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Bed Wettin' Bad Boys

Rot

    Look, there isn’t any way to write this without commenting on the name Bed Wettin’ Bad Boys. We’re not gonna bring ourselves to it, but with all measures of certainty, you are. You’re casting aspersions on their name, maybe formulating in your mind what they might sound like, and wondering why Agitated / RIP Society is bringing them to your attention. Have they no shame, you thought. Do they want to sell records and attract fans, you ponder. Thing is, they’ve heard it already. They own it, and they’ve done so since 2009. Save your opinions. It’s time to get that sentiment stricken from the slate, because we’re here to talk about their music, which is bold, passionate, ear-splitting rock & roll, performed with tremendous heart and determination. It’s a barrier of entry for those unable or unwilling to look past the surface.

    Rot is the name of the second full-length from Sydney’s Bed Wettin’ Bad Boys. Hang it on regional slang (“My mum used to say, ‘what a load of rot’ instead of ‘what a load of shit,’” mentions guitarist Joe Sukit), or pin it to the way they perceive themselves as veritable dinosaurs of their local scene, set adrift to crumble on their love for classic rock and lack of fashionable ideas. Maybe even put it in the novelty canon of “Rock, Rot & Rule.” Or why not add a fourth R, because this thing rips. Those guitars are hoisted in defiance of cool, and are loud enough to break your concentration and enforce an active listening experience.

    Musically, Bed Wettin’ Bad Boys haven’t budged an inch from their debut full length (2013’s Ready for Boredom, released on bassist Nic Warnock’s R.I.P Society label). Nor should they have; they are in the (sporadic) business of writing durable, sentiment-stirring riffs, the kind that lifted the first stirrings of punk in England (see Eddie and the Hot Rods, maybe), or of the direction of power-pop that was more focused on writing worldbeaters than fixing its hair (look at the Replacements, perhaps, or Mission of Burma). Not one drop of power is wasted or lost here; raw emotions push through these tracks in songs about love, about watching the world turn, about casting off distractions and focusing on the need for human connection.

    We may not have much time left to say these things, before we begin to rot. This is their chance. Might be your chance as well.

    TRACK LISTING

    Away
    Stunned
    Plastic Tears
    Expanding Horizons
    Work Again
    Victoria
    Thing Called Love
    Device
    Company
    Rot
    Turn The Page

    King Gizzard & The Lizard Wizard

    Acoustic Gizzard - Live In Detroit 2024

      On the summer 2024 leg of their USA tour, King Gizzard & the Lizard Wizard played a very special acoustic set at the beautiful Aretha Franklin Amphitheater in Detroit Michigan, As soon as the show dropped on the bands Official Bootleggers' series we knew we had to press it up. This bootleg captures the first acoustic set of the tour in all its glory, pressed up on some sick coloured vinyl, each different over 3 LPs.

      TRACK LISTING

      DISC 1
      SIDE A

      1. Theia - King Gizzard & The Lizard Wizard
      2. Ambergris - King Gizzard & The Lizard Wizard
      SIDE B
      1. Rats In The Sky - King Gizzard & The Lizard Wizard
      2. Sad Pilot - King Gizzard & The Lizard Wizard
      3. Flight B741 - King Gizzard & The Lizard Wizard
      4. Mirage City - King Gizzard & The Lizard Wizard

      DISC 2
      SIDE C

      1. You Can Be Your Silhouette - King Gizzard & The Lizard Wizard
      2. Straws In The Wind - King Gizzard & The Lizard Wizard
      3. Pleura - King Gizzard & The Lizard Wizard
      SIDE D
      1. Automation - King Gizzard & The Lizard Wizard
      2. Nuclear Fusion - King Gizzard & The Lizard Wizard
      3. Honey - King Gizzard & The Lizard Wizard

      DISC 3
      SIDE E

      1. Minimum Brain Size - King Gizzard & The Lizard Wizard
      2. Rattlesnake - King Gizzard & The Lizard Wizard
      3. Billabong Valley - King Gizzard & The Lizard Wizard
      SIDE F
      1. Crumbling Castle - King Gizzard & The Lizard Wizard
      2. The Fourth Color - King Gizzard & The Lizard Wizard
      3. Her And I (Slow Jam 2) - King Gizzard & The Lizard Wizard

      Karen Dalton

      Shuckin' Sugar - 2024 Reissue

        Previously unreleased Karen Dalton performance featuring seven never-before-heard songs

        In 1962, Karen summoned Richard Tucker to join her in Colorado, extolling the healthier lifestyle and plentiful gigs at Boulder folk club The Attic. Upon his arrival, the pair solidified their personal and professional relationship, riding horses in the mountains and performing as a duo at parties and venues throughout Denver and Boulder. Stories of the spell they conjured – and rumours of tapes! – have circulated among friends and musicians who witnessed them, but until now, no recorded evidence had turned up.


        TRACK LISTING

        Trouble In Mind
        If You're A Viper
        When First Unto This Country
        Shiloh Town
        Shuckin' Sugar Blues
        Everytime I Think Of Freedom
        Ribbon Bow
        Blues Jumped The Rabbit
        Lonesome Valley
        When I Get Home
        In The Pines
        Katie Cruel

        Death Valley Girls

        Levitation Sessions

          Originally recorded back in 2020 in the heart of a global pandemic, the band reunited to record a live film in their practice space in Los Angeles, CA.

          "Wow! Getting to do this project was such an honor, and a treat! We finished recording our record Under the Spell of Joy one day before lock down. Rolling out an album under normal circumstances is a huge, and all consuming job. Then figuring out how to compassionately, respectfully, and successfully roll out an album during a world wide catastrophe, and especially an album about spells, and incantations for joy, was a real head scratcher! Getting to work on this live recording during that period allowed us to focus on a way we could be most helpful in a world of sorrow, and forced us to be creative. We were desperate to be of service. We realized astral projection - and concepts around leaving the 3D experience was an exciting idea. If we could connect people on the astral plane, we wouldn’t have to feel so alone! So we decided to start the session with an introduction on how to astral project! Learning how to meditate on this concept turned out to be the greatest gift, and a lasting escape during this terrible time. This recording finally getting to be on vinyl is so exciting! The idea that we can all meet up in sky, and leave our problems behind for a bit is such a fun exercise! Now all you gotta do is drop that needle and fly! Thank you for letting us!" - Death Valley Girls

          TRACK LISTING

          1. Astral Projection
          2. Abre Camino
          3. Street Justice
          4. Death Valley Boogie
          5. Sanitarium Blues
          6. More Dead (Than Alive)
          7. 666
          8. Disco
          9. Wear Black
          10. I'm A Man Too
          11. Dream Cleaver
          12. Disaster (Is What We're After)
          13. Electric High

          Ringo Deathstarr

          Levitation Sessions

            Ringo Deathstarr's SHELTER IN SPACE. The very first Levitation Session performance featuring the Austin, TX shoegaze legends. Recorded in the heart of the global shutdown, this double LP features 70+ minutes of live music from the band's catalog. Don't miss this one time pressing and limited edition Double LP!

            TRACK LISTING

            1. Tambourine Girl
            2. Heavy Metal Suicide
            3. Big Bopper
            4. Once Upon A Freak
            5. Cotton Candy Clouds
            6. God Help The Ones You Love
            7. Guilt
            8. In Your Arms
            9. Just Like You
            10. Gazin'
            11. Disease
            12. Be Love
            13. Heaven Obscured
            14. Lazy Lane
            15. Never
            16. Summertime
            17. Frisbee
            18. Kaleidoscope
            19. Two Girls
            20. Fifteen

            Boogarins

            Levitation Sessions

              Back in 2020, the band reunited for the first time since the Covid pandemic hit to capture this performance, with choice cuts from across their 4 LPs + tracks from their album 'Manchaca Vol 1', which chronicles their storied Austin, Texas recording sessions.

              "After 5 months apart, we got together in São Paulo, at our favorite Brazilian underground venue: Casa do Mancha. It was an intense and emotional reunion, captured in our most immersive live video to date.” - Boogarins

              "Boogarins are South America’s preeminent psychedelic artist, carrying the torch from Os Mutantes to modern times, and one of our favorite bands on the planet. Very stoked to have them bring their sounds to Levitation Sessions vinyl series!" - The Reverberation Appreciation Society


              TRACK LISTING

              1. INTRO (Glad To Be Here)
              2. La Vem A Morte
              3. A Tradicao
              4. Dislexia You Transe
              5. Foi Mal
              6. As Chances
              7. Inocencia
              8. Polucao Noturna
              9. Erre
              10. Benzin
              11. Invencao
              12. Sombra You Duvida
              13. Caes Do Odio

              Max Essa is a bonafide Balearic boss man and one of the regulars of the Is It Balearic? label. It is there that he returns now with 'When I'm Homeward Bound' which is a textbook sound from the producer, with a hint of Tears For Fears. The pads are delightfully gooey and subtly uplifting over gently percussive and stuttering beats and the whole thing is rich in lazy poolside energy. Nathan Dawidowicz remixes into a percolating bit of deep and tribal disco, Secret Soul Society brings out the early evening house grooves ready for sunset sessions and the closing cut 'Chasing Horses' is a super sweet late night groove with heartfelt chords

              STAFF COMMENTS

              Mine says: Balearic stalwart Max Essa is back with a 12" to soundtrack your sunsets. "A hint of Tears for Fears" in the sales notes had me get all excited and yes, I can see the title track fitting neatly next to 'Everybody Wants To Rule The World', ideally while everybody is lounging next to a pool...

