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CHICAGO

The Replacements

Not Ready For Prime Time: Live At The Cabaret Metro, Chicago, IL, January 11, 1986 (RSD24 EDITION)

    THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.


    First time on vinyl; breakout of live material from Tim (Let It Bleed Edition) featuring the original lineup performing in January 1986 the week of their infamous performance on Saturday Night Live (hence the title).

    Sun Ra

    At The Showcase - Live In Chicago 1977 (RSD24 EDITION)

      THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

      IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.






      Art Tatum

      Jewels In The Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings (RSD24 EDITION)

        THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

        IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.



        Light Touch Band & Magic Touch

        Chi - C - A - G - O (Is My Chicago) B/w Sexy Lady (Radio Edit)

          Chicago’s Magic Touch label gets the Numero treatment. This Windy City Holy-Grail 2-sider featuring early Boogie Rap on the A Side and stone cold rare groove disco killer on the flip. Available on 7” for the first time and housed in Official Magic Touch Double Disco Smash 7” Company Sleeve. One listen and you’ll be checking for flights and hotels because Chi-C-A-G-O (Is My Chicago) shows that the Second City produced First Rank funky soul jams.

          TRACK LISTING

          A. Chi - C - A - G - O (Is My Chicago)

          B. Sexy Lady

          Another critical refix for 2023 from the Chicago OG. A tracky remix from DJ Sneak jacks so hard you might hurt yourself, alongside a refreshed for `23 version of the original from the man himself on the A-side. While soulful pianos contrast with classic acid to form the perfect storm on the B side. Sounding as fierce as ever! 

          TRACK LISTING

          A1. DJ Sneak Boss Remix
          A2. Acid Over 23
          B1. Hugo's Piano Re-Cut Version

          Chicago house legend Tyree Cooper reissues this incredibly storied stone cold classic. Though the origin story has been greatly disputed, one thing is certain - this record bangs! Almost frighteningly fierce - the track's composition of vicious floor toms, crashing cymbols and synthesized thunder strikes conjure up a writhing tribal mess of bodies on any dancefloor and the track's uncompromising approach is what's equated to its longevity over the years. Comes b/w a fresh new take for '23 plus Traxman's 'Funkbomb' rework which is a tasty, stripped back tweak of this monstrous warehouse power rocket. 

          TRACK LISTING

          A1. Video Crash Original Mix
          A2. Acid Crash Rx
          B1.Traxman's Funkbomb Rework

          Roy Ayers

          Good Good Music / Chicago

            The Roy Ayers album "Silver Vibrations" celebrates it's 40th Anniversary this year. The Uno Melodic label via Expansion now release "Good Good Music" (Edit) from that album on 7" for the very first time. It's released back to back with "Chicago", also still sought after on 7" single, again taken from "Silver Vibrations"

            TRACK LISTING

            1. Good Good Music
            2. Chicago

            Various Artists

            Jamie 3:26 Presents A Taste Of Chicago

              Following the 2018 release of a 12" preview sampler, BBE Music is excited to present the album 'A Taste of Chicago', a compilation of classic house edits by Jamie 3:26. Hailing from Beverly on the South Side of Chicago, Jamie 3:26 is an artist driven by a deep desire to get people moving in the dance. A Chi-Town vibe is always the focus for the master selector and producer who's capable of lighting up dance-floors around the world and that ethos shines through on this compilation, featuring a collection of tracks giving listeners a true insight into the sound, culture and style of the Windy City. The compilation sees classic tracks by the likes of Chip E, Quest and more get a serious Jamie 3:26 twist, with edits that not only capture the best of celebrated eras gone by, but point to the future too. Get ready for a unique and timeless journey into Chicago's famous house music scene, courtesy of one of the city's key players.

              “This compilation represents the true unspoken sound of my city. While the House scene was blossoming into what would be a globally recognized phenomenon, we had this whole hidden movement going on. These personal edits that I played back then represent magical moments in time that are still being created in many of my sets today. A huge thank you to my music brothers Marshall Jefferson, Braxton Holmes, Tone B. Nimble, Chip E, Pap Spencer, Doc Brucio, Carl Bias for trusting my ears with your creations.” - Jamie 3:26

              TRACK LISTING

              1. Venus & Mars (Jamie 3:26 Edit)
              2. The Lesson (Doc Brucio's Original Mix – Jamie 3:26 Edit)
              3. The Jungle (Jamie's Jungle Sounds Edit)
              4. Mind Games (Underground Mix – Jamie 3:26 Edit)
              5. Stomps & Shouts (Jamie 3:26 Basement Edit)
              6. It's House (Jamie's Basement Edit)
              7. Comin' On Strong (Jamie 3:26 Edit)

              Art Ensemble Of Chicago

              We Are On The Edge: A 50th Anniversary Celebration

                Iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge in April, and Erased Tapes are honoured to announce the vinyl edition of this exceptional body of work. Led by surviving founding members Roscoe Mitchell and drummer Famoudou Don Moye, these brand new recordings involve a staggering array of contemporary artists ranging from across the jazz, experimental and improvised music spheres; from the visionary poet and musician Moor Mother, trumpeters Fred Berry and Hugh Ragin, who have performed with Mitchell for over five and four decades, to bassist Jaribu Shahid, supreme cellist Tomeka Reid, celebrated flute virtuoso Nicole Mitchell and the extraordinary voice of Rodolfo Cordova-Lebron.

