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The Muffs

The Muffs - 2024 Reissue

    Their classic debut, expanded and back on vinyl! The Muffs burst onto the California music scene at the beginning of the ’90s, and after a few independent singles and EPs, they were quickly snapped up by Warner Bros. Records. Entering the studio with David Katznelson and Rob Cavallo (who would go on the helm records from Green Day, Goo Goo Dolls, and more), The Muffs roared from speakers across the country in 1993.

    According to renowned critic Jim DeRogatis, “You’d have to reach all the way back to Blondie’s Plastic Letters to find punkish power pop this endearing.” The quartet rips through the album’s 16 tracks, ranging from and an Angry Samoans cover, to the college radio smash, “Lucky Guy.” In addition, alt-rock superstar Jon Spencer (Pussy Galore and his own Blues Explosion) adds some theremin and The Godfather Of Exotica Korla Pandit’s Hammond Organ makes an appearance. Even the beverage Fruitopia caught the buzz, using the album’s “Everywhere I Go” in a popular television campaign.

    This expanded reissue, now on double color vinyl contains the classic original album, and adds a whopping 10 bonus tracks making their vinyl debut: a radio remix of “Lucky Guy,” a version of “Everywhere I Go” which was only available on the cassette of The Muffs album, and 8 demos from the band’s vocalist and lead guitarist, Kim Shattuck. Released with full cooperation from the band, the double-LP contains liner notes from Shattuck and bassist Ronnie Barnett, and features photos and other ephemera from their personal archives. Omnivore Recordings is proud to present this expanded classic on LP. It’s time to go back to where it all started. It’s time for The Muffs.

    TRACK LISTING

    Lucky Guy
    Saying Goodbye
    Everywhere I Go
    Better Than Me
    From Your Girl
    Not Like Me
    Baby Go Round
    North Pole
    Big Mouth
    Every Single Thing
    Don't Waste Another Day
    Stupid Jerk
    Another Day
    Eye To Eye
    I Need You
    All For Nothing
    Lucky Guy (radio Remix)
    Everywhere I Go (cassette Version)
    All For Nothing (4-track Demo)
    Do You Want Her (4-track Demo)
    I Don't Expect It (4-track Demo)
    My Face (4-track Demo)
    Something On My Mind (4-track Demo)
    Ethyl My Love (4-track Demo)
    Not Like Me (4-track Demo)
    Saying Goodbye To Phil (4-track Demo)

    Jeff Tweedy

    Chelsea Walls

      Soundtrack from Academy Award-nominated actor Ethan Hawke’s 2001 film.

      Songs written by Wilco’s Jeff Tweedy with the score performed by Tweedy and Glenn Kotche Featuring two previously unissued bonus tracks. Includes performances by Wilco, Billy Bragg, Robert Sean Leonard, “Little” Jimmy Scott, and more.

      Packaging features new liner notes from Ethan Hawke, Glenn Kotche, and a conversation between Jeff Tweedy and Grammy®-winning set producer Cheryl Pawelski “It was pivotal for me. There was a burst of creativity that continues to this day because I took the last remaining guardrails off of what I’d been willing to allow myself to do.” –Jeff Tweedy

      The same year of his Oscar®-nominated performance in Training Day, Ethan Hawke made his full-length film directorial debut with Chelsea Walls (starring Kris Kristofferson, Uma Thurman, Vincent D’Onofrio, Robert Sean Leonard, and more). A fan of Wilco, Hawke approached Jeff Tweedy about scoring the film, and Tweedy agreed. Around this time, Tweedy had collaborated with musician and producer Jim O’Rourke (Sonic Youth, Stereolab) for a special live performance. As fate would have it, O’Rourke had been working with Glenn Kotche, and O’Rourke introducing Tweedy to Kotche would lay the groundwork for the trio’s work together on the debut album by their band, Loose Fur. Tweedy also asked Kotche to work with him on an improvised soundtrack to the movie he had agreed to score.

