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OLOF DREIJER

Olof Dreijer

Loud Bloom

In a burst of colour and rhythm that cuts a distinctive path through modern club music, Olof Dreijer crystallises his solo work around a gleaming debut solo album, 'Loud Bloom'.

Across the album, Dreijer toys with the tension between pure pleasure music and his tireless thirst for the new. You might hear the structure of a Chicago house beat or a classic drum machine hit, but at every turn these tropes are remoulded into dazzling new forms. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to deliver bold, progressive themes and visionary sci-fi through the accessible lens of romantic fiction, Dreijer makes vividly unconventional dance music utterly instinctive and easy to love.

Ideas and motivations guide Dreijer's hand at all times in the music he makes. The desire to challenge the persistently white, male, Western dominated homogeny of the music scene led him to consciously look elsewhere for vocalists to work with. Bumping misfit house joint 'Makwande' features celebrated South African MC Toya DeLazy, whose deft bars rain down in Zulu and English. Incendiary stomper 'Acuyuye', originally released on the Brujas 12" for Dekmantel, was made with Diva Cruz, a Colombian MC and percussionist. Spring-loaded 'Echoed Dafnino' — also the lead single for the album — features a sweetly pop-tinted Arabic vocal from MaMan, a Sudanese singer based in Cairo.

Foremost, you can hear Dreijer's heart front and centre on 'Loud Bloom', bursting out of his effervescent melodies. Gathering together his peerless body of work to date and teasing the possibilities for the future, it's a perfect affirmation of the singular brilliance that makes his music so utterly essential.

TRACK LISTING

1. Rosa Rugosa
2. Plastic Camelia
3. Cassia
4. Acuyuye (ft. Diva Cruz)
5. Makwande (ft. Toya Delazy)
6. Blood Lily
7. Iris
8. Echoed Dafnino (ft. MaMan)
9. Laurel
10. Verbena
11. Coral
12. Fern Valley
13. Lantanda
14. Shisandra

Olof Dreijer (ex-The Knife) returns to Dekmantel with "Iris", a new 4-track EP, just in time for his North America tour. Featuring remixes by Nidia and Verraco, "Iris" follows his 2024 collab with Diva Cruz, remixes for Björk ft. Rosalía and Röyksopp, plus acclaimed solo EPs on Hessle Audio and AD 93.

Think breakdance-era energy, sound-humour, mutant dancehall and body-synth mischief. "Iris" plays like a garden of sonic creatures—synths mimicking bodily sounds, chopped-up vocal textures, and ‘90s-style chord stabs inspired by Olof’s high school b-boy phase. It’s playful, raw, and weird in the best way.

With over two decades of shapeshifting behind machines and decks, Dreijer’s been a force in electronic music—from festival headliners across Europe to pushing the boundaries with his Oni Ayhun alias. He also co-founded Stockholm’s Bamba Club, a hub for progressive, percussive sounds.

Further recent highlights include co-producing tracks on Fever Ray’s latest album, producing Houeida Hedfi’s debut LP, contributing to projects by Planningtorock and Zhala, remixing Nine Inch Nails, Röyksopp & Robyn, and Emmanuel Jal. An unsurprisingly expansive repetoir for such a skilled and inventive producer.  

STAFF COMMENTS

Matt says: Batshit sounds but unignorable body kinetics make this one of those curveball records that both techno, bass, house and future dancehall DJs will all get some mileage out of. Imagine Equiknox meets Ricardo Villalobos and you're halfway there!

TRACK LISTING

Iris
Iris (nidia Remix)
Blood Lily
Blood Lily (verraco Remix)

Laurie Spiegel / Olof Dreijer

Melodies Record Club #002: Ben UFO Selects

The second instalment of Melodies Record Club 12"s is curated by none other than all round uber-DJ Ben UFO so you'd best sit up and pay attention.
The Hessle don drops a little science on our ass here with two total staples from his DJ sets, neither were originally produced with a club setting in mind, which is why they’ve never been available in this format before.
On one side, we have “Drums” from Laurie Spiegel’s 1980 experimental electronics album “The Expanding Universe”, a collection of tracks produced between 1974 and 1976 using a computer playing the actual sounds by controlling analog synthesis equipment under control of the GROOVE hybrid system developed by Max Matthews and F.R. Moore at Bell Labs. Drums is a percussive seven minute computer generated workout inspired by Laurie’s interest in African and Indian musics, and which brings to mind the most far out kosmiche music of the period to modern day techno. A connection Ben has tried to make explicit by including it in his first BBC essential mix back in 2013.
On the flip we have a track by Olof Dreijer from the Swedish band the Knife who’s work you might also be familiar with under the moniker Oni Ayhun. Back in 2009 his artist friend Adnan Yildiz curated an exhibition called “THERE IS NO AUDIENCE” in Montethermoso, dedicated to public imagination. Adnan commissioned a single piece from Olof called “Echoes from Mamori”, that played on loop during the exhibition and was subsequently released only on CD. A contemporary piece more clearly indebted to house music, Olof built the track around arpeggios generated using sounds of frogs he recorded in the Amazon and birds around Berlin, fed into a sampler.


STAFF COMMENTS

Patrick says: In case you're still missing the memo, Ben UFO is pretty much as good as DJs get, so the opportunity for two of his secret weapons on one 12" is especially tasty. On the A-side we get hypnotic, tribal electronics from Laurie Spiegel - think alternative kosmische for the club, while the flip sees Olof Dreijer (of The Knife / Oni Ayhun fame) turn out a masterpiece of techno-tropical, Afro-electronix joy.

TRACK LISTING

A1. Laurie Spiegel - Drums
B1. Olof Dreijer - Echoes From Mamori


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