Search Results for:

GENESIS

Tim Burgess

A Gain / Stoned Alone Again Or - Seahawks Remix / Hours - Tandy Love Remix

O.Genesis present a super Limited 12" Pressing, exclusive to Piccadilly Records, of remixes from Tim Burgess' recent, critically acclaimed, album "Oh No, I Love You".

Seahawks delivers a stunning 11 minute remix of "A Gain//Stoned Alone Again Or (Seahawks Remix)", exclusive to 12", whilst on the flip Tandy Love aka Andy Votel brings his remix skills to "Hours".



TRACK LISTING

A – A Gain // Stone Alone Again Or (Seahawks Remix)
B – Hours // Tandy Love (Andy Votel Remix)

Genesis / Sangre Joven

Cumbia Cienaguera (Jacques Renault) / Chevere (jacques Renault Edit)

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience.

It's another winner from Mushroom Pillow - the same label that you the Joe Bataan Andres remix, the JD Twitch tweak of Cumbia Moderna De Soldedad and the Phenominal Handclap Band / Jose Parla mix of Alfredo Linares. 

STAFF COMMENTS

Matt says: Mushroom Pillow enlist Jacques Renault for another double header of Latin reworkings. Obviously the Genesis in question here isn't the long serving UK rock band, but the Colombian folk-rock band popular in 1970s. Meanwhile Sangre Joven's harmonica-driven powerhouse gets nicely tailored for modern dancefloors under Renault's talented hand. Mega 7"!

TRACK LISTING

Genesis - Cumbia Cienaguera. Jacques Renault Mix
Sangre Joven - Chevere Jacques Renault Mix

Elvin Jones

Genesis - 2023 Reissue

    Elvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time. Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones’ incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it’s removed from the jacket.

    Genesis

    BBC Broadcasts

      3LP
      ‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time. Curated by Genesis founding member Tony Banks and the group’s long-time engineer and producer Nick Davis this 3LP set includes 24tracks, all of which are making their first appearance on the format. The vinyl set also includes fully illustrated inner bags containing extensive sleeve notes by respected music writer Michael Hann.

      5CD
      ‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time. Curated by Genesis founding member Tony Banks and the group’s long-time engineer and producer Nick Davis this 53-track, 5-CD set includes a treasure trove of rare and previously unreleased material and comes with a fully illustrated 40-page booklet containing extensive sleeve notes by respected music writer Michael Hann.

      Jorge Elbrecht

      Presentable Corpse 002

        Jorge Elbrecht joins the O Genesis roster for a special edition release of Presentable Corpse 002. Although Jorge Elbrecht may be a new name to UK music fans, he already has an illustrious and varied body of work to his name, thanks to his prolific output as a solo recording artist, producer, mixer, and visual artist. Born in Costa Rica and raised in the U.S., Elbrecht’s production and collaboration credits with the likes of Sky Ferreira, Japanese Breakfast, Gang Gang Dance, No Joy, Geneva Jacuzzi, and countless others have given him a well-deserved reputation as one of the most in-demand and respected names in independent music today.

        Presentable Corpse 002 is the inaugural full-length collection of his ongoing Presentable Corpse recordings. Elbrecht himself describes Presentable Corpse as “sunshine pop” that contains lyrics written from the perspective of a fictional Vietnam-era soldier at war, conveying a story of regret, homesickness, combat fatigue, and political anger.

        Information about Elbrecht largely comes from The Executor(s) of the Estate of Jorge Elbrecht, who claims full control over the artist’s creative output, both past and present. According to the estate, Elbrecht’s “disaffection with the milieu of the day developed into a pathology by his late twenties, resulting in dangerously high levels of stress and anxiety as the thematic content of his work grew darker.”

        Presentable Corpse 002 is sure to not only delight Jorge Elbrecht’s already sizeable fan-base with its disarmingly inviting psychedelic sunshine pop, but also gain a considerable and well-deserved new following in the UK and Europe. 


