Tornamented Walls is the first result of a collaboration that began in 2022. The album is a freeze-frame of emergence: personal preparations prior and minor aside, the album was live and improvised. Rosa Anschütz sings, speaks, plays harmonium, and utilizes a looper as an instrument in itself. Her symbolic prose is at the heart of the music, emotionally direct yet haunted by a translucent potential of meaning. In lockstep with the voice, Tennota dissolve the dense rhythmic complexity of their recent work into a creeping mantra, the material interrogated until the patina of the sound is the music itself.

Tornamented Walls floats on top of a wave of slow-motion techno influences, a deepened ambient and experimental perspective, and a feel of subtle and subdued lyricism not strictly limited to its vocal parts. It is a record of darkly ambient and abstracted techno pop, listening music to be played loud. More disenchanted than dark, it is confrontational through its fearless incorporation of a widely varying set of different states of mind.

Tennota are Tom Wheatley & Grundik Kasyansky. Since 2019, they have been reimagining the relationship between physical and digital worlds through music, using gut strings, sine waves, tree sap, and feedback, and flexing them over contemporary technologies into an elemental suspension. Not futuristic, but rather an alternative present.

Rosa Anschütz is an artist and musician whose sound-based practice is framed by sculpture, installation, and scenography. Her meditative and sometimes haunting compositions combine the dark ambiance of post-punk and cold wave with ethereal polyphony, synth-driven melodies, and spoken word.

Теnnota & Rosa Anschütz will be touring in April, stopping over in Eupen on April 18th for a concert night at the Galerie vorn und oben. Further on the bill that night will be Tristwch Y Fenywod.

TRACK LISTING

The Legacy
Trading
Persistence
Nobody Sees
Bleiche
Rust Light

This record is the first complete collaboration between Lefteris Volanis and Dimitris Pagidas who along with Vasilis Dokakis have formed the trio No Clear Mind over the past 15 years.

“Outside the long walls” is a musical creation whose canvas is filled primarily with a mix of electronic and guitar, organic synthesizer sound, saxophone, electric pianos bound together with drums and percussion, xylophone along with intervening soundscapes. There is a deeply melodic work with a strict sonic and timbre aesthetics that reference the new wave and post-punk outsiders, folk, progressive, space rock and world music for the past decade interspersed with tributes to the soundtracks of the 60s and 70s European cinema.

The band use both Greek and English lyrics interchangeably since the vocals are simply a means of achieving aural magic.

STAFF COMMENTS

Matt says: Beguiling mix of pastoral elements, jazz arrangements, exotic instrumentation and suspended serenity make "Outside The Long Walls" a compelling and rewarding listen.

TRACK LISTING

A1. Crystals
A2. Mesaionas
A3. Lealaps
A4. In Dreams I Wake Up
A5. Angels
B1. Outside The Long Walls
B2. August
B3. London
B4. Goodbye To Purity
B5. A Soul Unknown

Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before EVOL was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” 

TRACK LISTING

1. C.B.
2. Green Love
3. Brother James
4. Kill Yr. Idols
5. “Mad” Groove
6. I Love Her (All The Time)
7. Expressway To Yr. Skull
8. Spahn Ranch Dance
9. “Blood On Brighton Beach”
10. Burning Spear
11. Death Valley ’69
12. Speed JAMC
13. Ghost Bitch
14. World Looks Red
15. The Word (E.V.O.L)
16. Brother Jam-Z
17. Killed And Kicked Off

Brighton's Dan Reeves is a busy guy. In addition to running his own label, Faux Discx Records & playing in the band Cold Pumas, he also records under the moniker "Soft Walls". These 10 songs are meditations on the passing of time itself & the pre-conceived notions (both external & internal) of what you can & should be doing with it. Filled with avant-leaning psych drones, dreamy guitar ragas, motorik head-boppers, & pop tunes that shimmer enticingly, these are songs to get lost in; to discover & re-discover. Don't worry - there's plenty of time.

‘Between The Walls’ is the third album by About Group - Charles Hayward (This Heat, Camberwell Now), John Coxon (Spring Heel Jack, Spiritualized), Pat Thomas (has played with Derek Bailey, Tony Oxley), Alexis Taylor (Hot Chip).

Alexis Taylor: “I think the excitement of making music is what I can hear in this record. John’s guitars on ‘Love Because' make me think of buzzing flies swinging wildly around the musical centre of the situation. That the centre is unstable as no one knows what song I am playing, makes me think of the controlled chaos of ‘Like Flies On Sherbert’ or a Cramps record, but ours sounds like it is playing at half speed.”

LIMITED EDITION CD VERSION OF THE NEW PETER BRODERICK RELEASE: ITS COMES IN A SPECIAL SLIPCASE, WITH AN EXTRA BOOKLET, EACH ONE AUTOGRAPHED BY PETER BRODERICK.

October 22, 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled These Walls of Mine. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

IN HIS OWN WORDS: “I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release. These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet. And then I sang and sang and sang. I love singing. And I love cats.” – PETER BRODERICK.

October 22, 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled These Walls of Mine. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

IN HIS OWN WORDS: “I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release. These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet. And then I sang and sang and sang. I love singing. And I love cats.” – PETER BRODERICK.

Having presented us with a couple of cross-pollinated underground 12"s previously, The Hundred In The Hands now step things up a bit before the release of their self-titled debut album by bringing us "Pigeons" one of the more upbeat and mainstream cuts from the LP. Indie-pop in the vein of Au Revoir Simone, but with a house-tinted dancefloor edge, the track is an absolute beauty. Obviously we don't escape without a set of alternative reworks, which kick off with a future beats version from Blawan. Percussive and sub-wobbling, this is a must for post-dubstep fans. Walls take over side B with one of their epic ambient-infused tech-house versions for the dancefloor.

San Francisco's the Franciscan Hobbies fourth full-length album (& second proper CD) of cooperative folk-noise and abstract nature processionals. Based around Thuja-explorers Glenn Donaldson, Loren Chasse and Rob Reger, this free-form musical body also encompasses another half-dozen friends from like minded bands such as the Muons, the Buried Civilizations, Leaf Yard the the Shitty Listeners. The Franciscan Hobbies are part of the expansive Jewelled Antler forest of bands and projects.

This second single from The Cherubs: Chugging Strokes-ey guitars, heaps of energy and damn fine tunes too. We like!!!!!!

Fred Neil is one of those characters whose enigmatic personaes often overshadow their music. His story resonates with the sort of details familiar to fans of Syd Barrett, Nick Drake or Tim Buckley. Bags of talent, a maverick spirit and TOO MANY DRUGS. Neil had a superb rich baritone voice and these early sixties recordings capture his charismatic presence and show his compelling songwriting abilities. His recent death from cancer ends speculation that his 25 year silence could end, but the quality and richness of this disc will do much to satisfy those interested in discovering this huge lost talent.