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R&S RECORDS

Ken Ishii

Jelly Tones - 2025 Reissue

    In the mid-90s, Ken Ishii rose to prominence, with a futuristic sound rooted in Detroit’s machine soul yet unmistakably his own. Hailing from Sapporo, Ishii quickly became synonymous with futuristic, cutting-edge productions, and ‘Jelly Tones’ – originally released on R&S Records in 1995 - was the breakthrough release that propelled the Japanese producer to global notoriety.

    Driven by the success of its lead single ‘Extra’, whose iconic and surreal, anime styled video directed by Koji Morimoto (of Akira fame) became a cult classic - the album cemented Ishii’s status as a pioneer who seamlessly fused Detroit techno influences with forward looking sound design and uniquely Eastern melodic sensibilities.

    Now reissued on vinyl for the first time since 2008, this 30-year anniversary edition of ‘Jelly Tones’, celebrates the album’s lasting legacy and continued influence with the dynamic rhythms, crystalline synth textures, and sophisticated arrangements that set Ishii apart - from the propulsive elegance of ‘Stretch’ and the layered complexity of ‘Pause in Herbs’, to the tribal, otherworldly darkness of ‘Moved By Air’ and the lush close of ‘Endless Season’.

    Integral to this collection as well as the dazzling energy of tracks like ‘Extra’, comes the shimmering synthscapes of ‘Cocoa Mousse’, and the intricate futurism of ‘Pneuma’ - all of which highlight Ishii’s masterful command of both the dancefloor and more cerebral electronic spaces. ‘Jelly Tones’ remains a testament to Ken Ishii’s vision and to a moment when techno became a global language.

    TRACK LISTING

    A1 Ken Ishii - Extra
    A2 Ken Ishii - Cocoa Mousse
    B1 Ken Ishii - Stretch
    B2 Ken Ishii - Ethos 9
    C1 Ken Ishii - Moved By Air
    C2 Ken Ishii - Pause In Herbs
    D1 Ken Ishii - Frame Out
    D2 Ken Ishii - Endless Season

    Aphex Twin

    Classics - 2025 Reissue

      Undoubtedly one of the most important and influential electronic artists to have emerged in popular music, the sonic misfit from Cornwall, the Aphex Twin, released a breathtaking slew of early singles and albums from 1991 onwards (and continues to present day). The first clutch of groundbreaking works came on the legendary Belgium label R&S Records and were collected on a compilation album ‘Classics’, released in 1995, and followed the global success of the timeless album ‘Selected Ambient Works 85-92’.

      ‘Classics’ receives a long overdue vinyl & CD re-press for 2025, with a fresh vinyl cut by acclaimed mastering engineer Beau Thomas, and a R&S Records sticker sheet inserted into the LP sleeves including cover artwork of the two singles ‘Digeridoo’ and ‘Xylem Tube’ EP which are both featured on this compilation album.

      ‘Digeridoo’ was released on the R&S Records label in 1992 and originally peaked at #55 in the UK singles chart in May of that year. Over the last 33 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year.

      The ’Classics’ album features both the ‘Digeridoo’ and ‘Xylem Tube’ EP singles, plus ‘Analogue Bubblebath 1’, ‘Metapharstic’ (originally released on the album Mayday - A New Chapter Of House And Techno '92), two Aphex remixes of Mescalinum United’s ‘We Have Arrived’ from 1992 and ‘Digeridoo (Live In Cornwall, 1990)’.

      TRACK LISTING

      1. Digeridoo
      2. Flaphead
      3. Phloam
      4. Isopropanol
      5. Polynomial-C
      6. Tamphex (Hedphuq Mix)
      7. Phlange Phace
      8. Dodeccaheedron
      9. Analogue Bubblebath 1
      10. Metaphaestic
      11. We Have Arrived (Aphex Twin QQT Mix)
      12. We Have Arrived (Aphex Twin TTQ Mix)
      13. Didgeridoo (Live In Cornwall 1990)

