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ERMITAGE

Cover of Live At The BBC, 1970 by Joni Mitchell.

Joni Mitchell

Live At The BBC, 1970

Ermitage

Joni Mitchell turns 80: Ermitage celebrates the nine times Grammy winner with the release of this vinyl album featuring the artist performing live on the BBC in 1970

Star singer- songwriter of Canadian music and author of songs such as "Big Yellow Taxi", "River" and "A Case of You".

For all the fans around the world always eager for the releases of the great singer- songwriter and particularly since a few months ago she returned to the stage after the brain aneurysm that struck her in 2015 and left her unable to speak or walk let alone play the guitar.

TRACK LISTING

1. Chelsea Morning
2. The Gallery
3. Cactus Tree
4. My Old Man
5. For Free
6. Woodstock
7. All I Want
8. California
9. Big Yellow Taxi
10. Both Sides, Now

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Cover of I Get Chet - 2025 Reissue by Chet Baker & Bobby Jaspar.

Chet Baker & Bobby Jaspar

I Get Chet - 2025 Reissue

Ermitage

The recordings for the album took place between October 25, 1955, and February 10, 1956, at Studio Pathe-Magellan in Paris and features a mix of cool jazz and bop styles with tracks like "How About You," "Once in a While," and "Alone Together." The ensemble of musicians on this album includes notable names such as Jean- Louis Viale on drums, and Benoit Quersin on bass; the album highlighting Baker's distinctive trumpet tone and his collaboration with talented European musicians: "I Get Chet" is a significant work in his discography and reflect his mastery in the cool jazz and bop genres. The tracks are characterized by its relaxed tempos and lighter tone, and bop, known for its complex rhythms and harmonies, it is praised for its lyrical and cool jazz elements. For this and other reasons and considered a gem from Chet Baker's Paris sessions, showcasing his talent during a pivotal time in his career.

TRACK LISTING

How About You
Once In A While
Chekeetah
Alone Together
Chet
Dinah
Tasty Pudding
Anticipated Blues
V Line
Exitus

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Cover of Big Band Bossa Nova - 2025 Reissue by Quincy Jones.

Quincy Jones

Big Band Bossa Nova - 2025 Reissue

Ermitage

Upon its release, Big Band Bossa Nova by the renowned American music producer, conductor, arranger, and composer Quincy Jones, released in 1962 received favorable reviews from critics, who praised its innovative arrangements and the seamless integration of bossa nova into big band jazz

It was noted for its lively and fresh sound, appealing to both jazz enthusiasts and fans of Latin music. Over the years, the album has been recognized as a classic in the realms of both jazz and Latin music. It continues to influence musicians who seek to explore the fusion of different genres. The album played a crucial role in popularizing bossa nova in the United States, introducing many listeners to Brazilian music. It paved the way for future collaborations and crossover projects between jazz and Latin music. It is often cited by contemporary artists and arrangers who are inspired by its innovative blend of styles. Its influence can be seen in various genres, including jazz, pop, and world music and is a testament to Jones's ability to adapt and innovate throughout his career. It solidified his status as a pioneer in the music industry, influencing countless artists across genres and generations. Big Band Bossa Nova not only captures the essence of its time but also continues to resonate with audiences today, highlighting the enduring appeal of both big band features contributions from several talented musicians.

TRACK LISTING

Soul Bossa Nova
Boogie Bossa Nova
Desafinado
Black Orpheus (Manha De Carnaval)
Se E Tarde Me Pardoa (Forgive Me If I'm Late)
On The Street Where You Live
Samba De Uma Nota So (One Note Samba)
Lalo Bossa Nova / Serenata
Chega De Saudade (No More Blues)

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Cover of The Tokyo Blues - 2025 Reissue by The Horace Silver Quintet.

The Horace Silver Quintet

The Tokyo Blues - 2025 Reissue

Ermitage

The Tokyo Blues is an album that reflects Horace Silver's deep musicality, cultural curiosity, and love for the blues.

