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Collateral

Should've Known Better

    British four-piece rock band Collateral are set to release their highly anticipated sophomore album Should’ve Known Better on May 24, 2024. The album is distributed worldwide by Cargo. The album will be released on CD, red vinyl, picture disc, limited edition cassette, and digital. Friday February 9th will see the release of the lead single “Glass Sky.”. The new single “Glass Sky” and the forthcoming album Should’ve Known Better is produced by Dan Weller (Those Damn Crows, Enter Shikari, Monster Truck, Kris Barras, Holding Absence, Bury Tomorrow). "I love massive riffs, massive hooks and feel-good guitar music,” says Weller. “When Collateral sent me their demos, I jumped at chance to produce their new record. I’m proud of what we managed to create. It’s Collateral mk2 - ambitious, daring and refined. I can’t wait for people to hear it." Since the band released their debut album (Top 5 UK Rock Album Chart) at the start of 2020 Collateral have spent no time standing still. Covid came only weeks after the debut album was released and forced the band to cancel their highly successful tour with Phil X (Bon Jovi) halfway through. This made the band hungry to keep the momentum. With innovative ways to produce top quality live streams, the band became special guests supporting the likes of Skid Row, H.E.A.T and Reckless Love.

    The exciting and flamboyant Kent-based rock and roll band are comprised of Angelo Tristan (lead vocals, guitar), Louis Malagodi (guitar), Jack Bentley-Smith (bass) and Ben Atkinson (drums). On October 21, 2022, Collateral independently released a re-mixed and re-mastered version of their debut album “Re-Wired” which featured Jeff Scott Soto, Phil X, Kee Marcello, Rudy Sarzo, Danny Vaughn, and Joel Hoekstra. The re-release saw the band in the Official UK Rock Charts at #12. After the gruelling back-to-back tours with Skid Row, H.E.A.T and Reckless Love, the band ignited a spark and strengthened their already loyal fanbase leading them to win the opening slot at 2023s Stonedead Festival, leading the band to perform their biggest show. Collateral’s hotly tipped sophomore album looks like it will take them to the next level. A lot of people don’t know what to expect from the new album, as the band have been tight-lipped about the new songs. Collateral have created a state-of-the-art rock album that will immerse listeners in their rock music universe, enabling fans to feel the blood, sweat and glory that went into the recording of every song. “We felt that our debut album was lacking the production,” reflects Collateral’s frontman, Angelo Tristan. “For the sophomore album, I wanted to make sure that this time we left no room for error and so got one of the hottest producers in the music industry, Dan Weller, to help lift these songs into a new dimension. With Dan’s pioneering studio expertise, this album has massive production quality that enables you to get lost in each character-filled track. Dan really brought out the emotions we were trying to portray and has achieved it with his own unique style.” “We wanted this album to express where we were in our own lives since the release of our first. So much has happened since then, I mean the world shut down for what felt like a lifetime! And it was obvious that people were going to need some sort of optimism. I hope ‘Glass Sky’ is one of those songs that gives people the belief to find themselves again.” “Whereas, the feel-good ‘Just One Of Those Days’ is trying to find the good side of a bad day. Me being me, couldn’t help but to write a big power ballad, ‘The Long Road’, that I wrote from a very hard and deep place, in hope that it could maybe bring some peace and comfort to people who need it. I think there’s all aspects of life running though this album and what it means to us will remain in our hearts forever. ”Should’ve Known Better” is an album that goes beyond specific music genres,” says Angelo. “It’s almost like a soundtrack to a beating heart. It’s an album that will remain timeless in years to come.”

    The Wedding Present

    You Should Always Keep In Touch With Your Friends / This Boy Can Wait

      The Wedding Present’s third single originally released in 1986.

      Company card inner, re-printed copy of original promo poster. Pressed on transparent blue vinyl.

      Sleeve is a copy of original 12” release.

      This Boy Can Wait is the unedited 12” version.

      TRACK LISTING

      You Should Always Keep In Touch With Your Friends
      This Boy Can Wait

      Nouvelle Vague

      Should I Stay Or Should I Go

        Marc Collin, the creator of Nouvelle Vague, never anticipated producing a fifth album for the project, originally envisioning it as a one-off tribute to post-punk through bossa nova. However, the unexpected success of their debut album, featuring unique covers of songs by XTC, Public Image Limited, Josef K, and Joy Division, propelled Nouvelle Vague into unforeseen popularity. Collin attributes their success to the timing of the post-punk revival and the emotional resonance achieved by blending bossa nova with melancholic music. He also suggests that their French identity played a significant role, as their willingness to reinterpret songs without treating them as sacred, along with French vocals, contributed to the project's appeal.

