The last few years for Jess Holt, the Sydney-based artist better known as total tommy, have been the kind where everything turns on its head and you come out of the other side a near-unrecognisable person. Even when the change is for the better, at some point you have to take stock of the bruises you’ve accumulated and the ones you’ve left on others too.

Out of this comes total tommy’s debut album, a collection of scuzzy bedroom-rock anthems appropriately titled 'bruises'. Written during a period in which she went through a breakup, moved cities, came out as queer and met her now-wife, it sees Holt’s bold, raw and witty voice on full display for the first time.

There are a lot of different sides of total tommy on display across bruises: a romantic, a hedonist, a lost soul, a wise friend, an asshole, a sweetheart. What ties it all together is a newfound confidence; a sense of contentment and belief in exactly who she is, the kind that only comes from seeing what’s left after everything’s uprooted. “That was a really big time,” she says, looking back on the two years across which she wrote these songs. “I grew so much, I learnt so much about myself; I mostly feel like an adult now.” But these songs were never meant for navelgazing; they were meant to be played to a crowd, loud and with abandon. bruises is a document of blood, sweat, dilated pupils, warm flesh — aliveness

TRACK LISTING

1. ADELINE
2. Losing Out
3. REAL
4. SODA
5. Ghost
6. Ribs
7. Microdose
8. SPIDER
9. Plus One
10. Amsterdam
11. Girlfriend
12. Shark Attacks 

Introducing Total Blue, the Los Angeles-based trio of Nicky Benedek, Alex Talan, and Anthony Calonico. Despite collaborating for over a decade, ‘Total Blue’ represents a new chapter in their artistic journey together as a trio.

Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.

Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.

Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.

Art and design by Michael Willis.

TRACK LISTING

The Path
Corsair
Heart Of The World
Jaguarundi
Dorian Dial
Chaparral
Bone Chalk
Pearl Plains

Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Her subsequent albums would include Actor (2009), Strange Mercy (2011), her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album. In 2017, her fifth album MASSEDUCTION would break St. Vincent into the U.S. and UK top 10s and win two more GRAMMYs (Best Rock Song for its title track, and Best Recording Package). 2021’s Daddy’s Home found St. Vincent channeling the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC to an ecstatic reception, ultimately winning her a second Best Alternative Album GRAMMY.

Following a 2021-2022 global tour that reaffirmed St. Vincent’s status as one of live music's preeminent forces with headline appearances at the likes of the Hollywood Bowl and Radio City Music Hall, Clark would begin work on album number seven: Her first fully self-produced album (having co-produced every one of her previous efforts), All Born Screaming is St. Vincent at her most primal. Featuring Clark leading “a curated group of rippers” through the brawny “Broken Man,” the mordant catwalk sashay through the deafening assault of self-loathing that is “Big Time Nothing,” the sublime, elegiac earworm “Sweetest Fruit," All Born Screaming is equal parts spiritual desolation and rapturous acceptance. “If you’re born screaming, that’s a great sign,” says Clark, “because it means you’re breathing. You’re alive. My god. It’s joyous. And then it’s also a protest. We’re all born in protest in a certain way. It’s terrifying to be alive, it’s ecstatic to be alive. It’s everything.” 

TRACK LISTING

1. Hell Is Near
2. Reckless
3. Broken Man
4. Flea
5. Big Time Nothing
6. Violent Times
7. The Power’s Out
8. Sweetest Fruit
9. So Many Planets
10. All Born Screaming

The Outer Edge returns with one of the rarest and simultaneously best recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.

Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.

Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.

The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.

For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.

The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.

In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.


- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!

STAFF COMMENTS

Matt says: True rarities come thin on the ground these days, but this one definitely qualifies. An inspired piece of mid 80s Neue Deutsche Welle that's had people pissing their pants with excitement.

TRACK LISTING

Side A
Jede Nacht Derselbe Traum (Single Version) 3:53
Jede Nacht Derselbe Traum (Extended Re-Mix) 4:36

Side B
Jede Nacht Derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht Derselbe Traum (Dub Mix) 5:01

The box set "Chanson Hystérique" presents the first ten years of the bands history and, due to the death of Françoise Cactus on 17th February 2021, also unfortunately represents the last Stereo Total release.

Since their first release in 1995 Stereo Total have spoiled us with their entertaining over-the-top-songs, always way beyond mass taste. The anti-diva Françoise Cactus and the multi-non-instrumentalist Brezel Göring have released a total of 16 albums - including soundtracks and theatre works.

