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MILES DAVIS

Miles Davis

Lady Be Good: Live In Europe With The Birdland All-Stars (RSD26 EDITION)

THIS IS A RECORD STORE DAY 2026 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 18TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM (BST) ON MONDAY APRIL 20th).


The 1956 Europen sessions with Miles Davis and the Birdland All Stars lineup (with Lester Young and MJQ) see their 70th anniversary. New and exclusive vinyl only pressings will be available for RSD26 on heavweight colour edition gatefold LPs. Miles Davis broke up his ‘First Great Quintet’ in 1956 as a consequence of John Coltrane’s severe heroin addiction. Miles, having recovered from his own addiction, fired Coltrane and drummer Philly Joe Jones in March 1956 due to their struggles with the drug. At the same time Miles was struggling with the racial tensions and prejudice he suffered in the U.S., as well as his growing infamy and bad reputation domestically. Miles had previously toured Paris in 1949 and relished the experience of performing in front of a more accepting audience. In order to advance his career and enjoy some respite from his turbulent home, Miles accepted an offer to tour Europe with a new group of musicians. They were named the ‘Birdland All Stars’, and included Lester Young, the Modern Jazz Quartet, and many other top-tier jazzmen. These recordings are the only ones in history to feature both Miles and Lester, and took place over several concerts from the tour.

Miles Davis

The New Sounds (Mono 10") (RSD26 EDITION)

THIS IS A RECORD STORE DAY 2026 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 18TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM (BST) ON MONDAY APRIL 20th).


Released to celebrate Miles Davis centennial in 2026, this 75th anniversary reissue of Davis' first album as a bandleader was originally released on Prestige Records in 1951.

Cut (AAA) from the original mono tapes by Kevin Gray at Cohearent Audio, this Limited Edition 10” vinyl comes housed in a Stoughton tip-on jacket.

Miles Davis

From Bebop To Blue (RSD26 EDITION)

THIS IS A RECORD STORE DAY 2026 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 18TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM (BST) ON MONDAY APRIL 20th).


Miles Davis – From Bebop To Blue needs no embellishment to impress: this Silver and Black triple vinyl speaks entirely for itself.
Three LPs retracing the meteoric rise of a young Miles — from “Donna Lee” to “Boplicity,” from “Bags’ Groove” to “So What” and “All Blues.”
Everything is here: the birth of cool, the modal revolution, the blue nights of Paris.

The set, dressed in refined metallic Silver Pantone, contains an exclusive text and carefully integrated photos, along with the places, dates, and personnel behind each recording.

Without trying to commemorate anything, this triple album naturally becomes the essential piece to honor the 100th anniversary Miles Davis would have celebrated in 2026.
You don’t buy it… you keep it.

Miles Davis

'Round About Midnight (Mono) - 2026 Reissue

In 1955 Miles Davis played an all-star jam session at the Newport Jazz Festival with Thelonious Monk on piano, Gerry Mulligan on baritone sax and Zoot Sims on tenor sax. This performance immediately drew the attention of Columbia Records' George Avakian, who was so impressed that he immediately offered Davis a contract if he could form a regular band. The group he then assembled would go down in history as Davis' so-called "First Great Quintet", consisting of John Coltrane on tenor sax, Red Garland on piano, Philly Joe Jones on drums, Paul Chambers on bass and of course Miles himself on trumpet. 'Round About Midnight is Miles Davis' first record for Columbia and also the first studio recording of the First Great Quintet. The recording sessions began on October 26 1955 but the album wasn't released until 1957 as Davis was still under contract at Prestige at the time. These respective sessions yielded Steamin', Workin', Cookin' and Relaxin'; albums that would go down in history as quintessential blueprints of late 1950s hard bop. The record is made up of a collection of standards and one traditional song ("Dear Old Stockholm", from the 19th century). Notably, it features what may be considered the most well-known versions of Thelonious Monk's "'Round Midnight" and "Bye Bye Blackbird". That Avakian made a golden signing was sufficiently clear from the start, but no one could foresee that it would be this quintet on Columbia that would go on to change the course of modern jazz forever with Kind of Blue.