        Despite initially considering Nouvelle Vague as a short-lived endeavor, Collin reflects on its enduring success over 20 years, marked by diverse albums covering French new wave artists, original compositions, and unique reinterpretations of various musical styles. The latest album, "Should I Stay Or Should I Go", continues the trend, featuring pop-infused renditions of post-punk classics. 

        TRACK LISTING

        1. What I Like Most About You Is Your Girlfriend
        2. People Are People
        3. You Spin Me Around
        4. Only You
        5. She’s In Parties
        6. The Look Of Love
        7. Shout
        8. Should I Stay Or Should I Go?
        9. Rebel Yell
        10. Breakfast
        11. Girls On Film
        12. Rapture
        13. This Charming Man

        Kevin Rowland & Dexys Midnight Runners

        Too-Rye-Ay, As It Should Have Sounded

          To tie in with the 40th anniversary of the multi-platinum selling album, we present ‘Too-Rye-Ay, as it should have sounded’.

          Kevin Rowland was never happy with the final mix of the album, despite its huge commercial success. So with Helen O’Hara, and Pete Schwier they decided to mix it again. In recent interviews Kevin has stated…

          “The songs and performances are great, but I always felt the mixes could be better. It’s my most successful album, but it doesn’t sound as good as the others”

          “This is the director’s cut and it’s how it should have sounded…”

          The album’s cover has also been re-modelled, using the preferred image from the Come On Eileen single sleeve. 

          TRACK LISTING

          1LP
          Side A
          The Celtic Soul Brothers
          Let's Make This Precious
          All In All (This One Last Wild Waltz)
          Jackie Wilson Said (I'm In Heaven When You Smile)
          Old
          Side B
          Plan B
          I'll Show You
          Liars A To E
          Until I Believe In My Soul
          Come On Eileen

          3CD
          CD1 (The 1982 Album – ‘as It Should Have Sounded’)
          The Celtic Soul Brothers
          Let's Make This Precious
          All In All (This One Last Wild Waltz)
          Jackie Wilson Said (I'm In Heaven When You Smile)
          Old
          Plan B
          I'll Show You
          Liars A To E
          Until I Believe In My Soul
          Come On Eileen
          CD2 (Bonus Tracks - B-Sides / Out-Takes)
          Show Me (Single A-side – 1981)
          Soon (B-side Of Show Me Single - 1981)
          ...And Yes We Must Remain The Wildhearted Outsiders (B-side Of Liars A To E Single - 1981)
          Love Part 2 (B-side Of The Celtic Soul Brothers Single - 1982)
          Let's Make This Precious (‘Original Version’ – From Too-Rye-Ay (2CD Deluxe))
          Come On Eileen (Single Edit - 1982)
          Dubious (B-side Of Come On Eileen Single - 1982)
          T.S.O.P. (B-side Of Jackie Wilson Said.. 12” Single - 1982)
          Let's Get This Straight From The Start (Non-album Single - 1982)
          Reminisce (Part 1)(B-side Of The Celtic Soul Brothers 12" Single - 1983)
          Let's Make This Precious (Out-Take - Previously Unreleased)
          ‘Smoke Your Own’ (AKA Liars A To E, 1981) (Out-Take - Previously Unreleased)
          Until I Believe In My Soul (Out-Take - Previously Unreleased)
          CD3 (Live At The Shaftesbury Theatre – October 1982)
          Old
          Geno
          Let's Get This Straight From The Start
          All In All (This One Last Wild Waltz)
          Tell Me When My Light Turns Green
          Plan B
          Let's Make This Precious
          I Couldn't Help If I Tried
          Until I Believe In My Soul
          Jackie Wilson Said (I'm In Heaven When You Smile)
          Respect
          There, There, My Dear
          Come On Eileen
          Seven Days Too Long
          The Celtic Soul Brothers
          I'm Just Looking 