              TRACK LISTING

              When I’m Homeward Bound
              When I’m Homeward Bound (Nathan Dawidowicz Remix)
              When I’m Homeward Bound (Secret Soul Society Remix)
              Chasing Horses

              The Sword

              Live At Levitation

                On June 27, 2024, The Sword announced they would reunite for a one-off concert on November 3 at the 2024 edition of LEVITATION in Austin. In celebration of this reunion, TRAS have pulled from the archive their 2015 and 2021 appearences at LEVITATION for this limited live release. These recordings are now immortalized on beautiful limited colored vinyl.

                "With the band originating in the great city of Austin, a city that's proven to be a nucleus for a wide range of distinct and eclectic musical acts, it only felt natural to be included on the Levitation roster in 2015 and again in 2021, adding our own flavor to its diverse landscape. What an honor it has been to be included at such a cool festival. We've had two memorable sets so far, playing alongside some truly amazing bands. When we began entertaining the thought of returning to the stage after a two year hiatus, playing a reunion set at Levitation became the only appropriate solution, to play in front of the fans in Austin Texas, where it all began. We're very excited! Being asked to be part of the "Live at Levitation" LP series is also a great honor. The tracks we selected from each performance, at Carson Creek Ranch and Empire Garage, captured a special energy and enthusiasm that only Levitation could provide. It truly means a lot to share these memories with everyone and be included in this series!"


                TRACK LISTING

                1. Maiden, Mother & Crone
                2. Seven Sisters
                3. Lawless Lands
                4. Empty Temples
                5. Dying Earth
                6. Cloak Of Feathers
                7. Iron Swan

                2024 edition - 180 Gram, Tip On Sleeve . One of the rarer records of the mythical Strata East.

                The recording of Earth Blossom, the John Betsch Society's one and only album, seems something of an enigma nowadays. For even though Nashville is clearly one of the towns in the US with the highest number of recording studios, who would have thought that the capital of country music would give birth to one of the forgotten masterpieces of 1970s spiritual jazz. The path leading to the album starts in 1963 when John Betsch, originally from Jacksonville in Florida, arrives in Nashville to study at Frisk University. He is a young drummer and joins Bob Holmes trio. Holmes is one of the towns major jazz organists and pianists; he becomes Betschs mentor and, over the space of two years, John will play alternately with him and with the trumpeter Louis Smiths group. However, in 1965, John leaves town to go to the prestigious Berkeley University in Boston and do a two-year course along with his fellow debutants with names like John Abercrombie, Ernie Watts and Alan Broadbent. Two years later, he is invited by a pianist friend, Billy Chilf, to join the legendary singer/songwriter Tim Hardins group. Just after Woodstock, John Betsch and Tim record a psychedelic album Columbia will never release together with the members of the future group Oregon: Colin Walcott, Glen Moore, Paul McCandles and his friend Billy Chilf. But he soon leaves this group to return to Nashville where he hooks up again with his friend Bob Holmes. Two years later, he is accepted on Archie Shepp and Max Roachs famous course at the University of Massachusetts Amherst (UMASS) and for the next four years he participates in this collective of intellectuals and musicians under the aegis of the two masters.

                During this period he returns to Nashville to form his Society whose music is obviously influenced by the Afrocentric ideas of the UMASS student and political movement. However, the album, recorded in one day and in one take, also bears the hallmark of their generations psychedelic experiences, and in the themes and playing of the musicians we can hear a less violent form of music than the radical free jazz of New York or Chicago. Nature and environmental themes are the inspiration behind tracks touched by the spirit of Coltrane but also of Flower Power.

                After Amherst, John Betsch joins Marion Browns group in 1976, leaves Tennessee for good and makes his home in New York over the next ten years or so. He plays and records with Dollar Brand, Kalaparusha Maurice McIntyre and many others, before heading off to France. He has lived in Paris for the last twenty years and played in Steve Lacy, Mal Waldron and Archie Shepp bands, as well as forming groups of his own. He now lives in Paris and plays with many musicians/bands.

                TRACK LISTING

                Ode To Ethiopia
                Earth Blossom
                Open Pastures
                Song For An Untidy Lady
                Ra
                Darling Doria
                Get Up And Go

                Dumbo Gets Mad

                Levitation Sessions

                  Levitation Sessions continue with Italian psych pop group Dumbo Gets Mad, as they take us on a journey through 13 of their feel-good, groovy tunes. Recorded in Reggio Emilia in Italy, Dumbo Gets Mad invites us into the taste of a European summer day. Get a preview of the upcoming session and prepare your eyes and ears for the full release Cotton Candy Colored Vinyl . "In the countyside of my hometown there is a forgotten Villa from the 1700s that is surrounded by peace and quiet. It is a pastoral place that hosted my band and me for this special session. We got there on a hot summer day, hooked up a Studer mixing console, and start playing a bunch of Dumbo Gets Mad jams. When the sun came down, we realized that our session was over but it had been a very nice day indeed, one that I had the pleasure to spend with friends and music." - Dumbo

                  TRACK LISTING

                  1. Self Esteem
                  2. Eclectic Prawn
                  3. Plumy Tale
                  4. Before Kiddos Bath
                  5. Crystal Balls On A Roll
                  6. Congratulations
                  7. Try To Be Your Best Person
                  8. Makes You Fly
                  9. She Knows
                  10. Indian Food

                  East Los Angeles quartet Levitation Room’s floaty, cosmic songs are always a trip. Since forming nearly a decade ago, they’ve self-produced dizzying, otherworldly music that’s connected with fellow travelers in the hallucinogenic world of outré rock music.

                  Led by singer and guitarist Julian Porte along with founding members Gabriel Fernandez (lead guitar) and Johnathan Martin (percussion), the band has enchanted live audiences at Desert Daze and on tour with like-minded groups Post Animal and Psychedelic Porn Crumpets. The band’s vivid sound has found them placed on popular playlists like Modern Psychedelia and the legendary superproducer’s Danger Mouse Jukebox. Their 2015 debut, “Friends,” has surpassed 18 million streams. Joined by new member Kevin Perez (bass) in 2021, Levitation Room have continued to expand their colorful, unearthly sound, a process that has culminated with the vibrant new album Strange Weather.

                  Collaborating with former Brian Jonestown Massacre keyboardist Rob Campanella, Jason Kick (Mild High Club), and Black Crowes’ Joel Robinow, Levitation Room take a new step in their story and vision with Strange Weather. The record’s lyrical narratives—about love in the park, life in the city, and the fact that “The world today is such an illusion”—are appropriately steeped in ’60s sonics and a dreamy, lo-fi atmosphere. It’s spacey, celestial guitar music for escaping into, and “it feels just like heaven.” Join Levitation Room on their new voyage.

                  STAFF COMMENTS

                  Barry says: A brilliantly widescreen fusion of heady psychedelic rock, perfectly manicured breakdowns and crisp, rhythmic percussion. Strange Weather have the pace and groove of the best electronic indie forebears with the carefree aura of the most exploratory free-psych of the 70's. Lovely stuff.

                  TRACK LISTING

                  1. Heaven
                  2. Strange Weather
                  3. Cool It, Baby
                  4. Expectations
                  5. Immortal Love
                  6. Scene For An Exit
                  7. Pintura
                  8. Morning Star
                  9. Revelations
                  10. The Other Side

                  Various Artists

                  Soul Jazz Records Presents PUNK 45: There’s No Such Thing As Society - 10th Anniversary Edition

                    Soul Jazz Records’ new 10th anniversary edition of their long-out-of-print Punk 45: No Such Thing As Society. This is a one-off limited-edition heavyweight special-edition coloured vinyl pressing and download code.

                    The album charts the rise of underground punk and post-punk in the UK from 1977-81.

                    This new edition is fully remastered, repackaged and includes five new tracks from 23 Skidoo, Notsensibles, Pretty Boy Floyd, The Astronauts and The Impossible Dreamers.

                    The album is a collection of seminal, classic, obscure and rare punk and post-punk singles from the likes of The Mekons, Johnny Moped, The Killjoys, The Rings and many more which all chart the rise of independent music and Do It Yourself culture that exploded in the wake of punk and during the years of Britain under Margaret Thatcher.

