'The Fatal Flaw' is the much anticipated sophomore album from Paris Paloma; and quite simply it is an album all about Love.

Love as Art, Love under the Patriarchy, Love as a political and radical act - in short 'The Fatal Flaw' examines Love from a deeper and philosophical perspective. Even the songs that aren't about Love, also are. They are about the absence of love, and what happens in those spaces, so they are songs about the necessity of love, and the consequences of its absences.

TRACK LISTING

1. Miyazaki
2. Rothko 
3. Stem the Flow 
4. Bleeding Part of Me 
5. Get Her The Fucking Flowers
6. Pre-Raphaelite 
7. Good Girl 
8. Pyrrhus (You Go Where I Cannot)
9. Silhouette on the Hill
10. Good Boy
11. Beautiful Birds 
12. I Cry in Front of Paintings

Marmozets return - raw, relentless, and unapologetically themselves - with their first new album in eight years; 'CO.WAR.DICE.' Stripped back to a four-piece, Marmozets channelled a new power from the spaciousness of the tighter line-up, taking in influences like The Cramps and Devo.

TRACK LISTING

1. A Kiss From A Mother
2. New York
3. Cut Back
4. Swear I'm Alive
5. Running With The Sun In Your Eyes
6. Dandy
7. Like Last Night
8. Mes Desirs
9. You Want The Truth 
10. Flowerz
11. Keep Going Darling

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A visionary fusion of jazz, hip hop, and spoken word, Welcome To My Dream remains a true underground classic of the early ’90s.
This 35th Anniversary Expanded Edition celebrates MC 900 Ft. Jesus’s genre-defying album with a tracklisting personally curated by Mark Griffin. Featuring Griffin’s own liner notes and early demos pressed on vinyl for the first time, this release shines new light on a record that still sounds boldly ahead of its time.

Pressed on silver vinyl and housed in a deluxe gatefold sleeve with printed inners.

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Paris Paloma makes her RSD debut with an exclusive 7” double sided vinyl. A beautifully curated release featuring ‘Good Boy’ and ‘Good Girl’ - this is the first time these two tracks are available on vinyl. With an eco-friendly Lavender coloured vinyl disc, a spoken word introduction to ‘Good Boy’ from Dame Emma Thompson, and never before seen artwork for ‘Good Girl’; this is a real treasure for both Paris Paloma fans and the perfect introduction for a new discovery!

The iconic and influential electronic pop group Ladytron returns with a new album 'Paradises' - their first since 2023's critically acclaimed 'Time's Arrow'.

Spanning dance and indie movements since their formation in Liverpool at the end of the last millennium, Ladytron have earned a unique position by carving out new sonic and conceptual space, and refusing to abide by formula or trend. In the early 2000s, the fiercely individual group were placed at the forefront of the so-called electro-clash scene (which now enjoys another revival), but with time, they came to appreciate the pop cultural moment that they had reluctantly become part of.

The new album follows a period of renewed cultural presence for the band. Their 2002 single 'Seventeen' unexpectedly went viral on TikTok, introducing Ladytron's sound to a new generation and amassing hundreds of thousands of fan- made clips. Their legacy was further acknowledged recently with 'Destroy Everything You Touch', one of their most celebrated tracks, featured in the GRAMMY- nominated original Motion Picture Soundtrack of cult movie Saltburn, reaffirming Ladytron's enduring appeal.

TRACK LISTING

1. I Believe In You
2. In Blood
3. Kingdom Undersea
4. I See Red
5. A Death In London
6. Secret Dreams Of Thieves
7. Sing
8. Free, Free
9. Metaphysica
10. Caught In The Blink Of An Eye
11. Evergreen
12. Ordinary Love
13. We Wrote Our Names In The Dust
14. Heatwaves
15. Solid Light
16. For A Life In London

With 'Welcome To The Mood', Leisure embraced a more organic, live- recording approach. The group explains, "Off the back of touring the last album, we had played more shows than ever and wanted to bring more of the live element into the process, so we didn't use drum breaks and loops as much as previous records and tracked live." They continued expanding their sound by bringing in specialist musicians -- string sections, brass, pianos, and backing vocalists -- pushing the sonic possibilities beyond their individual skill sets. Yet at its core, the album remains deeply personal. Written in remote hideaways, the songs carry the tranquility of escape while capturing a newfound confidence in emotional vulnerability.