Its combination of relaxed grooves, melodic beauty, and hints of Eastern influence make it a unique and memorable work within Silver's extensive catalog. It's a perfect example of how jazz can both explore new territories and remain grounded in its own traditions, showcasing Silver's versatility as both a pianist and a composer. Released in 1962 it is considered a gem within Horace Silver's prolific career and offers an intriguing combination of Horace Silver's unique jazz language with the subtle influence of his experiences in Japan, producing a warm, thoughtful, and musically rich album. Horace Silver's The Tokyo Blues is the result of his quintet's tour of Japan in 1961, which left a strong impression on him. While on tour, Silver was struck by the culture, atmosphere, and aesthetics of Japan, which he sought to translate into the musical language he was deeply rooted in hard bop. The album, however, doesn't feature overt Japanese musical scales or instrumentation, but rather evokes a mood and a sense of place. Silver's approach was more about integrating his impressions of Japan, its serenity, beauty, and mood of reflection, into the compositions. He did this within the framework of the jazz tradition, creating music that remains unmistakably his own. His quintet was already known for its catchy themes, complex rhythms, and inventive solos, and The Tokyo Blues adds a layer of atmospheric and emotional depth to that established style. In the early 1960s, Horace Silver was at the height of his creative powers. His work was instrumental in shaping the hard bop movement, a style that emphasized blues, gospel, and soul influences over the more intricate, intellectual sounds of bebop. The Tokyo Blues stands as an example of Silver's ability to evolve his sound while staying true to the groove-based essence of hard bop.

TRACK LISTING

Too Much Sake 
Sayanora Blues
The Tokyo Blues
Cherry Blossom
Ah! So

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Cover of Open Sesame - 2025 Reissue by Freddie Hubbard.

Freddie Hubbard

Open Sesame - 2025 Reissue

Ermitage

Hubbard was only 22 years old when he recorded the album, yet it showcases his prodigious talent and hints at the remarkable career he would go on to have.

The album has become a classic in the hard bop genre, combining elements of bebop and blues with advanced harmonies and improvisational flair and features a stellar lineup of musicians, many of whom were already influential figures in the jazz world or would go on to become so Freddie Hubbard, Tina Brooks, McCoy Tyner, Sam Jones, Clifford Jarvis. "Open Sesame" is rooted in hard bop, a jazz style characterized by a mix of bebop's fast tempo and complex improvisations with blues, gospel, and R&B influences. Hubbard's trumpet playing is both aggressive and lyrical, marked by his technical precision and emotive phrasing. His performance is complemented by Tina Brooks' soulful tenor saxophone and McCoy Tyner's distinctive piano comping, which adds a rich harmonic layer. The album's compositions range from the upbeat and fiery title track "Open Sesame", to the lush ballad "But Beautiful", and the bluesy groove of "One Mint Julep". The track "Gypsy Blue", written by Tina Brooks, is a highlight with its sophisticated chord changes and melodic inventiveness. Open Sesame received critical acclaim upon release and established Hubbard as one of the premier trumpet players of his generation. It's considered a cornerstone of Hubbard's career and a significant recording helped launch Hubbard into a long and successful career where he would collaborate with some of the biggest names in jazz, including Art Blakey, Herbie Hancock, and Wayne Shorter and remains an essential listen for anyone exploring Freddie Hubbard's discography.

TRACK LISTING

Open Sesame
But Beautiful
Gypsy Blue
All Or Nothing At All
One Mint Julep
Hub's Nub

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Cover of Thelonious Monk & Sonny Rollins by Thelonious Monk & Sonny Rollins.

Thelonious Monk & Sonny Rollins

Thelonious Monk & Sonny Rollins

Ermitage

Released in 1956 this album is a compilation of recordings from different sessions held between 1953 and 1954.

Thelonious Monk and Sonny Rollins were both giants of jazz, each known for their individual approaches. Monk, with his unorthodox approach to rhythm and harmony, was one of jazz's most original composers and pianists. Rollins, one of the greatest saxophonists in jazz history, was known for his inventive and bold improvisations. Thelonious Monk was still establishing his reputation during this time. Though considered a genius by some, Monk's highly original style, marked by dissonant harmonies, abrupt rhythmic shifts, and a percussive attack on the piano, was still divisive among critics and audiences in the early '50s. It wasn't until later in the decade, when he started working with Columbia Records and gained wider recognition, that he achieved broader commercial success. Sonny Rollins, though younger, was already a notable figure in the jazz scene by this point, having played with Miles Davis, Charlie Parker, and Bud Powell. He was known for his inventive and bold improvisational style. In these recordings, Rollins was solidifying his status as one of the major voices on tenor saxophone.

The album shows both musicians in their prime, experimenting with harmonies and extended forms. Even though the sessions were recorded at different times, there is a strong synergy between them, particularly in how Monk's percussive piano style complements Rollins' flowing saxophone. A record that captures a moment in jazz history, a testament to the artistic brilliance of both musicians and a significant piece of jazz history, blending the freewheeling spirit of jam sessions with complex, forwardthinking compositions.