                    The album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork. Limited-edition super-loud, super-heavy double gatefold-sleeve vinyl edition complete with full sleeve-notes plus download.

                    TRACK LISTING

                    1. The Users - Sick Of You
                    2. Johnny Moped - Incendiary Device
                    3. The Astronauts - Everything Stops For Baby
                    4. Pretty Boy Floyd And The Gems -
                    5. Rough, Tough, Pretty Too
                    6. 23 Skidoo - Last Words
                    7. Notsensibles - I'm In Love With Margaret Thatcher
                    8. The Rings - I Wanna Be Free
                    9. The Now - Development Corporations
                    10. The Killjoys - Johnny Won't Get To Heaven
                    11. The Impossible Dreamers - Spin
                    12. The Lines - White Night
                    13. 'O' Level - East Sheen
                    14. The Jermz - Power Cut
                    15. Roses Are Red - Can't Understand
                    16. Eric Random - 23 Skidoo
                    17. The Nerves - TV Adverts
                    18. The Mekons - 32 Weeks
                    19. The Freeze - For J.P.S. (With Love And Loathing)
                    20. The Scabs - Leave Me Alone
                    21. The Cravats - You're Driving Me
                    22. The Shapes - Wot's For Lunch Mum?
                    23. The Cigarettes - They're Back Again, Here They Come
                    24. Disturbed - I Don't Believe
                    25. Puncture - Mucky Pup
                    26. Josef K - Radio Drill Time

                    The Black Angels

                    Levitation Sessions (Black Friday 23 Edition)

                      THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                      IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


                      The Black Angels debut a live set and film spanning their career recorded live at Carson Creek Ranch in Austin, Texas. Never released physically and only streamed for one weekend, this Double LP + DVD is the ultimate live release from the seminal psych rock outfit.

                      "We decided to return to Carson Creek Ranch's 'River Stage', the former site of LEVITATION to bring it all back home. The setting lent itself well to the hot and humid Vietnam river delta feel we were trying to capture. In the early days we used to play along with the film “Apocalypse Now” and this brings it back full circle. - THE BLACK ANGELS

                      TRACK LISTING

                      1. Viet War
                      2. Colors
                      3. History
                      4. Yellow Elevator
                      5. Grab All You Can
                      6. Here And Now
                      7. Vermillion Eyes
                      8. Young Men Dead
                      9. Bad Vibes 
                      10. Without A Trace (Naan)
                      11. Lifesong
                      12. Comanche Moon
                      13. Science Killer
                      14. Empires Falling (Spinning Wheels)
                      15. Life Song
                      16. Commanche Moon

                      Wisely armed with bliss to fight our age of calamity, LA psych-kraut explorers Hooveriii return with their pastoral and expansive 4th album “Pointe.”

                      “Pointe” is not the sound of Hooveriii maturing. It’s the sound of a band at the height of their power ascending.

                      There’s a moment leading up to each decision where, for a brief instant, there are infinite possibilities that have yet to be distilled into a singular outcome. It’s a phenomenon that has been explored over the years by novelists like Graham Greene and a concept that Hooveriii frontman Bert Hoover also feels inexplicably drawn towards. “I find that period in time to be fascinating, maybe I’m in it often, but a lot of these songs take place in that moment and that moment can last for years,” he explains. This idea lies at the conceptual core of Hooveriii’s fourth album Pointe, a collection of songs that features musicians from the band’s past and present and sees them collectively exploring musical geography that Hooveriii hasn’t explored in the past. “We just wanted to do something different,” Hoover says. “We were feeling a little burnt on guitar rock and really wanted to challenge ourselves.”

                      The result is an album that was inspired by everything from the ‘60s psychedelic act Pisces to Phil Lynott’s solo releases and pioneering electronic acts like Tangerine Dream, to craft a collection of songs that are more about creating a specific type of feeling than fitting into a specific genre. “I feel like on this album we were bringing a lot of influences to the forefront that we never had the maturity to accomplish before while also leaning into the humor a little bit and avoiding being full-on ‘serious songwriters,’” Hoover adds. Correspondingly, the music roster on Pointe features Hoover, Kaz Mirblouk, James Novick, Owen Barrett, Gabe Flores, Gabriel Salomon, Anna Wallace, Paco Casanova, Matt Zuk, Jon Modaff, Shaughnessy Starr, Olaf Selland and Ari B. Jones and was—and unlike previous Hooveriii releases—was recorded over an extended period of time and was both consciously and subconsciously inspired by the touring the band did in support of 2021’s Water For The Frogs and 2022’s A Round Of Applause. “I’m really grateful for all of the people who contributed to this album and it’s a long list of people but it’s important that they are all listed because we all really pulled together to make this album,” Hoover adds.

                      “Every record is kind of a response to the last record and I like listening to people’s discographies like that,” Hoover explains. “When we finished A Round Of Applause we were in rock mode playing with a lot of rock and psych bands and I was really thinking about what do you do with a fourth record?” The answer turns out to be something more esoteric and less predictable than a guitar-driven album while retaining the core of the band’s sound, which has made the Los Angeles-based act such an exciting act to watch evolve. From the spacey groove of the opener “Prom” to the expansive, synth-friendly ballad “This Rock” and the epic future-folk experimentation of the album’s closer “Dreaming” (which features vocals by Wallace), Pointe is an album that references the past while stretching toward an unknown future. “I think that our intuition going forward is to keep ourselves surprised and keep people who like us surprised, hopefully without isolating anyone,” he adds.

                      When it comes to the lyrics for Pointe, Hoover says that while some of these are more personal than his previous material, it’s important for him to leave the actual content up to each listener’s own interpretation. “I like songs where people can admit to being deadbeats even if it is more of a character or you’re reflecting on one aspect of your personality,” he explains. “It’s also a transitional record in a lot of ways because sonically we wanted to drift away for album number four.” Correspondingly, Hoover considers “This Rock” to be a love song. But it could just as easily be about existential dread or the way that another person can change one’s orientation to the universe. Or the countless small decisions that can lead up to an outcome and the way our own smallness can be a catalyst for putting something out into the world that can affect so many other people in unexpected and important ways. Or maybe it is about none of these things, it’s whatever it means to you.

                      More than anything else Pointe feels like a full circle moment for Hooveriii, which has evolved from a bedroom solo project into an expansive band that features an army of talented musicians and contributors. “In a lot of ways, Pointe feels like an epilogue to one phase of the band and a prologue to the next one,” Hoover says of how the band’s latest release fits into their musical catalog. Pointe is a collection of songs that weren’t recorded in a linear fashion but that fit together in a way that feels almost cosmic in nature. In other words, it’s Hooveriii at their most creative and undistilled. “I don't really care about trying to push the envelope forward,” However admits, looking back at the long road leading up to completing the album. “I care about making a good record that sounds cohesive—and I feel like with this one, we did a good job.”

                      TRACK LISTING

                      Side A
                      1. Prom
                      2. The Tall Grass
                      3. This Rock
                      4. Can't You Hear Me Calling?
                      5. I Am Alive
                      Side B
                      6. The Game
                      7. Circling The Square
                      8. The Ship That I Sail
                      9. Dreaming

                      Black Rebel Motorcycle Club

                      Live At Levitation

                        In the early 2000s, San Francisco's Black Rebel Motorcycle Club were part of a vanguard of acts spearheading a garage rock revival - each a beacon of the staying power of gritty guitar music: The White Stripes and Dirtbombs in Detroit, The Kills in London, The Strokes and Interpol in New York, The Raveonettes in Copenhagen - the list goes on. Each made their mark, and BRMC’s take on rock and roll in the 20th century was particularly alluring - dark and atmospheric, their debut LP took them immediately out of the underground and onto stages worldwide, bringing their rock and roll manifesto to a new generation of music fans and artists.

                        TRACK LISTING

                        1. Red Eyes And Tears
                        2. Funny Games
                        3. Six Barrel Shotgun
                        4. Beat The Devil's Tattoo
                        5. Whatever Happened To My Rock And Roll
                        6. Spread Your Love
                        7. Lose Yourself
                        8. Fire Walker

                        Mull Historical Society

                        In My Mind There's A Room

                          Bringing his worlds of words and music together, Colin MacIntyre’s (aka Mull Historical Society) brand new album ‘In My Mind There’s A Room’ features an all-star cast of literary giants who have penned words about a special room that plays or has played a significant part in their lives. Using these words as the lyrics, Colin has then written the musical arrangements to create a 14 track album of personal and thoughtful songs. Featured authors include Ian Rankin, Nick Hornby, Jacqueline Wilson and Liz Lochhead plus many more. Recorded, fittingly, in a room that means a lot to Colin – his grandfather’s flat above the bank in Tobermory, Mull which has now been turned into a recording studio.

