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WALLS

Lefteris Volanis / Dimitris Pagodas

Outside The Long Walls

This record is the first complete collaboration between Lefteris Volanis and Dimitris Pagidas who along with Vasilis Dokakis have formed the trio No Clear Mind over the past 15 years.

“Outside the long walls” is a musical creation whose canvas is filled primarily with a mix of electronic and guitar, organic synthesizer sound, saxophone, electric pianos bound together with drums and percussion, xylophone along with intervening soundscapes. There is a deeply melodic work with a strict sonic and timbre aesthetics that reference the new wave and post-punk outsiders, folk, progressive, space rock and world music for the past decade interspersed with tributes to the soundtracks of the 60s and 70s European cinema.

The band use both Greek and English lyrics interchangeably since the vocals are simply a means of achieving aural magic.

STAFF COMMENTS

Matt says: Beguiling mix of pastoral elements, jazz arrangements, exotic instrumentation and suspended serenity make "Outside The Long Walls" a compelling and rewarding listen.

TRACK LISTING

A1. Crystals
A2. Mesaionas
A3. Lealaps
A4. In Dreams I Wake Up
A5. Angels
B1. Outside The Long Walls
B2. August
B3. London
B4. Goodbye To Purity
B5. A Soul Unknown

Sonic Youth

Walls Have Ears - 2024 Reissue

    Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

    The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before EVOL was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

    In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

    The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” 

    TRACK LISTING

    1. C.B.
    2. Green Love
    3. Brother James
    4. Kill Yr. Idols
    5. “Mad” Groove
    6. I Love Her (All The Time)
    7. Expressway To Yr. Skull
    8. Spahn Ranch Dance
    9. “Blood On Brighton Beach”
    10. Burning Spear
    11. Death Valley ’69
    12. Speed JAMC
    13. Ghost Bitch
    14. World Looks Red
    15. The Word (E.V.O.L)
    16. Brother Jam-Z
    17. Killed And Kicked Off

    Seafoam Walls

    XVI

      Singer/songwriter and guitarist Jayan Bertrand, bassist Josh Ewers, electronic drummer Josue Vargas and guitarist Dion Kerr have coined new genre “Caribbean Jazzgaze” to describe their wholly unique combination of jazz, shoegaze, rock, hip-hop, and Afro-Caribbean rhythms that is Seafoam Walls.Seafoam Walls caught the attention of cultish music and art communities around South Florida with a soundtrack befitting of their dark tropical paradise, and have remained a Miami secret since 2016. Bandleader Jayan began his journey as a musician listening to metal and classic rock. His first formal lessons after a year of self-taught practice came from a family friend and talented jazz guitarist, Bemol Telfort. Although jazz wasn’t his first love but opened his heart to explorations of free improvisation which led to an introduction to Dion, Josh, and Josue — all active members on South Florida’s jazz scene.

      Seafoam Walls released their first EP, titled R-E-F-L-E-C-T in 2018 and ROOT in 2019 via Bandcamp.The band recently attracted international rock n roll consciousness following a secret all-ages matinee in the gardens of North Miami’s Centre for Subtropical Affairs with DC hardcore photographer Susie J (Teen Idles, Minor Threat, et al.) and Sonic Youth’s Thurston Moore front row centre. The Miami indie band completed the eight-track album entitled XVI earlier this year. Norwegian sound artist Lasse Marhaug mastered the work, and the band will stream three singles through the summer and autumn months before releasing the complete album at the end of 2021 on seafoam-green coloured vinyl via Daydream Library Series

      TRACK LISTING

      1.Sound Check (1:52)
      2.You Can’t Have Your Cake And Ego Too (5:37)
      3.Ai (6:02)
      4.Dependency (2:36)
      5.You Always Said (5:45)
      6.Program (2:51)
      7.See (4:14)
      8.Rushed Rain (5:49)

      Son Lux

      At War With Walls & Mazes

        Ryan Lott, who’s helmed the synth-rock project Son Lux for the past decade, is the kind of songwriter who can turn the most intimate moments sweeping and majestic. His albums treat crisp, minuscule detail with cinematic grandeur.” Pitchfork…. Around 2008 Ryan Lott asked himself this question: ”Can I make a pop record that doesn’t rely on a verse/chorus formula?” In many ways Lott’s first two releases as Son Lux represent his response to that query. At War With Walls & Mazes and We Are Rising documentone of the most compelling musicians of the 21st century finding a distinctive creative voice, while making strikingly original music along the way. Lott turned to sonic texture as a source of musical sustenance, crafting a dynamic mosaic of sound inspired by the collagist technique of hip-hop beat makers. The soundscapes Lott created merged a panoramic symphonic palette with the propulsiverhythmic urgency of hip-hop.

        The only thing missing was a voice, a role Lott hadn’t intended to fill himself. "Some friends helped me to hear in my own voice something that really worked with themusic,” Lott says. "They've both been out of print for awhile. But more importantly, I'm proud of the music, and I feel like it set the right foundation for my catalogue as Son Lux, so it makes sense to bring it back on vinyl and shed some light on it now that the project has a broader audience."Eleven years after his debut as Son Lux, Joyful Noise Recordings is reissuing these first two works on vinyl. A decade after inception, Son Lux has now shifted from Lott’s singular vision into a three-piece ensemble featuring virtuoso musicians Ian Chang on drums, and Rafiq Bhatia on guitar. But Lott’s initial Son Lux recordings still point toward an exciting musical future that contemporary pop music has yet to realize. 