The box set "Chanson Hystérique" presents the first ten years of the bands history and, due to the death of Françoise Cactus on 17th February 2021, also unfortunately represents the last Stereo Total release in which this extraordinary artist participated.

"Instead of buying a record, we just made one of our own …

This box set contains the recordings from the first ten years of Stereo Total - the original albums, with original covers!,as well as various rarities. There's also a book, though not about Stereo Total. Instead it is a catalogue of Françoise Cactus's art work. These sketches and paintings embody the very latest trends in art, sex, and psychological disorders - borderline kitsch at its best! Françoise wasn't actually seeking a career as a painter with these works - she just wanted to decorate the empty walls of our apartment. We had a similar impulse with our music. With Stereo Total we recorded the music we wanted to hear; fun, with no regard for mainstream taste, naïve, perverse, and always a bit off-kilter. Before concerts Françoise often warned me not to play too precisely otherwise people might think we were just playing a recording. This was not difficult for me, as I can make an expensive instrument sound like a 50 euro piece of junk, and nearly everything we play relies on screw-ups.

The box set was the final project Françoise worked on. Because of her tragic death, this release now represents the end of Stereo Total and a farewell to the amazing and unique Françoise Cactus: she is difficult to describe and absolutely impossible to explain. But listen for yourself …" Brezel Göring - Stereo Total.

TRACK LISTING

LP1 Oh Ah
A1) Dactylo Rock
A2) C'est La Mort
A3) Miau Miau
A4) Comme Un Garçon
A5) Belami
A6) Johnny
A7) Morose
A8) Je Suis Venu Te Dire Que Je M'en Vais
B1) Push It
B2) Souvenir Souvenir
B3) Auf Dem Blauen Meer
B4) Moviestar
B5) A L'amour Comme à La Guerre
B6) Get Down Tonight
B7) Dans Le Parc
B8) Epitaph
B9) Moi Je Joue

LP2 Monokini
A1) Ach Ach Liebling
A2) Lunatique
A3) Supergirl
A4) Furore
A5) Schön Von Hinten
A6) Dilindam
A7) Cosmonaute
B1) Aua
B2) Und Wer Wird Sich Um Mich Kümmern
B3) Tu M'As Voulue
B4)Moustique
B5) La, Ca, USA
B6) L'Appareil A Sous
B7) Grand Prix Eurovision
B8)Ushilo Sugata Ga Kilei

LP3 Juke-Box Alarm
A1) Holiday Inn
A2) Comicstripteasegirl
A3) Sweet Charlotte
A4) Touche-moi
A5) Crazy Horse
A6) Supercool
A7) Les Minets
B1) Oh Yeah
B2) Film D’horreur
B3) Vertigo
B4) Heaven's In The Back Seat Of My Cadillac
B5) Der Schlüssel
B6) Nouvelle Vague
B7) Party Anticonformiste
B8) Holiday Out

LP4 My Melody
A1) Beautycase
A2) I Love You, Ono
A3) Plötzlich Ist Alles Anders
A4) Larmes Toxiques
A5) Discjockey
A6) Ich Liebe Dich, Alexander
A7) Tout Le Monde Se Fout Des Fleurs
B1) Vilaines Filles, Mauvais Garçons
B2) Sous La Douche
B3) Du Und Dein Automobil
B4) Partir Ou Mourir
B5) Ringo, I Love You
B6) Tokyo Mon Amour
B7) Milky Boy Bourgeois
B8) Die Krise
B9) Joe Le Taxi

LP5 Musique Automatique
A1) Musique Automatique
A2) Liebe Zu Dritt
A3) Ma Radio
A4) Wir Tanzen Im 4-Eck
A5) Les Chansons D’A
A6) Kleptomane
A7) Adieu Adieu
B1) Für Immer 16
B2) Je Suis Une Poupée
B3) Ich Weiss Nicht Mehr Genau
B4) Le Diable
B5) Nationale 7
B6) Exakt Neutral
B7) Ypsilon
B8) Hep Onaltí’da

LP6 Do The Bambi
A1) Babystrich
A2) Do The Bambi
A3) Ich Bin Nackt
A4) Cinémania
A5) Vive Le Week-end
A6) Das Erste Mal
A7) La Douce Humanité
A8) Les Lapins
A9) Hunger!
B1) Ne M'appelle Pas Ta Biche
B2) Orange Mécanique
B3) Tas De Tôle
B4) Europa Neurotisch
B5) Partymädchen Gefoltert
B6) Cannibale
B7) Helft Mir
B8) Mars Rendezvous
B9) Troglodyten
B10) Chelsea Girls