                          TRACK LISTING

                          1. Not Enough Sorry
                          2. 1952
                          3. Wake Up Sally
                          4. The Red Flame Diner
                          5. Panicked Feathers
                          6. Kelshabeg
                          7. Somebody Else’s Life
                          8. My Bedroom Was My Rocket
                          9. Seeds
                          10. Meltwater
                          11. All Empty Rooms Must Be Mourned
                          12. Room Of Masks
                          13. Anaglypta
                          14. Memories Of Mull 

                          Frankie And The Witch Fingers

                          Data Doom

                            There’s long been a growl festering in the West, an earthen rumble fed by tectonic tension, acrid smoke, and sun-parched air. The brew has boiled over lately, a pressure-cooked chaos that can no longer be contained. The growl has grown to a howl.. the howl is at the door. Few are as ready to meet the madness head on as Frankie and the Witch Fingers. On ‘Data Doom’ the band hurtles the listener head first into the wood-chipper of technological dystopia, systemic rot, creeping fascism, the military-industrial profit mill, and a near-constant erosion of humanity that peels away the soul bit by bit. With a fuse lit by these modern-day monstrosities the band seeks to find salvation through a thousand watt wake-up of rock n’ roll exfoliation.

                            After tearing through the tender heart of the Midwest, Frankie and the Witch Fingers found themselves clamped down on the fried edges of Los Angeles, carving out a niche that’s equal parts molten tar pit teardown and cataclysmic careen. Following releases on Hypnotic Bridge, Let’s Pretend, and Permanent, the band landed between the twin barbs of Greenway and The Reverberation Appreciation Society, a perfect fit for their frenetic blend of rhythmic whiplash and sonic soul shake. Anchored by songwriters Dylan Sizemore and Josh Menashe, the band has kept a rotating door of friends and collaborators moving through their midst over the past few years, coalescing post-pandemic into a symbiotic stage beast that’s become the beating heart of their new album, ‘Data Doom’. Bassist Nikki “Pickle” Smith and drummer Nick Aguilar have been road-hardened and readied over the last year, laying the groundwork for the new record’s 300 pounds of pummel and propulsion.

                            That heft was hurtled onto tape in the band’s Vernon, CA studio space. The locale let the city’s grit creep into the crevices of their new record, a wild swing at the sternum that hits the listener like an adrenaline shot to the heart. Wiping away the haze of stoned-ape psychedelics that permeated their opus ‘Monsters Eating People Eating Monsters’… the band favors an asphalt assault of rock, riff, and amphetamine rhythm. As they’ve wound out of the last phase, their sound, over a series of singles, has begun to thicken and throb. It’s coalesced into a darker strain that ingests the explosive impulses of gas-crisis-era proto-punk, the rhythmic insistence of 70’s German Progressives, and the elasticity of funk fusionists alike. They’ve welded their arsenal of influences to a chassis of nail-bitten bombast that drives ‘Data Doom’ into the midst of the maelstrom.

                            The band has shared bills with Kikagaku Moyo, Ty Segall, Oh Sees, Cheap Trick, and ZZ Top, churning their stage-side scorch into household recognition — burning through a barrage of multicolored vinyl pressings and sparring with indie heavyweights for Billboard chart positions. ‘Data Doom’ looks to cement that status, a sinewy slab cut on the stone of social collapse and licking the blade in anticipation of what’s to come. “Never name the darkness itself,“ intones Sizemore, but the darkness is already here, embedded in every moment, inextricable from the capital, sabbatical, sustenance, and solace of the modern age. ‘Data Doom’ is the elixir and the exorcism, it’s the reformation rendered in rock ’n roll.

                            STAFF COMMENTS

                            Barry says: 'Data Doom' is a wonderfully weird melting pot of freak-out psych, angular guitar riffery and Frankie And The Witch Fingers' own brand of wry politicism. This is classic Frankie fare, but with the volume and weirdness turned up to 11. Superb.

                            TRACK LISTING

                            Side A:
                            1. Empire (7:31)
                            2. Burn Me Down (3:08)
                            3. Electricide (3:35)
                            4. Syster System (6:18)
                            Side B:
                            5. Weird Dog (3:58)
                            6. Doom Boom (4:10)
                            7. Futurephobic (3:39)
                            8. Mild Davis (4:46)
                            9. Political Cannibalism (4:26)

                            Angelica Rockne

                            The Rose Society

                              “It took a few trips through the underworld, and cutting through the illusory to arrive at a more ripened version of true love and freedom.” Sitting amongst the fruit orchards of Corralitos, California, Angelica Rockne reflects on the recent past. Her forthcoming album “The Rose Society” has been in a process of distillation for five years now. “It sounds like a lifetime,” she remarks, “but really it’s been equally ephemeral as it has been eternal.” Going through some of life’s greatest rites of passage and the accompanying gravity of their transformations will do that to you.

                              TRACK LISTING

                              1. Age Of The Voyeur
                              2. The Rose Society
                              3. The Distance Is High
                              4. White Cadillac
                              5. Protection, Prayers And Vigilance
                              6. Crystalline
                              7. The Undoing
                              8. Path Of The Rose
                              9. Ripe To Ruin
                              10. The Night Dreams Of You

                              Thee Oh Sees

                              Live At LEVITATION

                                Back in 2012, Thee Oh Sees made their first appearance at Austin Psych Fest, performing an electrified set at Emo's East. The first of many Levitation appearances down in Austin, this show has been mixed by John Dwyer and mastered for vinyl by JJ Golden. Now immortalized on glorious 12" colored wax. "I think this was our first time at levitation but our millionth time in the amazing and tough as nails city of Austin, Texas. Brigid Dawson, Mike Shoun, Petey D and myself had already laid the live show out in front of crowds here, so it wasn't our first rodeo and certainly not my last. Our love is obvious here as we bring forth a short but sweet set of hits and deep cuts. This is also the version of the band with Lars "Fingers" Finberg of Intelligence fame as second banana drummer. So enjoy some primal and sensual double drumming and as a side note, no one died at this show. Thanks as always to Levitation for making shit happen" - John Dwyer 


                                The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. The event quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headline performances from co-founders The Black Angels, along with Tame Impala, The Flaming Lips, The Brian Jonestown Massacre, Thee Oh Sees (in various forms) and many more. LEVITATION helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas, pressed on beautiful limited edition colorful vinyl pressings - each an eye popping visual representation of the music contained within. The artists and sets showcased on Live at LEVITATION have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at LEVITATION annually from all over the world.

                                TRACK LISTING

                                1. The Dream
                                2. Devil Again
                                3. Tidal Wave
                                4. Enemy Destruct
                                5. Robber Barons
                                6. Block Of Ice
                                7. Meat Step Lively
                                8. Minotaur

                                Psychedelic Porn Crumpets

                                Levitation Sessions

                                  The Perth-based psychedelic rock n roll machine rip through a full platter of their high-speed tunes, shot in two locations and heralding their new LP, Night Gnomes. Crunchy riffage, addictive melodies and no-holds barred psychedelia is on tap.

                                  "Thank you Levitation for getting us out the house! Absolute pleasure to be asked to collaborate on something together. There’s a brilliant story involving an angry local and a bulldozer if you’re won-dering why the location changes, but for the minutes we were filming it was magical. Gnomes till we die! Thanks to Jelly, Tay, Jared, Dima, & the McEwan crew for helping us put this together, love you all." – PPC

                                  TRACK LISTING

                                  1. Keen For Kick Ons
                                  2. Hymn For A Droid
                                  3. Lava Lamp Pisco
                                  4. Bill's Mandolin
                                  5. Tally Ho
                                  6. Gurzle
                                  7. Mundungus
                                  8. Cubensis Lenses
                                  9. Found God In A Tomato
                                  10. Cornflake
                                  11. Mr. Prism

                                  SLIFT

                                  Levitation Sessions

                                    “This set was recorded and filmed at the Cemes laboratory, in Toulouse, south of France. The place is called "La Boule", and the structures you see behind us are the top of an old particle microscope. The sound turns infinitely in this sphere of aluminum. We wanted to confront our songs with this environment full of endless echoes and noises. Thank you very much to our crew, Levitation, and all the good people at Cemes, it was an intense sonic and physical experience for us, we hope you'll enjoy watching it. Can't wait to play for ya'll in real life, but until this day arrives... We salute you, from the deep space and the night !” - SLIFT

                                    TRACK LISTING

                                    Disc: 1
                                    1. Ummon
                                    2. Thousand Helmets Of Gold
                                    3. It's Coming...
                                    4. Citadel On A Satelite

                                    Disc: 2
                                    1. Lions, Tigers & Bears
                                    2. Hyperion
                                    3. Heavy Road
                                    4. Altitude Lake

                                    Lost Society

                                    If The Sky Came Down

                                      Pounding riffs weighing several tons? Check! Catchy choruses and symphonic flashes? Check! Relentless eruptions of utterly chaotic, yet catchy modern metal? Check! Passionate performances by elaborate musicians? Check!