      Aphex Twin’s ‘Xylem Tube’ EP arrived in the summer of 1992 on R&S Records, coming hot off the heels of his landmark ‘Digeridoo’ release, and an audacious follow up from the then 21-year-old Richard D. James. Out of print for nearly two decades, this long-awaited vinyl reissue restores one of the pivotal early works in his catalogue. Where ‘Digeridoo’ pushed the endurance of the rave floor to its limits, the ‘Xylem Tube’ EP stretched the Aphex Twin sound into new dimensions with ‘Polynomial-C’ becoming an enduring classic with its spiralling arpeggios, shattering breakbeats and alien melodics. Tracks like ‘Phlange Phace’ and ‘Tamphex (Hedphuq Mix)’ pushed distortion, humour and rhythm into uncharted territory, while ‘Dodeccaheedron’ acts as a bold signifier of James’ radical ideas of how dance music can sound, with its ominous and brooding synth work over a cacophony of eerie, broken beats.

      Three decades later, the EP stands not only as a key chapter in the Aphex canon, but also as a statement of intent from an artist set on reshaping electronic music’s DNA. Now faithfully reissued on vinyl for the first time since a 2006 pressing, this edition returns one of the most in-demand Aphex R&S titles to circulation after nearly twenty years out of print.

      STAFF COMMENTS

      Matt says: Uncompromising machine abuse that was so far ahead of its time it still sounds like the future, today! Inside the mind of a then young Richard D James, showing us just what we were instore for, for the next 30 years - innovative, envelope pushing, no fucks given, sonic art.

      TRACK LISTING

      A1. Polynomial-C
      A2. Tamphex (Headphuq Mix)
      B1. Phlange Phace
      B2. Dodeccaheedron

      DJrum

      Portrait With Firewood - Repress

        As 'Portrait With Firewood' is Felix’s most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point.

        "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour.”

        Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work.

        "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly.”

        Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic.

        "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work.”

        Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album.

        Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record.

        "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before.”

        TRACK LISTING

        A1. Unblocked
        A2. Waters Rising
        A3. Creature Pt.1

        B1. Creature Pt.2
        B2. Sex

        C1. Blue Violet
        C2. Sparrows

        D1. Showreel Pt.3
        D2. Blood In My Mouth

        After the success of his ‘Backwards Light’ EP Slackk returns to R&S with another 6 tracker of instrumental grime mutations.

        A figurehead of the UK scene through the influential Boxed night he runs alongside Mr. Mitch, Logos and Oil Gang, Slackk aka Paul Lynch distils the Boxed sound into his own inimitable, richly melodic style.

        The six tracks on offer on this EP continue to blur the lines between genres as RA described in their glowing review of the Backwards Light EP. ‘A producer whose music is moving beyond its origins in grime to something undiscovered.”

        The tracks range from the opening moody club styles of ‘Swan Filters’ and twisted bass of Mumdance and Logos favourite ‘Skeleton Crew’ to the more reserved and delicate headphone moments of ‘Replenish’ and ‘Pigeons’. ‘Hundred Flute’ returns a common Slackk inspiration source into the sampler, but the results on this one could be the best yet. ‘Returning Geese’ finishes the EP in what could be one of the producers last examples of the Japanese styles for a while.


        TRACK LISTING

        1: Swan Filters
        2: Skeleton Crew
        3: Pigeons
        4: Hundred Flute
        5: Replenish
        6: Returning Geese

        'For Years', the debut album from Airhead aka Rob McAndrews marks the four year transition from student producer to international touring musician, playing to vast audiences across the world as guitarist for his childhood friend James Blake, writing and jamming in the studio with James and Brian Eno, and DJing on the finest club soundsystems modern technology has to offer.

        It spans from tracks like 'Azure Race', 'Milkola Bottle' and 'Knives' (featuring James) - the kind of intensely introspective and sometimes “forlorn and sad” atmospheres you'd expect from a young man fiercely dedicated to his craft above all else - through to more recent tracks like 'Callow' and the sun-dappled 'Fault Line' with their gentle female vocals and playful rhythms.

        Enter into 'For Years' and it's like a strange and beautiful building that you'll want to explore differently each time. Even after many listens you'll find spaces opening up you'd never come across before, sometimes with the finest detail revealing something new that will leave you breathless and speechless... in a good way.

        TRACK LISTING

        1. Wait
        2. Milkola Bottle
        3. Callow
        4. Masami
        5. Pyramid Lake
        6. Azure Race
        7. Autumn
        8. Fault Line
        9. Lightmeters
        10. Knives


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