      TRACK LISTING

      1. Opening Titles
      2. Red Elevator
      3. Promising
      4. Frank’s Dream
      5. When The Roses Bloom Again
      6. Jealous Guy
      7. The Wallman
      8. The Lonely 1
      9. Hello, Are You There?
      10. Softly And Tenderly Jesus Is Calling
      11. Finale
      12. End Credits
      13. Finale (Extended) [Bonus Track]
      14. Promising [Bonus Track]

      Big Star

      In Space

        Big Star formed in 1971, and in their brief 4 years together, created 3 albums that consistently make “Best of All-Time” lists. 18 years after officially disbanding, original members Alex Chilton and Jody Stephens joined forces with The Posies’ Jon Auer and Ken Stringfellow for a live performance, which led to a tour (documented on Omnivore Recordings’ Live In Memphis), and years of concerts. While the live shows were a joy and surprise, a bigger surprise happened in 2005. After over a decade playing together: a new studio album. As Ryko A&R’s Jeff Rougvie said. “It was the easiest approval for a project I ever got.” In Space featured new 12 tracks (11 originals and a cover of The Olympics’ “Mine Exclusively”) recorded where Big Star began, at the classic Ardent Studios.

        The new line up was creating a new chapter for the band while minding and honoring its past. With original vinyl going for outrageous prices, In Space returns as an LP on translucent blue vinyl, and expanded CD with 6 bonus tracks including “Hot Thing” (previously available on the out-of-print Big Star Story) and 5 previously unissued demos and alternate mixes. Packaging contains liner notes from Rougvie, original album co-producer/engineer Jeff Powell (who also cut the new vinyl), assistant Ardent engineer Adam Hill, and surviving band members Jon Auer, Ken Stringfellow, and Jody Stephens. Expanded and remastered, In Space finally returns to earth. Prepare to blast off again

        Soul Asylum

        Twin/Tone Extras

          • New compilation featuring tracks from early Soul Asylum (then known as Loud Fast Rules) and select bonus tracks from the Soul Asylum CD reissues.
          • Includes alternate takes, demos, cassette-only compilation tracks and more.
          • Reissue co-produced by Twin/Tone co-founder Peter Jesperson and Grammy®-winning producer Cheryl Pawelski. Soul Asylum first hit the Minneapolis music scene in early 1981.

          This special compilation picks up select bonus tracks featured on the CD reissues of Soul Asylum’s Twin/Tone releases and is co-produced by Twin/Tone Records co-founder and Replacements manager, Peter Jesperson and Grammy®-winner and Omnivore Recordings co-founder, Cheryl Pawelski. This previously unissued, unique compilation reaches back for some of the earliest Soul Asylum recordings as Loud Fast Rules while also offering alternate versions of some well know songs. Twin/Tone Extras has been restored and mastered by Grammy®-award winning engineer, Michael Graves at Osiris Studio and cut by Chris Muth at Taloowa.


          Soul Asylum

          Clam Dip & Other Delights

            • Soul Asylum’s classic EP expanded to LP length.
            • Original EP produced By Tom Herbers.
            • First time on vinyl since original U.K. & U.S. pressings.
            • Reissue co-produced by Twin/Tone co-founder Peter Jesperson and Grammy®-winning producer Cheryl Pawelski.

            Originally produced by Tom Herbers (Jayhawks, Gear Daddies, Low), this reissue is co-produced by Twin/Tone Records co-founder and Replacements manager, Peter Jesperson and Grammy®-winner and Omnivore Recordings co-founder, Cheryl Pawelski. Clam Dip & Other Delights is now newly expanded to album length and features the original tracks from the U.K. and U.S. releases, and some previously unissued demos cut around the same time. Additionally, this fresh expanded vinyl pressing of Soul Asylum's Clam Dip & Other Delights is the first since it’s original 1988 U.K. and 1989


            Soul Asylum

            Say What You Will...Everything Can Happen

              • Soul Asylum’s debut album.
              • Produced by Bob Mould (Hüsker Dü).
              • First time on vinyl since original pressing
              • Reissue co-produced by Twin/Tone co-founder Peter Jesperson and Grammy®-winning producer Cheryl Pawelski. Soul Asylum first hit the Minneapolis music scene in early 1981.