        TRACK LISTING

        1 Prologue
        2 Break
        3 Weapons
        4 Betray
        5 Stay
        6 Raise
        7 Tell
        8 Wither
        9 Stand
        10 War 1
        1 Epilogue

        Billy Bragg

        Bridges Not Walls

          Life comes at you real fast these days. What’s a singer-songwriter to do when events keep challenging the way that we see the world? Before we’ve had a chance to digest one startling development, along comes another to throw us off balance again. I’ve been grubbing up songs for the past 12 months, but without the space to get an album together due to other projects, so I’ve decided to start dropping tracks, one a month between now and the end of the year. As always, they’re my way of trying to make some sense of what’s going on. The Sleep of Reason Produces Monsters is the name of an etching created in 1799 by the Spanish artist Francisco Goya. The title struck a chord with me when trying to understand the events of last year. The lies and hubris of the Leave campaign in our EU referendum was echoed and amplified by Donald Trump’s presidential campaign. Only by restoring empathy and reason can we hope to defeat the monstrous forces of nationalism and untruth.

          Multi-platinum selling US rock band Kings Of Leon release their hugely anticipated seventh studio album via Columbia Records. Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed into an experimental rock outfit during the 2000s. The Tennessee-bred quartet debuted in 2003 with the Holy Roller Novocaine EP, whose blend of raw, unpolished boogie rock was further explored on their debut full-length, Youth & Young Manhood.

          TRACK LISTING

          1 Waste A Moment
          2 Reverend
          3 Around The World
          4 Find Me
          5 Over
          6 Muchacho
          7 Conversation Piece
          8 Eyes On You
          9 Wild
          10 Walls

          Brighton's Dan Reeves is a busy guy. In addition to running his own label, Faux Discx Records & playing in the band Cold Pumas, he also records under the moniker "Soft Walls". These 10 songs are meditations on the passing of time itself & the pre-conceived notions (both external & internal) of what you can & should be doing with it. Filled with avant-leaning psych drones, dreamy guitar ragas, motorik head-boppers, & pop tunes that shimmer enticingly, these are songs to get lost in; to discover & re-discover. Don't worry - there's plenty of time.

          About Group

          Between The Walls

            ‘Between The Walls’ is the third album by About Group - Charles Hayward (This Heat, Camberwell Now), John Coxon (Spring Heel Jack, Spiritualized), Pat Thomas (has played with Derek Bailey, Tony Oxley), Alexis Taylor (Hot Chip).

            Alexis Taylor: “I think the excitement of making music is what I can hear in this record. John’s guitars on ‘Love Because' make me think of buzzing flies swinging wildly around the musical centre of the situation. That the centre is unstable as no one knows what song I am playing, makes me think of the controlled chaos of ‘Like Flies On Sherbert’ or a Cramps record, but ours sounds like it is playing at half speed.”

            Peter Broderick

            These Walls Of Mine (Deluxe Edition)

              LIMITED EDITION CD VERSION OF THE NEW PETER BRODERICK RELEASE: ITS COMES IN A SPECIAL SLIPCASE, WITH AN EXTRA BOOKLET, EACH ONE AUTOGRAPHED BY PETER BRODERICK.

              October 22, 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled These Walls of Mine. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

              IN HIS OWN WORDS: “I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release. These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet. And then I sang and sang and sang. I love singing. And I love cats.” – PETER BRODERICK.

              Peter Broderick

              These Walls Of Mine

                October 22, 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled These Walls of Mine. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

                IN HIS OWN WORDS: “I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release. These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet. And then I sang and sang and sang. I love singing. And I love cats.” – PETER BRODERICK.

                The Hundred In The Hands

                Pigeons - Inc. Blawan / Walls Remixes

                  Having presented us with a couple of cross-pollinated underground 12"s previously, The Hundred In The Hands now step things up a bit before the release of their self-titled debut album by bringing us "Pigeons" one of the more upbeat and mainstream cuts from the LP. Indie-pop in the vein of Au Revoir Simone, but with a house-tinted dancefloor edge, the track is an absolute beauty. Obviously we don't escape without a set of alternative reworks, which kick off with a future beats version from Blawan. Percussive and sub-wobbling, this is a must for post-dubstep fans. Walls take over side B with one of their epic ambient-infused tech-house versions for the dancefloor.



                  Franciscan Hobbies

                  Walls Are Stuck

                    San Francisco's the Franciscan Hobbies fourth full-length album (& second proper CD) of cooperative folk-noise and abstract nature processionals. Based around Thuja-explorers Glenn Donaldson, Loren Chasse and Rob Reger, this free-form musical body also encompasses another half-dozen friends from like minded bands such as the Muons, the Buried Civilizations, Leaf Yard the the Shitty Listeners. The Franciscan Hobbies are part of the expansive Jewelled Antler forest of bands and projects.

                    Cherubs

                    Club Hoola Hoop's Walls

                      This second single from The Cherubs: Chugging Strokes-ey guitars, heaps of energy and damn fine tunes too. We like!!!!!!

                      Fred Neil

                      Tear Down The Walls (with Vince Martin) And Bleecker & MacDougal

                        Fred Neil is one of those characters whose enigmatic personaes often overshadow their music. His story resonates with the sort of details familiar to fans of Syd Barrett, Nick Drake or Tim Buckley. Bags of talent, a maverick spirit and TOO MANY DRUGS. Neil had a superb rich baritone voice and these early sixties recordings capture his charismatic presence and show his compelling songwriting abilities. His recent death from cancer ends speculation that his 25 year silence could end, but the quality and richness of this disc will do much to satisfy those interested in discovering this huge lost talent.


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