Search Results for:

BAMBOO

Two years after his acclaimed ‘Darkos LP’, Jonquera is back to Charlieu’s surrounding vales for his second album on Bamboo Shows.

Through ‘La Croix des Cros’, the French Musician delivers a loner-folk eclogue about the fantasized inner demons of a country dweller. Just like clay, audio recordings here are a malleable substance, slowly reworked over a year, following a sinuous production process where all mishaps are welcomed as breaches to step into.

Far from the spaghetti western myth of the reckless bounty hunter, riding his faithful horse in the great outdoors to spill blood; this 14-track album is the grieving lament of a wistful cowboy, longing for a simple patch of peace where one’s free to cultivate the earth and noodle on the guitar.

Heldon’s cosmic space-rock, Badalamenti’s Twin-Peaksesque foggy jazz or Morricone’s glorious soundtracks, so many references to portray another fertile imprint by Jonquera, available from February 13, 2023 on a 12” vinyl.

TRACK LISTING

A1. K Est Un Sociologue
A2. Chemin De La Croix De La Rivière
A3. Tsource
A4. Myope
A5. Cracovie
A6. Le Dormeur
A7. Danse Des Idoles Sans Tête
B1. Court Dialogue Avec Une Porte
B2. Chemin Des Planètes
B3. Autour Du Cro
B4. Le Dernier Coco Du Village
B5. Lacets Des Écharmeaux
B6. Dzar Bleu
B7. La Colline D'En Face

Hozan Yamamoto With Sharps & Flats

Beautiful Bamboo-Flute

    Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format these days, it rests on a spiritual and serene plane, conjuring up expansive and exotic landscapes from far flung places. Obviously, some of the instrumentation and playing is nothing short of breath-taking, but with sleeve notes mainly in Japanese you're gonna have to do some serious research to find out who's responsible!

    Official Mr Bongo reissue with original artwork and super fresh, clean vinyl pressing. Recommended!


    TRACK LISTING

    Kokiriko Bushi
    Sado Okesa
    Tairyo Utaikomi
    Soma Bon-Uta
    Komoro Mago-Uta
    Nanbu Ushioi-Uta
    Itsuki No Komori-Uta
    Hietsuki-Bushi
    Yasuki-Bushi
    Yosakoi-Bushi
    Kuroda-Bushi

    Bamboo

    Daughters Of The Sky

      BAMBOO (Nick Carlisle - keyboards, production, also of Peepholes / Katy & Nick) & Rachel Horwood (vocals, electric banjo, also of Trash Kit / Bas Jan) announce their third studio album "Daughters Of The Sky", on Upset The Rhythm.

      The album was written and recorded over a two year period where ideas and arrangements were allowed to slow-cook and develop over time, in contrast with the last album "The Dragon Flies Away" which came together relatively quickly for the duo. The music comprises the usual (for Bamboo) mix of Horwood's flawlessly resonant folk cadence and Carlisle's pristine synth production, whilst TR808 drum machines and samples lock together with acoustic drums, themselves often given the "Tony Visconti" Eventide Harmoniser treatment of Berlin-era Bowie albums. Ancient ARP synthesisers and Mellotron flutes and horns sit next to contemporary digital sounds and samples in a hauntological tapestry over which Horwood can intone her sometimes mournful, often uplifting vocals.

      The first single taken from the album, "Weeping Idols", reflects upon a recurring theme of religious dogma and spiritual entrapment, and is accompanied by a stunning video shot by Jack Barraclough around the North Coast of Northern Ireland, taking in the Giant's Causeway and the Kinbane Castle ruin. Carlisle's infectiously colourful synth riffs and pop production, featuring sun-burst harp playing from Brighton-based singer/multi-instrumentalist Emma Gatrill, contrasts sharply with the darker tone of Horwood's lyric, jarring in a way reminiscent of "You Have Placed A Chill On My Heart" by The Eurythmics.

      Although "Daughters Of The Sky" breaks away from the storybook concept format of The Dragon Flies Away, in that sense being more similar to Bamboo's debut album "Prince Pansori Priestess" (2015, ★★★★★ - Record Collector Magazine), there are still recurrent themes that run through the album such as motherhood, the cyclical nature of life, emancipation and liberation. "Branches dancing, bud stems growing, fibres swaying, arms unfurling" Horwood sings in The Deku Tree, a song which roots motherhood in nature's eternal cycle of birth and death. In the title track we see two perspectives of women spanning time and geography, Horwood drawing inspiration from the personal and also political. In 1917 a Russian match stick worker looks out of her window dreaming for a better life; in 2019 a Filipino maid in Hong Kong yearns to return to the children she has left behind. Both share a revolutionary spirit, protesting and fighting for a new world.

      What might be the centrepiece of the album, "East Of The Sun / West Of The Moon", an 11 minute epic, begins with a serene, desolate ambient intro which eventually transports us over the waves to some unknown land. Here we track the journey of a displaced people who are rejected from pillar to post, prevented from crossing over political lines, judged by fellow humans by their few differences over their myriad similarities. "And we all walk a different pace, though we end up in the same place" sings Horwood, as the song's new-found rhythm seems to break apart again and slowly splinter away in different directions, the fragments hanging in the air as a new section emerges featuring a rare lead vocal from Carlisle.

      Bar the brief instrumental coda "Tenebrae", the album ends on an optimistic note with "A World Is Born", an upbeat song of renewal. Horwood sings of the creation of a new world for a new generation, out of the ashes of a society stagnating under the collapsing weight of late capitalism. Saxophones provided by Emma Gatrill (her second guest appearance on the album) answer each vocal line in call and response style over more harmonised drums reminiscent of Bowie's "Low". Carlisle originally wrote the music following the death of Bowie, and Horwood added some Prince-like backing vocals (Prince having been name-checked in the title of the first Bamboo album). Although her lyric makes no reference to the loss of these giants, their influence hang over the song in a way which can only add to the sense of hope and rebirth, a sense which is indeed felt throughout the album.


      TRACK LISTING

      01. Diamond Springs
      02. Weeping Idols
      03. Daughters Of The Sky
      04. Memories All At Once
      05. Off-World Colony
      06. East Of The Sun / West Of The Moon
      07. The Deku Tree
      08. Under Larches
      09. A World Is Born
      10. Tenebrae

      Minoru Muraoka

      Bamboo

        Mr Bongo do all the diggers a favour here and give us a welcome reissue of the Japanese jazz/breakbeat, folkloric mega-rarity as hallowed the likes of DJ Shadow, Cut Chemist, Egon and co. Rumour has it the last time someone saw an original copy in the wild City were in the second division and Lenny Henry was funny. "Bamboo" uniquely combines traditional Japanese instrumentation with Western jazz influences for a seriously esoteric sound.
        Minoru Muraoka plays ‘shakuhachi’ - a traditional bamboo Japanese flute - joined by his band members accompanying him on the ‘koto’ (strings) and ‘tsu-tsumi’ (drum) amongst others, to create their ‘Shakuhachi Jazz’ sound.
        Alongside covers of well known jazz and pop classics we also get two ace original songs and SO many killer breaks!

        TRACK LISTING

        Take Five
        Nogamigawa Funauta
        The Positive And The Negative 
        And I Love Her
        The House Of The Rising Sun
        Do You Know The Way To San Jose
        Soul Bamboo
        Call Me
        Scarborough Fair


        Latest Pre-Sales

        183 NEW ITEMS

        E-newsletter —
        Sign up
        Back to top