TRACK LISTING

The Way You Look Tonight
I Want To Be Happy
Work
Nutty
Friday The 13th

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Cover of Blues & Roots by Charles Mingus.

Charles Mingus

Blues & Roots

Ermitage

Blues & Roots is not only a cornerstone in Charles Mingus' body of work but also a testament to the enduring power of the blues as a foundation for jazz.

Mingus managed to both honor tradition and push the boundaries of jazz, all while making a deeply personal and politically charged musical statement. The album remains one of the most vital and influential recordings in the history of jazz music. Released in 1960 this album stands out in Mingus' discography as a raw, vibrant homage to the roots of blues and gospel traditions in jazz. Mingus sought to return to his musical roots, drawing from blues and gospel traditions he grew up with, particularly from the African American church music of his youth. The album is a powerful statement of how deeply the blues tradition influenced modern jazz. It combines the unfiltered emotional intensity of the blues with Mingus' forward-thinking and often unconventional compositional techniques. The album's tracks are imbued with a strong sense of the blues, which is especially apparent in songs like "Wednesday Night Prayer Meeting" and "Moanin'." The album carries a loose, jamsession feel, reflecting the church and street-based roots of blues music. The use of call- and- response patterns in several tracks also hints at gospel traditions. Blues & Roots is often cited as a critical album in the development of jazz as a genre that embraced both its past and future. Mingus' ability to integrate traditional musical forms (such as blues and gospel) with more modern, experimental elements opened up new possibilities for jazz. His compositional style, which juxtaposed tightly arranged sections with freewheeling solos, influenced generations of musicians, from avant-garde jazz artists to rock musicians and composers in other genres

TRACK LISTING

Wednesday Night Prayer Meeting
Cryin' Blues
Moanin'
Tensions
My Jelly Roll Soul
E's Flat Ah's Flat Too

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Cover of Brilliant Corners - 2025 Reissue by Thelonious Monk.

Thelonious Monk

Brilliant Corners - 2025 Reissue

Ermitage

Brilliant Corners is an exceptional example of Monk's distinctive approach to jazz, which was characterized by angular melodies, unusual chord progressions, complex rhythms, and an idiosyncratic sense of timing.

The title track, "Brilliant Corners," for example, was so intricate that it took multiple takes to complete, and the musicians found it challenging to follow its unconventional structure. This difficulty speaks to Monk's originality and his pushing the boundaries of what jazz could be at the time. The LP is one of Thelonious Monk's most acclaimed and influential albums, recorded in 1956 and released in 1957. It stands as a cornerstone in Monk's discography, showcasing his innovative approach to jazz composition and performance, and is often regarded as one of his finest works. Upon its release, Brilliant Corners was met with widespread critical acclaim and remains a significant album in jazz history and helped solidify Monk's status as one of the great innovators of modern jazz. It was a breakthrough album for Monk commercially as well, attracting attention from jazz critics and listeners who were beginning to appreciate his genius more widely. Today, Brilliant Corners is considered an essential jazz record, often cited as one of the greatest jazz albums of all time: musicians like Ornette Coleman, Cecil Taylor, and Eric Dolphy were influenced by Monk's ability to push the boundaries of jazz without losing its essence. The album is not just a masterwork in Thelonious Monk's discography but a pivotal moment in the evolution of modern jazz.

TRACK LISTING

Brilliant Corners
Ba-Lue Bolivar Ba-Lues-Are
Pannonica
I Surrender, Dear
Bemsha Swing

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Cover of Misterioso - 2024 Reissue by Thelonious Monk Quartet.

Thelonious Monk Quartet

Misterioso - 2024 Reissue

Ermitage

Thelonious Monk's album "Misterioso" is a live recording capturing the essence of Monk's dynamic performances and innovative jazz style.

Released in 1958, the album was recorded at the Five Spot Cafe in New York City, a venue renowned for its intimate atmosphere and its role in the jazz scene of the 1950s. "Misterioso" is notable for its raw, live energy and the seamless interplay between the quartet members. Johnny Griffin's tenor saxophone work is particularly striking, adding a robust and fluid counterpoint to Monk's percussive piano playing. Griffin's solos on tracks like "Nutty" and "Blues Five Spot" showcase his virtuosic technique and ability to complement Monk's unconventional style. The rhythm section, with Ahmed Abdul-Malik on bass and Roy Haynes on drums, provides a solid yet flexible foundation, allowing Monk and Griffin the freedom to explore and interact creatively. Haynes' drumming, in particular, is a highlight, known for its crispness and inventive rhythms that propel the music forward.

