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JACK ROSE

Jack Rose

Luck In The Valley

    ‘Luck In The Valley’ is the 10th and final album by Jack Rose and is the yardstick by which many contemporary acoustic guitar albums are measured. This 2018 re-issue makes this contemporary classic available again for the first time since 2010.

    Jack Rose first rose to prominence with the drone/noise/folk unit Pelt. Pelt can be counted among the early influential new music underground bands such as UN, No Neck Blues Band, Charalambides, Tower Recordings and Six Organs Of Admittance. Along with the influences of John Fahey and Robbie Basho, Rose also incorporated North Indian classical, early American blues, bluegrass and minimalism into his singular style.

    ‘Luck In The Valley’ came right as Rose’s influence was just beginning to take flight but was sadly his last album before his unexpected death in December of 2009. Still, his music and influence, much like his person, bold, hearty and rooted in traditional American music continues to be a source of reference for guitarists and musicians carrying traditional American music into modern times.

    “Jack Rose, Versatile Master of the Guitar” - New York Times

    “The energy behind ‘Luck In The Valley’ all emanates from Rose himself: you can almost see his fingers flying across his guitar strings... energy resonates from within his melodies and his songs, giving ‘Luck In The Valley’ a radiance.” - Washington Post

    “It’s a big, bold work, just the way Rose was a big, bold guy - confident, honest, and forthright.” - Pitchfork

    “Jack Rose is acoustic music... Without ever singing a word. Jack Rose could communicate in a way few musicians can.” - PopMatters

    TRACK LISTING

    Blues For Percy Danforth
    Lick Mountain Ramble
    Woodpiles On The Side Of The Road
    When Tailgate Drops, The Bullshit Stops
    Moon In The Gutter
    Luck In The Valley
    Saint Louis Blues
    Tree In The Valley
    Everybody Ought To Pray Sometime
    West Coast Blues

    Jack Rose

    Dr. Ragtime & His Pals

      John Coltrane died at age 40, and in retrospect it seems as if the intensity of activity in his last years, the sheer torrent of notes, was an attempt at purging the music from his soul before it was too late. The guitarist Jack Rose died at 38, in 2009, and listening back to his catalogue one has a similar notion.

      Like Coltrane, Jack Rose's last years were marked by a shimmering intensity, an outpouring of his spirit, onto audiences and records. With his virtuoso finger-style technique and restless guitar explorations - modal epics, bottleneck laments, uptempo rags - it's easy to hear a connection to tradition and at the same time a pulsing modernism: "Ancient to the Future" in the words of Chicago's Association for the Advancement of Creative Musicians. Jack Rose's work exists along the established continuum of American vernacular music: gospel, early jazz, folk, country blues and up through the post-1960s "American primitive" family tree from John Fahey and Robbie Basho and outward to other idiosyncratic American musicians like Albert Ayler, the NoNeck Blues Band, Captain Beefheart, and Cecil Taylor.

      TRACK LISTING

      Miss May's Place
      Revolt
      Bells
      Knoxville Blues
      Soft Steel Piston
      Linden Avenue Stomp
      Blessed Be The Name Of The Lord
      Walkin' Blues
      Buckdancer's Choice

      Jack Rose & The Black Twigs

      Jack Rose & The Black Twigs

        This raw and rocking collaboration between Jack Rose and The Black Twigs features some of the most swinging, hard-hitting string music waxed in many a decade. Rose's solo playing has always had a tough edge, with his prodigious technique often employed to drop right-hand bombs. His use of a thumb-pick originates from years of duets with Twig Mike Gangloff, struggling to make his guitar heard over Gangloff's crashing banjo. The front line of Rose and Gangloff's strings are joined by Isak Howell's no-nonsense guitar and harmonica and Nate Bowles' variety of expert percussion. The four lock together with a sure-footedness honed by frequent touring and a singularity of intent to rock. Gangloff takes the vocals, howling out standards like "Little Sadie" firmly in the old-time tradition—without reserve. A few of the tracks here are updates of Rose & Family classics, with the group turning the stately "Kensington Blues" upbeat and issuing an assured take on "Bright Sunny South", first recorded by Pelt (with Rose and Gangloff) back in 2001 on their gonzo classic double-disc "Ayahuasca".


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