                The vinyl edition will be available as a double album featuring a meticulous studio session of the newly assembled group of musicians, combining re-recordings of works spanning the last 50 years, some never before recorded, as well as new compositions. The 4-LP special edition also includes their live set recorded at Edgefest, the annual experimental jazz and creative new music festival in Ann Arbor, Michigan.

                Having witnessed this exciting new formation around Roscoe and Don live at Big Ears Festival in Knoxville, Robert Raths was compelled to start a conversation with their US label Pi Recordings, based out of New York, and support this project in any way possible.
                The Art Ensemble of Chicago is a band that has been at the forefront of creative improvised music since forming in 1969. It has also long served as the flagship ensemble of the Association for the Advancement of Creative Musicians (AACM), the august Chicago-based organisation that also fostered the careers of members such as Muhal Richard Abrams, Anthony Braxton, Henry Threadgill, and Wadada Leo Smith, among many others. Now led by the surviving members Roscoe Mitchell and drummer Famoudou Don Moye, their new album We Are On The Edge: A 50th Anniversary Celebration is not only a commemoration of a half-century of magical music making, but also a loving tribute to the band’s three original members who have passed: Lester Bowie, Malachi Favors, and most recently, Joseph Jarman.

                The greatness of the Art Ensemble has always been the shared commitment of its original members to the total realm of African diasporic music: what they have long-termed “Great Black Music — Ancient to the Future”. Also important are the group’s disparate musical and artistic personalities, comprised of jazz, advanced compositional techniques, theatrical performance, poetry, Pan-African percussion, all tied together with improvisational flair, a taste for the absurd, and the exploration of pure sound and space. It is this open-mindedness – absorbed from the basic tenets of the AACM – that has made the band one of the most important in the history of music.

                Mitchell and Moye are now 78 and 72, respectively, but one would never guess by their outlook. Mitchell, who was recently named to a prestigious United States Artist Fellowship, is about to retire from his teaching position at Mills College, is most excited when you ask him about his upcoming projects, gushing about a dizzying array of performances, commissions, collaborations, composition ideas, and musical studies and inventions. There is, of course some wistfulness when looking back, particularly with the passing of Joseph Jarman earlier this year, but the overwhelming feeling is anticipation of what is coming next or, as Moye always says, "focus and forward motion". It’s a clarion statement that Mitchell and Moye are intent on ushering The Art Ensemble of Chicago forcefully into its sixth decade. As Moor Mother declares: "We are on the edge!" 

                TRACK LISTING

                1. Bell Song
                2. We Are On The Edge
                3. I Greet You With Open Arms
                4. Chi-Congo 50
                5. Jamaican Farewell Part I
                6. Villa Tiamo
                7. Saturday Morning
                8. Jamaican Farewell Part II
                9. Mama Koko
                10. Fanfare And Bell
                11. Variations And Sketches From The Bamboo Terrace
                12. Oasis At Dusk
                13. We Are On The Edge/Cards (Live)
                14. Oasis At Dusk (Live)
                15. Chi-Congo 50 (Live)
                16. Tutankhamun (Live)
                17. Mama Koko (Live)
                18. Saturday Morning (Live)
                19. Odwalla/The Theme (Live)

                Tuff AF hardware acid and industrialized dance music here from Chicago Floatation Device. The forth in their divisive series, this is hard edged music for surviving mutant attacks in the rave bunker.

                Four tracks that hiss, crackle and thud in all the right places. Elements are forced well into the red, max'ing out the head room and resulting in that natural, tape saturated compression the freaks go nuts for. Mechanized drum patterns open and shut onto bubbling leads and reams of think analogue stinkiness.

                RIYL: Cerberus Future Technologies, Power Vacuum, Muscle Records, Hieroglyphic Being etc.


                TRACK LISTING

                1. Untitled 12 (10:04)
                2. Untitled 10 (6:07)
                Side 2
                1. CFD Live 01 (6:18)
                2. Untitled 14 (7:44)

                In August 1985 Sonic Youth were touring across the states following the release of their recently released LP ‘Bad Moon Rising’. This performance from August 11, 1985 at Chicago’s Smart Bar was recorded on 4-track
                cassette. This live recording consists of much of Bad Moon Rising and early performances of Secret Girl + Expressway to Yr Skull later to be released on EVOL, as well as a rare never before released live rendition of Kat ‘N’ Hat.

                Mixed and mastered by the band from the original tape source for this double LP edition w/ download card (or CD) along w/ liner notes by Gerard
                Cosloy and Sonic Youth engineer Aaron Mullan and photos by Pat Blashill and Steven Koress and released by Sonic Youth on their own label, Goofin’ Records.