Thematically, 'Welcome to the Mood' is a rich sonic auditory tapestry woven with threads of authenticity, humanity, and creative celebration. Lyrically, the album explores universal experiences -- love, loss, connection, hope, and purpose -- drawn from the everyday yet rendered in LEISURE's distinct palette of lush tones and laidback groove. Tracks are anchored in realness but elevated by a sonic landscape that feels simultaneously nostalgic and futuristic, mirroring the ethos of Frank Lloyd Wright, whose Taliesin West provided literal and symbolic inspiration during the album's visual journey.

TRACK LISTING

1. Welcome To The Mood
2. Sundown
3. Diamonds
4. Missing You
5. The Colour Of The Sound 
6. Dominoes
7. Beach House
8. Tenderness
9. Desert Moon Sky
10. One In A Million

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IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 29th).

This newly compiled release - housed in a deluxe gatefold jacket and featuring iconic band photography - presents reinterpreted fan favourites and unreleased gems, offering a fresh take on Ladytron's signature synthpop, electro, and darkwave sound.

Immerse yourself in pulsating club mixes and moody atmospheric reinterpretations from albums such as 'Light & Magic', '604', 'Velocifero' & 'Witching Hour', that breathe new life into Ladytron classics.

More than just a collector's item, 'Nightlife' is a testament to the band's lasting impact on electronic music. Carefully curated for RSD Black Friday, this exclusive edition is essential for longtime fans and vinyl enthusiasts alike. Don't miss out on this incredible retrospective of Ladytron's remixed legacy!

TRACK LISTING

1. Seventeen (Darren Emerson Radio Edit)
2. Playgirl (Zombie Nation Remix)
3. Discotraxx (Roxxfuxx Mix)
4. Evil (M-Factor Remix)
5. Flicking Your Switch (Erol Alkan Remix)
6. Sugar (Playgroup Dub)
7. Blue Jeans (Josh Wink's Vocal Interpretation)
8. Runaway (ADULT. Remix)
9. Destroy Everything You Touch (Sasha Involv2er Remix)
10. Soft Power (Vicarious Bliss Gutter Remix)
11. High Rise (Club Mix)
12. Ace Of Hz (Tiesto Remix)
13. Ghosts (Toxic Avenger Mix)
14. International Dateline (Simian Mobile Disco Remix)
15. Seventeen (Soulwax Mix)

Described at the time by Pitchfork as "the most urgent and immediate of their career", it contains notable singles "Sugar", "International Dateline" and "Destroy Everything You Touch".

LADYTRON - Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu - formed in 1999 and sparked an entire movement in music pop culture powered by vintage synths and electro-rock engines.

TRACK LISTING

High Rise
Destroy Everything You Touch
International Dateline
Soft Power
CMYK
AMTV
Sugar
Fighting In Built Up Areas
The Last One Standing
Weekend
Beauty*2
Whitelightgenerator
All The Way...

Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu - formed in 1999 and sparked an entire movement in music pop culture powered by vintage synths and electro-rock engines.

Originally released in 2001 by Emperor Norton Records in the US and Invicta Hi-Fi in the UK, "604" is the debut album from the Liverpool formed electronic outfit Ladytron. Named after the area code for British Columbia, the album features break-out tracks 'He Took Her to a Movie' (inspired by Kraftwerk's very own 'The Model'), 'Playgirl' and 'Discotraxx'.

TRACK LISTING

Mu- Tron
Discotraxx
Another Breakfast With You
CSKA Sofia
The Way That I Found You
Paco!
Commodore Rock
Zmeyka
Playgirl
I'm With The Pilots
This Is Our Sound
He Took Her To A Movie
Laughing Cavalier
Ladybird
Jet Age
Skools Out...

