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Live In Brighton 1975

    “Live In Brighton 1975” is the second album of a curated series of CAN live concerts. Available in full for the first time on triple vinyl, double CD and digitally. Originally recorded on tape, this carefully restored live album comprises the entirety of the show in the format of a story with a beginning, middle and end, bringing CAN’s performance to life. Limited edition triple Gold vinyl in triple gatefold sleeve plus a 2CD edition in card pack with 16 page booklet, both with extensive sleeve notes.


    Barry says: There's not much I can tell you here that you won't already know.. this is the second wonderfully pressed collection from Can of live performances following 'Live In Stuttgart' that was released in May. There are very few musicians that could pull off this level of out-there musicianship, and this is a wonderful and accurate document of their live legacy. Essential.


    A1 Brighton 75 Eins
    A2 Brighton 75 Zwei
    A3 Brighton 75 Drei
    B1 Brighton 75 Vier
    B2 Brighton 75 Fünf
    C1 Brighton 75 Sechs
    C2 Brighton 75 Sieben


    Live In Stuttgart 1975

      Live in Stuttgart 1975 is the first of a curated series of Can live concerts available in full for the first time on vinyl, CD and digitally. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can’s performances taking on a life of their own.
      Available on triple vinyl and double CD. 


      Barry says: There's really not much that can be said about live Can material that you wouldn't already know, but it's safe to say that this sounds superb and is the perfect recreation of a perfectly sculpted live Can show from the comfort of your own home. An intoxicating and transportive collection, and an essential document of one of the greatest Krautrock pioneers in the biz.


      A1 Stuttgart 75 Eins
      A2 Stuttgart 75 Zwei
      B1 Stuttgart 75 Drei (Part 1)
      B2 Stuttgart 75 Drei (Part 2)
      C1 Stuttgart 75 Drei (Part 3)
      C2 Stuttgart 75 Vier
      C3 Stuttgart 75 Fünf

      1 Stuttgart 75 Eins
      2 Stuttgart 75 Zwei
      3 Stuttgart 75 Drei
      4 Stuttgart 75 Vier
      5 Stuttgart 75 Fünf

      Irmin Schmidt

      Nocturne (Live At The Huddersfield Contemporary Music Festival)

        Live album from legendary founder of CAN.

        Nocturne (live at the Huddersfield Contemporary Music Festival) comprises three pieces performed live on a partly prepared piano, along additional pre-recorded soundscapes.

        The live performance of ‘Klavierstück II’ is a pensive improvisation using essential elements of the original piece.

        ‘Nocturne’ starts with the ambient sounds whilst the piano seemingly melts into the soundscape and eventually grows into a long meditative piano solo.

        ‘Yonder’ is a much more dramatic piece, dominated by the overwhelming sounds of church bells, a sort of “dies irai”, radical, emotional and fiercely poetic.


        Klavierstück II


        Flow Motion

          Originally released in 1976, this album features their chart 'hit' single, the cosmic disco infused "I Want More". A diverse album which was actually Can's most commercially successful album.


          Future Days

            Originally released in 1973, "Future Days" was probably the most balanced albums from these Krautrock legends. Dreamy and pulsating cosmic music with more melodic overtones compared to their earlier albums. From the glorious opening rumblings of the title track through to the epic hazy transcendence of the 20 minute closer "Bel Air" this was Can at the height of their powers. An essential album!


            Ege Bamyasi

              Recorded in their own Inner Space Studio in 1972, this was yet another landmark krautrock moment. Following on from the genius "Tago Mago" album was never going to be easy, but this was Can working at their peak. Another classic album featuring the genius shuffling drum beat of Jaki Liebezeit, the rhythmic grooves the towering kosmic guitars and experimental almost free-jazz approach. In a word this is magnificent, every home should have one!!!!!


              Monster Movie

                The first album from Can and featuring the vocals of Malcolm Mooney, an African American sculptor artist. Possibly the rawest and rockiest of all Can's releases, this combined all the elements of Can, the classic krautrock groove, their shuffling funkiness and the stoned psyche guitar freakouts.



                For their second album Can decided to release a collection of tracks that they had recorded in 1969 and 1970 for movies. Surprisingly considering that these tracks also feature different vocalists they gel into a cohesive album very well. Malcolm Mooney the original vocalist had a breakdown and returned to America and he was replaced during this time by the enigmatic Damo Suzuki. A sometimes overlooked album this is an essential groove laden krautrock classic.

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                Looking great John 👌Thanks for ordering and sharing 🙏 @DeadOceans @whereisMUNA
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                Yes, physical copies available July 1. Get your pre-orders in here 👇 @TheVintageCrop
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