In Mallrat's (aka Grace Shaw's) vision of the world, light is more than photons and electromagnetic radiation hitting the eye -- it's a moment of divine intervention. A bold swerve into the metaphysical, this is the premise of the prized Brisbane-born, LA-based pop songwriter and producer's 2025 sophomore album: Light hit my face like a straight right. Set against a newly informed backdrop of expressive breakbeats and dance music, its 12 songs explore the intangible and mysterious allure of human connection, held together by curious investigations into light -- the closest thing to a concept this album has, Mallrat says. She reunited with Butterfly Blue producers Styalz Fuego (Troye Sivan, Tate McRae) and Alice Ivy, while bringing into the mix indie electronic producers Chrome Sparks and Casey MQ.
Mallrat serves up highs like Hideaway, a song where heart-racing garage clashes with her trademark candor: I'll be your lucky charm just let me hang around your neck, she sings. Sleek and early standout Pavement gets a gritty underlayer with chopped up vocals from DJ Zirk's Born 2 Lose and mid-album standout Hocus Pocus finds Mallrat singing about being pulled under the spell of someone new, borrowing a different part of the same DJ Zirk sample to build its shimmering, dancefloor-ready facade. It's an endeavor that perhaps reaches a peak on Horses, the record's gentle and organic closer which Shaw herself calls objectively the best song. Written after returning home to Brisbane and feeling like an alien, it gained new meaning in the wake of her late sister's passing. For Shaw, it's the convergence of the song's minimalism, lyrics, space, and the way her voice cracks on the recording as she sings, Hey, I'm right here, I look different now. After years of solidifying herself as a master of well-crafted, timeless pop -- fielding recognition from New York Times, NYLON, Teen Vogue, Billboard, The FADER, NPR, and more -- Light hit my face like a straight right is a step into the art of world-building, bolstered by her intuitive songwriting and clever, studied production.
Mallrat serves up highs like Hideaway, a song where heart-racing garage clashes with her trademark candor: I'll be your lucky charm just let me hang around your neck, she sings. Sleek and early standout Pavement gets a gritty underlayer with chopped up vocals from DJ Zirk's Born 2 Lose and mid-album standout Hocus Pocus finds Mallrat singing about being pulled under the spell of someone new, borrowing a different part of the same DJ Zirk sample to build its shimmering, dancefloor-ready facade. It's an endeavor that perhaps reaches a peak on Horses, the record's gentle and organic closer which Shaw herself calls objectively the best song. Written after returning home to Brisbane and feeling like an alien, it gained new meaning in the wake of her late sister's passing. For Shaw, it's the convergence of the song's minimalism, lyrics, space, and the way her voice cracks on the recording as she sings, Hey, I'm right here, I look different now. After years of solidifying herself as a master of well-crafted, timeless pop -- fielding recognition from New York Times, NYLON, Teen Vogue, Billboard, The FADER, NPR, and more -- Light hit my face like a straight right is a step into the art of world-building, bolstered by her intuitive songwriting and clever, studied production.
TRACK LISTING
Side 1
1. My Darling, My Angel
2. Pavement
3. Something For Somebody
4. Virtue
5. Defibrillator
6. The Light Streams In And Hits My Face
7. Hocus Pocus
Side 2
1. Hideaway
2. Love Songs/ Heart Strings
3. Ray Of Light
4. The Worst Thing I Would Ever Do
5. Horses