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Ladytron

604 - 2025 Reissue

    Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu - formed in 1999 and sparked an entire movement in music pop culture powered by vintage synths and electro-rock engines.

    Originally released in 2001 by Emperor Norton Records in the US and Invicta Hi-Fi in the UK, "604" is the debut album from the Liverpool formed electronic outfit Ladytron. Named after the area code for British Columbia, the album features break-out tracks 'He Took Her to a Movie' (inspired by Kraftwerk's very own 'The Model'), 'Playgirl' and 'Discotraxx'.

    TRACK LISTING

    Mu- Tron
    Discotraxx
    Another Breakfast With You
    CSKA Sofia
    The Way That I Found You
    Paco!
    Commodore Rock
    Zmeyka
    Playgirl
    I'm With The Pilots
    This Is Our Sound
    He Took Her To A Movie
    Laughing Cavalier
    Ladybird
    Jet Age
    Skools Out...

    Ladytron

    Light & Magic - 2025 Reissue

      Originally released in 2002 by Emperor Norton Records and re-released by Nettwerk in 2011, Liverpool electropoppers Ladytron's second studio album "Light & Magic" was written and co-produced in Los Angeles by the band & Mickey Petralia and featured the underground hits "Seventeen", "Blue Jeans" and "Evil"

      TRACK LISTING

      Seventeen
      Flicking Your Switch
      Fire
      Turn It On
      Blue Jeans
      Cracked LCD
      Black Plastic
      Evil
      Startup Chime
      Nu Horizons
      Cease2exist
      Re:agents
      Light & Magic
      The Reason

      Mallrat

      Light Hit My Face Like A Straight Arrow

        In Mallrat's (aka Grace Shaw's) vision of the world, light is more than photons and electromagnetic radiation hitting the eye -- it's a moment of divine intervention. A bold swerve into the metaphysical, this is the premise of the prized Brisbane-born, LA-based pop songwriter and producer's 2025 sophomore album: Light hit my face like a straight right. Set against a newly informed backdrop of expressive breakbeats and dance music, its 12 songs explore the intangible and mysterious allure of human connection, held together by curious investigations into light -- the closest thing to a concept this album has, Mallrat says. She reunited with Butterfly Blue producers Styalz Fuego (Troye Sivan, Tate McRae) and Alice Ivy, while bringing into the mix indie electronic producers Chrome Sparks and Casey MQ.

        Mallrat serves up highs like Hideaway, a song where heart-racing garage clashes with her trademark candor: I'll be your lucky charm just let me hang around your neck, she sings. Sleek and early standout Pavement gets a gritty underlayer with chopped up vocals from DJ Zirk's Born 2 Lose and mid-album standout Hocus Pocus finds Mallrat singing about being pulled under the spell of someone new, borrowing a different part of the same DJ Zirk sample to build its shimmering, dancefloor-ready facade. It's an endeavor that perhaps reaches a peak on Horses, the record's gentle and organic closer which Shaw herself calls objectively the best song. Written after returning home to Brisbane and feeling like an alien, it gained new meaning in the wake of her late sister's passing. For Shaw, it's the convergence of the song's minimalism, lyrics, space, and the way her voice cracks on the recording as she sings, Hey, I'm right here, I look different now. After years of solidifying herself as a master of well-crafted, timeless pop -- fielding recognition from New York Times, NYLON, Teen Vogue, Billboard, The FADER, NPR, and more -- Light hit my face like a straight right is a step into the art of world-building, bolstered by her intuitive songwriting and clever, studied production.

        TRACK LISTING

        Side 1
        1. My Darling, My Angel
        2. Pavement
        3. Something For Somebody
        4. Virtue
        5. Defibrillator
        6. The Light Streams In And Hits My Face
        7. Hocus Pocus

        Side 2
        1. Hideaway
        2. Love Songs/ Heart Strings
        3. Ray Of Light
        4. The Worst Thing I Would Ever Do
        5. Horses

        Skinny Puppy

        Too Dark Park - 2024 Reissue

          Influential industrial pioneers Skinny Puppy welcomed audiences into the embrace of the seminal Too Dark Park in 1990

          One of the band's most influential records, it includes "Tormentor," "Spasmolytic," and more. In addition to praise from Vice and many more, Metal Hammer fittingly named it one of the "10 Best Industrial Albums," and Spin summed it up best as a "return to the bloodbath." A menacing and massive pastiche of H.P. Lovecraftstyle cosmic horror, addiction, mental disarray, and the disintegration of nature, Too Dark Park remains a cataclysmic and chaotic classic through and through.

          Now available on vinyl for the first time in 30 years to celebrate the 35th anniversary since release. Legends of electronic industrial music. Restored to original art on classic black vinyl. "10 best industrial albums - metal hammer"

          TRACK LISTING

          Convulsion
          Tormentor
          Spasmolytic
          Rash Reflection
          Nature's Revenge
          Shore Lined Poison
          Grave Wisdom
          T.F.W.O.
          Morpheus Laughing
          Reclamation

          Paris Paloma

          Cacophony

            The debut album from Paris Paloma, 'Cacophony' follows (and includes) her breakthrough single 'labour'.

            Written around themes of feminine rage, societal expectations on women and deeply embedded misogyny, the album continues the deep consideration and dissection of Paris' own experiences and observations as a woman. 'labour', and subsequent singles including 'as good a reason', have seen her lyrics and music resonate deeply with an every growing fanbase. The 700+ fans at her sold out London show were termed a 'politely loving coven', capturing the sense of community and female energy which Paris inspires. Unheard tracks such as 'his land' are emotive and cinematic, while the gloriously climactic 'the last woman on earth' has become a fan favourite already via TikTok.