LP7 Carte Postale And Other Rarities
A1) Carte Postale
A2) In/Out
A3) Ex Fan Des Sixties
A4) Prends-moi
A5) C'est Fini
A6) Wollita Außer Kontrolle
A7) The Monster
A8) Tetsuwan Atomu
A9) Tu Peux Conduire Ma Bagnole
A10) I Think Somebody Should Call The Love Doctor
B1) Bad News From The Stars
B2) Un Rayo Del Sol
B3) Schön Von Unten
B4) Je Rêve Encore De Toi
B5) Avec Ma Valise
B6) À La Sortie Du Lycée
B7) Hey Protest
B8) Les Enfants Font Des Enfants
B9 Megaflittchen

Brian Borcherdt (aka Dusted) is the founding member of Holy Fuck as well as LIDS which includes members of Metz and Constantines, and has a single due out this year on Sub Pop.

The new album is the follow up to the acclaimed 2018 release BlackOut Summer and will provide a welcome musical shot in the arm for fans who have anxiously waited three years for new music from Dusted.
‘The album's process began with Borcherdt finding a long forgotten favourite song, coming back to him in a dream. ‘’That same morning, I found a demo of it, along with countless others, on an old laptop,’’ said Borcherdt. ‘’It was a joyful moment, hearing long lost songs as if I was never part of them. I was a third-party listener thus allowing them to be innocent and unjudged. I added a handful of the favourites to a current set list, which became the inspiration to go into the studio, to lay everything down, live off the floor, simply to preserve them, to keep them from being forgotten again.'

Dusted’s 2012 album ‘’Total Dust’’ was selected for the Polaris Prize Long List in 2013. The support from filmmaker Jean-Marc Vallee earned Dusted two songs in his most recent film Demolition and a cameo role in Wild. With Holy Fuck, Borcherdt has been making music for 15 years and has released 5 albums. Holy Fuck has seen their music played on major TV shows like Breaking Bad and Mr Robot as well as ranking over 200K monthly listeners on Spotify and accumulating over 5 million career streams to date. Borcherdt has been releasing solo music since 2002. Previously to Holy Fuck, he was part of By Divine Right whose past band members count Feist and Broken Social Scene’s Brendan Canning. 

TRACK LISTING

1) Not Offering
2) Baseball
3) Cedar Tree
4) The Don’t Know You
5) Little More Time
6) Mountain Top
7) Bide My Time
8) Wash My Hands Away
9) Erik
10) Recovery Cone
11) Clouds
12) Palmer

Musically, this Stereo Total disc, their twelfth, cannot be readily aligned with anything at all. If earlier albums resonated with influences from chanson, trash or disco to punk, rock'n'roll and NDW (German New Wave), Stereo Total have now arrived in their very own musical universe which pays no heed to stylistic devices, A word to our younger readers: Stereo Total began making music before the internet existed, before the Euro, before Germany reunited and before there were even bands or music. They will probably still be playing when all that has been consigned to the dustbin of history.

Despite an incredibly short recording career Joy Division remarkably have stood the test of time in terms of influential British bands. Their dark, brooding sound has inspired more artists than could be listed and their continued adoration today is testament to the forward thinking yet inward projected music and lyricism of a young band on the brink of success yet unsure of how to deal with it. With the sad passing of Ian Curtis, from the ashes rose New Order; the same core band but with a new fresh approach to their chosen career path. Loud, colourful and full of life.

‘Total’ is a chronological look at the two bands most important tracks, covering Joy Division staples such as 'Love Will Tear Us Apart', and the resonating 'Atmosphere'. New Order bring to the table 'Blue Monday', 'Bizarre Love Triangle' and 'True Faith'. Also included is a brand new never released New Order track ‘Hellbent’.