TRACK LISTING

Side A
1. 'Round Midnight
2. Ah-Leu-Cha
3. All Of You

Side B
1. Bye Bye Blackbird
2. Tadd's Delight
3. Dear Old Stockholm

Miles Davis

The Best Of Miles Davis

'The Best Of Miles Davis' is a new compilation released to celebrate the legendary jazz trumpeters centennial in 2026. Designed as an introduction to this influential artist, it covers his prime years between 1956 and 1961, during which time he recorded albums including 'Workin', 'Cookin', 'Steamin' and 'Relaxin'. The 8 cuts included feature 'Round Midnight', 'My Funny Valentine', 'Just Squeeze Me (But Don't Tease Me)' and more.

TRACK LISTING

1. Just Squeeze Me
2. Oleo
3. ’Round Midnight
4. Airegin
5. My Funny Valentine
6. Well, You Needn’t
7. You’re My Everything
8. Four

Miles Davis

Live At The Plugged Nickel: December 23, 1965 - Set Two - Black Friday 2025 Edition

THIS IS A BLACK FRIDAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 28th FROM 10AM ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 29th).

One of the most legendary engagements in jazz history, the Miles Davis Quintet’s stand at The Plugged Nickel in December of 1965 saw Miles, Wayne Shorter, Herbie Hancock, Ron Carter, andTony Williams deliver a masterclass in controlled volatility, dismantling tradition and reshaping their language night after night. The Plugged Nickel recordings document the Second Great Quintet revolutionizing improvisation in real time, welcoming surprise, discarding certainty, and turning “wrong” notes into revelations.


TRACK LISTING

1. All Of You - Live At The Plugged Nickel, Chicago, IL (2nd Set) - December 23, 1965
2. Agitation - Live At The Plugged Nickel, Chicago, IL (2nd Set) - December 23, 1965
3. My Funny Valentine - Live At The Plugged Nickel, Chicago, IL (2nd Set) - December 23, 1965
4. On Green Dolphin Street - Live At The Plugged Nickel, Chicago, IL (2nd Set) - December 23, 1965
5. So What - Live At The Plugged Nickel, Chicago, IL (2nd Set) - December 23, 1965
6. The Theme - Live At The Plugged Nickel, Chicago, IL (2nd Set) - December 23, 1965

Miles Davis

Agharta - 50th Anniversary Edition

Agharta was recorded in the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his septet—flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album’s four seemingly unstructured segments emphasize the playing of Davis’ sidemen rather than his own trumpet. It eschews both melody and harmony in favor of a combination of riffs, crossing polyrhythms, and Funk-oriented grooves for soloists to improvise throughout. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey’s innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

TRACK LISTING

SIDE A
Prelude (Part 1)

SIDE B
Prelude (Part 2)

SIDE C
Interlude / Maiysha

SIDE D
Theme From Jack Johnson

Miles Davis

Cookin' With The Miles Davis Quintet - 2025 Reissue

Miles Davis' quintet with John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones was formed in 1955 and is widely regarded as one of the greatest combos in jazz history. Like its followers Steamin', Workin' and Relaxin', Cookin' is the product of two massively productive recording sessions during May and October of 1956, which ended his obligations with Prestige Records.

"Miles' peculiar blend of pure melody and acidulous accents never has sounded better. This is one of the best LPs of the year."- ***** Ralph J. Gleason, DownBeat

TRACK LISTING

My Funny Valentine
Blues By Five
When Lights Are Low (Bonus Track - Quartet Version]
Airegin
Tune Up
When Lights Are Low

James Kaplan

3 Shades Of Blue : Miles Davis, John Coltrane, Bill Evans & The Lost Empire Of Cool

1959 saw Miles Davis, John Coltrane, Bill Evans and the other members of Miles's sextet come together to record the bestselling jazz album of all time: Kind of Blue. 3 Shades of Blue follows the paths of Miles, Coltrane and Evans to the mountaintop of 1959 and their roads on from there. It's a book about music and business, race and heroin, and an astonishing meditation on creativity and the strange hothouses that can produce its full flowering.

