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GOD UNKNOWN

Agrio (w. Mark Lanegan,Scott McCloud & Pete Simonelli)

El Amigo Americano

    Agrio is a duo from Madrid, Spain and using a "what if..." methodology they write instrumental songs that they send later to a revolving cast of their talented and generous friends so they can add their magic. With this in mind they sent music to MARK LANEGAN, Enablers frontman PETE SIMONELLI & to SCOTT MCCLOUD from Girls Against Boys, Soulside and so much more.

    'El Amigo Americano' is the result of these collaborations, 10 tracks of some of the most beautifully striking music around. The work with Mark Lanegan and Pete Simonelli were originally released as two vinyl EPs and Scott McCloud as a digital EP.

    EP 1 - EP one 'La Murga Ep' with Mark Lanegan was their debut on Feb. 2020 EP2 - followed it that same autumn with The Thin Man EP featuring Pete Simonelli (Enablers). Both were originally released on vinyl via the San Francisco based label Broken Clover Records. These records sold out fast. EP 3 - "Repeat to Infinity EP" (digital only), with Scott McCloud's (Girls Against Boys, New Wet Kojak, Paramount Styles) on voice and guitar. The three EP's are compiled together on one LP as "El Amigo Americano".

    La Murga Ep* + The Thin Man Ep** + Repeat To Infinity EP*** = EL AMIGO AMERICANO

    The album is mastered by John McBain (Monster Magnet, Wellwater Conspiracy) Agrio is David Flores and Jorge Fuertes with Mark Lanegan, Pete Simonelli and Scott McCloud.

    TRACK LISTING

    1. Nike Italy France
    2. Dj's In Heaven
    3. People Used To Dream
    4. A Mayores
    5, Nomeolvides
    6. A Drink Of Poison Water
    7. Cisnes
    8. The Scales Of Embrace
    9. Waking

    Laura Loriga

    Vever

      Singer-songwriter and composer Laura Loriga was born in Bologna, Italy, and in the past decade she has been developing her work between her own country and the United States. With Mimes of Wine, her main project until recently, she has written and published three full-length records (Apocalypse sets in - Midfinger Records/Warner Chappell, 2009, Memories for the unseen - Urtovox Records, 2012 and La maison verte - Urtovox Records - ITA/Accidental Muzik - US, 2016), receiving high praise from the music press (Rolling Stone, Blow Up, Il Mucchio) and collaborating closely with her band both in the studio and in live performance.

      Laura has lived in Los Angeles and then in New York, and both cities, together with Italy, have created a superimposition of influences that have led her writing to develop in a personal direction. From more abstract and classically infused atmospheres, she has gradually moved towards a kind of increased simplicity and rawness, complemented by an ongoing research in her sound palette, currently based on organs as opposed to the acoustic piano she started writing on. Her music is variegated and enriched by an array of acoustic and electric elements (among which drones, nyckelharpa, harmonium), a series of darker ballads sometimes far from song form but invariably led by her rare and striking voice, a compelling force across all the landscapes through which it moves.

      At present, Laura has just finished producing a fourth album, Vever, written in New York between 2018 and 2020, and featuring the collaboration of a series of musicians among whom Josh Werner (Marc Ribot, Coco Rosie), Otto Hauser (Espers, Vashti Bunyan), Anni Rossi and Janis Brenner (Meredith Monk & Vocal Ensemble).

      Over the years, Laura has also collaborated with various other artists, including songwriter Jaye Bartell, producer Adam Moseley and band Giardini di Mirò. She has also been active in film music, contributing to the soundtracks of a number of films and documentaries. Among these are Shelter, Farewell to Heaven and Lucus a Lucendo (both by Caucaso Films). 

      Duke Garwood

      Rogues Gospel

        Recorded in the summer of 2020 whilst the world was in flux, the album is drenched with a feeling of freedom as Garwood and drummer Paul May sheltered from the world outside. It was, Garwood explains, “a heat soaked fever dream of our soul nectar in sonic form”. Recalling the past, gathering the elements from the present, the two artists – whose knowledge of one another’s playing is apparent throughout – work together with exquisite tones and percussive detail in this intimate recording.

        Garwood expands, “In the deep summer heat wave of ‘20, when everything was closed and people were hiding, I hit the road West to join my brother in music in his place, bungalow magic. We knew we had to play - for our souls, for the soul of humanity, to bring down the machine and tyranny, to invite the angels in, to save ourselves from insanity. Play we did, the guitars detuned until bee’s wings would make the strings sing. We began with the drum, and the things that shake and rattle, the drones of the heat, we sweated and we worked it until the night calmed us.This is not a lock down album, for we were free in our spirits when this was created, free from any desires to conquer and fill our pockets with the booty of success.”