Originally released in 2002 by Emperor Norton Records and re-released by Nettwerk in 2011, Liverpool electropoppers Ladytron's second studio album "Light & Magic" was written and co-produced in Los Angeles by the band & Mickey Petralia and featured the underground hits "Seventeen", "Blue Jeans" and "Evil"

TRACK LISTING

Seventeen
Flicking Your Switch
Fire
Turn It On
Blue Jeans
Cracked LCD
Black Plastic
Evil
Startup Chime
Nu Horizons
Cease2exist
Re:agents
Light & Magic
The Reason

In Mallrat's (aka Grace Shaw's) vision of the world, light is more than photons and electromagnetic radiation hitting the eye -- it's a moment of divine intervention. A bold swerve into the metaphysical, this is the premise of the prized Brisbane-born, LA-based pop songwriter and producer's 2025 sophomore album: Light hit my face like a straight right. Set against a newly informed backdrop of expressive breakbeats and dance music, its 12 songs explore the intangible and mysterious allure of human connection, held together by curious investigations into light -- the closest thing to a concept this album has, Mallrat says. She reunited with Butterfly Blue producers Styalz Fuego (Troye Sivan, Tate McRae) and Alice Ivy, while bringing into the mix indie electronic producers Chrome Sparks and Casey MQ.

Mallrat serves up highs like Hideaway, a song where heart-racing garage clashes with her trademark candor: I'll be your lucky charm just let me hang around your neck, she sings. Sleek and early standout Pavement gets a gritty underlayer with chopped up vocals from DJ Zirk's Born 2 Lose and mid-album standout Hocus Pocus finds Mallrat singing about being pulled under the spell of someone new, borrowing a different part of the same DJ Zirk sample to build its shimmering, dancefloor-ready facade. It's an endeavor that perhaps reaches a peak on Horses, the record's gentle and organic closer which Shaw herself calls objectively the best song. Written after returning home to Brisbane and feeling like an alien, it gained new meaning in the wake of her late sister's passing. For Shaw, it's the convergence of the song's minimalism, lyrics, space, and the way her voice cracks on the recording as she sings, Hey, I'm right here, I look different now. After years of solidifying herself as a master of well-crafted, timeless pop -- fielding recognition from New York Times, NYLON, Teen Vogue, Billboard, The FADER, NPR, and more -- Light hit my face like a straight right is a step into the art of world-building, bolstered by her intuitive songwriting and clever, studied production.

TRACK LISTING

Side 1
1. My Darling, My Angel
2. Pavement
3. Something For Somebody
4. Virtue
5. Defibrillator
6. The Light Streams In And Hits My Face
7. Hocus Pocus

Side 2
1. Hideaway
2. Love Songs/ Heart Strings
3. Ray Of Light
4. The Worst Thing I Would Ever Do
5. Horses

Influential industrial pioneers Skinny Puppy welcomed audiences into the embrace of the seminal Too Dark Park in 1990

One of the band's most influential records, it includes "Tormentor," "Spasmolytic," and more. In addition to praise from Vice and many more, Metal Hammer fittingly named it one of the "10 Best Industrial Albums," and Spin summed it up best as a "return to the bloodbath." A menacing and massive pastiche of H.P. Lovecraftstyle cosmic horror, addiction, mental disarray, and the disintegration of nature, Too Dark Park remains a cataclysmic and chaotic classic through and through.

Now available on vinyl for the first time in 30 years to celebrate the 35th anniversary since release. Legends of electronic industrial music. Restored to original art on classic black vinyl. "10 best industrial albums - metal hammer"

TRACK LISTING

Convulsion
Tormentor
Spasmolytic
Rash Reflection
Nature's Revenge
Shore Lined Poison
Grave Wisdom
T.F.W.O.
Morpheus Laughing
Reclamation

Bleach Lab proudly call themselves perfectionists. The South London formed in 2017 as a duo of bassist Josh Longman and guitarist Frank Wates, they then recruited vocalist Jenna Kyle before reaching their final form at the start of 2021 with the recruitment of drummer Kieran Weston. After releasing three EPs, they are now gearing up for their debut album Lost In A Rush Of Emptiness, where the band felt free to experiment, always keeping true to their alternative nature. The songs on it are packed with widescreen, dreamy soundscapes that pushed their aesthetics forwards and continued the experimentation that exists at the heart of the project.