                                      You got it right: over the last twelve adrenaline-filled years, braindead™ Finnish cannonball squad LOST SOCIETY has been fearlessly exploring the lights and shadows of the world of heavy metal. Still, despite the dirty deeds of the past years and the praise of legendary colleagues such as Kreator's Mille Petrozza and Sepultura's Andreas Kisser, it now feels like the band's rocket is just about to take off.

                                      Enter 2022. The epochs of darkness have just been left behind...

                                      LOST SOCIETY – featuring guitarist Arttu Lesonen, bassist Mirko Lehtinen and drummer Taz Fagerström as well – is about to unleash the most ambitious, versatile and innovative record of their career. Well, so far.

                                      If The Sky Came Down is a bona fide example of what may happen when utterly talented musicians recognize the magnificent feeling: we are capable of reaching the heavy metal skies.

                                      The definitive nail in the coffin is the record's spectacular closer Suffocating. There are cold shivers down the listener's spine as Samy Elbanna spits fragile but powerful lines such as "only death can heal me" and "the air is pure but I'm suffocating".

                                      The lyrics may sometimes be secondary in the mystical realms of rock 'n' roll, but If The Sky Came Down heads out to another highway – and certainly not just within the unique serenity of aforementioned Suffocating.

                                      And now the rockets are about to be launched again... What does the future look like?


                                      Psychic Ills

                                      Live At Levitation

                                        The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. From there the festival quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headlining performances from The Black Angels each year. The Black Angels and Levitation helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas. The artists and sets showcased on Live at Levitation have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at Levitation annually from all over the world.

                                        When it comes to following the beat of their own drum, New York’s Psychic Ills have exemplified the phrase since their beginnings in 2003. Initially spawned from electroniccentered home recording experiments, they progressed into all-night full-band exploration in a neighborhood where noise wasn’t a problem. They soon after evolved into a live band seemingly at home within the extended jam, exploring a variety of musical terrain. The early years saw several releases for Social Registry, tons of time on the road, and collaborations with artists as diverse as Gibby Haynes (Butthole Surfers) and Sonic Boom (Spacemen Three/Spectrum).

                                        We are proud to welcome Psychic Ills to the Live at Levitation series. The release showcases the band's appearance at Austin Psych Fest 2012. Mixed and Mastered for Vinyl.

                                        TRACK LISTING

                                        SIDE A
                                        1. Midnight Moon
                                        2. Mind Daze
                                        3. Incense Head
                                        4. Ring Finger
                                        5. Electriclife
                                        SIDE B
                                        1. Meta
                                        2. Diamond City
                                        3. January Rain
                                        4. I'll Follow You Through The Floor

                                        Moon Duo

                                        Live At Levitation

                                          The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. From there the festival quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headlining performances from The Black Angels each year. The Black Angels and Levitation helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas. The artists and sets showcased on Live at Levitation have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at Levitation annually from all over the world.

                                          These recordings capture Moon Duo as they rose to prominence as one of the defining creative forces of the psychedelic rock scene, with Sanae at the helm of their signature cosmic synth boogie + mind melting guitar work from Ripley Johnson. Side A showcases the band in its original incarnation, at Austin Psych Fest 2012, the band rose as a powerful two piece filling a sonic space with a pulsating and driving wall of sound. Side B shows the bands 2014 return and growth, now as a trio joined by John Jeffrey, live drums mix’d perfectly with their distorted synth sound creating a propulsion unlike any other and very distinctly Moon Duo. Working closely with the band to ensure an authentic listening experience, this show has been mixed and mastered for vinyl.

                                          TRACK LISTING

                                          SIDE A
                                          1. Run Around
                                          2. Dead West
                                          3. Motorcycle, I Love You
                                          4. Set It On Fire
                                          SIDE B
                                          1. Sleepwalker
                                          2. I Been Gone
                                          3. In The Sun
                                          4. Goners

                                          The Lounge Society

                                          Tired Of Liberty - Postcard Set Edition

                                            Returning for the third time to the studio of Speedy Wunderground’s Dan Carey, Hebden Bridge’s The Lounge Society are back; this time, with the mindset of crafting a debut album conceived out of desire, raised by collaborative muscle-memory, and kept beating, by the sacred-heart of emotional-spirit.

                                            Recorded over two weeks in November 2021, ‘Tired of Liberty’ is a stunningly ubiquitous snapshot of instrumental meltdown, and timeless adolescence. Keen to uphold the manipulated elasticity of a recorded event, the majority of the eleven tracks that make up the record (with the exception of ‘Generation Game’, which saw its beginnings as part of the Speedy Wunderground 7” series, and was subsequently re-recorded), were written either just before, or throughout the duration of those fortnight sessions.

                                            A rarity for most bands, The Lounge Society functions best as a collective entity. With no core-leader, everything from the sources of inspiration, to the lyrics themselves, is handled collaboratively, and with equal merit; as they strive to create a self-sufficient creative unit, larger than the individual. Far from a documentation of disenfranchised youth, ‘Tired of Liberty’ seeks to overthrow with striking articulation. Stirringly fearless, it masterfully combines archetypal storytelling, with as many disparate principles as introspectively possible; capturing the aural shifts in time and attitudes between ‘Generation Game’, and where we join The Lounge Society now.

                                            Brimming with anthemic-myriad, this is the real deal. Genuine urgency from a group of young creatives living and breathing their inaugurated prime, with breath-taking, anarchic-proficiency. Whether it’s “lies drenched in sarcasm” (‘Blood Money’), or, the clattering, riff-screaming irony of ‘Remains’, The Lounge Society’s deep-rooted inversion towards our “culture of anti-freedom”- the ludicrous excuses man makes for the ceasing of mankind, is one which is both culturally-associative, and, counter-culturally embracing.

                                            Periodically awakening the living rebel running skin deep in us all, ‘No Driver’ is a heart-wrenching masterpiece. With every guitar-laden growl, it intricately sheds and unveils each layer of humanity until all that remains is skeletal distress, and intervening frequencies of invigorating-abandon. “The sun is sleeping, all of the time” yet The Lounge Society are awake and desirous; insatiably hellbent on tearing down failing social-structures, before the new-dawn seeks to counterattack.

                                            Be it the self-prophesying hum of the studios ‘Lounge’ recording-light, or, the re-configuration of the entire room so the mics moved away from the instruments with each song, (“we wanted to start with a hard focus and end chaotically”- notes Carey), every possible attention to detail was considered in order to honour the core ethos of fulfilled direction. Fervently striving to build an environment that grows bigger with sound and time, in ‘Tired of Liberty’ the creative process itself holds as much experimental value, as the conceptual journey as a whole.

                                            Whether its personal growth, banded maturity, or a hearty combination of the two, ‘Tired of Liberty’ is an expertly captured documentation of four young-adults, at the baptism of their cultural-ignition. After all, you only get one opportunity at a debut record. “Anything that follows, is just an evolution from that.”- The Lounge Society.

                                            TRACK LISTING

                                            1 People Are Scary
                                            2 Blood Money
                                            3 No Driver
                                            4 Beneath The Screen
                                            5 North Is Your Heart
                                            6 Last Breath
                                            7 Remains
                                            8 Boredom Is A Drug
                                            9 It's Just A Ride
                                            10 Upheaval
                                            11 Generation Game

                                            Hooveriii

                                            A Round Of Applause

                                              Time after time, we all talk about … well, time — often in aphorisms and cliches. X is “a waste of time,” while Y is “time well spent.” We are all apt to lose track of time but, perhaps in equal measure, we have plenty of time on our hands. We think we have all the time in the world -- until we remember that time flies, after which our time runs out and we’re dead (for a long time).

                                              Since 2020, internal clocks have had to be readjusted with the pace of life ebbing and flowing. For Los Angeles psych-rock sextet Hooveriii (pronounced "Hoover Three") that adjustment seeped its way into their songwriting and ultimately their forthcoming album, A Round of Applause.

                                              The record cherrypicks from an array of genres — pop, girl-group ditties, synth-ish keyboards and funk —but the end result is a cohesive long-player with songs that revolve around the Spanish Inquisition (“Stone Man”); or follow “the legendary Peruvians who run long distances in the Andes Mountains (“The Runner”). “I let my imagination run wild,” Hoover said. Elsewhere on A Round of Applause, the Hooveriii frontman finally recorded a song, “The Pearl,” that he wrote in 2017. “It sounds like a Harry Nilsson jingle like to me, a fantasy song,” he continued. “It's more like a nursery rhyme than a song with an important message. You know, it's just like keeping things fun. … Nilsson didn’t take everything so fucking seriously. We want to avoid that self-seriousness. We're a bunch of goofy musicians.”