        Monster Magnet

        Test Patterns Vol. 1

          Born from the Red Bank of New Jersey, the early days of Monster Magnet were a cosmos away from the major-label, alternative rock boom that would suck the band into the shiny MTV world of the early to middle 90s. Originally formed by Dave Wyndorf, John McBain and Tim Cronin, Monster Magnet lysergic oozed into the world in 1989 with two demo tapes – ‘Forget About Life, I’m High On Dope’ and ‘I’m Stoned, What Ya Gonna Do About It?’ – making it perfectly clear from the start where they were coming from. This was a band revelling in bad trips and the death of the hippy dream with a Manson Family stare, playing squelchy lo-fi psychedelic music with a rabid punk rock sneer, like The Stooges terrorising Hawkwind at the most unpleasant free festival imaginable. There were tales of entire audiences at their gigs being spiked with LSD. It didn’t matter if this was true or not, it all added to the mystique. This was indeed a satanic drug thing, you wouldn’t understand.

          Those two demos formed the base of what would become their pivotal ‘Spine Of God’ album from 1991 and the ’25…Tab’ EP, which featured the mesmerising 32-minute opus itself, ‘Tab’.

          Long considered to be the true essence of Magnet’s early psychedelic voyages, ‘Tab’ is finally returning to earth’s stratosphere with the release of ‘Test Patterns: Vol.1’,

          ‘Test Patterns: Vol. 1’ features a 2021 remix of ‘Tab’ by John McBain, alongside the original demo, recorded in 1988 and then released on the aforementioned ‘Forget About Life, I’m High On Dope’ in 1989.

          “When Magnet started, John and I worked in record stores in Red Bank and Dave worked in the comic bookstore and we made a lot of tapes for each other,” recalls Tim Cronin. “A lot of ‘check this shit out’ kind of stuff…Hawkwind, early UFO, Amon Duul, Can, Skullflower, Morgen, Loop, Crystalized Movements, early Alice Cooper, Walking Seeds, Butthole Surfers, Spacemen 3. When we recorded the first demo and got to TAB, we just beat the shit out of it until it became heavy, noisy, weird, mean and either too long or not long enough, depending on your mood. Everything we wanted in a song (at least everything I wanted in a song), punishingly psychedelic. Jersey Shore krautrock.”

          TRACK LISTING

          Tab (2021 Remix)
          Tab (original Demo, Recorded In 1988 & Released On 1989's ‘forget About Life, I’m High On Dope’)

          Low / Dømes

          All Night / Opal

            Vinyl only release from God Unknown featuring the mighty LOW b/w DØMES.Low offer 'All Night' from their massively acclaimed album 'So What' on Sub Pop. 'Opal' is the first release from the Anglo / American Dømes, their debut album will be released in 2023. This is also the last ever single from God Unknown Records infamous Singles Club. Eighty artists split over forty split 7”s and finishing with an almighty bang with LOW and DØMES.

            Please note Low - 'All Night' is a vinyl only track - no digital will be available.

            Cassels

            Gut Feeling

              Tripe. It’s what graces the cover of Cassels’ third album, A Gut Feeling. It looks gross. And Cassels are a rock band who’ve often sounded gross. You know the adjectives. ‘Discordant’. ‘Angular’. ‘Cynical’. Shellac quickly mentioned. I’ve done it already, see?Listening to A Gut Feeling, though, Cassels sound different. Not too different – the molten riff of advance single ‘Mr Henderson Coughs’ puts paid to the idea that the London-based duo have taken a hard 180. But instead of writing as quickly as possible, riding the churn forced on DIY bands by an indifferent ecosystem, the Covid-19 pandemic gave the brothers Beck (Jim, guitar/vocals, and Loz, drums/BVs) some time to mull things over. Instead of sticking with the stripped-back recording approach of previous LPs, Jim and Loz spent time at Tom Hill’s Bookhouse Studios in South London, considering tone, layering tracks, and bringing new instruments into the fold.