                An excerpt from the LP’s liner notes: “Having now listened to this tape maybe 100 times, I can say this: it’s a killer show. The material was mostly released on the studio album Bad Moon Rising. The album is brilliant, but the material is also so visceral and improvisatory that it greatly benefits from the additional perspective offered by a live recording. Kim’s vocals, more detached on the album, are fierce here. Sheets of feedback insanity on the album which I always assumed to be lucky studio accidents turn out to be actual parts that Lee and Thurston can re-create at will. The album was recorded with Bob Bert on drums, but this show was one of the first after Bob left and Steve took over. Bob’s primal stomps doubtlessly propel the studio versions, but hearing these parts as interpreted by Steve’s systematic pummeling, illuminates the crucial transition to the Evol and Sister albums and beyond. We do get a taste of Evol too, with an early performance of ‘Expressway To Yr Skull’ and the first known live performance of ‘Secret Girl,’ plus an instrumental version of the rarely performed, and never released, ‘Kat ’n’ Hat.’” —Aaron Mullan, Feb. 2012

                TRACK LISTING

                1. Hallowe’en
                2. Death Valley ’69
                3. Intro/Brave Men Run(In My Family)
                4. I Love Her All The Time
                5. Ghost Bitch
                6. I’m Insane
                7. Kat ‘N’ Hat
                8. Brother James
                9. Kill Yr Idols
                10. Secret Girl
                11. Flower
                12. The Burning Spear
                13. Expressway To Yr Skull
                14. Making The Nature Scene

                Various Artists

                Bangs & Works Vol. 2 (The Best Of Chicago Footwork)

                In 2010 Planet Mu released "Bangs & Works Vol. 1". The carefully curated compilation showcased Chicago footwork, one of the most forward-looking, innovative new styles of electronic music on the planet. Since its release, interest in the scene has grown with the sound beginning to spread outside of Chicago, influencing productions by not only Planet Mu artists such as Machinedrum and Kuedo, but many others as well. "Bangs & Works Vol. 2" brings the focus back onto Chicago’s own producers, showing where the real innovation still lies.

                While its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks such as DJ Metro’s “Tekno Bangz” or DJ T-Why’s immense “Juice” and ‘Finished” to those that sound like musique concrete gone footwork, like Young Smoke’s “Space Muzik Part 3.” Others like Traxman’s “Funky Block” and DJ Clent’s “DJ Clent #1” display the obvious influence of flipping samples, hip hop style to the rhythms of footwork, while DJ Rashad & Gant-Man’s amazing “Heaven Sent” shows the influence of P-Funk and Detroit’s hi-tech soul. On the whole, footwork’s synapse-snapping intensity is ever present, but this selection shows an even wider diversity to the genre’s independent and unique production focus.


                TRACK LISTING

                01. RP Boo - Heavy Heat
                02. Jlin - Erotic Heat
                03. DJ Earl - Hit Da Bootz
                04. DJ Rashad & Gant-Man - Heaven Sent
                05. DJ Metro - Burn Dat Boi
                06. DJ Clent - Ball'Em Up
                07. DJ MC - Y Fall
                08. DJ Spinn - Crazy 'N' Deranged
                09. Traxman - Funky Block
                10. DJ Rome - Showtime
                11. DJ T-Why - Finished
                12. Tha Pope - When You
                13. Boylan - Bullet Proof Soul
                14. Jlin - Asylum
                15. DJ T-Why - Orbits
                16. DJ Roc - Get Buck Juice
                17. Traxman - Brainwash
                18. DJ Clent - DJ Clent #1
                19. DJ Metro - Smak My Bitch Up
                20. Young Smoke - Space Muzik Pt.3
                21. DJ T-Why - Juice
                22. DJ Solo - What Have You Done
                23. Young Smoke - Psycho War
                24. Young Smoke - Wouldn't Get Far
                25. DJ Metro - Tekno Bangz
                26. RP Boo - Off Da Hook

                Little Johnny Jones And The Chicago Hound Dogs

                Dirty By The Dozen (Sweet Little Women) / I May Be Wrong

                Little Johnny Jones leads the way on these two piano-driven blues rollers featuring Elmore James' backing band The Chicago Hound Dogs.

                Chicago

                Chicago II

                  Chicago's second album was another 70s monster seller for the band. Their mix of huge brassy riffs and big 'production' numbers really captured the public's imagination. These earlier albums are more overtly 'rock' than many of their later more ballad-led releases and this remastered edition with its bonus tracks has excellent booklet notes telling the band's story.

                  Chicago

                  III

                    Their third double album in three years, "Chicago III" was another groundbreaking concept album from one of the USA's biggest selling bands of all time. The long playing time allowed them free reign on solos (three or four minute guitar solos were the norm) and this is regarded as one of their finest.

                    Slapstick

                    Live From Chicago's Fireside Bowl

                      This is a very special show by a very special band! Slapstick were one of the biggest punk rock bands to come out of Chicago. They broke up in 1996, at a time when every major label wanted them. The band re-united in 1997 for a one off reunion show and this is it. Featuring 14 tracks, rare photos and interview clips.

                      Chicago

                      II

                        Classic seventies American rock, a huge brass sound with CSN&Y style harmonies and lots of hippy trippy flute and orchestrations, this has got the lot.


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