TRACK LISTING

All Night
Indigo
Counting Empties
Saving All Your Kindness
Everything At Once
Nothing Left To Lose
Never Coming Back
Smile For Me
Leave The Light On
Life Gets Better
(coda)

Boy & Bear release their third studio album "Limit of Love", produced by Ethan Johns (Kings Of Leon, Ryan Adams).

The album, including all lead vocals, was recorded and mixed live resulting in an amazingly fresh and unique sound.

Limit of Love follows acclaimed Harlequin Dream, a gold album after a #1 debut in Australia. The band has been featured on ‘ones to watch’ lists for USA Today, Huffington Post and Uncut.

TRACK LISTING

1: Limit Of Love
2: Walk The Wire
3: Where'd You Go
4: Hollow Ground
5: Breakdown Slow
6: Showdown
7: A Thousand Faces
8: Man Alone
9: Ghost 11
10: Just Dumb
11: Fox Hole

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Basements hung with fairy lights, 60s tape reels spinning antique spools, drums dusted with white powder. Gritty riffs and psych rock washes slither beneath airy, blissed-blank Nico vocals spinning spectral tales of shattered romance. A beautifully ruined pair – he a leather-clad glowering guitar phantom, she a glacial, broken bombshell – blow glitter at each other through the flashes from old cameras.

This is the world of Coves, a classic psych-garage aesthetic vacuum-sealed forever in one time, one space. The space is Castle Grayskull, the live-in studio that musical mastermind John Ridgard helped build in a disused office in Leamington Spa and where their debut album was recorded. And the time covers the duration of singer and lyricist Beck Wood's last big relationship, laid out in her songs from first flutter to final choke.

'No Ladder' gets the remix treatment by TOY turning it into an epic, beat driven psychedelic dream.

Within weeks of finishing work on 2011’s award-winning, internationally renowned debut LP, Moonfire — months before it was even released — singer / songwriter Dave Hosking was hit by a creative tsunami. Boy & Bear is a band that likes to follow their muse — and the new songs were flowing.The cocoon-like existence of working together in a new environment — Nashville, in the case of Moonfire — generated its share of magic, but Hosking and his fellow Boy & Bears wanted to bring it all back home, to get back to where their musical journey began in 2009. His band mates Tim Hart, Killian Gavin, Jon Hart and David Symes, agreed.

The record in question is Harlequin Dream, their bold and brave new album, conceived and ‘birthed’ in their hometown of Sydney. And they couldn’t have picked a more appropriate venue in which to make the magic happen: the legendary Alberts studio, the spiritual home of AC/DC, the Easybeats and many, many other homegrown legends. Their music only went offshore when takes were sent to Phil Ek in Seattle, who’s worked with such bands as Band of Horses, Fleet Foxes and Modest Mouse, to be mixed. It was the perfect arrangement for this very Sydney band.

Boy & Bear’s debut record Moonfire took the band to some places they never thought they’d see, including several tours of Europe and America, and went on to win five ARIA Awards, including Album of the Year.

STAFF COMMENTS

Ryan says: Opening on a trinity of 70's rock and unfolding into a seductive mellowness that's carried on through.

TRACK LISTING

1. Southern Sun
2. Old Town Blues
3. Harlequin Dream
4. Three Headed Woman
5. Bridges
6. A Moment's Grace
7. End Of The Line
8. Back Down The Black
9. Real Estate
10. Stranger
11. Arrow Flight

Third album by acclaimed Norwegian artist Hanne Hukkelberg. In part inspired by her teenage past as a member of various rock bands and in part by her 80s dominated collection of indie/rock albums, the likes of Sonic Youth, Cocteau Twins, Pixies, Einstüerzende Neubauten, Siouxsie & The Banshees and P.J. Harvey have all exerted an influence over Hanne's new songs, which continue her penchant for combining traditional and unusual instrumentation to form a soundscape unique to her. For a self-confessed 'rock' album, "Blood From A Stone" still manages to include field recordings of seagulls, clogs, kitchen utensils, freezers, stoves and a school desk. Although recorded in Hanne's Oslo studio, the songs were written during a seven month spell living in a tiny coastal village on the Norwegian island of Senja, 300 kilometres north of the Polar Circle.