              Originally produced by Bob Mould, this reissue is co-produced by Twin/Tone Records co-founder and Replacements manager, Peter Jesperson and Grammy®-winner and Omnivore Recordings, Cheryl Pawelski. This fresh vinyl pressing of Soul Asylum’s debut, Say What You Will . . . Everything Can Happen is the first since it’s original 1984 Twin/Tone release and has been restored and mastered by Grammy®-award winning engineer, Michael Graves at Osiris Studio and cut by Chris Muth at Taloowa.


              Big Star

              Live On WLIR

                • Remastered and restored performance originally recorded and broadcast in 1974.
                • On LP officially for the first time.
                • New liner notes from authors Robert Gordon and Rich Tupica.
                • Liners include an interview with bassist, John Lightman.

                Big Star recorded their second album, Radio City, as a trio, after the departure of founding member Chris Bell. When it came time to tour, original bassist Andy Hummel decided to return to school to pursue his engineering education. With this departure, Alex Chilton and Jody Stephens recruited fellow Memphis native John Lightman to take over on bass duties, and the band readied their live set. That set is on display as Big Star recorded a radio session at Ultrasonic Studios in New York for broadcast on the city’s preeminent WLIR. Nearly two decades later, those recordings were issued as Live in 1992. Omnivore Recordings is proud to reintroduce those recordings, restored and remastered from the original tapes, as Live On WLIR, on CD—and, its first official release on LP.

                The 15 track set features material from the band’s two releases, as well as a cover of “Motel Blues” by Loudon Wainwright III (which originally appeared on his classic 1971 sophomore release, Album II). With new, updated liner notes from Memphis writer/filmmaker, Robert Gordon (who won a Grammy® for his essay in 2010’s Big Star boxed set Keep An Eye On The Sky) and an interview with John Lightman by Chris Bell biographer Rich Tupica (There Was A Light: The Cosmic History Of Big Star Founder Chris Bell), Live On WLIR enters the Big Star canon in the form it deserves. Because, you know, you get what you deserve.


                TRACK LISTING

                Side A
                1. September Gurls (Live On WLIR)
                2. Way Out West (Live On WLIR)
                3. Mod Lang (Live On WLIR)
                4. Don't Lie To Me (Live On WLIR)

                Side B
                1. O My Soul (Live On WLIR)
                2. Interview (Live On WLIR)
                3. The Ballad Of El Goodo (Live On WLIR)
                4. Thirteen (Live On WLIR)

                Side C
                1. I'm In Love With A Girl (Live On WLIR)
                2. Motel Blues (Live On WLIR)
                3. In The Street (Live On WLIR)
                4. You Get What You Deserve (Live On WLIR)

                Side D
                1. Daisy Glaze (Live On WLIR)
                2. Back Of A Car (Live On WLIR)
                3. She's A Mover (Live On WLIR)

                Big Star

                Complete Third: Vol. 2: Roughs To Mixes

                  Record Store Day/Black Friday saw the release of the first in a series of three volumes of double LPs that will contain the entire, critically acclaimed Big Star Complete Third boxed set. Volume 2, titled Roughs To Mixes continues the journey, featuring rough mixes from producer Jim Dickinson, as well as Ardent’s John Fry, with over 15 previously unissued tracks. Almost every song on this collection is making its vinyl debut.

                  Included are Lesa Aldridge’s take on The Velvet Underground’s “After Hours,” and a version of “For You” with vocals from Alex Chilton (songwriter and Big Star drummer Jody Stephens sang the iconic album version.)

                  This release is the bridge from the early demos, and the listener can feel the progression toward what would be listed as one of Rolling Stone’s 500 Greatest Albums Of All Time—Big Star’s Third.


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