But above all this is the story of three very different men - their struggles, their choices, their inspiration. The tapestry of their lives is, in James Kaplan's hands, an American Odyssey.


Miles Davis

Steamin' - 2024 Reissue

One of the four classic albums Miles Davis recorded in 1956 to fulfil his contract with Prestige before signing to Columbia, Steamin' features Davis leading his iconic quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Contains new specially prepared liner notes by Penguin Guide to Jazz 's writer Brian Morton.

"This album is a must for anyone seriously interested in jazz." - Down Beat, 4.5 STARS (Don DeMicheal)

TRACK LISTING

Surrey With The Fringe On Top
Salt Peanuts
Something I Dreamed Last Night
Diane
Well You Needn't
When I Fall In Love
Well You Needn't

Miles Davis

Decoy - 40th Anniversary Edition

Decoy is the 1984 album by the famous jazz musician Miles Davis, re- corded in 1983. Robert Irving III on keyboards took over the role that Miles had assumed with a true sense of harmony and only a rudi- mentary mastery of synthetic sounds and movements. Irving shared the responsibilities of directing with the trumpet player’s nephew Vince Wilburn, Jr., but Al Foster continued to lead the tempo. John Scofield drew the funk of bassist Darryl Jones in the direction of chromatic abstraction. The two tracks that he cowrote with Miles are fragments of solos, “That’s What Happened” reprising the beginning of his solo on “Speak” (Star People).

Decoy offered a good balance between the dominant funk that sub- sequently took over and the jazz tradition, reflected by Scofield’s angularities, Marsalis’ freedom of tone, and the breadth of Miles’ playing that had recovered its full power.

TRACK LISTING

Side A
1. Decoy
2. Robot 415
3. Code M.D.
4. Freaky Deaky

Side B
1. What It Is
2. That's Right
3. That's What Happened

Miles Davis

Kind Of Blue - The Mono & Stereo Versions

The complete 1959 Miles Davis album 'Kind of Blue', one of the most influential Jazz albums of all time, presented here as a 2LP set in its original mono and stereo versions.

TRACK LISTING

1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches
6. So What
7. Freddie Freeloader
8. Blue In Green
9. All Blues
10. Flamenco Sketches

Miles Davis

Volume 2 (Classic Vinyl Series)

Legendary trumpeter Miles Davis was still near the start of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. Blue Note later compiled the tracks into two 12” LPs as part of the 1500 series. The music presents all the hallmarks of his early style from blazing bebop to beautiful ballads. This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180g vinyl at Optimal.

TRACK LISTING

Side A
1. Take Off
2. Weirdo
3. Would'n You
4. I Waited For You
5. Ray's Idea – Alternate Take
6. Donna

Side B
1. Well You Needn't
2. The Leap
3. Lazy Susan
4. Tempus Fugit – Alternate Take
5. It Never Entered My Mind

Miles Davis

Sorcerer - Reissue

Miles Davis is regarded to be one of the most influential and acclaimed figures in the history of jazz and 20th-century music. At the request of Columbia Records executive George Avakian, he formed his first regular quintet in 1955. After all members of the first quintet left Davis a few years later, he hired the core of the second quintet in 1963 and the final member in late 1964. The second quintet would record and play together until the end of the 60s. Sorcerer is the third album by the Second Great Miles Davis Quintet. The quintet consisted of Miles Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass and Tony Williams on drums. It was recorded in May 1967 and contains a darker sound. The last song on the album, "Nothing Like You", features vocals by Bob Dorough.