                                              TRACK LISTING

                                              SIDE A
                                              1. See
                                              2. Out Of My Time
                                              3. Twisted And Vile
                                              4. Water Lilly
                                              5. Time - The Outlaw
                                              SIDE B
                                              1. My Directive
                                              2. Stone Men
                                              3. Iguana
                                              4. The Runner
                                              5. Cruisin'
                                              6. The Pearl

                                              Top dog at Exotic Robotics (alongside fellow sports-wear aficionado Sports Casual), Patrick Conway finally makes his debut on the label. Now gaining a fierce reputation in the studio, the international man of mystery delivers an absolute heater for his homegrown imprint - showcasing his gift for crafting crisp futurist techno, underpinned with heavy UK rave influences.

                                              This is the 6th release on the label after their 5 previous sell-outs from the likes of Flora FM, DJ Guy, Fettburger, Textasy and Cofaxx.

                                              DJ Python delivers a masterful remix on the flip.

                                              TRACK LISTING

                                              1. Spring Sonnet
                                              2. Early Assembly
                                              3. Vertical Society
                                              4. Vertical Society (DJ Python Remix)

                                              The Lounge Society

                                              Silk For The Starving EP

                                                Pre-order this EP to be in with a chance of winning an exclusive signed test-pressing.

                                                With their first two singles under their belts – "Generation Game", the fastest selling 7" for the award-winning label, and "Burn The Heather" – plus a raft of Ones To Watch accolades for 2021, there is much anticipation for what lies next for the band.

                                                In early 2020, "Generation Game" announced the band as artists shaping powerful narratives around a fast-fragmenting society. With the lyric “what will the US do?” they served up a painfully prescient prediction of American unrest.

                                                Follow-up single "Burn The Heather" made a left-hand turn for the more punk-funk, sneering at culture wars and the damaging impact of a class divide.

                                                New single "Cain’s Heresy" shakes with the propulsion of a nimble rhythm section, full of bite and scorn, simultaneously swinging angrily at a negligent political class ("The death of four souls is less than a kick in the teeth, for them"), the threat of misinformation ("Poisonous ideals on the screen breed a vicious way of thinking, off the screen") and the noxious follow-the-leader march of celebrity culture ("They’re servants to fame"). The EP title “Silk For The Starving” in itself probes at a society that routinely neglects the needs of the have-nots.

                                                The Lounge Society sing about what they know then. Make no mistake, this is the sound of young England: articulate, enraged and energised. And – perhaps crucially - highly danceable too. It should give hope to anyone who has lost faith in the future, because here the future is in safe hands.



                                                TRACK LISTING

                                                Burn The Heather
                                                Television
                                                Cain’s Heresy
                                                Valley Bottom Fever

                                                Hooveriii

                                                Water For The Frogs

                                                  Having originally been born as a solo drum machine project by Bert Hoover, Hooveriii (pronounced "Hoover Three") has now evolved into it's true final form - a six member band adept at creating their own brand of psychedelic space rock. And after almost a decade in, the band is set to release their sophomore album and debut for The Reverberation Appreciation Society, Water For The Frogs. Influenced by Iggy’s The Idiot, Bowie’s Berlin records, and Soft Machine, the LP sees the band creating their own version of prog rock, circa 2021.

                                                  In 2019, Hooveriii took their live show to Europe for the first time. Bert Hoover shares, “seeing all the old cities and beautiful landscapes while becoming closer as a band had a huge impact on this album. A lot of our favorite music came from the Krautrock scene in Germany from the late 60's-70's, and when we had a day off in Furth, Germany, we spent most of it writing the record,” he continues, “we were able to rehearse in an old German bunker that has been converted to rehearsal space. It definitely had a strange energy that helped give this album light.”

                                                  TRACK LISTING

                                                  SIDE A
                                                  1. Cindy
                                                  2. Control
                                                  3. Hang Em' High
                                                  4. Shooting Star

                                                  SIDE B
                                                  1. We're Both Lawyers
                                                  2. Erasure
                                                  3. Gone

                                                  Karen Dalton

                                                  1966

                                                    Karen Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her, was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak. In 1966, Carl Baron brought his reel to reel over to her remote cabin in Summerville, Colorado and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.

                                                    TRACK LISTING

                                                    1. Reason To Believe
                                                    2. Katie Cruel
                                                    3. Cotton Eyed Joe
                                                    4. Green Rocky Road
                                                    5. Don't Make Promises
                                                    6. Other Side To This Life
                                                    7. God Bless The Child
                                                    8. Little Bit Of Rain
                                                    9. While You're On Your Way
                                                    10. 2:19 Train
                                                    11. Misery Blues 
                                                    12. Mole In The Ground 
                                                    13. Shiloh Town 
                                                    14. Hallelujah

                                                    Frankie And The Witch Fingers

                                                    Monsters Eating People Eating Monsters...

                                                      Bubbling up from the psychedelic tar pits of L.A., Frankie and the Witch Fingers have been a constant source of primordial groove for the better part of the last decade. Formed and incubated in Bloomington, IN before moving west to scrap with Los Angeles’ garage rock rabble, the band evolved from cavern-clawed echo merchants to architects of prog-infected psych epics that evoke a shift in reality. After a stretch on Chicago/LA flagship Permanent Records the band landed at yet another fabled enclave of garage and psychedelia - Brooklyn’s Greenway Records, now working in tandem with psych powerhouse LEVITATION and their label The Reverberation Appreciation Society, the groups latest effort is dually supported by a RAS / Greenway co-release.

                                                      After years of searching for the specific alchemy that would tear open the cosmos, they found the formula with the addition of Shaughnessy Starr on drums in the summer of 2018. They began a new cycle and tripped into tip-on double gatefold territory, flesh-ing out their lysergic impulses into a monolith of sound that closes in from all sides. The band reached new levels of grandiosity and utilized every minute to manifest their psych-soul Sabbath in four dimensions, spilling psychic blood on a populace ready and eagerly waiting. Yet, as expansive, inventive, and immersive as any studio album might be, the band is born for the stage. As their live prowess caught the ears of some legends in their own right, the band practically lived on the road last year with stints opening for Oh Sees, Cheap Trick and ZZ Top. Along the way the constant pulpit of the stage would form ZAM into a transformative experience while plotting their next permutation of space and time.

                                                      That transformation, Monsters Eating People Eating Monsters... (repeated infinitely,) rises like a Phoenix from the road tar, van exhaust, and ozone crackle of amps in heat. Once off the road it was recorded in just five blistering days. Though, while the tour may have hammered the album into shape and brought about a wind of change, those changes stretched to the band itself as well. In the wake of the tour the band’s longtime bassist Alex Bulli made his exit, with the majority of bass parts on the album being written and played by multiinstrumental magician Josh Menashe with occasional pitch in from songwriter Dylan Sizemore. Stripped to their core the band has created their most ambitious work to date, an album that takes the turbulence of ZAM and crafts it into a beast more insidious and singular than anything in their catalog. Moving forward, the band has taken on new blood. Completing their lineup, Nikki Pickle (of Death Valley Girls) will join them working the new album out roadside on bass. A new horizon of Frankie and the Witch Fingers draws near and we’re all set to follow them into the unknown.

                                                      TRACK LISTING

                                                      SIDE A
                                                      1. Activate
                                                      2. Reaper
                                                      3. Sweet Freak
                                                      4. Where's Your Reality?
                                                      5. Michaeldose

                                                      SIDE B
                                                      1. Can You Hear Me Now?
                                                      2. Simulator
                                                      3. Urge You
                                                      4. Cavehead
                                                      5. MEPEM...

                                                      Jane Weaver

                                                      Loops In The Secret Society - Deluxe Edition

                                                        This unique package successfully archives the key elements of Jane’s ‘Loops In The Secret Society’ tour. Housed in a concise limited-edition pocket-compendium the new CD version brings Jane’s fully realised ‘Loops Variations’ and sonic installations into your own environment with new illustrations based on the songs by Andy Votel and DVD featuring the experimental film installation featured on the tour by Nick Farrimond. When science fiction turns science fact the effect can be truly momentous. The state demands that no-one wants an unlicensed machine-hum from an outbuilding; no-one wants clever prose mapping the future, no-one wants “music” that is attention-seeking, soul-defining, beneficial, Biblical, baroque and beautiful.

                                                        No-one told Jane Weaver that. Jane Weaver’s multi-layered synthetics evolved into a welcoming slew with 2014’s ‘The Silver Globe’, continuing through to 2017’s ‘Modern Kosmology’. ‘Loops In The Secret Society’ is a re-imagined journey through parts of both albums, with new ambient pieces primed and polished; with new tangents explored in a lab-friendly blossoming of the Weaver vision that travels yet further into the psych of our future. A continuous experience with one-line observations set in glorious sense-stimulating sound. That source material was then united in an expansionist experiment in late 2018. The ‘Loops In The Secret Society’ tour fused unrelated sounds set off against sympathetic new textures, tones and drones; hot-housed into an idealistic soundscape that formed the conducive parts of the imminent album of the same name. Co-conspirators include Henry Broadhead, PJ Phillipson and Andy Votel. Renegades all, headed by the enigmatic Weaver all under surveillance. 

