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YOUNG KNIVES

Young Knives

Barbarians

    Barbarians was written, recorded and mixed by Young Knives (brothers Henry Dartnall and The House of Lords) in their studio near Oxford, UK. John Gray’s book Straw Dogs inspired the brothers to dial into the ultra-violent, brutal nature of human beings. Our progresses in science and knowledge have not made us any less barbaric: our entertainment is obsessed with it, our world is full of it. What if cruelty to others is just part of who we are? How do we live with that?

    Building on a base of loved hits from their early work last decade (Voices of Animals and Men, Superabundance, Ornaments from the Silver Arcade) and the metamorphosis of 2013’s Sick Octave, Barbarians is a leap into sonic experimentation by a band who love to confuse and entertain in equal measure.


    TRACK LISTING

    1. Swarm
    2. Society For Cutting Up Men
    3. Jenny Haniver
    4. Red Cherries
    5. I Am Awake
    6. Holy Name ‘68
    7. Barbarians
    8. Sheep Tick
    9. Only A God
    10. What I Saw

    Young Knives

    White Sands

      White Sands, the new single from Young Knives and recent winner of the BBC 6 Music Rebel Playlist, is the second single to be taken from Young Knives’ widely acclaimed fourth studio album Sick Octave.

      Released on 7” white vinyl limited to 150 copies, each sleeve will be handmade by the band and feature an individual close-up photo of a grimy nook or cranny of the Young Knives studio. No two sleeves will be the same.

      The B-side is an exclusive new track called I Only Want Your Love. Lead singer Henry Dartnall says about White Sands “This song highlights our new direction – industrial production, disquieting synth breaks, very loud guitars. It’s also one of our favourite songs on the album. White Sands has a very important message hidden within its seemingly vacuous exterior. When we’ve worked out what it is we will tell you. It’s something about hedonism, the military and the power struggle between Western values and the rest of the world.”

      Young Knives

      Sick Octave

        "Young Knives are Henry Dartnall (me), The House Of Lords and Oliver Askew. I’m the big cheese in the band. I write a lot of the songs, play guitar and sing. The House Of Lords is my brother, and he plays bass and keys and sings a lot. He has a cool stage name, so fickle people tend to think he is the best in the band. Ollie plays drums and sings.

        Our first album Voices of Animals and Men was really popular! We had three singles entering the UK Top 40 and the album was nominated for the Mercury Music Prize in 2007. In 2008 we released Superabundance, we got a couple of Top 40 singles and the album included our most synched track Turn Tail; something to do with the big string section, I reckon. Then we decided very much that we needed to get away from major label pressures as it just didn’t suit our temperament, and although it may have been a naïve move, we decided to start our own label, Gadzöök. In 2011 we released our third album Ornaments from the Silver Arcade, and this felt like the last record in a trilogy. This record has some of our favourite songs to play live, like Vision In Rags and Woman.

        Sick Octave has been a new start for us. It has definitely been the most fun record we’ve ever made. We almost didn’t make it a Young Knives record as it feels so different from what went before. But that would be a lie; it is totally a Young Knives record."

        Young Knives

        Oh Happiness

          Young Knives return to their noisey DIY roots with new EP - as lead singer and guitarist Henry Dartnall explains “For some reason when you are working with record labels it’s an assumption that you book into a £500 per day studio and a producer tells you what is wrong with your music and makes it better for you. I know it’s a clicheì but after these sessions we have always felt there was no good reason why we couldn’t have done it ourselves like we always used to."

          In terms of drastic reinventions, it’s up there with when Dexy’s’ Kevin Rowland started wearing a wedding dress, albeit a rather more appealing one. “We have tried to make a record that will mess with peoples expectations of us,’ Thomas ‘The House Of Lords’ Dartnall says. “We wanted to make something dark and nasty, something industrial, synthetic, crass but with a sprinkling of pretty shit.”

          Some of it sounds like Kraftwerk. Some of it sounds like a late 1990s computer games console being forced into a food processor. Some of sounds like experimental Blur. Some of it sounds like The Fall. Some of those riffs do sound a bit like Gang Of Four still, actually. It’s the most intriguing, dark, out there yet still instantly lapel-gripping music the band has ever created. Young Knives under the bed sheets.

          Young Knives

          Superabundance

            Following on from their critically acclaimed debut album, "Voices Of Animals And Men", Young Knives release their hotly anticipated follow up. A muscular clatter of pulsing guitars, head-spinning percussive thuds and harmonic, brotherly vocals provide the backbone to a rich throng of giddy, excited ideas and ageless, wry lyrical themes.


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