The title is about as self-explanatory as could be: ‘Seth Avett & Jessica Lea Mayfield sing Elliott Smith.’ 12 songs originally written by the acclaimed and well-loved Smith, performed by 2 artists, currently known for their contributions to the indie folk rock landscape. The recordings are, in many cases, defined by bare instrumentation, driven by a simple yet bold vocal delivery, the depth of feeling complimenting that of the subject matter. This album is an obvious labour of love; a comment based on the genuine reverence which Avett and Mayfield clearly hold for Smith. At times, the songs feel light as a feather, while in others, thematically leaden with heartache, they are given a deep breath, a different dimension, a new colour. In modern fashion, melodies intensely whispered by Elliott Smith are sung in a harmonious way, akin to the folk aesthetic of Gillian Welch and David Rawlings.
A relationship with, and a love for the songs of Elliott Smith is a feeling shared by many. Avett and Mayfield are among those who view his music as an under-celebrated body of work, reduced by some to a footnote in the canon of 1990's alternative rock. However, for any lover of music who may appraise his work in a dedicated way, the beauty and depth of it is crystal clear. For Seth Avett and Jessica Lea Mayfield, the nature of this album distinguishes itself as a labor of love, more pronounced in this respect than anything either has previously recorded. At the heart of a genuine musical interpretation, there must be an emotional connection. In this regard, the care and feeling for the music is apparent, even from the first moments of the opening track.
Aesthetically, the record is defined by simple vocal harmonies, bare instrumentation, and an approach which takes its time. Avett and Mayfield’s voices play against each other in a natural and effortless manner, giving Smith’s darker themes a new and bright dimension. In a commercial landscape, where albums are made for the sake of selling, Seth Avett and Jessica Lea Mayfield sing Elliott Smith is an anomaly, a collection of songs recorded for the sole purpose of saying thank you; a gesture of musical gratitude for an original voice, one which so brilliantly whispered such beautiful melodies.
A relationship with, and a love for the songs of Elliott Smith is a feeling shared by many. Avett and Mayfield are among those who view his music as an under-celebrated body of work, reduced by some to a footnote in the canon of 1990's alternative rock. However, for any lover of music who may appraise his work in a dedicated way, the beauty and depth of it is crystal clear. For Seth Avett and Jessica Lea Mayfield, the nature of this album distinguishes itself as a labor of love, more pronounced in this respect than anything either has previously recorded. At the heart of a genuine musical interpretation, there must be an emotional connection. In this regard, the care and feeling for the music is apparent, even from the first moments of the opening track.
Aesthetically, the record is defined by simple vocal harmonies, bare instrumentation, and an approach which takes its time. Avett and Mayfield’s voices play against each other in a natural and effortless manner, giving Smith’s darker themes a new and bright dimension. In a commercial landscape, where albums are made for the sake of selling, Seth Avett and Jessica Lea Mayfield sing Elliott Smith is an anomaly, a collection of songs recorded for the sole purpose of saying thank you; a gesture of musical gratitude for an original voice, one which so brilliantly whispered such beautiful melodies.