          4LP Super Deluxe Edition
          LP1 (The 1982 Album – ‘as It Should Have Sounded’) - Side A
          The Celtic Soul Brothers
          Let's Make This Precious
          All In All (This One Last Wild Waltz)
          Jackie Wilson Said (I'm In Heaven When You Smile)
          Old
          LP1 (The 1982 Album – ‘as It Should Have Sounded’) - Side B
          Plan B
          I'll Show You
          Liars A To E
          Until I Believe In My Soul
          Come On Eileen
          LP2 (Bonus Tracks - B-Sides / Out-Takes) - Side A
          Show Me (Single A-side – 1981)
          Soon (B-side Of Show Me Single)
          ...And Yes We Must Remain The Wildhearted Outsiders (B-side Of Liars A To E Single)
          Love Part 2 (B-side Of The Celtic Soul Brothers Single)
          Let's Make This Precious (‘Original Version’)
          Come On Eileen (Single Edit)
          Dubious (B-side Of Come On Eileen Single)
          T.S.O.P. (B-side Of Jackie Wilson Said.. 12” Single)
          LP2 (Bonus Tracks - B-Sides / Out-Takes) - Side B
          Let's Get This Straight From The Start (Single)
          Reminisce (Part 1)(B-side Of The Celtic Soul Brothers 12" Single)
          Let's Make This Precious (Out-Take - Previously Unreleased)
          ‘Smoke Your Own’ (AKA Liars A To E, 1981) (Out-Take - Previously Unreleased)
          Until I Believe In My Soul (Out-Take - Previously Unreleased)
          LP3 (Live At The Shaftesbury Theatre – October 1982 - Part 1) - Side A
          Old
          Geno
          Let's Get This Straight From The Start
          All In All (This One Last Wild Waltz)
          Tell Me When My Light Turns Green
          LP3 (Live At The Shaftesbury Theatre – October 1982 - Part 1) - Side B
          Plan B
          Let's Make This Precious
          I Couldn't Help If I Tried
          Until I Believe In My Soul
          LP4 (Live At The Shaftesbury Theatre – October 1982 - Part 2) - Side A
          Jackie Wilson Said (I'm In Heaven When You Smile)
          Respect
          There, There, My Dear
          LP4 (Live At The Shaftesbury Theatre – October 1982 - Part 2) - Side B
          Come On Eileen
          Seven Days Too Long
          The Celtic Soul Brothers
          I'm Just Looking

          Supergrass

          I Should Coco - Remastered 2022 Reissue

            Tearing by at a breakneck speed, I Should Coco is the spectacularly eclectic debut by Supergrass at the time, the band were barely out of their teens.

            The unbridled energy of the album illustrates an eclectic knowledge of their genre and pays respect to their predecessors. Supergrass treat the Buzzcocks, the Beatles, Elton John, David Bowie, Blur, and Madness as if they were all the same thing - they don't make any distinction between what is cool and what isn't, they just throw everything together.

            This 1LP resissue includes, the jittery "Caught by the Fuzz" which slams next to the music hall rave-up "Mansize Rooster," the trippy psychedelia of "Sofa (Of My Lethargy)," the heavy stomp of "Lenny," and the bona fide teen anthem "Alright."

            I Should Coco is the sound of adolescence, but performed with a surprising musical versatility that makes the record's exuberant energy all the more infectious.


            TRACK LISTING

            Side 1
            1. I’d Like To Know
            2. Caught By The Fuzz
            3. Mansize Rooster
            4. Alright
            5. Lose It
            6. Lenny
            Side 2
            1. Strange Ones
            2. Sitting Up Straight
            3. She’s So Loose
            4. We’re Not Supposed To
            5. Time
            6. Sofa (Of My Lethargy)
            7. Time To Go

            The Weather Station

            How Is It That I Should Look At The Stars

              One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

              How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

              Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

              On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

              How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

              STAFF COMMENTS

              Barry says: A mostly unadorned collection of swooning piano pieces, reminiscent of country rock but a lot more intangible. Otherworldly and veering towards modern classical in parts, but with a firm footing in the realms of folk and pop songwriting.

              TRACK LISTING

              SIDE A
              1. Marsh
              2. Taught
              3. Ignorance
              4. To Talk About
              5. Stars
              SIDE B
              1. Endless Time
              2. Song
              3. Sway
              4. Sleight Of Hand
              5. Loving You

              Moules Frites

              I Should Care B/w I'm Glad

                THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                "Moules Frites is perhaps the inevitable denouement for two ‘seasoned’ musicians, Rose Elinor Dougall and Louis Eliot. After a brief and ultimately disastrous stint on various European cruise ships, (erasing memories of that final performance aboard the Plymouth to Santander back in 2009, has proved difficult for the few unfortunate witnesses), the unlikely pair retreated to the studio, to produce what was intended as their opus magi, a work of unparalleled ambition and genius. A decade later that somewhat unwieldy project is apparently ‘still cooking’ according to Eliot, so in the meantime they have offered up a couple of stripped back versions of two of their favourite songs from the old set. Recorded to tape, late at night, at Vacant TV Studios by cohort Euan Hinshelwood, these tracks are intended as an homage to two of the greats, Julie London and Barney Kessel."

                Supergrass

                I Should Coco - 20th Anniversary Edition

                  Supergrass enjoyed instant success when their debut album ‘I Should Coco’ went straight to #1 in the summer of 1995. Featuring the fan favourite ‘Caught By The Fuzz’, their breakthrough singles ‘Lenny’ and ‘Man Size Rooster’, and the huge #2 hit ‘Alright’.