                                                        TRACK LISTING

                                                        1 Element (Loops Variation)
                                                        2 Milk Loop
                                                        3 Arrows (Loops Variation)
                                                        4 Found Birds
                                                        5 H>A>K (Loops Variation)
                                                        6 Did You See Butterflies (Loops Variation)
                                                        7 Sun House
                                                        8 I Wish (Loops Variation)
                                                        9 Mission Desire (Loops Variation)
                                                        10 Battle Ropes
                                                        11 Found Birds
                                                        12 Slow Motion (Loops Variation)
                                                        13 Margins
                                                        14 Cells (Loops Variation)
                                                        15 Code (Loops Variation)
                                                        16 Signs Are Rising
                                                        17 Ravenspoint (Loops Variation)
                                                        18 Sous Le Même Soleil, Vie Disparu Dans Le Ciel (Loops Variation)
                                                        19 Majic Milk (Loops Variation)
                                                        20 Conduit
                                                        21 Ivana Vessel
                                                        22 Battle Ropes

                                                        When science fiction turns science fact the effect can be truly momentous. The state demands that no-one wants an unlicensed machine-hum from an outbuilding; no-one wants clever prose mapping the future, no-one wants “music” that is attention-seeking, soul-defining, beneficial, Biblical, baroque and beautiful. No-one told Jane Weaver that.

                                                        Jane Weaver’s multi-layered synthetics evolved into a welcoming slew with 2014’s ‘The Silver Globe’, continuing through to 2017’s ‘Modern Kosmology’. ‘Loops In The Secret Society’ is a re-imagined journey through parts of both albums, with new ambient pieces primed and polished; with new tangents explored in a lab-friendly blossoming of the Weaver vision that travels yet further into the psych of our future. A continuous experience with one-line observations set in glorious sense-stimulating sound.

                                                        That source material was then united in an expansionist experiment in late 2018. The ‘Loops In The Secret Society’ tour fused unrelated sounds set off against sympathetic new textures, tones and drones ; hot-housed into an idealistic soundscape that formed the conducive parts of the imminent album of the same name.

                                                        Co-conspirators include Henry Broadhead, PJ Phillipson and Andy Votel. Renegades all, headed by the enigmatic Weaver – all under surveillance.

                                                        STAFF COMMENTS

                                                        Andy says: Beautiful reinterperations of tracks from Jane's last two albums, interspersed with new ambient style pieces to make a brand new album in its own right. Gorgeous.

                                                        TRACK LISTING

                                                        1 Element (Loops Variation)
                                                        2 Milk Loop
                                                        3 Arrows (Loops Variation)
                                                        4 Found Birds
                                                        5 H>A>K (Loops Variation)
                                                        6 Did You See Butterflies (Loops Variation)
                                                        7 Sun House
                                                        8 I Wish (Loops Variation)
                                                        9 Mission Desire (Loops Variation)
                                                        10 Battle Ropes
                                                        11 Found Birds
                                                        12 Slow Motion (Loops Variation)
                                                        13 Margins
                                                        14 Cells (Loops Variation)
                                                        15 Code (Loops Variation)
                                                        16 Signs Are Rising
                                                        17 Ravenspoint (Loops Variation)
                                                        18 Sous Le Même Soleil, Vie Disparu Dans Le Ciel (Loops Variation)
                                                        19 Majic Milk (Loops Variation)
                                                        20 Conduit
                                                        21 Ivana Vessel
                                                        22 Battle Ropes

                                                        The Leisure Society

                                                        Arrivals & Departures

                                                          On the 10th anniversary of their first ever single (The Last of the Melting Snow), The Leisure Society release a new single entitled God Has Taken a Vacation, along with news of their fifth album, Arrivals & Departures. Speaking of the release of the new single, their highly-lauded songwriter Nick Hemming said: "I started writing the song about my break up, but world events started finding their way in too. Division, borders, a loss of hope. There were a lot of shared themes!” During the promotion of the band’s previous LP, The Fine Art of Hanging On, Nick and their flautist Helen Whitaker went through a long process of separation, ultimately resulting in Nick moving out of their Brighton home. This displacement set the tone for the next 18 months, as Nick moved from one temporary accommodation to the next, writing and recording demos constantly as he came to terms with the break up - which would eventually become the foundation of their upcoming fifth full length album, Arrivals & Departures.

                                                          TRACK LISTING

                                                          Disc 1
                                                          Arrivals & Departures
                                                          A Bird A Bee Humanity
                                                          God Has Taken A Vacation
                                                          I’ll Pay For It Now
                                                          Overheard
                                                          Let Me Bring You Down
                                                          Be You Wherever
                                                          Arundel Tomb

                                                          Disc 2
                                                          Don’t Want To Do It Again
                                                          Mistakes On The Field (Part I)
                                                          Mistakes On The Field (Part II)
                                                          Leave Me To Sleep
                                                          Beat Of A Drum
                                                          There Are No Rules Around Here
                                                          You’ve Got The Universe
                                                          Ways To Be Saved

                                                          The Kinks

                                                          The Kinks Are The Village Green Preservation Society

                                                            2018 Stereo Remaster of original album, from original tape high definition transfers. 180 gram heavyweight vinyl. Original gatefold artwork replicated. Insert with notes and band photos.

                                                            TRACK LISTING

                                                            1. The Village Green Preservation Society
                                                            2. Do You Remember Walter?
                                                            3. Picture Book
                                                            4. Johnny Thunder
                                                            5. Last Of The Steam-Powered Trains
                                                            6. Big Sky
                                                            7. Sitting By The Riverside
                                                            8. Animal Farm
                                                            9. Village Green
                                                            10. Starstruck
                                                            11. Phenomenal Cat
                                                            12. All Of My Friends Were There
                                                            13. Wicked Anabella

                                                            Miss Destiny

                                                            Miss Destiny

                                                              Miss Destiny are a band from Melbourne, Australia who play music that’s reminiscent of a mythical time when guitar music’s material of choice was transitioning from denim to leather. Post-hippie, pre-punk era rock ‘n’ roll meets the origins of New Wave of British Heavy Metal, with a glimmer of Sunset Strip feel-good excess. While this could sound like another careful curation of rawks past, and eggheads could argue about the relevancy of rock music in 2016, there’s a life and spirit in this band beyond the typical genre curations that often render rock music one dimensional.

                                                              Their self titled debut album is released by R.I.P. Society Records / Agitated and was recorded across a couple of hot summer days in 2015. The all-female line-up on the recording was Harriet Hudson (Circle Pit, Ratsak, Southern Comfort), Harriet Stewart (Sleepless Nights, School of Radiant Living), Annie Llewellyn (Grotto, The Angel & Baby Chain) and Emily Jans (Straightjacket Nation, Bloody Hammer). This record extends on the “muscle and bite” (Evan Minsker, Pitchfork) of their debut 7” on Hozac Records, with a startling leap in the departments of power, precision and overall toughness. No doubt this has to do with powerhouse Emily joining behind the kit, who recorded both this and the forthcoming Straightjacket Nation record while very pregnant! Find another example of this in punk/hardcore/rock ‘n’ roll history, I dare ya.

                                                              The track “Killers” focuses on the horrendous effects of domestic violence, it’s Miss Destiny’s reaction to the number of women murdered or harmed by domestic violence in Australia in 2015 - a big ”go fuck yourself” to the perpetrators, and a song for those affected and those who stand up against the perpetrators to draw strength from, and party to.

                                                              It might be said that any time a woman rebels against archaic societal gender roles by playing music and having a voice, it’s a political act. And while this record label and Miss Destiny would agree with this, the band are weary of being positioned as such - they’re just just a rock band having a good time. They possess a self-deprecating sense of humour and deep appreciation of the excesses of rock ‘n’ roll - shared beers, shared jokes, shared experiences. Miss Destiny are having a laugh while sticking it to the man.

                                                              The ladies in the band say their main influences are KISS and Danzig, but I can hear a bunch of gals from a punk/D-I-Y/basement rock perspective getting hip to Di’anno era Iron Maiden and Girlschool. But mostly it just sounds like them being their true selves, fierce and fun.

                                                              Like the Runaways if they recorded for Neat records.. .Denim and Leather and Studs and Bullet Belts!!!!

                                                              Kermit Leveridge & The Super Weird Society

                                                              This Is The Last Time You’ll See Me Here

                                                                Growing up in a Caribbean household, ska was a staple for Kermit, and Derrick Morgan’s easy skanking ‘Seven Letters’ was a record that particularly resonated.

                                                                Taking him back to childhood; mentally, emotionally and spiritually, ‘Seven Letters’ is one of those songs that’s been a constant in his life.

                                                                Originally a soul track written and recorded by Ben E. King, ‘Seven Letters’ follows a series of love notes sent to his girl over a week.

