Again the focus is on Marsh's lapsteel guitar, whose drones, chords and twangs are coaxed into expansive ambient fuzziness or atomised into grains of noise by Curran's home-cooked software patches.
The album has been remixed and remastered for the digipack release and we think it's a far more polished and palatable version of what was originally released. Hopefully far more digestible than it's harsher predecessor. But there's a sparseness and a more pronounced spikiness to the music this time around; it's still immersive stuff, but more edgy...
"This second Sonnamble album builds on its predecessor’s complex set up. Here, Conor Curran weaves Peter Marsh’s original sound sources and textures into a series of stunning miniature constructions which manage to be at once challenging, immersive and evocative" - themilkfactory.