                  This special 20th anniversary edition contains the original album remastered, plus bonus content featuring b-sides and rare tracks from the era, including early versions of ‘Caught By The Fuzz’, ‘Strange Ones’, ‘Man Size Rooster’ and ‘Sitting Up Straight’ as well as highlights from live shows at Bath’s Moles Club in July 28th 1994 and a performance at the La Route Du Rock Festival in Saint-Malo, France from August 19th 1995.

                  STAFF COMMENTS

                  Martin says: A perfect expression of the exuberance, energy and reckless abandon of youth. Joyous and utterly unaffected, it breezes through an array of musical styles with ease; pyschedelia, new wave, pop punk, even a touch of music hall - chewed up and spat gleefully out alongside the teen-anthem "Alright".

                  Lucero

                  All A Man Should Do

                    Following the release of 2012’s ‘Women And Work’, Lucero’s new album ‘All A Man Should Do’ contains some of the most resonant lyrics Ben Nichols has ever written.

                    Working with producer Ted Hutt (Old Crow Medicine Show, Flogging Molly) for a third time at Memphis’ Ardent Studios, the band felt comfortable enough to take some chances with a palette of new tones that sound understated yet powerful, bringing life to the stories behind the lyrics without overshadowing them.

                    For the first time the band have put a cover song on a record, with a full band version of Big Star’s ‘I Fell In Love With A Girl’. The track features Jody Stephens from Big Star singing back-up vocals.

                    TRACK LISTING

                    Baby Don’t You Want Me
                    Went Looking For Warren Zevon’s Los Angeles
                    The Man I Was
                    Can’t You Hear Them Howl
                    I Woke Up In New Orleans
                    Throwback No. 2
                    They Called Her Killer
                    Young Outlaws
                    I’m In Love With A Girl
                    My Girl & Me In ‘93

                    The Pogues

                    If I Should Fall From Grace With God

                      Combining the spirit of Punk with traditional Irish Folk music, The Pogues were one of the most radical bands of the 1980’s. Their instantly recognizable and politically tinged music helped them achieve 5 consecutive top 20 albums in the UK as well as producing the hit single ‘Fairytale of New York’ which is widely regarded as the greatest Christmas song of all time. 

                      To celebrate over 30 Years of the Pogues, Rhino is reissuing the band’s first 5 classic albums along with the 1986 Elvis Costello produced EP ‘Poguetry In Motion’. 

                      Features the original audio mastered to vinyl at Abbey Road for the highest quality. Includes original artwork and printed inner bag.

                      TRACK LISTING

                      Side One:
                      1. If I Should Fall From Grace With God
                      2. Turkish Song Of The Damned
                      3. Bottle Of Smoke
                      4. Fairytale Of New York
                      5. Metropolis
                      6. Thousands Are Sailing

                      Side Two:
                      1. Fiesta
                      2. Medley
                      3. Streets Of Sorrow/Birmingham Six
                      4. Lullaby Of London
                      5. Sit Down By The Fire
                      6. The Broad Majestic Shannon
                      7. Worms

                      This Many Boyfriends

                      (I Should Be A) Communist

                      ‘(I Should Be A) Communist’ is the new single by Leeds indie poppers This Many Boyfriends, released on Angular Records and produced by Ryan Jarman from The Cribs.

                      Following the 6Music playlisted ‘Young Lovers Go Pop!’, and the subsequent success of fanzine single ‘Starling’, This Many Boyfriends recently completed sellout tours with Allo Darlin’ and The Cribs, also finding time for a Huw Stephens Radio 1 session along the way.

                      STAFF COMMENTS

                      Laura says: Another winner from these Leeds popsters! It reminds me of a time (around 1987 to be precise) when bands whacked out great jangly pop singles with wit, charm and killer hooks. Two bands immediately sprung to mind (even though TMB don't actually sound like either of them!) - The Wedding Present and Age Of Change - coincidentally they're both from Leeds. Must be something in the water...

                      TRACK LISTING

                      (I Should Be A) Communist
                      How Is This Even A Job?

                      As the first contribution to the Captured Tracks' Shoegaze Archives series, Should offers 'A Folding Sieve'. This classic take on the genre lends waves of euphoric dream pop sounds similar to My Bloody Valentine. This album was originally released in 1995 under the name shiFT by the Austin based record label ND.

                      The LP version includes the original release's tracks as well as "Faded" and "Own Two Feet", all songs on vinyl for the first time. CD has 6 tracks of unreleased material also. (Vinyl comes with DL code that has all tracks).



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