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San Francisco-based psychedelic rock band The Asteroid No.4 are set to release their twelfth studio album. Known for their distinctive blend of shoegaze, dream pop and psychedelic rock, 'Several Shapes of Solar Flares' showcases the band's evolution while maintaining their signature sound and features guest female vocals from Galine Tumasyan (Seablite) and Zoe Mahaney. Happily accepting their comparisons to acts like Ride, Slowdive, Spacemen 3 and The Rain Parade from the Paisley Underground scene in Los Angeles in the 80s, The Asteroid No.4 have evolved into a sound all their own, crafting a sonic journey that is both nostalgic and innovative.
Originally formed in Philadelphia in the late 1990s, The Asteroid No.4 are stalwarts of the modern "psych" genre and has been a staple in the psych-rock scene since their inception. Known for their atmospheric soundscapes, evocative lyrics, prolific discography of reverb-drenched recordings and guitar driven, liquid- projected live performances, the band is often categorized as "neo-psychedelic" or "shoegaze".
With new long player 'Several Shapes of Solar Flares', tracks such as the high octane 'Rescue' and warm, fuzzy 'Lost Inside' featuring Seablite's Galine Tumasyan on vocals, are enriched by strong hooks and glorious atmospheric instrumentation. Elsewhere, 'Caroline's Gone' is maximum-volume shoegaze, while 'Elevator' featuring Zoe Mahaney on vocals, is a thunderous example of space rock, before album closer 'Silhouette', propelled forward by 60's psychedelic tones, sonic guitar work, and blissful vocals, represents another step in the band's evolution. Self-produced, recorded, and mixed by the band at their San Rafael, CA studio, the album was mastered by Simon Scott of Slowdive, ensuring a polished and immersive listening experience.
The Asteroid No.4 are Eric Harms; guitar, Scott Vitt; guitar, vocals, Matty Rhodes; bass guitar, vocals, Camilla Saufley; keys, guitar, vocals and Mark Tarlton; drums, percussion.
Originally formed in Philadelphia in the late 1990s, The Asteroid No.4 are stalwarts of the modern "psych" genre and has been a staple in the psych-rock scene since their inception. Known for their atmospheric soundscapes, evocative lyrics, prolific discography of reverb-drenched recordings and guitar driven, liquid- projected live performances, the band is often categorized as "neo-psychedelic" or "shoegaze".
With new long player 'Several Shapes of Solar Flares', tracks such as the high octane 'Rescue' and warm, fuzzy 'Lost Inside' featuring Seablite's Galine Tumasyan on vocals, are enriched by strong hooks and glorious atmospheric instrumentation. Elsewhere, 'Caroline's Gone' is maximum-volume shoegaze, while 'Elevator' featuring Zoe Mahaney on vocals, is a thunderous example of space rock, before album closer 'Silhouette', propelled forward by 60's psychedelic tones, sonic guitar work, and blissful vocals, represents another step in the band's evolution. Self-produced, recorded, and mixed by the band at their San Rafael, CA studio, the album was mastered by Simon Scott of Slowdive, ensuring a polished and immersive listening experience.
The Asteroid No.4 are Eric Harms; guitar, Scott Vitt; guitar, vocals, Matty Rhodes; bass guitar, vocals, Camilla Saufley; keys, guitar, vocals and Mark Tarlton; drums, percussion.
TRACK LISTING
1. Under Lock And Key
2. Opaque (ft. Zoe Mahaney On Vocals)
3. Rescue
4. Lost Inside
5. Caroline's Gone
6. Lille
7. No Heaven
8. Elevator (ft. Zoe Mahaney On Vocals)
9. Silhouette
INDIGOS, the latest export of Bristol's vibrant and significant live music scene, are pleased to announce the release of their heavenly self-titled debut EP. An effortless blend of 90s post-punk grunginess mixed with layers of psychedelic guitars and irresistible pop hooks makes 'INDIGOS' an enchanting prospect, steeped in that ever popular juxtaposition between dark existential angst and blissful summer licks. The 4-track was produced by Ben Johnson and IDLES guitarist Lee Kiernan.