                                                                In this contemporary version, Kermit’s decided enough is enough and he’s heading back home; his bags are packed, his boots are laced up and he’s going down that long dusty road - this is the last time you’ll see him round here.

                                                                The musical mind of Christian Bland seems to overflow with colors. The lyrics and even titles of his output with, The Black Angels drip with kaleidoscopic imagery. “Indigo Meadow”, “Black Grease”, “You In Color,” “Yellow Elevator #2”. Christian Bland & The Revelators has followed a similar path, and has released a red album, 2010's The Lost Album, and 2012's Pig Boat Blues.

                                                                Beyond that the thread which runs through all of Bland’s work - whether it’s his visual artwork, music with The Black Angels, and the myriad projects of The Reverberation Appreciation Society - Austin Psych Fest and it’s offshoots, and now an East Austin record store - is a timeless spirit of rock and roll, and in particular the psychedelic kind, circa 1968. He champions it. Lives and breathes it.

                                                                And what will attentive listeners discover they see when they hear “The Unseen Green Obscene”? The past? The future? The answer will be colored by your own.

                                                                TRACK LISTING

                                                                1: The Sun Is Fading Away
                                                                2: The Last Summer
                                                                3: The Same Record
                                                                4: Daughters Of The Son
                                                                5: Syd Barrett Blues
                                                                6: Gnostic Blues
                                                                7: Diddley Stomp
                                                                8: The Reverberation Appreciation Society
                                                                9: Brian Wilson
                                                                10: Guns For Guitars
                                                                11: Point Man Blues
                                                                12: Alone In Deer Park
                                                                13: Lifeboat

                                                                Joel Gion

                                                                Apple Bonkers

                                                                  After spending a long and strange career as the legendary ‘Tambourine Man’ for the Brian Jonestown Massacre, Joel Gion has emerged with an armload of his own music done his own way.

                                                                  As might be expected, there are plenty of classic 1960s sounds, but the sonic palette spans every decade since, coloured with timeless touchstones of Joel’s record collection – shoe-gaze, post-punk, psychedelia, alt-country and mod/beat music, it’s all there.

                                                                  Co-produced by current BJM members Collin Hegna and Rob Campanella, Apple Bonkers also features contributions by Jonestown members Daniel Allaire and Matt Hollywood, along with former BJM members Jeffrey Davies and Miranda Lee Richards. Also along for the ride: Pete Holmstrom of The Dandy Warhols, Ryan Van Kriedt of The Asteroid #4/Dead Skeletons and Jason ‘Plucky’ Anchondo of the Warlocks/Sprindrift.
                                                                  Much more than getting by with a little help from his friends, Apple Bonkers sees Gion leading the trip to a psychedelic land of honest-to-goodness rock and roll. 


                                                                  TRACK LISTING

                                                                  1: Yes
                                                                  2: Smile
                                                                  3: Hairy Flowers
                                                                  4: Dart
                                                                  5: Change My Mind
                                                                  6: Mirage
                                                                  7: Radio Silence
                                                                  8: Two Daisies
                                                                  9: Sail On
                                                                  10: Don’t Let The Fuckers Bring You Down

                                                                  Society

                                                                  14 Hours

                                                                    Society’s highly-anticipated second single ‘14 Hours’ is their first release on Angular, having shot to infamy late last year on the back of the remarkable runaway success of super limited, 7” vinyl only debut ‘All That We’ve Become’.

                                                                    The man behind the classic croon, 24-year-old London-based singer and songsmith James Girdler, is stepping into the spotlight, captured in signature cinematic style in the band’s first press shots. “This project has been a total labour of love for almost two years now,” says the frontman. “After countless nights making drones with amazing bits of old gear we’re very excited to let this project step out of the shadows.”

                                                                    The song itself feels the perfect next step for Society, with the familiar groove driven beats and cut-up backdrop, this time swaggering in triumphant hip hop fashion, set against bittersweet gospel cries, and Jamie’s unmistakable voice guiding us through vivid tales of regret, release and redemption.

                                                                    Available on one-sided 7” single.

                                                                    Austin, TX psych rock gang The Saint James Society plays electrifying rock music that brilliantly connects the dots between dark ‘60s blues-based garage rock and early ‘80s post punk resulting in a hypnotically powerful sound the fabulous four-piece calls "Pentecostal Desert Glam."

                                                                    TSJS's full length debut – the mystically-titled Bab(a/y)lon Rising – pulses through the speakers like punk rock gypsies on a rampage, perfectly capturing the band's apocalyptic nomad-rock as it drips with dark fuzz and acid drone that will surely find favour with restless sinners everywhere.

                                                                    It has been said that "The Saint James Society sounds as good as any band on the planet at full volume," a point to which the band's bustling fan network of artists, writers, musicians, filmmakers, photographers, creeps and thieves would most assuredly agree. When the heavy swagger of vocalist/bassist Brandon Burkart and golden guitars of Dahveed Dubois align with the band's heavy-footed rhythms, ticking-time-bomb beat and stunning twin vocal tandem of rebel queens Elza Burkart and Candice Bertalan, the resulting musical statement mainlines the thrill of defiance straight to the listener's heart.

                                                                    TRACK LISTING

                                                                    1. Refractions
                                                                    2. Bab(a/y)lon Rising
                                                                    3. The Serpentine Highway
                                                                    4. Blood & Sand
                                                                    5. The Book Of The Jaguar Priest
                                                                    6. Get Cold
                                                                    7. Post Tenebras Lux
                                                                    8. Ode To The Turquoise Ox
                                                                    9. Letters Signed In White
                                                                    10. Celestial Symbols Interpreted
                                                                    11. House Of Snakes

                                                                    The Saint James Society

                                                                    The Saint James Society

                                                                      Austin TX psychedelic garage rockers The Saint James Society play electric rock music that brilliantly connects the dots between the late 60s British blues-based bands and the brooding atmospheres of early 80s post punk resulting in a hypnotically powerful sound the fabulous five-piece has coined "Pentecostal Desert Glam" to create their self titled debut EP. Placing their steps in the petrified footprints left by the Velvet Underground and the slightly fresher ones of Spacemen 3, The Saint James Society reduces the blues to one nasty lick pickled in distortion.

                                                                      For fans of: White Hills, The Black Angels, The Stooges, Spacemen 3, Sisters of Mercy, The Velvet Underground, The Cult and Spiritualized

                                                                      TRACK LISTING

                                                                      1. Reflections
                                                                      2. The Ballad Of The White Horse
                                                                      3. Of Silver & Gold
                                                                      4. The Devil, An Angel And A Broken Widow

                                                                      The Storm Society

                                                                      Miles Away EP

                                                                        The Storm Society "Miles Away" EP, is the debut release by one of Scotland's finest up and coming! The Glasgow based band, who have only been together since June 2006 are, Stuart Kemsley - Vocals & Guitar, Andy Glen - Guitar, Stephen Gover - Bass and Nathan Caldwell on Drums. "Miles Away" is backed with "I Could Have Been Anything", as well as two exclusive extended takes, "Miles Away (Part 2)" and "I Could Have Been Anything" (Full Version).

                                                                        Viola

                                                                        Melancholydisco

                                                                          This exclusive remix compilation with minimalist and oh-so-silverish artwork brings you Finland's best kept secret: experimental popsters Viola. CD features fresh remixes and remakes by the unspoiled cream of Finnish underground electro scene and the band themselves, taking the original versions into unknown and spaced out territories. 'Music is Better' residents Boys Of Scandinavia and Roger deliver their trademark fusion of electronic dance music and punk/funk grooves. Think Yello and Brian Eno remixing hand in hand the lost Cure B-sides circa '81. Originally intended as an art gallery promo only the compilation was a kind of an underground success in Finland earlier this year, and now a limited pressing is available here too.

                                                                          Random Number

                                                                          Towards The Forlorn Society

                                                                            Randomnumber is the alias of musician Matt Robson, based in Catmobile's home town of Leeds. "Towards The Forlorn Society" is his debut full-length, and at just under an hour, it's an epic, emotive work. Matt realises more fully the depth of a style that has been maturing and progressing since his early noisecore releases on FFR records and his critically acclaimed work for both Rocket Racer (Tristeza, Accelera Deck etc) and Mogwai's rock action. From the furious rhythmic intensity of "The Instances" and "If It Escapes And Gets Out, Then What Do You Do?" to the more brooding, melancholy tracks like "Still Treading The Same Lanes As Last Year" and "All Things Become History", Randomnumber has imbued his music with soul and emotion. Although his music is primarily driven by layers of intricate beats, it also incorporates finely tuned melodies rarely heard in the genre.

                                                                            Enon

                                                                            High Society

                                                                              Traditional rock'n'roll, fused with samples, electronic creations and an 'anything goes' attitude. The songs are rockin' and poppy and downright catchy! Enon feature members of Blonde Redhead, The Lapse and Brainiac.


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