              Lyrically, the approach has changed too. Rather than presented as personal experience, Jim notes that his words this time around “are an intentionally muddy mix of experience, opinion, red herrings and fiction,” adding, “I found that setting myself the brief of writing character pieces offered a nice way of sneaking quite personal things into the songs without being explicitly autobiographical.” The result is the most satisfying and unexpected collection of songs in the Cassels catalogue. Instruments at turns razor-sharp and bludgeon-blunt provide the backing track to a savage, hilarious, and tender collection of short stories. Jim notes that “writing can be a great way of unearthing hang-ups and becoming acquainted with your own anxieties”. Hardly new ground for a rock band, but presented in this third person format – unbiased and filled to the brim with human warmth – these songs are more empathetic than anything the band have written before. You might have been Michael on his daily commute.

              Perhaps you’re Sarah, or have a mum like her. And many of us will recognise ourselves in the heart-breaking ‘Family Visits Relative’. It’s clear that the band still aren’t afraid to tackle weighty subjects too, with A Gut Feeling picking up where their previous album, The Perfect Ending, left off. ‘Charlie Goes Skiing’ pulls a similar trick to Future of the Left’s ‘Goals in Slow Motion’ – setting a screed against consumerism to one of the most propulsive, catchy tracks on the record. It’s followed by ‘Dog Drops Bone’, a rustling loop overlaid with sad, simple chords reminiscent of a Sparklehorse tune, which uses the internal monologue of a beloved canine companion to question the true depth and sincerity of human relationships. This kicks into the breakneck ‘Beth’s Recurring Dream’ – a track exploring a sexual identity crisis which owes as much to early Los Campesinos! as it does Steve Albini. Of ‘Your Humble Narrator’, the album’s punishing, pulsing opener and A Gut Feeling’s thematic frame, Jim explains: “I liked the idea of introducing an unreliable narrator who frames the album as an exercise in manipulation for personal gain. When a person engages with a piece of art they are invariably being manipulated by the artist to some degree – that’s part of the fun. The artist aims to elicit some sort of emotional response, the audience buys into the conceit at the promise of experiencing some form of escape.” as listeners, we experience that manipulation first-hand on A Gut Feeling. But the fact Cassels have packaged it up as offal feels like another bleak wink. This is far from a stinking by-product, salvaged and sold to maximise profit. It’s nothing less than the most complete, relatable, and fully realised piece of art the duo has produced to date. Emotional response elicited. Conceit embraced. Escape gratefully achieved.

              STAFF COMMENTS

              Barry says: At points arrhythmic and delightfully angular, heavy af and absolutely littered with a++ riffs, Cassels' 'Gut Feeling' is every bit the modern punk-rock monolith. At points hilariously obscure, before being brilliantly incisively candid and all above a roaring, jagged collection of time signatures and perfectly avant momentum. Very clever and VERY exciting.

              TRACK LISTING

              1. Your Humble Narrator
              2. Pete's Vile Colleague
              3. Family Visits Relative
              4. Mr Henderson Coughs
              5. Michael's Daily Commute
              6. Charlie Goes Skiing
              7. Dog Drops Bone
              8. Beth's Recurring Dream
              9. Sarah Misses Them

              James Johnston / Steve Gullick

              We Travel Time

                James Johnston (Gallon Drunk / Nick Cave / PJ Harvey) and Steve Gullick (renowned music photographer) are pleased to announce their new album. It's a dark but beautiful trip. After working together on an art show in late 2019, the idea of making music again immediately resurfaced. Without any firm strategy, Johnston and Gullick began recording, unprompted, drawing 3 upon a shared love of noise, folk, and classical. After the first tracks began to evolve, however, they knew they’d unearthed something compelling and fresh, not to mention unexpectedly mysterious. This became WE TRAVEL TIME.The result is a deceptively crafted album that slowly reveals – and, more importantly, embraces – beauty in its cracks. Piano, voice, violin and guitar create a drifting haze, with the focus on these acoustic elements forging an imagined soundtrack which offers echoes of Big Star, Nico, Lee Hazlewood and Palace Brothers, as well as the gentle, haunting influence of contemporary minimal classical. Ambient sounds – birds, rain, cars, clocks, distant voices – also drift in and out, melting into the music’s fabric via windows left open during the early 2020 heatwave. WE TRAVEL TIME, nonetheless, resists definition, remaining enigmatically timeless.

                Wellwater Conspiracy

                Lucy Leave / Sleeveless

                  Wellwater Conspiracy were a mid 1990's supergroup featuring Monster Magnet and Soundgarden members who wanted to live out their psychedelic rock needs that their other bands didn't provide. From their 1997 classic 'Declaration of Conformity' this 7" is a cover of the Syd Barrett penned early Pink Floyd track - Lucy Leave. Its awesome, its limited. 300 copies only. Get it whilst you can!


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