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CROW

The Hanging Stars

Fresh As A Sweet Sunday Morning / The Mountain

    Also recorded at Famous Times for a never-released Bert Jansch tribute album, Fresh as a Sweet Sunday Morning sees the band cover the opening track from Bert’s 1974 album L.A Turnaround – an album hailed at the time for combining Americana with a playful English wistfulness. The Hanging Stars imbue Jansch’s song with a mean energy and their own signature cosmic psychedelia. The song ends with Joe Harvey-Whyte’s pedal steel sounding closer to a sitar whilst droning and distorted guitars seem to almost collapse in on themselves during a coda that sounds like it cannot bear to stop itself.

    The Mountain sees the band enter entirely different territory. Bookended by Sam Ferman’s angular bass line and Paulie Cobra’s relentless drumming, what comes between recalls both the darkest sounds of The Doors and the ethereal psychedelia of early Verve, with Luke Barlow’s flute puncturing a haze of distorted guitars.

    The Hanging Stars released their debut album Over the Silvery Lake in 2016, which received plaudits from broadsheets such as The Times, who described it as; "An album with enough of a hazy, sun-dappled charm to make the capital's dreariest weather bearable”, as well as The Guardian, who said; “Mersey-laced harmonies and just a whiff of the Gun Club.” They picked up a good amount of support at 6 Music and “The House on the Hill” scored a much-coveted 10/10 by John Robb on Steve Lamacq’s Roundtable.


    TRACK LISTING

    A. Fresh As A Sweet Sunday Morning
    AA. The Mountain

    Meursault

    Crow Hill

      Formed in 2006 and led by singer-songwriter Neil Pennycook, Meursault's name is a reference to the main character of L'Etranger, the absurdist novel by Albert Camus. The band's musical style has been categorised as folktronica, alternative rock and indie folk, while the band themselves have described themselves as "epic lo-fi" A collection of 'urban horror' vignettes set to music, with each song telling the story of a particular inhabitant of the titular town.

      The Skinny - 5***** - Album Of The Month - "Crow Hill offers a sublime tonic for these bizarre and frustrating times."

      Pet Crow

      How Are You Wired?

        Derby-based Pet Crow formed nearly two years ago and in that relatively short space of time they’ve caused a stir within the DIY scene and beyond, being featured in publications such as Louder Than War, Upset Mag, New Noise, The Revue and The National Student.

        They’ve been featured on such shows as Radio X (formerly XFM) and Amazing Radio and shared stages with the likes of The Lovely Eggs and Menace Beach.

        Having drawn comparisons to a wide range of artists such as The Julie Ruin, MC5 and The Sonics, their sound is an energetic and groove-laden mix of garage-punk / rock with nods to riot-grrl and surf-rock.

        Stolen From A Crow

        Dark Wing Zero

        Stolen from a Crow is the genre-defying alter ego of Crispin Case-Leng, a singer, songwriter and poet who believes in pushing boundaries within music and performance in a quest to leave the mainstream far behind. Sometimes romantic, sometimes introspective, always unpredictable, Case-Leng’s music is about exploration, delving into unconventional themes ranging from social commentary, through to darkly comic fairy tales about werewolves and winged messengers between worlds. His instrumentation is similarly off-centre, dipping into seemingly incompatible areas like punk, folk and art rock, yet managing to blend them together into something new and exciting.

        Devendra Banhart

        Cripple Crow

          "Cripple Crow" finds Devendra continuing his extraordinary growth as a writer, vocalist and musician. Songs like "Now That I Know" and "I Do Dig A Certain Girl" among others provide more of the hushed, mysterious acoustic alchemy that delighted listeners on preceding set though the new tunes show still greater artistic depth and delicacy. Other performances are more elaborate featuring a range of electric instruments, rock rhythm section, sitar, flute, violin, cello, exotic percussion, et cetera. Banhart and company evoke a tribe of sun-dappled psychedelic gypsies on "When They Come", while "Long Haired Child" has a more acid-damaged garage-band cut and thrust. "Pensando Enti", "Quedate Luna" and "Luna De Margarita" are gorgeous ballads sung in lilting Spanish. All in all, "Cripple Crow" witnesses Banhart furthering his mastery of the acoustic/experimental idiom he helped pioneer as well providing himself with fresh challenges an artist.

          'Criminal Records presents Crows debut self-titled five track EP. The EP combines riffs, distinct melodic vocals, a fret mad lead guitarist and drumming that brings out their wide influences of rock, metal and pure emotion.'


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