        TRACK LISTING

        1. Blocking Out The Horror
        2. This Time Or Never
        3. Tuesday Morning
        4. Ancient Grief
        5. The Clouds Are Gone
        6. Brittle Vines Break
        7. Fading Memory
        8. Run & Hide
        9. The Springtime Brigade
        10. Dawn Is Creeping
        11. Leaf Cycle
        12. Piereced By The Ice 

        On "Neon Genesis: Soul Into Matter²" Meemo Comma (a.k.a. Lara Rix-Martin) takes Kabbalistic text and Jewish prayer and guides them through twinkling ambient synths, breakbeats and cranking industrial noise, full of strange wonder and drama. You can hear soft synths transmuted into choirs of seraphim and moments of occulted dancefloor rapture, from Aramaic chanting and ravey breakbeats to readings from the Zohar. It is quite beautiful at times. Jewish mysticism is at the root of Western esoteric beliefs and therefore has formed the structure of many films and books that explore the question of humanity.

        Inspired by the visuals of Evangelion and nineties anime soundtracks such as Ghost In The Shell (and its later Stand Alone Complex series), the new Meemo Comma album is a soundtrack to an imaginary anime that, like its real counterparts (e.g. Full Metal Alchemist), takes the beautiful parts of Kabbalah and sets them to science fiction stories. When asked about the themes that inform her new album, Lara Rix-Martin says "Judaism is filled with many tales and teachings that prevail in science fiction to this day - whether consciously or not. Sci-Fi is the genre best equipped to explore the immensity and challenges of human experience. Something that Judaism has also been attempting for over three thousand years." "I watched Ghost in the Shell when I was 14 and it was so striking, visually and sonically. The soundtrack has acted as a backdrop to explore my Jewish identity. I have been reading the Talmud since last year, discovering a deeper love for Jewish stories and teachings.

        There are some beautiful, hopeful ideas in Kabbalah too, which were a central inspiration to this album such as the idea that the first human was non-gendered and just this form made up from the qualities of HaShem (God) who performed 'Tzimtzum', contracted their form using their Ein Sof (eternal light) to create 'Adam Kadmon' whose form split into all human souls." Lara playfully subheads her album: “In the year 5781 humanity is ever closer to becoming a singular consciousness. A team of humans are forming an android, Adam Kadmon (CODENAME: UNIT KADMON). First, humans have to gain higher consciousness guided by the Sefirot.“ While you don't have to know about these influences to enjoy the music, it stands true that the intention is an irreverent love letter to the way grand myths are birthed into the future through new forms, retaining their beauty and elegance

        TRACK LISTING

        A:
        1/Upload To Unit Kadmon
        2/Neon Genesis: Title Sequence
        3/Tikkun Olam
        4/Ein Sof
        5/Tzimtzum
        6/Gevur
        7/Genesis 8:22 – Annihilation
        8/Tohu & Tikun

        B:
        1/Tif’eret
        2/Unit Chai
        3/Yetzirah
        4/Merkabah
        5/Nefesh
        6/End Credits

        Richard Youngs & Daniel O'Sullivan

        Twelve Of Hearts

          Twelve of Hearts is the debut album by experimental songwriters, Daniel O’Sullivan and Richard Youngs.

          Each song has four chords. No more. No less. They cycle without variation. They never change key. As Youngs sings on Oblivion Riviera, this is “the glittering formula”.

          The music is augmented by an array of sources including piano, tape machines, guitars, reeds, strings, metal sheet and computer. Constructed over several months - O’Sullivan in London, Youngs in Glasgow - only material strictly adhering to the formula has made it on to this release. The result is a cycle of 12 songs based on one chord progression.

          After releasing O’Sullivan’s two solo albums ‘Veld’ and ‘Folly’ and Youngs’ 2018 album ‘Belief’, this is the duo's first for Tim Burgess' O Genesis label.

          TRACK LISTING

          A1 First Throw Of The Ocean
          A2 Big Old Star
          A3 Fear Catches The Sky
          A4 Long Joyful Dream
          A5 The Gate
          A6 Touch Of The Sun
          B1 Don't Hang With Angels
          B2 Oblivion Riviera
          B3 In The August Dream
          B4 Like I Need To Be Amazed
          B5 Remain The Fool
          B6 Twelve Of Hearts

          Tim Burgess

          Inspired Again - Signed Edition

            Limited edition pressing of 300 copies on 7” of “Inspired Again” taken from the Record Store Day album “As I Was Now”. The single comes backed with an exclusive track, a cover of Suicide’s “Cheree” .