TRACK LISTING

Side A
1. Prince Of Darkness
2. Pee Wee
3. Masqualero
4. The Sorcerer

Side B
1. Limbo
2. Vonetta
3. Nothing Like You

Miles Davis

Milestones - 2024 Reissue

Milestones is Davis's recording in a sextet configuration with John Coltrane, Paul Chambers, Cannonball Adderley, Philly Joe Jones and Red Garland.

This 1958 masterpiece captured Davis's modalism that introduced on this album continues toinfluence the genre globally. It's the last studio session saw the rhythm section of Garland, Chambers and Jones assembled (Jones was both Garland left the line-up shortly after signing up). In this album, Davis start to study (particularly in the song that gives the album its title) the type of modal jazz that eventually adopted and popularized in the album Kind of Blue.

This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics.


TRACK LISTING

1. Dr. Jekyll
2. Sid's Ahead
3. Two Bass Hit
4. Milestones
5. Billy Boy
6. Straight, No Chaiser

Miles Davis

Porgy And Bess - 2024 Reissue

The album was recorded in four sessions, July 22, 29, August 4, and August 18, 1958, at Columbia's 30th Street Studio in New York and released in March 1959. It's the second collaboration between Davis and Evans, beautiful version of famous George Gershwin's masterpiece.

This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics. 


TRACK LISTING

1. The Buzzard Song
2. Bess, You Is My Woman Now
3. Gone
4. Gone, Gone, Gone
5. Summertime
6. Bess, Oh Where's My Bess
7. Prayer (Oh Doctor Jesus)
8. Fisherman, Strawberry And Devil Crab
9. My Man's Gone Now
10. It Ain't Necessarily So
11. Here Come De Honey Man
12. I Loves You, Porgy
13. There's A Boat That's Leaving Soon For New York

Miles Davis

Birth Of The Cool - 2024 Reissue

In the summer of 1948 Miles Davis, in collaboration with the arranger Gil Evans, whom he had met several years earlier, decided to carry out his project by detaching himself from the principles of bebop to participate in a new form of jazz. Installed in New York, he founded a new group, intermediate between the big band and small bebop groups. Cool jazz was born, but it was not an immediate revolution: the nonet was quickly dissolved, and this new music took several years to establish itself among jazz musicians and the public.

On September 18, 1948, the nonet performed for the first time in public, opening for Count Basie's show at the Royal Roost in New York under the title "Nonet by Miles Davis, arrangement by Gerry Mulligan, Gil Evans and John Lewis ". An unusual name which betrays the desire to create music based largely on arrangements.

This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics.


TRACK LISTING

1. Move
2. Jeru
3. Moon Dreams
4. Venus De Milo
5. Budo
6. Deception
7. Godchild
8. Boplicity
9. Rocker
10. Israel
11. Rouge

Miles Davis

The Musing Of Miles - 2023 Reissue

Charlie Parker had just died (March 1955) and Miles Davis was in the process of forming his first classic quintet when he recorded this quartet session with celebrated bassist Oscar Pettiford, pianist Red Garland, and drummer Philly Joe Jones, both of whom would also form part of the quintet with John Coltrane on tenor sax and Paul Chambers on bass.

The program consisted of four standards, a blues, 'Green Haze', and the original tune 'I Didn't', which was Miles' humorous answer to Thelonious Monk's 'Well, You Needn't'. The interpretations are lyrical and melodic, and even 'A Night In Tunisia' sounds mellow.

A version of 'How Deep Is the Ocean?' from Miles' only other studio session with Oscar Pettiford is include here as a bonus track.

TRACK LISTING

1. Will You Still Be Mine?
2. I See Your Face Before Me
3. I Didn't
4. A Gal In Calico
5. A Night In Tunisia
6. Green Haze
7. How Deep Is The Ocean?

Miles Davis All Stars

Walkin - Craft Jazz Essentials

More than sixty years old, Walkin' still remains a crucial staging post in the history of jazz. Originally recorded in 1954 and initially issued on a couple of 10 albums, it features a mix of quintet and sextet material, recorded during his spell with Prestige Records and produced by Bob Weinstock. The various tracks were gathered together, along with a previously unreleased track, and issued as a 12 album in 1957. The end result is an important album in the development of bop music, a genre Miles Davis practically owned. 

