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GLENN ASTRO

Taking his cue from seminal mix albums of days gone by, Glenn Astro is back with a compilation of original productions from a cast of fictional artists on “Nothing Is Real”. Across 13 tracks, the Tartelet mainstay celebrates the thrill of discovery which came as standard listening to new entries in series’ like X-Mix and DJ Kicks, moving between head-nodding downtempo, ambient techno, broken beat and all manner of chill-out room delights. You might be left wishing artists such as DJ 1999, Mental Trance and Eye Soul8r had actual discographies to go and explore, but as Astro himself is keen to point out, ‘nothing is real.’

Astro has never been shy to embrace classic tropes and tones in his past albums for Tartelet, Apollo and Ninja Tune, but he’s drawing on a different set of influences for this album and embracing the flexibility afforded by using imagined aliases for varied production styles.

‘I had the idea to do a mixtape, preferably with unknown dance tracks that also reflect that whole 90s/early 00s vibe,’ Astro explains. ‘Instead of digging for some records that haven’t been sourced yet or trying to find those forgotten treasures, I made the tracks myself. That way I had full control over BPMs, feel and the whole arrangement of tracks. I thought of a few alter egos and started producing the tracks in the order that I intended to play them in a mix. In the end a whole compilation of tracks emerged.’

While the concept might suggest you’re going to hear a lot of over-familiar sounds, don’t be fooled. Astro is inspired and inquisitive, channeling the experimental spirit of the 90s and early 00s when electronic music was still continually being redefined in all kinds of micro-scenes. In many cases, Astro’s productions slip into the cracks between genres rather than specifically mimicking a style.

Even if the reference points are detectable, the end result is a curious blend as indebted to ambiguity as the overall concept of the compilation. Like the spine-tingling sensation of hitting play and awaiting the waves of unknown sonics on one of those seminal mixes, you never know exactly what you’re going to get as you take the trip through “Nothing Is Real”.


STAFF COMMENTS

Matt says: A brilliantly conceived project which sees Glenn attempt to recreate the halcyon sounds of 90s downbeat which he does with staggeringly authentic results. Light up a joss stick, roll up your finest indica a get fully submerged in this post-xtc glow.

TRACK LISTING

A1. Glenn Astro & Mental Trance - Intro Track
A2. Glenn Astro & Crystalline Reality - The Growl
(crystalline Mix)
A3. Glenn Astro & Eye Soul8r - Autumn Subs
A4. Glenn Astro & Dj 1999 - The Abyss
B1. Glenn Astro & Brain Liquor - Jaque?
B2. Glenn Astro & Crystalline Reality - The Growl
(night Mix)
B3. Glenn Astro & Mental Trance - Mental Trance
B4. Glenn Astro & The Foundation - Steppers
Worldwide, Unite!
B5. Glenn Astro & Dj 1999 - Almost Pleasant

Copenhagen’s Tartelet continues its 10 th anniversary with another an EP from Glenn Astro, serving up five exclusive tracks across a multifaceted 12". The EP takes inspiration from Keith Haring’s celebrated 'Crack is Wack' mural in New York, which was a reaction to the drug epidemic of the time. Only 250 copies will be released worldwide.

In a short space of time, Glenn Astro has cooked up his own unique musical world. He has released full-lengths on Ninja Tune alongside Max Graef, and recently on Apollo Rec, sister label of R&S, in conjunction with Hodini.

The opener "Crack Is Wack" is a loose and live sounding jam with warm synth chords, alternating 808 drum patterns and breaks. It has a celebratory feel as expressive keys and walking basslines take turns to take the lead and move things forwards. The feel good "Der Langweiler" is a much slower and loveably lazy joint, incorporating a cosmic 808 drum groove mixed with arpeggiated Wurlizer chords and a grooving e-bassline sinking you deep into the late night groove.

On the flip and switching up the vibe again is "Der Maschine", which has frazzled electronic synths next to wooden hits and a playfully distorted drum machine to make for something that brims and bristles with dance floor energy in inventive new ways.

"Boring Times On Beleuse Five" is a tripped out sci-fi track with percolating drums and heavenly chords. It’s sparse and dynamic but with a compelling rhythm. "Discomania" is an exclusive and vinyl-only cover version of Piero Umiliani’s eponymous electronic disco classic, is a gorgeously spaced out disco instrumental with expressive keys, drums and percussion all adding up to something impossibly infectious.

This is another remarkable EP of effortlessly fused sounds, showcasing Glenn’s new steps exploring cosmic and electronically driven aesthetics.


STAFF COMMENTS

Matt says: Playful and trickski Glenn has a sound and outlook completely of his own. He's carved out this identity through some carefully constructed, sympathetic constructions that add an elven magic to a cauldron of downbeat, hip-hop, house raw elements. Almost impossible to describe but always fun to listen to!

TRACK LISTING

A1. Crack Is Wack
A2. Der Langweiler
B1. Der Maschine
B2. Boring Times No Beleuse Five


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