Reduced
Pinkshinyultrablast, Russia's finest export, release their third album 'Miserable Miracles'.
With vocalist Lyubov recently moving to LA, the band have been exploring new ways of composing and collaborating. Partnered with a line-up refinement, the new material sees Pinkshinyultrablast go down a more electronic path while experimenting with new sounds and genres (including inspiration from Japanese pop such as Chiemi Manabe and Yellow Magic Orchestra).
Originally hailing from a city more synonymous with the State Conservatory than a gang of shoegaze addicts, the band have nevertheless seen great critical and commercial success since their debut album 'Everything Else Matters' and follow-up 'Grandfeathered'. They've been compared to bands such as Lush but this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess not only the spirit of late 80s/early 90s British bands like Cocteau Twins, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.
On 'Miserable Miracles' Lyubov's delicate vocals soar effortlessly above haunting ambience and ethereal embellishments complimented by driving motoric beats. Singles 'In The Hanging Gardens' and 'Find Your Saint' perfectly showcase the band's new, more electronic direction while retaining their signature quirkiness with layers of experimentation. Elsewhere on the likes of 'Dance AM' and 'Triangles' retrocentric 80's production highlights newer synth-pop influences whereas tracks such as 'Blue Hour' and 'Earth and Elsewhere' are blissful synth-wave soundtracks which give the otherwise upbeat album space to breathe. Together the third album from the innovative trio is one that flows effortlessly as a continuous piece of work and reveals that even within a genre so widely explored, there's still room for modernization amongst those willing to push boundaries.
With vocalist Lyubov recently moving to LA, the band have been exploring new ways of composing and collaborating. Partnered with a line-up refinement, the new material sees Pinkshinyultrablast go down a more electronic path while experimenting with new sounds and genres (including inspiration from Japanese pop such as Chiemi Manabe and Yellow Magic Orchestra).
Originally hailing from a city more synonymous with the State Conservatory than a gang of shoegaze addicts, the band have nevertheless seen great critical and commercial success since their debut album 'Everything Else Matters' and follow-up 'Grandfeathered'. They've been compared to bands such as Lush but this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess not only the spirit of late 80s/early 90s British bands like Cocteau Twins, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.
On 'Miserable Miracles' Lyubov's delicate vocals soar effortlessly above haunting ambience and ethereal embellishments complimented by driving motoric beats. Singles 'In The Hanging Gardens' and 'Find Your Saint' perfectly showcase the band's new, more electronic direction while retaining their signature quirkiness with layers of experimentation. Elsewhere on the likes of 'Dance AM' and 'Triangles' retrocentric 80's production highlights newer synth-pop influences whereas tracks such as 'Blue Hour' and 'Earth and Elsewhere' are blissful synth-wave soundtracks which give the otherwise upbeat album space to breathe. Together the third album from the innovative trio is one that flows effortlessly as a continuous piece of work and reveals that even within a genre so widely explored, there's still room for modernization amongst those willing to push boundaries.
STAFF COMMENTS
Barry says: Bordering on euphoric, Pinkshinyultrablast continue their domination of the saccharine-sweet Russian synthpop scene (a busy scene indeed) with this beautiful collection of retro heavy throbbing saw waves and angelic vocal sweeps.TRACK LISTING
Dance Am
Triangles
Find Your Saint
Eray
Blue Hour
Earth And Elsewhere
Taleidoscope
In The Hanging Gardens
Looming
"Driverlights" is the second single to be taken from Gothenburg's Hearts Of Black Science album "The Ghost You Left Behind". It takes a leather-clad pinch of Black Rebel Motorcycle Club and stirs it up with some soaring 80s synth-pop sounds and ethereal vox. A melancholic and dark pop melody, yet uplifting and positive at the same time.