TRACK LISTING

Side One
Transmission
Love Will Tear Us Apart
Isolation
She’s Lost Control
Atmosphere

Side Two
Ceremony
Temptation
Blue Monday

Side Three
Thieves Like Us
The Perfect Kiss
Bizarre Love Triangle
True Faith
Fine Time

Side Four
World In Motion
Regret
Crystal
Krafty
Hellbent

Cult label Total Stasis return with more of their odd-ball, uncategorizable sound - hynagogic reflections from the worlds of dance music and beyond. Anom Vitruv is a sufficiently illusive and mysterious producer to add to this bastion of esoteric brilliance. Four tracks that refract off the surface of a glistening icy lake, taking in tribal ritual chants, auto-tuned exotic r'n'b and wacked-out drone. As always, the record needs a second listen to understand, and a third and forth to completely enjoy. But then, aren't they the best ones? Never in danger at burning out after one or two plays, you'll re-visit this curio of musical genius time and time again. A sonic relic to love and cherish. Total Stasis have done it again. Highly recommended.

TRACK LISTING

A1. Untitled
A2. Untitled
A3. Untitled
B1. Untitled

VP dig deep into their extensive vault of Jamiacan sounds to pay tribute to the superb songwriting skills of the one and only Robert Nesta Marley with the superb "Trench Town Rock" compilation. Including massive hits from Dennis Brown, Delroy Wilson, Leroy Smart, Beenie Man and many more, this set offers a fascinating glimpse of how these internationally recognised songs were adapted back home and made hits again for a core Jamaica audience. So sit back and soak up some authentic island vibes as the platter spins into the dusk.

On this debut EP from Sydney's Cop Envy, the producer comes roaring out of the starting gates with a screeching combo of slow-mo acid and analogue techno. 'BGFT' could easily be tucked away in a Drexciya album somewhere, resonant 303's squeal out a mid-range bass pattern while grainy hi-hats smash out burning strips of saturated fire. 'Inner Another' is a bit more of a minimal affair, percussion loops layering over each-other before rising into a cacophony of sycopated alternate hits, hypnotic groove growing to boiling point before a perfect single-note melody rides the waves perfectly, giving just enough pitched rhythm to keep things moving.  The B-Side jumps straight back into the heat with 'Handle Broker', an echoing and rousing space-acid stormer, as effective and hypnotic as ever, before finishing on the Manse Edit of BGFT, a frantic industrial take on the original track. 

STAFF COMMENTS

Barry says: A hot and saturated acid trip through space, resonant 303 basslines and skittering analogue drums fly through the cosmos, multiplying into a frenzy of overdriven atmospheres and pitch-perfect percussion.

TRACK LISTING

A1 BGFT 6:05
A2 Inner Another 5:12
B1 Handle Broker 5:26
B2 BGFT (Manse Edit) 6:20

Total Freedom is the long-overdue long-form platter from Philadelphia’s Spacin’, low-key torchbearers of both John Sinclair’s bold program and the “less is more” aesthetic (often much more) exemplified by Lou’s time with Morrison and Tucker and Cale.

Guitarist and vocalist Jason Killinger blazes the path and lead guitarist Paul Sukeena and bassist Sean Hamilton vamp on economical electric chugs while drummer Eva Killinger reprises her role as thee undisputed master of basement motorik. As a handsomely illustrated insert attests, the whole thing is punctuated by flourishes from some of the most celebrated talents of this town’s percolating stew. Blast it soon or remain condemned to a billion years probation.

TRACK LISTING

1. Over Uneasy
2. Kensington Real
3. Human Condition
4. Titchy
5. Stopping Them
6. Bent Into Shape

The bouncy, surf-esque qualities pitch Total Babes a million miles from their Cloud Nothings connections (the bands share the octopus-onamphetamine drumming of Jayson Gerycz), with ‘Heydays’ instantly presenting itself as a beachcombing ode to sweaty summers.

Lead by the undulating basslines of Nathan Ward (Smooth Brain / Cruelster) and fleshed out by warped synth work John Elliot (Emeralds / Outer Space), the choruses are a masterclass in indie rock’s ability to shift perceptions - “I only want to be beautiful,” frontman Christopher Brown cries but it’s in their rough edges that Total Babes really shine.

For fans of Cloud Nothings, FIDLAR, Wavves and Eagulls.

TRACK LISTING

Blurred Time
Heydays
Bone Dry Eyes
Circling
We’ll Come Around
Sunny Side
Repeat Gold
Can I Turn You On

Finally, a new deep cut from Melbourne’s visceral post-punk band Total Control. Typical System, their second LP, was written, recorded, created over the past two years and is set for US/Worldwide release via Iron Lung Records
.
Total Control emerged from Australia’s dynamic punk scene in ’08, releasing a succession of 7”s that developed from an aggressive post-punk band sound to studio forays into electronic forms from minimal wave to house. Their debut LP, Henge Beat, was commended as one of the few records released in 2011 that evaded the ease of classification and competent tribute act status of most modern bands.