The album has been praised for its innovative approach to jazz composition and performance, influencing countless musicians and listeners: it remains a testament to Monk's ability to push the boundaries of jazz while staying deeply rooted in its traditions.

TRACK LISTING

Nutty
Blues Five Spot
Let’s Cool One
In Walked Bud
Just A Gigolo
Misterioso

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Cover of A Night In Tunisia - 2024 Reissue by Art Blakey & The Jazz Messengers.

Art Blakey & The Jazz Messengers

A Night In Tunisia - 2024 Reissue

Ermitage

On the jazz standard "A Night in Tunisia" composed by Dizzy Gillespie in 1942, Art Blakey and the Jazz Messengers, realised this album with a legendary ensemble the lineup includes Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass.

Recorded on August 7 and 14, 1960 this album is one of the most celebrated for the powerful solos and intricate arrangements, epitomizing the hard bop style. Blakey's versions of "A Night in Tunisia" are renowned for their intense energy and complexity, the piece itself features a distinctive Afro- Cuban rhythm in the introduction and the main theme, transitioning into straight-ahead swing for the improvisational sections. In summary, Art Blakey and the Jazz Messengers' renditions of "A Night in Tunisia" are celebrated for their dynamic interpretation, technical proficiency, and influential impact on the jazz genre.

Their recordings are a testament to the enduring legacy of both Blakey and Gillespie in the world of jazz. His band, the Jazz Messengers, served as a springboard for many future jazz stars.

TRACK LISTING

A Night In Tunisia
Sincerely Diana
So Tired
Yama
Kozo's Waltz

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Cover of Birth Of The Cool - 2024 Reissue by Miles Davis.

Miles Davis

Birth Of The Cool - 2024 Reissue

Ermitage

In the summer of 1948 Miles Davis, in collaboration with the arranger Gil Evans, whom he had met several years earlier, decided to carry out his project by detaching himself from the principles of bebop to participate in a new form of jazz. Installed in New York, he founded a new group, intermediate between the big band and small bebop groups. Cool jazz was born, but it was not an immediate revolution: the nonet was quickly dissolved, and this new music took several years to establish itself among jazz musicians and the public.

On September 18, 1948, the nonet performed for the first time in public, opening for Count Basie's show at the Royal Roost in New York under the title "Nonet by Miles Davis, arrangement by Gerry Mulligan, Gil Evans and John Lewis ". An unusual name which betrays the desire to create music based largely on arrangements.

This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics.


TRACK LISTING

1. Move
2. Jeru
3. Moon Dreams
4. Venus De Milo
5. Budo
6. Deception
7. Godchild
8. Boplicity
9. Rocker
10. Israel
11. Rouge

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Cover of It Could Happen To You - 2024 Reissue by Chet Baker.

Chet Baker

It Could Happen To You - 2024 Reissue

Ermitage

It Could Happen to You follows a formula similar to two other Baker albums, "Chet Baker Sings" (1954) and "Chet Baker Sings and Plays with Bud Shank, Russ Freeman & Strings" (recorded in 1955, released in 1964) in which he sings traditional pop standards in a jazzy fashion Chesney Henry "Chet" Baker, Jr., known for his lyrical and intimate style and for having been among the main exponents of genre known as cool jazz, confirmed in this recording as one of most important musician (and singer) of the jazz.

This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics.


TRACK LISTING

1. Do It The Hard Way
2. I'm Old Fashioned
3. You're Driving Me Crazy
4. It Could Happen To You
5. My Heart Stood Still
6. The More I See You
7. Everything Happens To Me
8. Dancing On The Ceiling
9. How Long Has This Been Going On?
10. Old Devil Moon

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Cover of My Funny Valentine - 2024 Reissue by Chet Baker.

Chet Baker

My Funny Valentine - 2024 Reissue

Ermitage

A collection of songs played and sung by Chet Baker between 1953 and 1956 starting from "My funny Valentine" written by Richard Rodgers and Lorenz Hart. Sweet and sensual music that continue on other tracks: this record it's the better collection to discover Chet Baker known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool".

This release is part of the New Ermitage collection available from January 2024: 18 jazz and soul titles reissued on yellow vinyl with new codes and renewed graphics.


TRACK LISTING

1. My Funny Valentine
2. Someone To Watch Over Me
3. Moonlight Becomes You
4. This Is Always
5. I'm Glad There Is You
6. Time After Time
7. Sweet Lorraine
8. It's Always You
9. Let's Get Lost
10. Moon Love
11. Like Someone In Love
12. I've Never Been In Love Before
13. Isn't It Romantic?
14. I Fall In Love Too Easily

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