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TARTELET

Killer Nu Groove / 90's NYC House style tracks on Tartelet

B FROM E (Frej Garcia Levin) represents a new generation of talented young artists making waves in Copenhagen. Of Mexican-Danish descent, and born and raised in the notorious tower blocks of the south-western suburbs of Copenhagen, the 27-year old is on the up-and- up. In high demand as the founder of boom bap rap group NATKAT, producer of pop outfit Ny Sensei (New Sensei) and head of tape-only label Buddahood, the multi-talent seems to have a hand in everything at the moment. His 2017 debut ‘Porno TR-XXX’ (C.U.P) saw some of the hottest names in the game spinning B FROM E at last year’s Dekmantel festival, resulting in offers from several well-known record labels.

His new record on Tartelet Records comes as four cuts exploring different paths of the garage house sound. The opener ‘Dark Energy’ is fueled by filthy breaks and a nostalgic theme that would not be out of place in an early Atari computer game. ‘The People (Dream Mix)’ is a trippy tour through subtle layered melodies, carried by a stripped-back groove.

On the B-side you will find ‘Positive Sister (2605 Tool)’: a chunky cut with a serious bassline. Saving the best for last, ‘You Will See’, rounds off the record in style. A feel-good tune that is sure to get plenty of spins this summer. HOT TIP!

Copenhagen’s Tartelet continues its 10 th anniversary with another an EP in their Limited Edition Series. This one finds Glenn Astro serving up five exclusive tracks on the 12". The EP takes inspiration from Keith Haring’s celebrated Crack is Wack mural in New York, which was a reaction to the drug epidemic of the time. Only 250 copies will be released worldwide.

In a short space of time, Glenn Astro has cooked up his own unique musical world. He has released full-lengths on Ninja Tune alongside Max Graef, and recently on Apollo Rec, sister label of R&S, in conjunction with Hodini.

The opener ‘Crack Is Wack’ is a loose and live sounding jam with warm synth chords, alternating 808 drumpatterns and breaks. It has a celebratory feel as expressive keys and walking basslines take turns to take the lead and move things forwards. The feel good ‘Der Langweiler’ is a much slower and loveably lazy joint, incorporating a cosmic 808 drum groove mixed with arpeggiated Wurlizer chords and a grooving e-bassline sinking you deep into the late night groove.

On the flip and switching up the vibe again is ‘Der Maschine’, which has frazzled electronic synths next to wooden hits and a playfully distorted drum machine to make for something that brims and bristles with dance floor energy in inventive new ways.

‘Boring Times On Beleuse Five’ is a tripped out sci-fi track with percolating drums and heavenly chords. It’s sparse and dynamic but with a compelling rhythm. ‘Discomania’ is an exclusive and vinyl-only cover version of Piero Umiliani’s eponymous electronic disco classic, is a gorgeously spaced out disco instrumental with expressive keys, drums and percussion all adding up to something impossibly infectious.

This is another remarkable EP of effortlessly fused sounds, showcasing Glenn’s new steps exploring cosmic and electronically driven aesthetics.



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