Subsequently, they have released three very different records: a split 12” with Thee Oh Sees, a 7” single on Sub Pop and a house remix 12”. Typical System develops on the incongruent demands of their debut LP and ensuing releases, a further development on their continually evolving sound.

TRACK LISTING

1. Glass
2. Expensive Dog
3. Flesh War
4. Systematic Fuck
5. Liberal Party
6. Two Less Jacks
7. Black Spring
8. The Ferryman
9. Hunter
10. Safety Net

Welsh mystic Wesley Matsell returns to Border Community with an ebullient EP of 90s tinged dance utopianism. File alongside the good-natured old school stylings of Orbital, Lone and The MFA. Thoroughly road tested in the DJ sets of James Holden, the staccato gasps of rave banger ‘Total Order Of Being’ exude a melodious, propulsive appeal.

A trio of companion tracks seal the deal: ‘Future Beacon’ combines sacred, mystical arpeggios and rattling breakbeats; ‘Dowlais Wheelie Crew’s layers of vibrant synths form a decidedly modern groove; and ‘Rite Of Pant’ is a rousing exercise in handmade primal proto-house.

This is the final release in a collectable four part series of limited vinyl (500 copies). All four covers fit together to reveal a larger picture by UK designer Jack Featherstone.

Pressed in an edition of 500 copies and housed in screen printed, hand numbered jackets. Kevin Doria's work as Total Life preceeds his work as half of Growing and continues evolve. Fader is no exception. Deceh's contribution is an extended harmonic magnification of a shruti box, Hammond organ, upright double bass & modular synthesizer. Proper full lengths from both Total Life & Deceh will be issued via Important in 2013.

How To Dress Well is the stage name of songwriter and producer Tom Krell.

His debut album ‘Love Remains’ was widely praised for both its conceptual strength and immediate emotional resonance, and saw Krell credited with having given birth to a new, narcotized strain of R&B that has since spawned a host of imitators.

Now we see him pull back the curtain on a whole new body of work with his new album ‘Total Loss’, released on Weird World and co-produced by Rodaidh McDonald (The xx, King Krule).

STAFF COMMENTS

Philippa says: Following his Tri Angle LP outing, How To Dress Well is back with more of his post-R&B, slow-fi, synthwave-tinted melancholic pop.

TRACK LISTING

‘Total Loss’
When I Was In Trouble
Cold Nites
Say My Name Or Say
Whatever
Running Back
& It Was U
World I Need You, Won’t Be Without You (Proem)
Struggle
How Many?
Talking To You
Set It Right
Ocean Floor For Everything

Coming up on a year since their debut self titled LP release (one of the best albums of 2010, hands down!), The Soft Moon presents 'Total Decay', Luis Vasquez continues to conjure a sound fueled tempest that intoxicates with its own post-apocalyptic dust in this new EP!

After two stirring 7" releases and the aforementioned debut album, it was apparent that Vasquez was digging his own niche, an intimate well-spoken whisper, carrying a heavy load of synths that creep and drums that command an uncontrollable pull from within. This intimate peak into another world, Vasquez' mind, has garnered a number of comparisons to some of the most iconic and influential bands of the post punk and krautrock movements.

Live, the band takes on Justin Anastasi and Damon Way to help transform the listening experience cogently with an array of sound and light effects that translate the energy of the recordings. 'Total Decay' solidifies that the Soft Moon is on its own path, not to be compared. Just listen, hold the shadow of his hand on this journey into the darkness, as he whispers directions through the obstacles, to the light...

TRACK LISTING

1. Repetition
2. Alive
3. Total Decay
4. Visions

2008 saw the Oxford quintet rise to prominence with their debut album "Antidotes" entering the UK charts at number three. From these early days playing house parties, to selling-out incendiary tours across the UK and the world, stand-out TV performances, and exhilarating festival appearances, they set the stage perfectly for their much-anticipated sophomore effort "Total Life Forever", including the single "This Orient".

"Music For Total Chickens" is built from bits of pop architecture nailed together in odd forms; it is structurally sound (no pun intended), but at the same time it defies the conventional laws of (pop) physics. There are twisty-turny time signatures, swaddled in chunky guitar fuzz, sweet strings, harmonized 'ooo's and direct lyrical love-notes sometimes riding percussive trails all the way up great crescendos to pinnacles of bangcrash (like if Deerhoof recorded a self-help album).