            TRACK LISTING

            My Mind (now)
            Pleaser
            His Land
            Drywall
            Labour
            Boys, Bugs And Men
            Knitting Song
            As Good A Reason
            Triassic Love Song
            Escape Pod
            Last Woman On Earth
            Bones On The Beach
            Hunter
            The Warmth
            Yeti

            Bleach Lab

            Lost In A Rush Of Emptiness

              Bleach Lab proudly call themselves perfectionists. The South London formed in 2017 as a duo of bassist Josh Longman and guitarist Frank Wates, they then recruited vocalist Jenna Kyle before reaching their final form at the start of 2021 with the recruitment of drummer Kieran Weston. After releasing three EPs, they are now gearing up for their debut album Lost In A Rush Of Emptiness, where the band felt free to experiment, always keeping true to their alternative nature. The songs on it are packed with widescreen, dreamy soundscapes that pushed their aesthetics forwards and continued the experimentation that exists at the heart of the project.

              TRACK LISTING

              All Night
              Indigo
              Counting Empties
              Saving All Your Kindness
              Everything At Once
              Nothing Left To Lose
              Never Coming Back
              Smile For Me
              Leave The Light On
              Life Gets Better
              (coda)

              Boy & Bear release their third studio album "Limit of Love", produced by Ethan Johns (Kings Of Leon, Ryan Adams).

              The album, including all lead vocals, was recorded and mixed live resulting in an amazingly fresh and unique sound.

              Limit of Love follows acclaimed Harlequin Dream, a gold album after a #1 debut in Australia. The band has been featured on ‘ones to watch’ lists for USA Today, Huffington Post and Uncut.

              TRACK LISTING

              1: Limit Of Love
              2: Walk The Wire
              3: Where'd You Go
              4: Hollow Ground
              5: Breakdown Slow
              6: Showdown
              7: A Thousand Faces
              8: Man Alone
              9: Ghost 11
              10: Just Dumb
              11: Fox Hole

              Coves

              No Ladder (Toy Remix)

                THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                Basements hung with fairy lights, 60s tape reels spinning antique spools, drums dusted with white powder. Gritty riffs and psych rock washes slither beneath airy, blissed-blank Nico vocals spinning spectral tales of shattered romance. A beautifully ruined pair – he a leather-clad glowering guitar phantom, she a glacial, broken bombshell – blow glitter at each other through the flashes from old cameras.

                This is the world of Coves, a classic psych-garage aesthetic vacuum-sealed forever in one time, one space. The space is Castle Grayskull, the live-in studio that musical mastermind John Ridgard helped build in a disused office in Leamington Spa and where their debut album was recorded. And the time covers the duration of singer and lyricist Beck Wood's last big relationship, laid out in her songs from first flutter to final choke.

                'No Ladder' gets the remix treatment by TOY turning it into an epic, beat driven psychedelic dream.

                Within weeks of finishing work on 2011’s award-winning, internationally renowned debut LP, Moonfire — months before it was even released — singer / songwriter Dave Hosking was hit by a creative tsunami. Boy & Bear is a band that likes to follow their muse — and the new songs were flowing.The cocoon-like existence of working together in a new environment — Nashville, in the case of Moonfire — generated its share of magic, but Hosking and his fellow Boy & Bears wanted to bring it all back home, to get back to where their musical journey began in 2009. His band mates Tim Hart, Killian Gavin, Jon Hart and David Symes, agreed.

                The record in question is Harlequin Dream, their bold and brave new album, conceived and ‘birthed’ in their hometown of Sydney. And they couldn’t have picked a more appropriate venue in which to make the magic happen: the legendary Alberts studio, the spiritual home of AC/DC, the Easybeats and many, many other homegrown legends. Their music only went offshore when takes were sent to Phil Ek in Seattle, who’s worked with such bands as Band of Horses, Fleet Foxes and Modest Mouse, to be mixed. It was the perfect arrangement for this very Sydney band.

                Boy & Bear’s debut record Moonfire took the band to some places they never thought they’d see, including several tours of Europe and America, and went on to win five ARIA Awards, including Album of the Year.

                STAFF COMMENTS

                Ryan says: Opening on a trinity of 70's rock and unfolding into a seductive mellowness that's carried on through.

                TRACK LISTING

                1. Southern Sun
                2. Old Town Blues
                3. Harlequin Dream
                4. Three Headed Woman
                5. Bridges
                6. A Moment's Grace
                7. End Of The Line
                8. Back Down The Black
                9. Real Estate
                10. Stranger
                11. Arrow Flight

                Third album by acclaimed Norwegian artist Hanne Hukkelberg. In part inspired by her teenage past as a member of various rock bands and in part by her 80s dominated collection of indie/rock albums, the likes of Sonic Youth, Cocteau Twins, Pixies, Einstüerzende Neubauten, Siouxsie & The Banshees and P.J. Harvey have all exerted an influence over Hanne's new songs, which continue her penchant for combining traditional and unusual instrumentation to form a soundscape unique to her. For a self-confessed 'rock' album, "Blood From A Stone" still manages to include field recordings of seagulls, clogs, kitchen utensils, freezers, stoves and a school desk. Although recorded in Hanne's Oslo studio, the songs were written during a seven month spell living in a tiny coastal village on the Norwegian island of Senja, 300 kilometres north of the Polar Circle.


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