TRACK LISTING

Side A
1. Walkin'
2. Blue N' Boogie
Side B
1. Solar
2. You Don't Know What Love Is
3. Love Me Or Leave Me 

The Miles Davis Quintet

Workin' With The Miles Davis Quintet

Undeniably one of the best smaIl bands in the history of jazz, the Miles Davis Quintet of the mid-1950s featured an all-star line-up of Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums).

This new edition of “Workin’” is release as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket.

TRACK LISTING

Side A
1. It Never Entered My Mind
2. Four
3. In Your Own Sweet Way
4. The Theme (Take 1)
Side B
1. Trane’s Blues (a.k.a. Vierd Blues)
2. Ahmad’s Blues
3. Half Nelson
4. The Theme (Take 2)

Miles Davis

That's What Happened 1982-1985: Bootleg Vol. 7

3CD description:
That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On That’s What Happened, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. The set collects nearly 4 hours of unreleased music including 2 CDs of studio material from 1982 to 1985 plus another CD containing a complete, blistering show of one of Miles’ last amazing bands captured live at the Festival International De Jazz De Montreal in July 1983. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, John McLaughlin, Al Foster and John Scofield to Mike Stern, Marcus Miller, Daryl Jones and Vince Wilburn.

2xLP Highlights description:
That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.

TRACK LISTING

3CD Tracklist:
CD1
1. Santana (13:06)
2. Minor Ninths, Part 1 (3:13)
3. Minor Ninths, Part 2 (4:13)
4. Celestial Blues, Part 1 (8:05)
5. Celestial Blues, Part 2 (4:04)
6. Celestial Blues, Part 3 (6:57)
7. Remake Of OBX Ballad (5:00)
8. Remake Of OBX Ballad Sessions (7:17)
9. Freaky Deaky, Part 1 (9:50)
10. Freaky Deaky, Part 2 (5:25)
CD2
1. Time After Time (alternate) (5:53)
2. Time After Time (full Session) (8:58)
3. Theme From Jack Johnson (Right Off) / Intro (8:30)
4. Never Loved Like This (studio Session Demo) (5:00)
5. Hopscotch (slow) (5:39)
6. Hopscotch (fast) (6:59)
7. What’s Love Got To Do With It (4:25)
8. Human Nature (alternate) (5:59)
9. Katia (full Session) (10:24)
CD3 (Live In Montreal, July 7, 1983)
1. Speak (That’s What Happened) (12:27)
2. Star People (9:21)
3. What It Is (6:58)
4. It Gets Better (12:25)
5. Hopscotch (7:51)
6. Star On Cicely (9:12)
7. Jean-Pierre (7:34)
8. Code 3 (6:36)
9. Creepin’ In (10:36)

2xLP White Vinyl Tracklist:
LP 1 Side A
Santana (13:06)
Duet (Part 2) (4:32)
Celestial Blues (Part 2) 4:03
LP 1 Side B
Remake Of OBX Ballad (4:59)
Time After Time (alternate) (5:53)
What’s Love Got To Do With It (4:25)
Human Nature (alternate) (5:59)
LP 2 Side C
Freaky Deaky (vinyl Edit) 7:48
Never Loved Like This (studio Session Demo) 5:16
Hopscotch (fast) (6:59)
LP 2 Side D
Intro (8:30)
Katia (full Session) 10:24

Miles Davis

Live In Montreal, July 7, 1983 (RSD22 EDITION)

THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

This double LP release includes one of Miles Davis' final great bands including John Scofield on guitar, Bill 'The Other Bill Evans' Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums and percussionist Mino Cinelu. Miles was back in amazing form (ìincandescent and iridescent as ever as Greg Tate noted), when he mounted the stage at the Theatre St-Denis during theFestival International De Jazz De Montreal in July 1983 and this release is the first time this revelatory performance will be released. It has been lovingly mixed and mastered and will be included on CD and digitally in the next edition of the Miles Davis Bootleg series that focuses on the 1981-1985 period, coming later in the year, but the Record Store Day release would be it's exclusive release on vinyl.What It Is includes tracks from that year's release Star People, the Marcus Miller tune Hopscotch and the song Jean-Pierre that appeared on 1982's We Want Miles. The recordings of What It Is and That's What Happened were so well thought of by Miles that he utilized them for his 1984 release Decoy, but in heavily edited form and this release would include the first release of them in complete form. Packaged in beautiful gatefold packaging, the album features liner notes penned by the incomparable music journalist Greg Tate and represent some of his final writing.

Miles Davis

Kind Of Blue - 2021 Coloured Vinyl Edition

Kind of Blue is a studio album by American jazz trumpeter Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track in place of Evans. Kind of Blue has been regarded by many critics as the greatest jazz record, Davis's masterpiece, and one of the best albums of all time. Its influence on music, including jazz, rock, and classical genres, has led writers to also deem it one of the most influential albums ever recorded. 

TRACK LISTING

So What 
Freddie Freeloader 
Blue In Green 
Flamenco Sketches 
All Blues

Miles Davis

In A Silent Way - 2021 Coloured Vinyl Edition

In a Silent Way is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Incorporating elements of classical sonata form, Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances. 

Miles Davis

Black Beauty - Miles Davis At Fillmore West

"Black Beauty, Miles Davis At Fillmore West", was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles’ classic album Bitches Brew. The album was released in 1973, originally in Japan only. "Black Beauty", a true jazz-rock album, captured one of Davis’ first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.
The songs in the band’s set list were as followed: “Directions”, “Miles Runs the Voodoo Down”, “Willie Nelson”, “I Fall In Love Too Easily”, “Sanctuary”, “It’s About That Time”, “Bitches Brew”, “Masqualero”, “Spanish Key”, and “The Theme”. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.

The original Japanese booklet is included in this vinyl package.


TRACK LISTING

Directions
Miles Runs The Voodoo Down
Willie Nelson
I Fall In Love Too Easily
Sanctuary
It's About That Time
Bitches Brew
Masqualero
Spanish Key/The Theme

Miles Davis

Live Evil - 180g Vinyl Edition

The first in a continuing series of double-LP extravaganzas released only in Japan in the early '70s, 'Live Evil' mixes four studio tracks from 1970 with four live ones taken from a Washington, DC performance in December of that year. Amidst heavy competition, the live tracks - including "What I Say," "Sivad" and "Gemini Double Image" - are the highlights, featuring some of Miles' best playing of the decade, plus aggressive work on extended solo spots by John McLaughlin on guitar, Keith Jarrett on keyboards, and Jack DeJohnette on drums.




TRACK LISTING

Side A
1. Sivad
2. Little Church
3. Medley
Gemini
Double Image

Side B
1. What I Say
2. Nem Um Talvez

Side C
1. Selim
2. Funky Tonk

Side D
1. Inamorata And Narration By Conrad Roberts

Miles marries Betty, gets the funk and this is the end result: Along with "Kind Of Blue", but coming from a completely different angle, "Bitches Brew" is probably Davis' most celebrated work. Recorded in three days in August of 1969 and often heralded as the first shot fired in the fusion movement, "Bitches Brew" melds jazz with rock, and as an essential part of any psyche-prog head's record collection as jazz fans. Davis had already spearheaded two major jazz movements (cool and modal jazz) and was about to initiate another major change (the album's cover also sports the phrase "Directions In Music By Miles Davis" above the title). Most of the musicians (Wayne Shorter, Joe Zawinul, Jack DeJohnette, Chick Corea ) who played on the album went on to become giants of the 1970s fusion movement, with "Bitches Brew" being the jump-of point. Artists as disparate as Carlos Santana, Joni Mitchell and Radiohead cite this epic long player as an influence.


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