvisation, experimentation, editing and layering of sounds set a standard for Can's subsequent albums in the early 1970s, which were seminal to the freewheeling avant-garde style dubbed "krautrock" by the British music press.

The album is credited to "The Can", a name suggested by vocalist Malcolm Mooney and adopted by democratic vote. Previously the band had been known as "Inner Space", which later became the name of their purpose-built recording studio. Some copies of the LP bore the subtitle "Made in a castle with better equipment", referring to Schloss Nörvenich, the 14th-century castle in North Rhine-Westphalia where the band recorded from 1968-69.

The 20-minute jam "Yoo Doo Right" was pared down from 6 hours' taping, while the lyrics of "Mary, Mary So Contrary" riff off of Mary, Mary, Quite Contrary, a popular English nursery rhyme.

Monster Movie was the only Can album on which Malcolm Mooney performed all of the vocals until Rite Time, 20 years after.

TRACK LISTING

Father Connot Yell
Mary, Mary, So Contrary
Outside My Door
Yoo Doo Right

THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

A super disco project to celebrate RSD 2014 and Far Out Recordings 20th year! Made with love by Far Out's Favourite artists including late legend 'Maestro Jose Roberto Bertrami', along with 'Arthur Verocai', 'Alex Malheiros' & many of Rio's finest musicians including a full orchestra. This has been recorded & mastered to give you the full vinyl experience & is the first album of an ongoing series. The record was produced in the best studio in Rio de Janeiro, with all old equipments including 2" Ampex tape, Neve compressors, SSL desk and needless to say all the best delicate treatments to retain that analogue feel and sound along the way to this release.

TRACK LISTING

LP 1:
Mystery (FOMDO Feat Arthur Verocai) /
Keep Believing (Can You Feel It)
A Disco Supreme (FOMDO Feat Arthur Verocai)
The Last Carnival
LP 2:
Vendetta
Keep Believing (Can You Feel It) (SS Translation By Theo Parrish) Special Radio Edit
Don't Cha Know He's Alright (JR Bertrami / J Davis) /
Freefall (JR Bertrami / JDavis) /
Mystery (Instrumental) (A Verocai / J Davis)

Fusing garage rock, progressive rock, heavy metal, punk and psychedelia – Last Patrol is Monster Magnet’s tenth studio album following 2010's 'Mastermind' and a testament to everything they stand for. In addition to musical influences, the band has always been inspired by comic book, science fiction, horror movies, and B-movies by filmmakers such as Roger Gorman and Russ Myer.

“Last Patrol is a return to our roots in terms of vibe and recording style. It’s full-on psychedelic space-rock with a 60’s garage feel, recorded almost exclusively with vintage guitars, amps and effects in our hometown of Red Bank, NJ. The songs are a kind of Space-Noir, tales of cosmic revenge, peaking libidos, alienation and epic strangeness."

"It’s a weird trip through the back alleys of a dark, retro-future, which not by coincidence very much resembles my own life. (laughs) The lyrics aren’t fantasy really, rather a recounting of my musings on, observations of and general emotional reaction to my life and environment during a 1 week writing period in February of 2013. But I tend to use the vernacular and imagery of science fiction and surrealism to express myself and that’s where these lyrics get trippy. There's also our cover version of Donovan’s “Three Kingfishers” which I thought fit the mood of the album.” - Dave Wyndorf.

FOR FANS OF: Black Sabbath, Kyuss, Led Zeppelin, Queens Of The Stone Age, Alice In Chains

Produced by Monster Magnet themselves, Dave Wyndorf & Phil Caivano, Mixed by Evil Joe Barresi (Kyuss, Tool, Queens Of The Stone Age, Coheed And Cambria) and includes additional production by Matt Hyde (who worked on 'Powertrip')

TRACK LISTING

1. I Live Behind The Clouds
2. Last Patrol
3. Three Kingfishers
4. Paradise
5. Hallelujah
6. Mindless Ones
7. The Duke (Of Supernature)
8. End Of Time
9. Stay Tuned
10. Strobe Light Beatdown (CD Bonus Track)
11. One Dead Moon (CD Bonus Track)

Seemingly out of nowhere comes this 'best of year' challenger from Sacramento's Ganglians. Fusing the unhinged avant-outer-ethereal qualities of Panda Bear with the perfect pop of the Beach Boys and a wide-eyed-dreamy surround-sound hi-gloss, this is an astonishing all encompassing album that's gonna amaze everyone that hears it. It's probably been best described by the band themselves, 'this album is pure naive headphone acid pop to drive to, at least that's what was going through our heads.' - Ganglians. Totally recommended!!!

Tracklisting
1. Something Should Be Said
2. Voodoo
3. Lost Words
4. Candy Girl
5. Valient Brave
6. The Void
7. To June
8. 100 Years
9. Crying Smoke
10. Modern African Queen
11. Try To Understand

The new single, their first release since 2004's "Neveroddoreven" album, sees the I Monster duo of Dean Honer and Jarrod Gosling enlist the vocal talents of Philly, the ill wind of Michael Somerset Ward and the pounding drum cakes of Ross Orton. "A Sucker For Your Sound" comes backed with the exclusive "No Nice Strippers". The pair have been far from quiet over the last few years. In between journeying to the centre of the earth, vampire hunting and building kitchen extensions, they've co-written and produced tracks on both Finnish artist HK119's and Roisin Murphy's new albums, spent some time in the studio with queen of pop Cathy Dennis and worked on rapper Lupe Fiasco's Grammy winning "Daydreamin'" single, the track based entirely on their big hit "Daydream In Blue".

The first album from Can and featuring the vocals of Malcolm Mooney, an African American sculptor artist. Possibly the rawest and rockiest of all Can's releases, this combined all the elements of Can, the classic krautrock groove, their shuffling funkiness and the stoned psyche guitar freakouts.

The USA Is A Monster is a brilliantly fried two-piece guitar and drums band of sun spotters hailing from Brooklyn, NY. The band has roved the planet with instruments strapped to their backs playing the tops of mountains, skin-melting deserts, and rusted out America. The band has trekked across Europe, America (too many times to count), and Mexico. The sound of the record is a synapse firing melt of rock and other-wordly whisper. The rock goes from balls out to a gentle, massaging hand reaching into your cortex.