            TRACK LISTING

            Side One: Inspired Again
            Side Two: Cheree

            Richard Youngs

            Belief

              Youngs recorded the album in his hometown, Glasgow, as a cycle of chamber songs, a 21st century update of the solo album – one musician playing all the instruments in a small one-room set up. The album itself began with Youngs collecting his own percussion samples: from handclaps, a battered old cymbal, an extractor fan vent, FM radio interference, cassette hiss and a kick from “a disastrously ‘80s sounding drum machine”. These were then used to programme beats, played back at randomly determined tempos in durations mapped to randomly chosen major label songs.

              The original plan was to send Belief out to the ‘major’ labels and collect the rejection letters as an art project. But, as soon as the album had been mixed, Daniel O’Sullivan (Grumbling Fur, This Is Not This Heat) played the songs to Tim Burgess and before the mail art project could take off, Belief became Richard’s debut for Tim Burgess’ O Genesis Recordings label.


              TRACK LISTING

              A1: My Own 21st Century (3'48")
              A2: Nebulosity (3'17")
              A3: Feeling Like Dystopia (4'06")
              A4: As The Mind Shrinks It Tends Towards Disappearing (2'38")
              A5: Bewilderment (2'34")
              B1: In Another Fog (2'27")
              B2: I Wasn't Alone (2'08")
              B3: Caledonia Running Out Of My Mind (3'25")
              B4: Can You Not See My Intensity? (2'32")
              B5: Otherwise Ourselves (1'39")
              B6: Great Breath Of Wonderment (3'33")

              ‘Over You’, recorded and self produced in London last year, was mixed by Tim Burgess and Jim Spencer and features eleven tracks including the forthcoming single ‘Medicine’

              Meet Throwing Up. Their music is the sound of a kind of sticker book collage of the best of the past and the present, with one eye on the future. There are clues that they're from London and it's 2013 but they could be from anywhere, anytime in the last 30, or even the next 10 years – ‘Over You’ builds a house on these raw foundations. With their whistle at the bus stop hooks and snappy tunes their songs are stripped back, yet so catchy too… it’s Agit pop like we’ve not seen in a while. A little bit of something to shake the mainstream up but happy to be a poster on your bedroom wall too – We love Camille and Clare and we reckon the world will too. We love Throwing Up and they’re what we really need right now!

              Throwing Up began early last year when Camille Benett (vocals/guitar) and Clare James Clare (bass/vocals) both formerly of unhinged girl-rage rock quartet Headless teamed up with drummer Andrew Moran. The trio have since built up a great reputation for their explosive live shows which combine the emotional impact of their songs with irreverent delivery and theirs is a sweet spot somewhere between self-awareness and youthful innocence.

              TRACK LISTING

              1. Red Ribbon
              2. Big Love
              3. Snake
              4. Toothache
              5. Mother Knows Best
              6. Sarah
              7. Gone Again
              8. Bother You
              9. Stomach Pain
              10. Medicine
              11. When I Touch You

              Jack Underwood

              Wilderbeast

              "A few months ago it was decided that OGen004 would be a vinyl and digital release of some poems by Jack Underwood. We had no real idea how much interest would be generated by a 7" single of poetry but everyone who had heard Jack's poetry seemed to like it and the idea was we would treat it like any other release of a song by a band - we thought that if we didn't make out we thought it was a little odd that nobody else would."

              Debut single from this Leeds via Manchester via London duo on the fledgling O Genesis Recordings label.

              Replicas, Helena Gee (vocals/ guitar) and Ashiya Eastwood (vocals/ guitar/ keyboard), formed at the end of last year and have been quietly building a growing fan base around the country with their enchanting slant on moody, yet melodic pop.

              Produced by Tim Burgess, the new single is a three track EP featuring ‘Hearts Beat’, ‘In The City’ and Disappear’.

              TRACK LISTING

              A1: Hearts Beat (33 Rpm)
              A2: The City (33 Rpm)
              AA: You Disappear (45 Rpm)


              Latest Pre-Sales

              202 NEW ITEMS

              E-newsletter —
              Sign up
              Back to top